EPILOGUE.

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There is little more to tell of the people who have figured in this story.

Fanny continues to flourish at Notting Hill, the absence of children being the one drop in her cup and that of her husband.

"But, perhaps," as Lucy privately remarks, "it is as well; for I don't think the Marshes would have understood how to bring up a child."

For Lucy, in common with all young matrons of the day, has decided views on matters concerned with the mental, moral, and physical culture of the young. Unlike many thinkers, she does not hesitate to put her theories into practice, and the two small occupants of her nursery bear witness to excellent training.

The photography, however, has not been crowded out by domestic duties; and no infant with pretensions to fashion omits to present itself before Mrs. Jermyn's lens. Lucy has succumbed to the modern practice of specialising, and only the other day carried off a medal for photographs of young children from an industrial exhibition. Her husband is no less successful in his own line. Having permanently abandoned the paint-brush for the needle, he bids fair to take a high place among the black and white artists of the day.

The Watergates have also an addition to their household, in the shape of a stout person with rosy cheeks and stiff white petticoats, who receives a great deal of attention from his parents. Gertrude wonders if he will prove to have inherited his father's scientific tastes, or the literary tendencies of his mother. She devoutly hopes that it is the former.

Conny flourishes as a married woman no less than as a girl. She and the Jermyns dine out now and then at one another's houses; her old affection for Gertrude continues, in spite of the fact that their respective husbands are quite unable (as she says) to hit it off.

Fred has not yet married; but there is no reason to believe him inconsolable. It is rather the embarrassment of choice than any other motive which keeps him single.

Aunt Caroline, having married all her daughters to her satisfaction, continues to reign supreme in certain circles at Lancaster Gate. She speaks with the greatest respect of her niece, Lady Watergate, though she has been heard to comment unfavourably on the shabbiness of the furniture in Sussex Place.

As for Darrell, shortly after Phyllis's death, he went to India at the invitation of the Viceroy and remained there nearly two years.

It was only the other day that the Watergates came face to face with him. It was at a big dinner, where the most distinguished representatives of art and science and literature were met. Gertrude turned pale when she saw him, losing the thread of her discourse, and her appetite, despite her husband's reassuring glances down the table.

But Darrell went on eating his dinner and looking into his neighbour's eyes, in apparent unconsciousness of, or unconcern at, the Watergates' proximity.

The Maryons continue in the old premises, increasing their balance at the banker's, and enlarging their experience of life.

The Photographic Studio is let to an enterprising young photographer, who has enlarged and beautified it beyond recognition.

As for the rooms above the umbrella-maker's: the sitting-room facing the street; the three-cornered kitchen behind; the three little bed-rooms beyond;—when last I passed the house they were to let unfurnished, with great fly-blown bills in the blank casements.

THE END.


The Gresham Press,
UNWIN BROTHERS,
CHILWORTH AND LONDON.





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