Romer went back to his hotel that evening feeling happier than he had ever expected to be again. He felt sure now that everything would be perfectly right. He refused to allow himself to dwell for a moment on possibilities, and on what had been, or on what might have been. But he was like a man who had been slightly stunned by a blow on the head and was beginning to feel the pain the next day. Yet the pain was not very acute; he did not quite realise it, but, unconsciously, it made him feverish. And he was still a little stupefied. It did not occur to him to go to the Club, or to look up any friends, and he remained in the little hotel in Jermyn Street, filled at this time of the year principally by Americans, and he dined alone there—dined well, and smoked a long cigar. Then he went for a walk. London at the beginning of August was not empty, but stale, crowded, untidy, hot—unlike itself. He tried not to think of the garden of the Green Gate. Suddenly, with a stab, he imagined Harry and Surprised at his own calm, and much pleased with his behaviour in the matter, he retired to bed. The instant he had closed his eyes he seemed to see, with the clearness of an hallucination, Harry's head bending low over the writing-table, and, hanging above him on the wall of the studio, the curious dagger; a Japanese weapon that was one of Harry's treasures. And Romer felt again precisely the same horrible longing that he had felt that morning at the studio—the sudden longing to plunge it into Harry's neck. Horrified at the fancy and at himself, he turned up the light and tried to read. He could not fix his attention on a word of the article "Silk and Stuff" in the Pall Mall.... Of course he was not angry with Valentia; how could she help it? She must be made happy. But she seemed dim, distant, remote. It was an Everything would go on as before. And he had never said a word that it would be painful for them both to remember. There was nothing uncomfortable between them. He felt she would grow tired of Harry of her own accord, and would then return to him, Romer, with no disagreeable recollection of scenes, nor of their having said horrible things to one another. Yes, he had been quite right. Yet she did not seem to him so near as she used to be. He was not angry with her.... No, of course not. He was not jealous. Perhaps she seemed more remote, more distant, because he felt a certain coldness, and—yes—the coldness was there because he was a little hurt perhaps.... And then he tried to go to sleep again. But instantly his insane vision came back, and he got up and walked round the room and tried to banish it.... At last he really went to sleep, and awoke trembling with horror. He had had a horrible dream. He dreamt that Harry was writing a letter, and that he had taken the dagger from the wall of the studio and killed him. This was simply horrible. Then he began to realise the reason. It was He would go back the next day, take Harry aside, and tell him that he had found he couldn't bear it, and that on some pretext he must go away. He would tell him that he had reached the limit of his endurance and could bear no more. He would never speak of it to Valentia. Valentia would be sad—but that could not be helped. He knew, now, that he could not endure the sight of Harry again. Having made this resolution, he became much calmer. But the dream recurred each time he went to sleep until, in dread of it, he resolved to sleep no more. His nerves felt shattered. And then, he began to count the minutes till he could be back at the Green Gate. To see Valentia again and to banish Harry for ever! And all the obvious, human feelings that he Well! Romer would tell him that very day that he had changed his mind and that he was to go anywhere—anyhow—only to go. Neither he nor Valentia should ever see him again. Valentia seemed a long way off. She seemed remote and distant. That was because he was still hurt and angry. When Harry had once gone, perhaps she would seem near again. |