It was the farewell to Claire and Jeff Saxton, a picnic in the Cascades, near Snoqualmie Falls—a decent and decidedly Milt-less fiesta. Mrs. Gilson was going to show Claire that they were just as hardy adventurers as that horrid Daggett person. So she didn't take the limousine, but merely the seven-passenger Locomobile with the special body. They were ever so rough and wild. They had no maid. The chauffeur was absolutely the only help to the Gilsons, Claire, Jeff, and the temporarily and ejaculatorily nature-loving Mrs. Betz in the daring task of setting out two folding camp-tables, covering them with a linen cloth, and opening the picnic basket. Claire had to admit that she wished that she could steal the picnic basket for Milt. There were vacuum bottles of hot coffee. There were sandwiches of anchovy and patÉ de foie gras. There were cream cakes with almonds hidden in the suave cream, and there was a chicken salad with huge chunks of pure white meat wallowing in a sea of mayonnaise. When the gorging was done and the cigarettes brought out (the chauffeur passed a spirit lamp), they stretched on rubber blankets, and groaned a little, "What is it? What's wrong? They're so—oh, so polite. They don't mean what they say and they don't dare to say what they mean. Is that it?" worried Claire. She started. She discovered that she was looking at a bristle of rope-colored hair and a grin projected from the shelter of a manzanita bush. "For the——" she gasped. She was too startled to be able to decide what was for-the. She spoke judiciously to Jeff Saxton about Upper Montclair, the subway, and tennis. She rose to examine the mountains, strolled away, darted down a gully, and pounced on Milt Daggett with: "How in heaven's name——" "Found out where you-all were going. Look! Got a bug! Rented it. Come on! Let's duck! Drive back with me!" At the end of the gully was a new Teal bug, shinier than the ancient lost chariot, but equally gay and uncomfortable. "Can't. Like to, but—— Be awfully rude to them. Won't do that—not more than is good for their souls—even for you. Now don't be sulky." "I won't. Nev' be sulky again, because you're crazy about me, and I don't have to be sulky." "Oh, I am, am I! Good heavens, the inconceivable conceit of the child!" "I am not!" "Well then, you're not. Lord, you're sweet! Your hair smells like cinnamon and clean kittens. You'd rather go bumping off in my flivver than sailing in that big Loco they've got there." "Yes," defiantly, "I would, and I'm ashamed of myself. I'm a throw-back to my horrid ancestor, the betting hostler." "Probably. I'm a throw-back to my ancestor the judge. I'll train you to meet my fine friends." "Well—upon—my—word—I—— Oh, do stop being idiotic. We talk like children. You reduce me to the rank of a gibbering schoolgirl. And I like it! It's so—oh, I don't know—so darn human, I suppose. Now hurry—kiss me, and get out, before they suspect." "Listen." "Yes?" "I'll accidentally meet your car along the road. Invite you to ride. All right?" "Yes. Do. Oh, we are two forlorn babes in the woods! G'-by." She sauntered back to the picnic, and observed, "What is that purple flower up on the mountain side?" The big car was sedately purring back when it was "Why, hello folks," bawled the social bandit. "Oh. How do you do," refuted Mrs. Gilson. Jeff Saxton turned a ripe purple. "How do you like my new bug, Claire? Awful little object. But I can make fifty an hour. Come and try it, Claire, can't you?" "Why——" Claire was obviously shocked by the impropriety of the suggestion. She looked at Mrs. Gilson, who was breathing as though she was just going under the ether. Claire said doubtfully, "Well—— If you can get me right back to the house——" "Sure," agreed Milt. When the Loco was gone, Milt drove the bug to the side of the road, yanked up the emergency brake, and carefully kissed the girl who was snuggled down into the absurd low tin-sided seat. "Do we have to get back soon?" he begged. "Oh, I don't care if we never get back. Let's shoot up into the mountains. Side road. Let's pretend we're driving across the continent again." Firs dashing by—rocks in the sunshine—clouds jaunty beyond the inviting mouth of a mountain pass—even the ruts and bumps and culverts—she seemed "Oh, Milt——!" And, to herself, "Golly, it's such a relief not to have to try to be gracious and aphoristic and repartistic and everything with Jeff." And, "But I wonder if I am aphoristic and subtle? I wonder if when she gets the rice-powder off, Claire isn't a lot more like Milt than she thought?" And, aloud again, "Oh, this is——" "Yump. It sure is," Milt agreed. They had turned from a side-road into a side-side-road. They crossed an upland valley. The fall rains had flooded a creek till it had cut across the road, washed through the thin gravel, left across the road a shallow violent stream. Milt stopped abruptly at its margin. "Here's where we turn back, I guess," he sighed. "Oh no! Can't we get across? It's only a couple of feet deep, and gravel bottom," insisted the restored adventurer. "Yes, but look at the steep bank. Never get up it." "All right. In she goes!" The bug went in—shot over the bank, dipped down till the little hood sloped below them as though they were looping the loop, struck the rushing water with a splash which hurled yellow drops over Claire's rose jersey suit, lumbered ahead, struck the farther bank, pawed at it feebly, rose two inches, slipped back, and sat there with the gurgling water all around it, turned into a motor-boat. "No can do," grunted Milt. "Scared?" "Nope. Love it! This is a real camp—the brush on the bank, and the stream—listen to it chuckle under the running-board." "Do you like to camp with me?" "Love it." "Say! Gee! Never thought—— Claire! Got your transportation back East?" "My ticket? Yes. Why?" "Well, I'm sure you can turn it in and get a refund. So that's all right." "Are you going to let me in on the secret?" "Oh yes, might's well. I was just wondering—— I don't think much of wasting all our youth waiting—— Two-three years in engineering school, and "Good heavens, what do you——?" "Do you want to go back to Brooklyn Gilsonses?" "No, but——" "Dear, can't we be crazy once, while we're youngsters?" "Don't bombard me so! Let me think. One must be practical, even in craziness." "I am. I have over a thousand dollars from the garage, and I can work evenings—as dear Jeff suggested! We'd have a two-by-four flat—— Claire——" "Oh, let me think. I suppose I could go to the university, too, and learn a little about food and babies and building houses and government. I need to go to school a lot more than you do. Besides auction and the piano—which I play very badly—and clothes and how to get hold of tickets for successful plays, I don't know one single thing." "Will you marry me, tomorrow?" "Well, uh——" "Think of Mrs. Gilson's face when she learns it! And Saxton, and that Mrs. Betz!" It was to no spoken sentence but to her kiss that she "Oh, my dear, my dear, and all the romantic ways I was going to propose! I had the best line about roses and stars and angels and everything——" "They always use those, but nobody ever proposed to me in a bug in a flood before! Oh! Milt! Life is fun! I never knew it till you kidnapped me. If you kiss me again like that, we'll both topple overboard. By the way, can we get the car out?" "I think so, if we put on the chains. We'll have to take off our shoes and stockings." Shyly, turning from him a little, she stripped off her stockings and pumps, while he changed from a flivver-driver into a young viking, with bare white neck, pale hair ruffled about his head, trousers rolled up above his straight knees—a young seaman of the crew of Eric the Red. They swung out on the running-board, now awash. With slight squeals they dropped into the cold stream. Dripping, laughing, his clothes clinging to him, he ducked down behind the car to get the jack under the back axle, and with the water gurgling about her and splashing its exhilarating coldness into her face, she stooped beside him to yank the stiff new chains over the rear wheels. They climbed back into the car, joyously raffish as a pair of gipsies. She wiped a dab of mud from her "Gee, I hope the old bird crawls out now." Milt let in the reverse, raced the engine, started backward with a burst of muddy water churned up by the whirling wheels. They struck the bank, sickeningly hung there for two seconds, began to crawl up, up, with a feeling that at any second they would drop back again. Then, instantly, they were out on the shore and it was absurd to think that they had ever been boating down there in the stream. They washed each other's muddy faces, and laughed a great deal, and rubbed their legs with their stockings, and resumed something of a dull and civilized aspect and, singing sentimental ballads, turned back, found another road, and started toward a peak. "I wonder what lies beyond the top of this climb?" said Claire. "More mountains, and more, and more, and we're going to keep on climbing them forever. At dawn, we'll still be going on. And that's our life." "Ye-es, providing we can still buy gas." "Lord, that's so." "Speaking of which, did you know that I have a tiny bit of money—it's about five thousand dollars—of my own?" "No, you don't! I've accepted you. Do you think I'm going to lose the one real playmate I've ever had? It was so lonely on the Boltwoods' brown stoop till Milt came along and whistled impertinently and made the solemn little girl in frills play marbles and—— Watch out for that turn! Heavens, how I have to look after you! Is there a class in cooking at your university? No—do—not—kiss—me—on—a—turn!" This is the beginning of the story of Milt and Claire Daggett. The prelude over and the curtain risen on the actual play, they face the anxieties and glories of a changing world. Not without quarrels and barren hours, not free from ignorance and the discomfort of finding that between the mountain peaks they must for long gray periods dwell in the dusty valleys, they yet start their drama with the distinction of being able to laugh together, with the advantage of having discovered that neither Schoenstrom nor Brooklyn Heights is quite all of life, with the cosmic importance to the tedious world of believing in the romance that makes youth unquenchable. THE END. B. M. BOWER'S NOVELS May be had wherever books are sold. Ask for Grosset & Dunlap's list. CHIP OF THE FLYING U. Wherein the love affairs of Chip and Delia Whitman are charmingly and humorously told. THE HAPPY FAMILY. A lively and amusing story, dealing with the adventures of eighteen jovial, big-hearted Montana cowboys. HER PRAIRIE KNIGHT. Describing a gay party of Easterners who exchange a cottage at Newport for a Montana ranch-house. THE RANGE DWELLERS. Spirited action, a range feud between two families, and a Romeo and Juliet courtship make this a bright, jolly story. THE LURE OF THE DIM TRAILS. A vivid portrayal of the experience of an Eastern author among the cowboys. THE LONESOME TRAIL. A little branch of sage brush and the recollection of a pair of large brown eyes upset "Weary" Davidson's plans. THE LONG SHADOW. A vigorous Western story, sparkling with the free outdoor life of a mountain ranch. It is a fine love story. GOOD INDIAN. A stirring romance of life on an Idaho ranch. FLYING U RANCH. Another delightful story about Chip and his pals. THE FLYING U'S LAST STAND. An amusing account of Chip and the other boys opposing a party of school teachers. THE UPHILL CLIMB. A story of a mountain ranch and of a man's hard fight on the uphill road to manliness. THE PHANTOM HERD. The title of a moving-picture staged in New Mexico by the "Flying U" boys. THE HERITAGE OF THE SIOUX. The "Flying U" boys stage a fake bank robbery for film purposes which precedes a real one for lust of gold. THE GRINGOS. A story of love and adventure on a ranch in California. STARR OF THE DESERT. A New Mexico ranch story of mystery and adventure. THE LOOKOUT MAN. A Northern California story full of action, excitement and love. Grosset & Dunlap, Publishers, New York STORIES OF RARE CHARM BY May be had wherever books are sold. Ask for Grosset & Dunlap's list. MICHAEL O'HALLORAN. Illustrated by Frances Rogers. Michael is a quick-witted little Irish newsboy, living in Northern Indiana. He adopts a deserted little girl, a cripple. He also assumes the responsibility of leading the entire rural community upward and onward. LADDIE. Illustrated by Herman Pfeifer. This is a bright, cheery tale with the scenes laid in Indiana. The story is told by Little Sister, the youngest member of a large family, but it is concerned not so much with childish doings as with the love affairs of older members of the family. Chief among them is that of Laddie and the Princess, an English girl who has come to live in the neighborhood and about whose family there hangs a mystery. THE HARVESTER. Illustrated by W. L. Jacobs. "The Harvester," is a man of the woods and fields, and if the book had nothing in it but the splendid figure of this man it would be notable. But when the Girl comes to his "Medicine Woods," there begins a romance of the rarest idyllic quality. FRECKLES. Illustrated. Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment. A GIRL OF THE LIMBERLOST. Illustrated. The story of a girl of the Michigan woods; a buoyant, loveable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage. AT THE FOOT OF THE RAINBOW. Illustrations in colors. The scene of this charming love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all. THE SONG OF THE CARDINAL. Profusely illustrated. A love ideal of the Cardinal bird and his mate, told with delicacy and humor. Grosset & Dunlap, Publishers, New York ZANE GREY'S NOVELS May be had wherever books are sold. Ask for Grosset & Dunlap's list. THE LIGHT OF WESTERN STARS A New York society girl buys a ranch which becomes the center of frontier warfare. Her loyal superintendent rescues her when she is captured by bandits. A surprising climax brings the story to a delightful close. THE RAINBOW TRAIL The story of a young clergyman who becomes a wanderer in the great western uplands—until at last love and faith awake. DESERT GOLD The story describes the recent uprising along the border, and ends with the finding of the gold which two prospectors had willed to the girl who is the story's heroine. RIDERS OF THE PURPLE SAGE A picturesque romance of Utah of some forty years ago when Mormon authority ruled. The prosecution of Jane Withersteen is the theme of the story. THE LAST OF THE PLAINSMEN This is the record of a trip which the author took with Buffalo Jones, known as the preserver of the American bison, across the Arizona desert and of a hunt in "that wonderful country of deep caÑons and giant pines." THE HERITAGE OF THE DESERT A lovely girl, who has been reared among Mormons, learns to love a young New Englander. The Mormon religion, however, demands that the girl shall become the second wife of one of the Mormons—Well, that's the problem of this great story. THE SHORT STOP The young hero, tiring of his factory grind, starts out to win fame and fortune as a professional ball player. His hard knocks at the start are followed by such success as clean sportsmanship, courage and honesty ought to win. BETTY ZANE This story tells of the bravery and heroism of Betty, the beautiful young sister of old Colonel Zane, one of the bravest pioneers. THE LONE STAR RANGER After killing a man in self defense, Buck Duane becomes an outlaw along the Texas border. In a camp on the Mexican side of the river, he finds a young girl held prisoner, and in attempting to rescue her, brings down upon himself the wrath of her captors and henceforth is hunted on one side by honest men, on the other by outlaws. THE BORDER LEGION Joan Randle, in a spirit of anger, sent Jim Cleve out to a lawless Western mining camp, to prove his mettle. Then realizing that she loved him—she followed him out. On her way, she is captured by a bandit band, and trouble begins when she shoots Kells, the leader—and nurses him to health again. Here enters another romance—when Joan, disguised as an outlaw, observes Jim, in the throes of dissipation. A gold strike, a thrilling robbery—gambling and gun play carry you along breathlessly. THE LAST OF THE GREAT SCOUTS, The life story of Colonel William F. Cody, "Buffalo Bill" as told by his sister and Zane Grey. It begins with his boyhood in Iowa and his first encounter with an Indian. We see "Bill" as a pony express rider, then near Fort Sumter as Chief of the Scouts, and later engaged in the most dangerous Indian campaigns. There is also a very interesting account of the travels of "The Wild West" Show. No character in public life makes a stronger appeal to the imagination of America than "Buffalo Bill," whose daring and bravery made him famous. Grosset & Dunlap, Publishers, New York NOVELS OF FRONTIER LIFE BY May be had wherever books are sold. Ask for Grosset & Dunlap's list. MAVERICKS A tale of the western frontier, where the "rustler" abounds. One of the sweetest love stories ever told. A TEXAS RANGER How a member of the border police saved the life of an innocent man, followed a fugitive to Wyoming, and then passed through deadly peril to ultimate happiness. WYOMING In this vivid story the author brings out the turbid life of the frontier with all its engaging dash and vigor. RIDGWAY OF MONTANA The scene is laid in the mining centers of Montana, where politics and mining industries are the religion of the country. BUCKY O'CONNOR Every chapter teems with wholesome, stirring adventures, replete with the dashing spirit of the border. CROOKED TRAILS AND STRAIGHT A story of Arizona; of swift-riding men and daring outlaws; of a bitter feud between cattle-men and sheep-herders. BRAND BLOTTERS A story of the turbid life of the frontier with a charming love interest running through its pages. STEVE YEAGER A story brimful of excitement, with enough gun-play and adventure to suit anyone. A DAUGHTER OF THE DONS A Western story of romance and adventure, comprising a vivacious and stirring tale. THE HIGHGRADER A breezy, pleasant and amusing love story of Western mining life. THE PIRATE OF PANAMA A tale of old-time pirates and of modern love, hate and adventure. THE YUKON TRAIL A crisply entertaining love story in the land where might makes right. THE VISION SPLENDID In which two cousins are contestants for the same prizes; political honors and the hand of a girl. THE SHERIFF'S SON The hero finally conquers both himself and his enemies and wins the love of a wonderful girl. Grosset & Dunlap, Publishers, New York JAMES OLIVER CURWOOD'S May be had wherever books are sold. Ask for Grosset & Dunlap's list. KAZAN The tale of a "quarter-strain wolf and three-quarters husky" torn between the call of the human and his wild mate. BAREE, SON OF KAZAN The story of the son of the blind Grey Wolf and the gallant part he played in the lives of a man and a woman. THE COURAGE OF CAPTAIN PLUM The story of the King of Beaver Island, a Mormon colony, and his battle with Captain Plum. THE DANGER TRAIL A tale of snow, of love, of Indian vengeance, and a mystery of the North. THE HUNTED WOMAN A tale of the "end of the line," and of a great fight in the "valley of gold" for a woman. THE FLOWER OF THE NORTH The story of Fort o' God, where the wild flavor of the wilderness is blended with the courtly atmosphere of France. THE GRIZZLY KING The story of Thor, the big grizzly who lived in a valley where man had never come. ISOBEL A love story of the Far North. THE WOLF HUNTERS A thrilling tale of adventure in the Canadian wilderness. THE GOLD HUNTERS The story of adventure in the Hudson Bay wilds. THE COURAGE OF MARGE O'DOONE Filled with exciting incidents in the land of strong men and women. BACK TO GOD'S COUNTRY A thrilling story of the Far North. The great Photoplay was made from this book. Grosset & Dunlap, Publishers, New York RALPH CONNOR'S STORIES May be had wherever books are sold. Ask for Grosset & Dunlap's list. THE SKY PILOT IN NO MAN'S LAND The clean-hearted, strong-limbed man of the West leaves his hills and forests to fight the battle for freedom in the old world. BLACK ROCK A story of strong men in the mountains of the West. THE SKY PILOT A story of cowboy life, abounding in the freshest humor, the truest tenderness and the finest courage. THE PROSPECTOR A tale of the foothills and of the man who came to them to lend a hand to the lonely men and women who needed a protector. THE MAN FROM GLENGARRY This narrative brings us into contact with elemental and volcanic human nature and with a hero whose power breathes from every word. GLENGARRY SCHOOL DAYS In this rough country of Glengarry, Ralph Connor has found human nature in the rough. THE DOCTOR The story of a "preacher-doctor" whom big men and reckless men loved for his unselfish life among them. THE FOREIGNER A tale of the Saskatchewan and of a "foreigner" who made a brave and winning fight for manhood and love. CORPORAL CAMERON This splendid type of the upright, out-of-door man about which Ralph Connor builds all his stories, appears again in this book. Grosset & Dunlap, Publishers, New York BOOTH TARKINGTON'S NOVELS May be had wherever books are sold. Ask for Grosset & Dunlap's list. SEVENTEEN. Illustrated by Arthur William Brown. No one but the creator of Penrod could have portrayed the immortal young people of this story. Its humor is irresistible and reminiscent of the time when the reader was Seventeen. PENROD. Illustrated by Gordon Grant. This is a picture of a boy's heart, full of the lovable, humorous, tragic things which are locked secrets to most older folks. It is a finished, exquisite work. PENROD AND SAM. Illustrated by Worth Brehm. Like "Penrod" and "Seventeen," this book contains some remarkable phases of real boyhood and some of the best stories of juvenile prankishness that have ever been written. THE TURMOIL. Illustrated by C. E. Chambers. Bibbs Sheridan is a dreamy, imaginative youth, who revolts against his father's plans for him to be a servitor of big business. The love of a fine girl turns Bibbs's life from failure to success. THE GENTLEMAN FROM INDIANA. Frontispiece. A story of love and politics,—more especially a picture of a country editor's life in Indiana, but the charm of the book lies in the love interest. THE FLIRT. Illustrated by Clarence F. Underwood. The "Flirt," the younger of two sisters, breaks one girl's engagement, drives one man to suicide, causes the murder of another, leads another to lose his fortune, and in the end marries a stupid and unpromising suitor, leaving the really worthy one to marry her sister. Ask for Complete free list of G. & D. Popular Copyrighted Fiction Grosset & Dunlap, Publishers, New York ELEANOR H. PORTER'S NOVELS May be had wherever books are sold. Ask for Grosset & Dunlap's list. JUST DAVID The tale of a loveable boy and the place he comes to fill in the hearts of the gruff farmer folk to whose care he is left. THE ROAD TO UNDERSTANDING A compelling romance of love and marriage. OH, MONEY! MONEY! Stanley Fulton, a wealthy bachelor, to test the dispositions of his relatives, sends them each a check for $100,000, and then as plain John Smith comes among them to watch the result of his experiment. SIX STAR RANCH A wholesome story of a club of six girls and their summer on Six Star Ranch. DAWN The story of a blind boy whose courage leads him through the gulf of despair into a final victory gained by dedicating his life to the service of blind soldiers. ACROSS THE YEARS Short stories of our own kind and of our own people. Contains some of the best writing Mrs. Porter has done. THE TANGLED THREADS In these stories we find the concentrated charm and tenderness of all her other books. THE TIE THAT BINDS Intensely human stories told with Mrs. Porter's wonderful talent for warm and vivid character drawing. Grosset & Dunlap, Publishers, New York Transcriber's Note: Dialect spellings have been retained. Inconsistent hyphenation, except when used for emphasis, has been standardised. Minor typographical errors have been corrected without note. |