BERTHA drove back, furiously angry, principally with Nigel, whom she also pitied a little. It could be no joke to live with a woman like his wife. But he should not have deceived Bertha; he should have let her know; he should not have induced her to come against Percy’s wish, at the risk of being insulted. She was not anxious about Madeline, knowing that that sensible young lady would go to her own home when the carriage came, and that she could explain matters to her the next morning. Madeline was not une faiseuse d’embarras. Bertha had brought her key as Percy had promised to wait up for her; the servants were to be allowed to go to bed. It was not long after twelve; she saw a light in the library and went in, fully intending to tell Percy everything. As Bertha watched, she felt that strange suffering which is always the other side of intense love—the reverse of the medal of the ecstasy of passion—and she thought she would tell him nothing about it. Why should he be hurt, annoyed, and humiliated? It would spoil all the pleasure of her coming back so early—the unexpected delightful time they might have. … In this Bertha committed an error of judgment, for she forgot that he would probably hear of the scene some time or other, and would attach more importance to it than if she told him now. “Percy,” she whispered. He woke up. “You already! Why, it’s only twelve o’clock! Oh, dear, how good of you to come so early.” “How is it you didn’t enjoy it?” “Because you hadn’t seen me in my new dress. Do I look like a canary?” “No,” he said. “Let me look at you. No, you’re not a canary—you’re a Bird of Paradise.” |