"Talk of your hooman storm-centers an' nacheral born hubs of grief," observed the old cattleman, reminiscently; "I'm yere to back that Turner person ag'inst all competitors. Not but what once we're onto his angles, he sort o' oozes into our regyards. His baptismal name is 'Lafe,' but he never does deerive no ben'fit tharfrom among us, him behavin' that eegregious from the jump, he's allers referred to as 'that Turner person.'

"As evincin' how swift flows the turbid currents of his destinies, he succeeds in focusin' the gen'ral gaze upon him before he's been in camp a day. Likewise, it's jest as well Missis Rucker herse'f ain't present none in person at the time, or mighty likely he'd have focused all the crockery on the table upon him, which you can bet your last peso wouldn't have proved no desid'ratum. For while Missis Rucker ain't what I calls onusual peevish, for 195 a lady to set thar quiet an' be p'inted to by some onlicensed boarder as a Borgia, that away, would be more'n female flesh an' blood can b'ar.

"It's like this. The Turner person comes pushin' his way into the O. K. Restauraw along with the balance of the common herd, an' pulls a cha'r up ag'inst the viands with all the confidence of a oldest inhab'tant. After grinnin' up an' down the table as affable as a wet dog, he ropes onto a can of airtights, the same bein' peaches. He he'ps himse'f plenty copious an' starts to mowin' 'em away.

"None of us is noticin' partic'lar, bein' engaged on our own hook reachin' for things, when of a sudden he cuts loose a screech which would have knocked a bobcat speechless.

"'I'm p'isened!' he yells; 'I'm as good as dead right now!'

"Followin' this yere fulm'nation, he takes to dancin' stiff-laiged, meanwhile clutchin' hold of the buckle on his belt.

"Thar should be no dissentin' voice when I states that, at a crisis when some locoed maverick stampedes a entire dinin' room by allowin' 196 he's been p'isened, prompt action should be took. Wharfore it excites no s'rprise when Jack Moore, to whom as kettle-tender for the Stranglers all cases of voylance is ex officio put up, capchers the ghost-dancin' Turner person by the collar.

"'Whatever's the meanin' of this midprandial excitement?' demands Jack. 'Which if these is your manners in a dinin' room, I'd shore admire to see you once in church.'

"'I'm p'isened!' howls the Turner person, p'intin' at the airtights. 'It's ptomaines! I'm a gone fawnskin! Ptomaines is a center shot!'

"None of us holds Rucker overhigh, an' yet we jestifies that husband's action. Rucker's headin' in from the kitchen, bearin' aloft a platter of ham an' cabbage. He arrives in time to gather in the Turner person's bluff about 'ptomaines,' an' onderstands he's claimin' to be p'isened. Shore, Rucker don't know what ptomaines is, but what then? No more does the rest of us, onless it's Peets, an' he's over to Tucson. As I freequently remarks, the Doc is the best eddicated sharp in Arizona, an' even 'ptomaines' ain't got nothin' on him.

"Rucker plants the platter of ham an' cabbage on the table, an' appeals 'round to us.

"'Gents,' he says, 'am I to stand mootely by an' see this tavern, the best j'int ondoubted in Arizona, insulted?' An' with that he's down on the Turner person like a fallin' tree, whar that crazy-hoss individyooal stands jumpin' an' dancin' in the hands of Moore.

"'What's these yere slanders,' shouts Rucker, 'you-all is levelin' at my wife's hotel? Yere we be, feedin' you on the fat of the land; an' the form your gratitoode takes is to go givin' it out broadcast you're p'isened! You pull your freight,' he concloodes, as he wrastles the dancin' Turner person to the door, 'an' if you-all ever shows your villifyin' nose inside this hostelry ag'in I'll fill you full of buckshot.'

"To be shore, that crack about buckshot ain't nothin' more'n vain hyperbole, Rucker not possessin' the spunk of bull-snakes. The Turner person, however, lets him get away with it, an' submits tamely to be buffaloed, which of itse'f shows he ain't got the heart of a horned toad. The eepisode does Rucker a heap of good, though, an' he puffs up immoderate. 198 Given any party he can buffalo, an' the way that weak-minded married man expands his chest, an' takes to struttin', is a caution to cock partridges. An' all the time, a jack-rabbit, of ordinary resolootion an' force of character, would make Rucker take to a tree or go into a hole.

"Is the Turner person p'isened?

"No more'n I be. Which it's simple that alarmist's heated imagination, aggravated by what deloosions is born of the nosepaint he gets in Red Dog before ever he makes his Wolfville deboo at all. Two hookers of Old Jordan from Black Jack renders him so plumb well he's reedic'lous.

"Most likely you-all'd go thinkin' now that, havin' let sech a hooman failure as Rucker put it all over him, this Turner person'd lie dormant a spell, an' give his se'f-respect a chance to ketch its breath. Not him. It's no longer away than second drink time the same evenin' when he locks gratooitous horns with Black Jack. To this last embroglio thar is––an' could be––no deefense, Jack bein' so amiable that havin' trouble with him is like goin' to the floor with your own image in the glass. 199 Which he's shorely a long sufferin' barkeep, Jack is. Mebby it's his genius for forbearance, that a-way, which loores this Turner person into attemptin' them outrages on his sens'bilities.

"The Turner person stands at the bar, sloppin' out the legit'mate forty drops. With nothin' said or done to stir him up, he cocks his eye at Jack––for all the world like a crow peerin into a bottle––an' says,

"'Which your feachers is displeasin' to me, an' I don't like your looks.'

"Jack keeps on swabbin' off the bar for a spell, an' all as mild as the month of May.

"'Is that remark to be took sarkastic?' he asks at last, 'or shall we call it nothin' more'n a brainless effort to be funny?'

"'None whatever!' retorts the Turner person; 'that observation's made in a serious mood. Your countenance is ondoubted the facial failure of the age, an' I requests that you turn it the other way while I drinks.'

"Not bein' otherwise engaged at the moment, an' havin' time at his command, Jack repairs from behind the bar, an' seizes the Turner person by the y'ear.

"'An' this is the boasted hospital'ty of the West!' howls the Turner person, strugglin' to free himself from Jack, who's slowly but voloominously bootin' him towards the street.

"It's Nell who tries to save him.

"'Yere, you Jack!' she sings out, 'don't you-all go hurtin' that pore tenderfoot none.'

"Nell's a shade too late, however; Jack's already booted him out.

"Shore, Jack apologizes.

"'Beg parding, Nellie,' he says; 'your least command beats four of a kind with me; but as to that ejected shorthorn, I has him all thrown out before ever you gets your stack down.'

"The Turner person picks himse'f out of the dust, an', while he feels his frame for dislocations with one hand, feebly menaces at Black Jack with t'other.

"'Some day, you rum-sellin' miscreent,' he says, 'you'll go too far with me.'

"As showin' how little these vicisitoodes preys on this Turner person, it ain't ten minutes till he's hit the middle of Wolfville's principal causeway, roarin' at the top of his lungs,

"'Cl'ar the path! I'm the grey wolf of the mountings, an' gen'ral desolation follows whar I leads!'

"Yere he gives a prolonged howl.

"The hardest citizen that ever belted on a gun couldn't kick up no sech row as that in Wolfville, an' last as long as a drink of whiskey. In half the swish of a coyote's tail, Jack Moore's got the Turner person corralled.

"'This camp has put up with a heap from you,' says Moore, 'an' now we tries what rest an' reeflection will do.'

"'I'm a wolf––!'

"'We savvys all about you bein' a wolf. Also, I'm goin' to tie you to the windmill, as likely to exert a tamin' inflooence.'

"Moore conveys the Turner person to the windmill, an' ropes his two hands to one of its laigs.

"'Thar, Wolf,' he says, makin' shore the Turner person is fastened secoore, 'I shall leave you ontil, with every element of wildness abated, you-all begins to feel more like a domestic anamile.'

"From whar we-all are standin' in front of 202 the post office, we can see the Turner person roped to the windmill laig.

"'What do you reckon's wrong with that party?' asks Enright, sort o' gen'ral like; 'I don't take it he's actchooally locoed none.'

"Thar's half a dozen opinions on the p'int involved. Tutt su'gests that the Turner person's wits, not bein' cinched on any too tight by nacher in the beginnin', mebby slips their girths same as happens with a saddle. Cherokee inclines to a notion that whatever mental deeflections he betrays is born primar'ly of him stoppin' that week in Red Dog. Cherokee insists that sech a space in Red Dog shore ought to be s'fficient to give any sport, however firmly founded, a decisive slant.

"As ag'inst both the others, Boggs holds to the view that the onusual fitfulness observ'ble in the Turner person arises from a change of licker, an' urges that the sudden shift from the beverages of Red Dog, which last is indoobitably no more an' no less than liquid loonacy, to the Red Lights Old Jordan, is bound to confer a twist upon the straightest intellectyooals.

"'Which I knows a party,' says Boggs, 203 'who once immerses a ten-penny nail in a quart of Red Dog licker, an' at the end of the week he takes it out a corkscrew.'

"'Go an' get him, Jack,' says Enright, p'intin' to the Turner person; 'him bein' tied thar that a-way is an inhooman spectacle, an' if little Enright Peets should come teeterin' along an' see him, it'd have a tendency to harden the innocent child. Fetch him yere, an' let me question him.'

"'Front up,' says Moore to the Turner person, when he's been conveyed before Enright; 'front up now, frank an' cheerful, an' answer questions. Also, omit all ref'rences to bein' a wolf. Which you've worn that topic thread-bar'; an' besides it ain't calc'lated to do you credit.'

"'Whatever's the matter with you?' asks Enright, speakin' to the Turner person friendly like. 'Which I begins to think thar's somethin' wrong with your system. The way you go knockin' about offendin' folks, it won't be no time before every social circle in the Southwest'll be closed ag'inst you. Whatever's wrong?'

"'Them's the first kind words,' ejacyoolates 204 the Turner person, beginnin' to weep, 'which has been spoke to me in months. Which if you-all will ask me into yon s'loon, an' protect me from that murderer of a barkeep while I buys the drinks, I'll show you that I've been illyoosed to a degree whar I'm no longer reespons'ble for my deeds. It's a love affair,' he adds, gulpin' down a sob, 'an' I've been crooelly misonderstood.'

"'A love affair,' repeats Enright plenty soft, for the mention of love never fails to hit our old warchief whar thar't a palin' off his fence. 'I ain't been what you-all'd call in love none since the Purple Blossom of Gingham Mountain marries Polly Hawkes over on the Painted Post. Polly was a beauty, with a arm like a canthook, an' at sech dulcet exercises as huggin' she's got b'ars left standin' sideways. However, that's back in Tennessee, an' many years ago.'

"Enright, breshin' the drops from his eyes, herds the Turner person into the Red Light an' signals to Black Jack.

"'Onfold,' he says; 'tell me as to that love affair wharin you gets cold-decked.'

"Nell abandons her p'sition on the lookout 205 stool, an' shows up interested an' intent at Enright's shoulder.

"Ain't I in this?' she asks.

"'Be thar any feachures,' says Enright to the Turner person, 'calc'lated to offend the y'ears of innocence?'

"'None whatever,' says the Turner person. 'Which I'm oncapable of shockin' the most fastid'yous.'

"'Is thar time,' asks Nell of Enright, 'for me to round up Missis Rucker an' Tucson Jennie? Listenin' to love tales, that a-way, is duck soup to both of 'em.'

"'You-all can tell 'em later, Nellie,' returns Enright. Then, to the Turner person, 'Roll your game, amigo, an' if you needs refreshment, yere it is.'

"'It ain't no mighty reecital,' says the Turner person loogubriously, 'an' yet it ought to go some distance, among fa'r-minded gents, in explainin' them vain elements of the weird an' ranikaboo which more or less enters into my recent conduct. I'm from Missouri; an' for a livelihood, an' to give the wolf a stand-off, I follows the profession of a fooneral director. My one weakness is my love for Peggy Parks, 206 who lives with her folks out in the Sni-a-bar hills.

"'The nuptual day is set, an' I goes hibernatin' off to Kansas City to fetch the license.'

"'How old be you?' breaks in Enright.

"'Me? I'm twenty-six the last Joone rise of the old Missouri. As I was sayin', I hitches my hoss in Market Squar', an' takes to reeconoiterin' along Battle Row, wonderin' wharever them licenses is for sale, anyway. Final, I discovers a se'f satisfied lookin' party, who's pattin' a dog. I goes to talkin' about the dog, an' allowin' I'm some on dogs myse'f, all by way of commencin' a conversation; an' winds up by askin' whar I go for to get a license. "Over thar," says the dog party p'intin' across to a edifice he asshores me is a City Hall. "First floor, first door, an' the damage is a dollar."

"'Thus steered, I goes streakin' it across, an' follows directions. I boards my dollar, an' demands action. The outcast who's dealin' the license game writes in my name, an' shoves the paper across. In a blur of bliss I files it away in my jeans, mounts my hoss, an' goes 207 gambodin' back to Peggy, waitin' at ancestral Sni-a-bar.'

"'Is your Peggy sweetheart pretty?' asks Nell.

"'She's a lamp of loveliness! Sweet? Beetrees is gall an' wormwood to her.

"'As to the weddin', it's settled Peggy an' me is to come flutterin' from our respective perches the next day. Doubtless we'd have done so, only them orange blossom rites strikes the onexpected an' goes glancin' off.

"'It's the Campbellite preacher, who's been brought in to marry us, that starts it. The play's to be made at Peggy's paw's house, after which, for a weddin' trip, she an' me's to go wanderin' out torwards the Shawnee Mission, whar I've got some kin. The parson, when he has the entire outfit close-herded into the parlor, asks––bein' a car'ful old practitioner––to see the license. I turns it over, an' he takes it to the window to read. He gives that docyooment one look, an' then glowers at me personal mighty baleful. "Miserable wretch," says he, "do you-all want to get yourse'f tarred an' feathered?"

"'In my confoosion I thinks this outbreak 208 is part of the cer'mony, an' starts to say "I do!" Before I can edge in a word, however, he calls over Peggy's old man. "Read that!" he cries, holdin' the license onder old Pap Parks' nose. Old Parks reads, an' the next news I gets he's maulin' me with his hickory walkin' stick like he's beatin' a kyarpet.

"'Without waitin' to kiss the bride or recover my license, I simply t'ars out the front of the house an' breaks for the woods. The next day, old Parks takes to huntin' me with hounds. Nacherally, at this proof of man's inhoomanity to man, I sneaks across into Kansas, an' makes for the settin' sun.'

"'An' can't you give no guess,' says Enright, 'at why old Parks digs up the waraxe so plumb sudden?'

"'No more'n rattlesnakes onborn, onless his inordinate glee at gettin' me for a son-in-law has done drove him off his head.'

"'Which it couldn't be that,' says Enright, takin' a hard, thoughtful look at the Turner person. Then, followin' a pause, he adds, 'thar's some myst'ry yere!'

"'Ain't you-all made no try,' asks Nell, 209 'sech as writin' letters, or some game sim'lar, to cl'ar things up?'

"'You-all don't know Pap Parks, Miss, in all his curves. Why, it's lucky he ain't wearin' his old bowie at that weddin', or he'd a-split me into half apples. If I goes to writin' missives that a-way, he'll locate me; an' you can take my word that invet'rate old homicide 'd travel to the y'earth's eends to c'llect my skelp. That ain't goin' to do me; for, much as I love Peggy, I'd a heap sooner be single than dead.'

"'That party ain't locoed,' says Texas, noddin' towards the Turner person, whar he sets sobbin' in a cha'r when Enright gets through examinin' him. 'He's simply a howlin' eediot. Yere he escapes wedlock by a mir'cle; an'––chains an' slavery!––now he can't think of no better way to employ his liberty than in cryin' his heart out because he's free. If I'm bitter, gents, it's because I speaks from hard experience. Considerin' how she later corrals that Laredo divorce an' sells up my cattle at public vandoo for costs an' al'mony, if when I troops to the altar with that lady whom I makes Missis Thompson, my gyardian angel had gone at me with a axe, that faithful 210 sperit would have been doin' no more than its simple dooty in the premises.'

"Enright takes it onto himself to squar' the Turner person at the Red Light an' the O. K. Restauraw; an', since his ensooin' conduct is much within decent bounds, except that Rucker steps some high an' mighty when he heaves in sight an' Black Jack gives him hard an' narrow looks, nothin' su'gestive of trouble occurs. In less'n a week he shakes down into his proper place, an' all as placid as a duck-pond. He's even a sort o' fav'rite with Nell, Missis Rucker an' Tucson Jennie, they claimin' that he's sufferin' from soul blight because of a lost love. Certainly, thar's nothin' in this yere fem'nine bluff, but of course none of us don't say so at the time.

"Boggs holds that the Turner person's only a pecooliarly gifted liar, an' refooses to believe in him. 'Because it's prepost'rous,' says Boggs, 'that folks would go in to frame up a weddin', an' then, led by the preacher, take to mobbin' the bridegroom on the very threshold of them nuptials.'

"'It ain't by no means shore, Dan,' says Texas, to whom Boggs imparts his convictions, 211 'but what you've drove the nail. Which if that Parks household reely has it in for this Turner person, they'd have let him go the route. Could even the revenge of a fiend ask more than simply seein' him a married man?'

"In about a fortnight, that Turner person's got fully cooled out, an' the worst effects of what Red Dog licker he imbibes has disappeared. As he feels himse'f approachin' normal, as Peets puts it, he mentions to Enright casyooal like that, if the town sees nothin' ag'in it, he reckons he'll open an ondertakin' shop.

"'Not,' he says, 'that I'm the man to go hintin' that what former foonerals has been pulled off in these yere parts ain't been all they should; but still, to get a meetropolitan effect, you oughter have a hearse an' ploomes. Let it be mine to provide them marks of a advanced civilization. It'll make villages like Red Dog an' Colton sing low, an' be a distinct advantage to a camp which is strugglin' for consid'ration. Yes, sir,' goes on the Turner person, warmin' with the theme, 'what's the public use of obsequies if you-all don't exhaust 'em of every ounce of good? An' how can any 212 outfit expect to do this, an' said outfit shy that greatest evidence of modern reefinement, a hearse? Given a rosewood coffin, an' a black hearse with ploomes––me on the box––an' the procession linin' solemnly out for Boot Hill, if we-all ain't the instant envy of the territory, you can peg me out by the nearest ant hill ontil I pleads guilty to bein' wrong.'

"'Thar's no need for all this yere eloquence,' replies Enright, blandly. 'What you proposes has been a dream of mine for years. You open your game as fooneral director, an' if we can't find material for you local, we'll go rummagin' 'round as far as Lordsburg an' Silver City to supply the deficiency.'

"Feelin' Enright is behind him, the Turner person goes to work with sech exyooberant enthoosiasm, that it ain't a month before he brings over his hearse from Tucson, said vehicle havin' been sent on from the East. She's shore no slouch for a catafalque neither, an' we p'rades up an' down the street with it, gettin' the effect.

"Boggs voices the common feelin'.

"'Thar's a conveyance,' says he, 'that comes mighty close to robbin' death of half its sting. 213 Any sport is bound to cash in more content, when he savvys that his last appearance is bound to be a vict'ry an' he'll be freighted to the sepulcher in a swell wagon like that.'

"'It is shore calc'lated to confer class on the deeparted,' assents Tutt.

"These praises certainly exalts the sperits of the Turner person a whole lot. He buys the old Lady Gay dance hall, which, since the goin' out of the Votes for Women S'loon, has again become the ondispooted property of Armstrong, makes a double-door to back in the hearse, an' reopens that deefunct temple of drink an' merriment as a ondertakin' establishment. Over the front he hangs up his sign.

"That sign so much uplifts the sperit of the town it mor'n doubles the day's receipts at the Red Light. Also, two or three shady characters vamooses for fear of what a nacheral public eagerness to see that hearse in action may do.

"It's the day next on the hocks of the installation 214 of the Turner person in business, an' the fooneral director is lookin' out of the front window of his coffin emporium wishin' some gent'd start somethin' with his gun an' mebby bump him off a load for his new hearse, when Enright eemerges from the post office with a iron look on his face. Peets is with him, an' the pa'r is holdin' a pow-wow.

"The rest of us might have taken more notice, only our sombreros is fittin' some tight on account of the interest we evinces the day prior in he'pin' la'nch the Turner person that a-way. As it is, we bats a lackluster eye, an' wonders in a feeble way what's done corr'gated Enright's brow.

"It don't go no further than wonder, however, ontil after a few moments talk with Nell, Enright sends across for the Turner person. As showin' how keenly sens'tive are the female faculties that a-way, Missis Rucker an' Tucson Jennie is canvassin' some infantile mal'dy of little Enright Peets in the front room of the O. K. House, an' same as if they smells the onyoosual in the air, they comes troopin' over to the Red Light to note what happens next.

"'Young man,' says Enright, when the Turner person has been brought in, 'by way of starter, let me inquire, be you preepared to surrender your destinies, of which you're plumb onfitted to have charge, into disgusted albeit kindly hands?'

"The Turner person, some oneasy at seein' Moore, who's carelessly toyin' with a lariat, edgin' 'round his way, allows in tremblin' tones he is.

"'Thar be those,' goes on Enright, 'who with the best intentions in the world, has been explorin' the ins an' outs of your Sni-a-bar troubles, an' while the clouds is measur'ble lifted the fresh light shed on your concerns leaves you in a most imbecile sityooation. Which if I thought that little Enright Peets, not yet in techin' distance of his teens, hadn't got no more sense than you, much as I dotes upon that baby I'd shore vote for his deemise. However, proceedin' with the deal, thar's this to say: Nellie thar, writes to your Peggy sweetheart, while I opens negotiations with old man Parks. I plans to read you them replies, but after advisin' with the Doc, an' collectin' the views of Nell, it's deemed s'fficient to tell 216 you what you're goin' to do, an' then head you fo'th to its accomplishment. Our conj'int findin's, the same bein' consented to by old Parks in writin', an' tearfully deesired by your Peggy sweetheart in what she commoonicates to Nellie, is that you proceed at once to Sni-a-bar, an' get them interrupted nuptials over. After which you'll be free to return yere with your bride, an' take up the hon'rable an' useful c'reer you've marked out. As the preesidin' officer of the Stranglers, my word is that you be ready to start by next stage; which, onless Monte gets so deep in licker that he tips that conveyance over a bluff, should permit you to clasp your Peggy to your bosom an' kiss the tears from her cheeks by the middle of next week.'

"'But,' interjects the Turner person, his voice soundin' like the terrified bleatin' of a sheep, 'can't you-all give me no glimmer of what's wrong that time? I don't hanker overmuch to go back in darkened ignorance, like a lamb to the slaughter. What guarantee have I got that old Parks won't lay for me with that bootcher knife of his'n? It ain't fair to leave me to go knockin' about, in the midst 217 of perils sech as these, like a blind dog in a meat shop.'

"'Your Peggy,' returns Enright, 'encloses a letter to you by the hand of Nellie yere, which may or may not set fo'th what insults you perp'trates upon her fam'ly. Also, said missive furnishes the only chance at this end of the trail of you findin' out the len'th an' breadth of your ignorant iniquities. For myse'f, the thought of what you-all does that time is so infooriatin' I must refuse to go over it in words. Only, if in his first reesentments old Parks had burned you at the stake, I would not have condemned him. As to your safety pers'nal, you can regyard it as asshored. Your Peggy will protect you, an' your footure parent-in-law himse'f acquits you of everything except bein' an eediot. It's, however, got down to whether he preefers to have a fool in his fam'ly or see his darter wretched for life, an' he's done nerved himse'f to take the fool.'

"'Thar's your sweetheart's letter,' an' Nell puts an envelope which smells of voylets into the Turner person's hands.

"That ondertaker reads it; an' after bein' 218 confoosed by shame for a moment, he begins to cheer up.

"'Folks,' he says, kissin' his Peggy's letter an' stowin' it away in his coat, 'I trusts a gen'rous public will permit me, after thankin' them whose kindness has smoothed out the kinks in my affairs, to close the incident with onlimited drinks for the camp.' That's all he says; an' neither can we dig anything further out of Enright or Nell.

"We sees the Turner person aboard the stage, an' wishes him all kinds of luck. As Monte straightens out the reins over his six hosses an' cleans the lash of his whip through his fingers, Peets vouchsafes a partin' word.

"'Neither I nor Sam,' says Peets, 'wants you to go away thinkin' that you an' your bride ain't goin' to be as welcome as roses when you an' she comes ramblin' in as one on your return.'

"'That's whatever,' coincides Nell.

"'Also,' breaks in Enright, 'should old Parks go to stampin' the sod or shakin' his horns, you-all are to put up with them deemonstrations an' not make no aggrevatin' reemarks. No one knows better than you by now, how much cause you gives that proud old gent to feel harrowed.'

"Of course all of us is preyed on by anxiety to know whatever awful thing it is the Turner person does. In the end it's Missis Rucker who smokes Enright out.

"'Sam Enright,' says this yere intrepid lady, her manner plenty darklin', 'you mustn't forget that whenever the impulse moves me I can shet down utter on your grub. Likewise, as a lady, I not only knows my p'sition, but keenly feels my rights. Which I don't aim to coerce you, but onless you comes through with the trooth about this yere Turner person's felonies, some drastic steps is on their way.'

"'You will see, Missis Rucker,' says Enright, who's to be excoosed for turnin' a bit white, 'that no present reason exists for threatenin' me when I asshores you that as far back as last evenin' I fully decides to lay bar' everything. I do this, onderstand, not through fear; but lest some folks go surmisin' round to the inj'ry of the innocent. As I recollects back, too, I can see how the Turner person slumps into that mistake, him first talkin' dog to that 219 canine party in Battle Row, an' then askin' whar does he go for the weddin' license.'

"'Sam Enright,' interrupts Missis Rucker, whose flashin' eyes shows she's growin' hysterical, 'don't harass me with no p'intless speeches. You say flat what it is he does, or take the consequences.'

"'Why, my dear Missis Rucker,' an' Enright makes haste with his reply, 'the thing is easily grasped. The paper he gives the preacher sharp is a dog license. Which that Turner person is seekin' to wed the belle of Sni-a-bar on a permit to keep a dog! The canine party he meets in Battle Row misonderstands a sityooation.'

"'All the same,' observes Texas to Boggs, as the two meets that evenin' in the Noo York store, 'thar's one feachure to a dog license, not perceivable in a marriage license, which is worth gold an' precious stones. Said docyooment runs out in a year.'"