In all the literature on Oriental Rugs no mention has been made of their sanitary condition when laid on the floors of our homes. In response to a letter of inquiry, one of our American missionaries, a young lady stationed at Sivas, Turkey in Asia, who very modestly objects to the use of her name, so well explained the condition of affairs that portions of her letter given verbatim will prove most interesting. She says: "In Sivas there are a number of rug factories in which are employed many thousand little girls, ages ranging from four years upward. They work from twelve to fourteen hours a day and I believe the largest amount received by them is five piasters (less than twenty cents) and the small girls receive ten to twenty paras (a cent or two). These factories are hotbeds of tuberculosis and we have many of these cases in our Mission Hospital. Of course this amount of money scarcely keeps them in bread and in this underfed condition, working so long in ill ventilated rooms, they quickly succumb to this disease. These girls are "No matter what part of the city you pass through this time of the year you will see looms up in the different homes and most of the family, especially the women and children, working on these rugs, and it is very interesting to watch them and to see how skilful even the small children grow in weaving these intricate patterns. Making rugs in the homes is quite different from making them in the factories, for in the summer at least they have plenty of fresh air. "No doubt many rugs made in these homes are filled with germs of contagious diseases, for they use no precautions here when they have such diseases in the family, and usually the poor people only have one room, and if a member of the family is stricken with smallpox or scarlet fever the rest of the family continue to work on the rug often in the same room." Another correspondent from Marash, Turkey in Asia, says, "If you are interested in humanity A third correspondent says, "Often rugs upon which patients have died from contagious diseases are sold without cleaning. In fact, they are rarely cleaned." Upon receipt of the above a letter of inquiry was at once sent to the Treasury Department at Washington regarding the disinfection of textiles from the Orient immediately upon their arrival into this country, to which we were informed that "The Surgeon-General of the Public Health and Marine Hospital Service stated that such rugs, if originating in parts or places infected with quarantinable diseases, would be required to be disinfected under the quarantine laws." This sounds sensible, but when the rugs are sent from all parts of the Orient to Constantinople, from whence they are shipped in bales to the United States, pray how can the Surgeon-General discriminate? The only safe way is for the government Ex-President Taft once recommended a new department of public health whose duty it would be to consider all matters relating to the health of the nation. If his suggestions are carried out no doubt the question of disinfecting Oriental imports will be satisfactorily disposed of. Until then we should see to it that all Oriental rugs are at least clean and free from dust before allowing them to be delivered in our homes. The great majority of these rugs, when leaving the ANTIQUE ANATOLIAN MAT. ANTIQUE ANATOLIAN MAT Size 3'5" × 1'10" FROM THE COLLECTION OF THE AUTHOR Knot. Nine to the inch vertically and eight horizontally, making seventy-two to the square inch. This is a most unusual piece. It has a long nap, is tied with the Turkish knot and in many respects resembles the Bergama while on the back it has a distinctly Khorasan appearance. It is an old piece with a most lustrous sheen and the colors are of the best, every one being of exactly the same tint on the surface as it is down next to the warp threads. The prevailing color is a rich terra cotta with figures of lilies in olive-green, old rose, blue and white. There are also a number of six-petaled flowers in red, white and blue. In the centre there is a diamond-shaped medallion with triangular corner pieces to match, all of which are outlined in natural black wool. The nap is so cut as to give the surface the characteristic hammered-brass appearance so common in many of the antique Bergamas and the lustre is such as is only found in the very old pieces. (See page 234) |