Me fren', Mollie Matches,” observed Chucky.

That was our introduction. A moment later Chucky whispered in a hoarse aside:

“Matches is d' dip I chins youse about, who gets d' Hummin' Boid t'run into him.”

“Matches,” as Chucky called him, was a sad, grey, broken man. Years and a life of flight and anxious furtivity had told on him. His eye was dancing and birdlike; resting on nothing, roving always; the sure mark of one sort of criminal. Matches drank for an hour before he felt at ease. That time arrived, however, and I took advantage of it to feed my curiosity. It was no easy matter, but at last I won him by a deft blending of flattery and drink to talk of his crimes. And indeed I fear—for I suppose the expert thief does plume himself a bit on his art—that Matches took some sort of wretched pride in his illicit pocket searchings.

“D' biggest touch I ever makes,” said Matches, in response to a query, “was $36,000; quite a bunch of dough. Gettin' it was easy; gettin' away wit' it was d' squeak.

“We toins d' trick on d' train from Albany. D' tip comes straight to me in New York that a bloke is goin' to draw $36,000 from d' Albany bank on such a day. I makes up a mob; t'ree stalls an' meself;—all pretty fly we was—an' lands in Albany.

“We gets onto d' party who's to be woiked early in d' mornin', an' shadows him so dost he's never out of reach. Our play is to follow him to d' bank an' do him wit 'd' drop game. If that misses, we're to stay wit' him till d' bundle's ours be one racket or another.

“This sucker is pretty soon himself, see! He ain't such a mut as we figgers. His train starts at 1 o'clock, an' he takes in d' bank on his way to d' station.

“Of course we was wit' him; but he's dead leary an' never t'rows himself open to be woiked. D' stuff is in t'ousand-dollar willyums, an' as he just sinks it in his keck d' minute his hooks is onto it, an' never stops to count or run his lamps over it, we don't get no chanct to do d' drop. D' instant d' money's in his mits he plants it—all stretched out long in a big leather, it is—in his inside pocket, an' screws his nut for d' door. D' hack slams an' he's on his way to d' train.

“Yes; we starts for d' station be another street. D' bloke ain't onto us yet, an' we tries not to plant a scare into him. He's leary enough as it is; just havin' such a roll wit' him rattles him.

“So I makes up me mind to do d' job on d' train runnin' into New York. As he sinks d' stuff away, I notes how d' ends of d' bills sticks out over d' pocket-book. Me idee is to weed it—get d' dough an' leave d' leather in his pocket—if I can make d' play. Weedin' was d' way to do; you gets d' long green an 'd' sucker still has d' leather to feel of, an' it's some time before he tumbles he's been touched, see!

“D' guy wit 'd' stuff plants himself in a seat. Two of me stalls sits ahead of him, me an' me other pal is behint him. We only waits now for him to get up an' come along d' aisle of d' car to get in our hooks.

“Foist I goes d' len'th of d' train to see who's onto it. I always does that; I wants to see if any guy aboard knows Mollie Matches. You see, if there is, when d' holler comes, an' some duck declares himself shy his spark, or roll, or ticker, it's 40 to 1 Mr. Know-all, who's onto me for a crook, sends a tip to d' p'lice: 'Matches was on d' train!' an' I gets d' collar. No, I never woiks when one of me acquaintances is along be accident. D' cops, in such case, as I says, is put onto me an' spots me wit 'd' foist yell.

“I covers d' train an' comes back. There's no guy on me visiting list who's along. So I sits down wit' me pal to d' rear of d' sucker an' waits.

“It's not for long. D' leather's still in his inside keck, 'cause I can see him pressin' on it wit' his mit to make sure it's there. At last he gets up to go to d' watercooler. I sees d' move comin', an' is in d' aisle before him. So's me stalls. From start to finish no one bungles d' stunt. There's a tangle—all be accident, of course—every mug 'pologises, we break away, an' I've got d' blunt. But d' woist part is, I can't weed it. D' stuff won't come no other way, an' so I lifts leather an' all.

“There's due to be a roar in no time;—this mark's bound to be on he's frisked!—so I splits out each stall's bit in a hurry an' says: 'Every gent for himself! an' if youse is nipped, don't knock!' an' then I sherries me nibs for d' rear coach. It was great graft. Me bit was $9,000, an' I has me plan all set up to save it an' meself wit' it. This is d' racket I has in me cocoa.

“In d' last coach is an old w'ite choker—a pulpit t'umper, you understand. Wit' him is his daughter, an' wit' her is her kid. Mebby d' kid, say, is six years. I heads for 'em an' begins to give d' old skate a jolly. I was dead strong on patter in them days, an' puts it up I'm a gospel sharp from Hamilton. I saws it off on his nibs how me choich boins down, an' how I'm linin' out to New York to see if d' good folks down there won't spring their rolls—cough up be way of donations, you understand, an' help us slam up a new box—choich, I means—so we can go back to our graft.

“It's all right. Me razzle dazzle takes like spring water. In two minutes me an 'd' old party an 'd' loidy, an' for that matter d' kid, is t'ick as t'ieves. We was bunched together, singin' 'Jesus, Lover of me Soul,' to beat four of a kind, when d' galoot I skins for his bundle lifts d' shout he's been done, see!

“This dub who lose is t'ree coaches ahead. D' foist we knows of his troubles—all but me—d' Con' comes an' locks d' door. No one can get off d' train. Then he stops an' taps d' wires wit' a machine from d' baggage car an' sends d' story chasin' into New York.

“'Party t'run down for $36,000, says d' message; 'swag an' crooks still on me train. Send orders.'

“D' order comes to keep d' doors locked an' run to New York wit' no more stops. An' after puttin' a Brakey in each coach to see what goes on, that's what dey does. We go spinnin' into New York at forty-five miles an hour.

“Naturally, I'm in a steam. I goes all right wit 'd' Con', an' d' train crew, as a sky pilot, but how was I to make d' riffle wit' de fly cop of New York, who'd be waitin' for d' train—me mug in d' gallery, an' four out o' five of 'em twiggin' me be me foist name? But I t'ought it out.

“When d' train rumbles into d' Gran' Central, d' door is slammed open an' we all gets up to go. A fly-cop is comin' in just as we starts. I grabs up d' kid to carry him, see! bein' d' old preacher party nor d' skirt ain't so able as me.

“Say! it was a winner. I buries me map in d' kid's make-up, gets between d' goil an' d' old stumblin' mucker of a gran'dad, an' walks slap t'rough d' entire day-push of d' Central office. An' hard, sharp marks dey is to beat, see!

“Fly dey is, but not swift enough for Matches wit a scare on, see! Not a dub of 'em tumbles to me.

“In two moves an' ten seconts I'm in d' street. As I goes along I pulls a ring off one of me north hooks wit' me teet,' an' t'oins it over to d' kid as his bit for makin' d' good front for me. No; d' others don't catch on, but d' way he cinches it in his small mit shows me he's goin' to save it out for fair.

“When I hits d' street I drops d' youngone, who's still froze to his solitaire, an' grabs off a cab, an' in twenty minutes I'm buried where all d' p'lice in New York couldn't toin me up in a t'ousand years.

“No; me pals got d' collar, an' each does a stretch. But dey lays dead about me; never peached nor squealed. I win out.

“Who?—d' w'ite choker an' his party? Nit; never hears of 'em ag'in. For four days I gets one of d' fam'ly—he's a crook who's under cover for a bank trick, an' who's eddicted—to read me all d' poipers. I wants to see if d' preacher an' his goil gives up anyt'ing about d' ring I swaps to d' kid.

“Never hears a peep! Nixie; dey was on all right, you bet your life! when their lamps lights on that jewelry; but most likely dey needs d' ring in their graft. It was a spark wort' five hundred cases from any fence in d' land, an' so d' old guy an' his goil sort o' stan's for d' play, see!”