THE following Thursday night Tom called at the Whitmans' to rehearse the lecture. Nancy's cousin Bob had arranged to have two rooms reserved for them during the Friday noon hour at the Mills, and they had agreed that the best way to prepare for the ordeal was to study their notes and get their material in final shape and then have a dress rehearsal on Thursday night. "After a while," Nancy had said, "when we work into the harness, we probably won't need to have one, but I don't think we can be too careful of this first lecture." This had been precisely Tom's opinion also. Tom had never seen Henry so amiable. In fact he seemed hard put to it to keep from unrestrained merriment, and Tom, who found the affair more alarming as it progressed, would have preferred avoiding him altogether. He knew that Henry was calling him callow, a lightweight, charges well-nigh proved by his present undertaking, and to save himself from rout he had to remember that Henry was a heavy Grave man and that his own participation was only a question of common courtesy to a lady, anyway. Nancy had set her heart upon the thing, and he would be a very indifferent "I believe," said Henry, "that we are to sit in the drawing-room. Nancy will stand in the far end of the library." "I see," replied Tom vaguely. "She feels that having the conditions rather trying tonight will help her tomorrow. Accordingly, she's going to speak first, and she wants me to excuse her for not being here when you arrived. By coming in formally and beginning her address without speaking to us, she hopes to get some of the feeling of the way it will be tomorrow." And with a somewhat hysterical noise he went to the stairway. "All right, Nancy." In a minute Nancy appeared on the stairs and, walking stiffly across into the library, she climbed upon a footstool at the far end. In front of her was an old violin stand. Upon it she put her notes. She then raised her face; and even at the distance it appeared flushed. "Fellow workers," she began. At this point Henry broke into uncontrollable laughter. "Excuse me, really, but it is too much. 'Fellow workers'—oh, dear me. Oh, oh, I am afraid I can't stand it. You must excuse me, really. Oh, dear me," and rising weakly, handkerchief in hand, he tottered from the room. Nancy, the picture of resigned despair, gazed at Tom. He felt slightly hysterical himself. "What are we to do?" she asked helplessly. As they were nearly fifty feet apart, the pitch of her Nancy was, indeed, thoroughly upset. What was to become of her independent life if this failed? How else could she express herself? Was it to collapse at the very start, before she could even approach her dreams for the future? To have it end ridiculously, to have her become a laughing stock, would be too cruel. No, she would fight for her liberty. "Why, the thing to do is to go on," replied Tom. Had those words been said at Marengo or Poitiers or Persepolis, they might today be learned by school children. They were of the stuff that wins lost causes. They stem defeat as effectively as fresh battalions. "Fellow workers," Nancy began again, and this time there was only respectful silence, "I have come to you today to tell you a little something about the machines which are forever your property, which were given to you by your Maker and which it is your sacred duty to keep in as good condition as possible. I mean your own bodies." She paused, and Tom nodded encouragement from the other room. "It has become my pleasant duty to come to you and tell you how you may keep these God-given machines. You are to regard me, in other words, as your friend and sister." The lecturer "At the outset you should have a brief working knowledge of such things as your heart and lungs, your pancreas, liver, big and little intestines and their juices; and I shall, accordingly, give you a brief idea of the various systems, beginning today with the circulatory and respiratory. Next time I shall hope to cover the digestive and excretory tracts, and I shall close with two talks on personal hygiene." This ended the preliminary matter, and the lecturer proceeded with the body of her talk in a somewhat more mechanical style. The respiratory system was dismissed in six minutes, although, in some curious way, Mr. Sprig had strung the same material out to half an hour. Before beginning upon the circulatory system, however, she sprang a surprise. "For your convenience," she explained, "I shall draw a diagram of the heart and its valves, and with your assistance I shall explain its action." After a little wrestling with the diagram, which would curl, she managed to pin it to the wall. She then proceeded, in red crayon, to draw a fully equipped heart. She finished with audible relief and, turning triumphantly—greeted Miss Balch and her brother Leofwin. "Dear me, I am afraid we are intruding," said Miss Balch, looking around with ingenuous charm. Henry, having heard the bell which the social workers had been too absorbed to hear, appeared at Nancy, for one reckless moment, was tempted to say that it was, but temperate judgment prevailed. After all, why need she be ashamed of what they were doing? "Tom and I are giving a course of lectures at the Mill, in hygiene, and we are just rehearsing a little; that's all. The valentine shows the heart action. Those arm things are the valves, you see." "But, really, you know, even a valve must have some perspective." "Well, of course, I'm no artist. The cut in the dictionary was very small, and when I enlarged it I tried to get the right proportions, but I just had my tape measure and——" "I shall help you. Elfrida will bear me out: I have always been interested in the lower classes, and I shall love to go with you and draw it when the time comes." "Oh, I couldn't let you do that." "Why not? I admit I've had no experience, but, after all, in a work of this kind, it is the spirit that counts, isn't it?" Elfrida had engaged Tom and Henry at a point as far distant as she could from her brother and "Are you really a realist?" asked Miss Balch. "No, I don't think I am." "Fancy," replied Miss Balch. "Then I think you would like a thing I got out of the library the other day by one of these new Russians. He has some dreadful name. Well, it is about this man, a peasant, who falls in love with this Bolshevist agent, and she uses the man, you see, as a tool. Then there is this other woman in it who——" Leofwin had adopted a very free-and-easy manner, it seemed to Tom. He was sitting with his legs crossed, hands folded, one arm over the back of his chair, half facing Nancy. He was being extremely bland and at his ease. It was the sort of thing one might do in a Russian drawing-room, perhaps, where the ladies doubtless didn't mind being bitten in a fit of passion, but it was decidedly not the way to behave in Woodbridge—although it must be confessed that an impartial observer might have failed to distinguish any marked difference in the way Tom himself was sitting, since he, too, had crossed his legs, folded his hands, and was half facing Nancy. It was clear that Nancy was painfully trying to do the honours. "You must let me see your pictures," Tom heard her say. "... Really, Mr. Reynolds, I think you might listen to me when I'm trying so hard to entertain you." "Why, I heard everything you said. All about this new Russian." "Sly boots!" said Miss Balch archly. Tom wondered what the proper reply was. What he wanted to say, in the same arch manner was "Puss Wuss!" but instead he just grinned brightly and let it be inferred that he was thinking of all sorts of clever things. "A penny for your thoughts, sir," cried Miss Balch. This was unbearable, especially since Henry was apparently enjoying it so much. "I hope you won't think me rude, but I was thinking of the great pile of uncorrected test papers at home on my desk, and I am afraid you will have to excuse me." He rose. The whole room rose. He started for the door, and Nancy hurried over to him. "Isn't it dreadful?" she seemed to say. Behind her, like Tartarin's camel, loomed Leofwin. "We'll meet here at twelve," Nancy said, and with an effort she managed to include the cavalier and irrepressible artist, who, beaming and bowing, showed in every corner of him his thorough approval of the whole arrangement. |