THEATRICALS.

Lorrequer Practising Physic

BLACK AND WHITE IMAGE

Our seance at the mess that night was a late one, for after we had discussed some coopers of claret, there was a very general public feeling in favour of a broiled bone and some devilled kidneys, followed by a very ample bowl of bishop, over which simple condiments we talked “green room” till near the break of day.

From having been so long away from the corps I had much to learn of their doings and intentions to do, and heard with much pleasure that they possessed an exceedingly handsome theatre, well stocked with scenery, dresses, and decorations; that they were at the pinnacle of public estimation, from what they had already accomplished, and calculated on the result of my appearance to crown them with honour. I had indeed very little choice left me in the matter; for not only had they booked me for a particular part, but bills were already in circulation, and sundry little three-cornered notes enveloping them, were sent to the elite of the surrounding country, setting forth that “on Friday evening the committee of the garrison theatricals, intending to perform a dress rehearsal of the ‘Family Party,’ request the pleasure of Mr. ____ and Mrs. ____‘s company on the occasion. Mr. Lorrequer will undertake the part of Captain Beauguarde. Supper at twelve. An answer will oblige.”

The sight of one of these pleasant little epistles, of which the foregoing is a true copy—was presented to me as a great favour that evening, it having been agreed upon that I was to know nothing of their high and mighty resolves till the following morning. It was to little purpose that I assured them all, collectively and individually, that of Captain Beauguarde I absolutely knew nothing—had never read the piece—nor even seen it performed. I felt, too, that my last appearance in character in a “Family Party,” was any thing but successful; and I trembled lest, in the discussion of the subject, some confounded allusion to my adventure at Cheltenham might come out. Happily they seemed all ignorant of this; and fearing to bring conversation in any way to the matter of my late travels, I fell in with their humour, and agreed that if it were possible, in the limited time allowed me to manage it—I had but four days—I should undertake the character. My concurrence failed to give the full satisfaction I expected, and they so habitually did what they pleased with me, that, like all men so disposed, I never got the credit for concession which a man more niggardly of his services may always command.

“To be sure you will do it, Harry,” said the Major, “why not? I could learn the thing myself in a couple of hours, as for that.”

Now, be it known that the aforesaid Major was so incorrigibly slow of study, and dull of comprehension, that he had been successively degraded at our theatrical board from the delivering of a stage message to the office of check-taker.

“He’s so devilish good in the love scene,” said the junior ensign, with the white eyebrows. “I say, Curzon, you’ll be confoundedly jealous though, for he is to play with Fanny.”

“I rather think not,” said Curzon, who was a little tipsy.

“Oh, yes,” said Frazer, “Hepton is right. Lorrequer has Fanny for his ‘Frou;’ and, upon my soul, I should feel tempted to take the part myself upon the same terms; though I verily believe I should forget I was acting, and make fierce love to her on the stage.”

“And who may la charmante Fanny be?” said I, with something of the air of the “Dey of Algiers” in my tone.

“Let Curzon tell him,” said several voices together, “he is the only man to do justice to such perfection.”

“Quiz away, my merry men,” said Cruzon, “all I know is, that you are a confoundedly envious set of fellows; and if so lovely a girl had thrown her eyes on one amongst you--”

“Hip! hip! hurrah!” said old Fitzgerald, “Curzon is a gone man. He’ll be off to the palace for a license some fine morning, or I know nothing of such matters.”

“Well, Bat,” said I, “if matters are really as you all say, why does not Curzon take the part you destine for me?”

“We dare not trust him,” said the Major, “Lord bless you, when the call-boy would sing out for Captain Beaugarde in the second act, we’d find that he had Levanted with our best slashed trowsers, and a bird of paradise feather in his cap.”

“Well,” thought I, “this is better at least than I anticipated, for if nothing else offers, I shall have rare fun teasing my friend Charley”—for it was evident that he had been caught by the lady in question.

“And so you’ll stay with us; give me your hand—you are a real trump.” These words, which proceeded from a voice at the lower end of the table, were addressed to my friend Finucane.

“I’ll stay with ye, upon my conscience,” said Fin; “ye have a most seductive way about ye; and a very superior taste in milk punch.”

“But, Doctor,” said I, “you must not be a drone in the hive; what will ye do for us? You should be a capital Sir Lucius O’Trigger, if we could get up the Rivals.”

“My forte is the drum—the big drum; put me among what the Greeks call the ‘Mousikoi,’ and I’ll astonish ye.”

It was at once agreed that Fin should follow the bent of his genius; and after some other arrangements for the rest of the party, we separated for the night, having previously toasted the “Fanny,” to which Curzon attempted to reply, but sank, overpowered by punch and feelings, and looked unutterable things, without the power to frame a sentence.

During the time which intervened between the dinner and the night appointed for our rehearsal, I had more business upon my hands than a Chancellor of the Exchequer the week of the budget being produced. The whole management of every department fell, as usual, to my share, and all those who, previously to my arrival, had contributed their quota of labour, did nothing whatever now but lounge about the stage, or sit half the day in the orchestra, listening to some confounded story of Finucane’s, who contrived to have an everlasting mob of actors, scene-painters, fiddlers, and call-boys always about him, who, from their uproarious mirth, and repeated shouts of merriment, nearly drove me distracted, as I stood almost alone and unassisted in the whole management. Of la belle Fanny, all I learned was, that she was a professional actress of very considerable talent, and extremely pretty; that Curzon had fallen desperately in love with her the only night she had appeared on the boards there, and that to avoid his absurd persecution of her, she had determined not to come into town until the morning of the rehearsal, she being at that time on a visit to the house of a country gentleman in the neighbourhood. Here was a new difficulty I had to contend with—to go through my part alone was out of the question to making it effective; and I felt so worried and harassed that I often fairly resolved on taking the wings of the mail, and flying away to the uttermost parts of the south of Ireland, till all was tranquil again. By degrees, however, I got matters into better train, and by getting our rehearsal early before Fin appeared, as he usually slept somewhat later after his night at mess, I managed to have things in something like order; he and his confounded drum, which, whenever he was not story-telling, he was sure to be practising on, being, in fact the greatest difficulties opposed to my managerial functions. One property he possessed, so totally at variance with all habits of order, that it completely baffled me. So numerous were his narratives, that no occasion could possibly arise, no chance expression be let fall on the stage, but Fin had something he deemed, apropos, and which, sans facon, he at once related for the benefit of all whom it might concern; that was usually the entire corps dramatique, who eagerly turned from stage directions and groupings, to laugh at his ridiculous jests. I shall give an instance of this habit of interruption, and let the unhappy wight who has filled such an office as mine pity my woes.

I was standing one morning on the stage drilling my “corps” as usual. One most refractory spirit, to whom but a few words were entrusted, and who bungled even those, I was endeavouring to train into something like his part.

“Come now, Elsmore, try it again—just so. Yes, come forward in this manner—take her hand tenderly—press it to your lips; retreat towards the flat, and then bowing deferentially—thus, say ‘Good night, good night’—that’s very simple, eh? Well, now that’s all you have to do, and that brings you over here—so you make your exit at once.”

“Exactly so, Mr. Elsmore, always contrive to be near the door under such circumstances. That was the way with my poor friend, Curran. Poor Philpot, when he dined with the Guild of Merchant Tailors, they gave him a gold box with their arms upon it—a goose proper, with needles saltier wise, or something of that kind; and they made him free of their ‘ancient and loyal corporation,’ and gave him a very grand dinner. Well, Curran was mighty pleasant and agreeable, and kept them laughing all night, till the moment he rose to go away, and then he told them that he never spent so happy an evening, and all that. ‘But, gentlemen,’ said he, ‘business has its calls, and I must tear myself away; so wishing you now’—there were just eighteen of them—‘wishing you now every happiness and prosperity, permit me to take my leave’—and here he stole near the door—‘to take my leave, and bid you both good night.’” With a running fire of such stories, it may be supposed how difficult was my task in getting any thing done upon the stage.

Well, at last the long-expected Friday arrived, and I rose in the morning with all that peculiar tourbillon of spirits that a man feels when he is half pleased and whole frightened with the labour before him. I had scarcely accomplished dressing when a servant tapped at my door, and begged to know if I could spare a few moments to speak to Miss Ersler, who was in the drawing-room. I replied, of course, in the affirmative, and, rightly conjecturing that my fair friend must be the lovely Fanny already alluded to, followed the servant down stairs.

“Mr. Lorrequer,” said the servant, and closing the door behind me, left me in sole possession of the lady.

“Will you do me the favour to sit here, Mr. Lorrequer,” said one of the sweetest voices in the world, as she made room for me on the sofa beside her. “I am particularly short-sighted; so pray sit near me, as I really cannot talk to any one I don’t see.”

I blundered out some platitude of a compliment to her eyes—the fullest and most lovely blue that ever man gazed into—at which she smiled as if pleased, and continued, “Now, Mr. Lorrequer, I have really been longing for your coming; for your friends of the 4_th are doubtless very dashing, spirited young gentlemen, perfectly versed in war’s alarms; but pardon me if I say that a more wretched company of strolling wretches never graced a barn. Now, come, don’t be angry, but let me proceed. Like all amateur people, they have the happy knack in distributing the characters—to put every man in his most unsuitable position—and then that poor dear thing Curzon—I hope he’s not a friend of yours—by some dire fatality always plays the lover’s parts, ha! ha! ha! True, I assure you, so that if you had not been announced as coming this week, I should have left them and gone off to Bath.”

Here she rose and adjusted her brown ringlets at the glass, giving me ample time to admire one of the most perfect figures I ever beheld. She was most becomingly dressed, and betrayed a foot and ancle which for symmetry and “chaussure,” might have challenged the Rue Rivoli itself to match it.

My first thought was poor Curzon; my second, happy and trice fortunate Harry Lorrequer. There was no time, however, for indulgence in such very pardonable gratulation; so I at once proceeded “pour faire l’aimable,” to profess my utter inability to do justice to her undoubted talents, but slyly added, “that in the love making part of the matter she should never be able to discover that I was not in earnest.” We chatted then gaily for upwards of an hour, until the arrival of her friend’s carriage was announced, when, tendering me most graciously her hand, she smiled benignly and saying “au revoir, donc,” drove off.

As I stood upon the steps of the hotel, viewing her “out of the visible horizon,” I was joined by Curzon, who evidently, from his self-satisfied air, and jaunty gait, little knew how he stood in the fair Fanny’s estimation.

“Very pretty, very pretty, indeed, deeper and deeper still,” cried he, alluding to my most courteous salutation as the carriage rounded the corner, and it lovely occupant kissed her hand once more. “I say Harry, my friend, you don’t think that was meant for you, I should hope?”

“What! the kiss of the hand? Yes, faith, but I do.”

“Well, certainly that is good! why, man, she just saw me coming up that instant. She and I—we understand each other—never mind, don’t be cross—no fault of yours, you know.”

“Ah, so she is taken with you,” said I. “Eh, Charley?”

“Why, I believe that. I may confess to you the real state of matters. She was devilishly struck with me the first time we rehearsed together. We soon got up a little flirtation; but the other night when I played Mirabel to her, it finished the affair. She was quite nervous, and could scarcely go through with her part. I saw it, and upon my soul I am sorry for it; she’s a prodigiously fine girl—such lips and such teeth! Egad I was delighted when you came; for, you see, I was in a manner obliged to take one line of character, and I saw pretty plainly where it must end; and you know with you it’s quite different, she’ll laugh and chat, and all that sort of thing, but she’ll not be carried away by her feelings; you understand me?”

“Oh, perfectly; it’s quite different, as you observed.”

If I had not been supported internally during this short dialogue by the recently expressed opinion of the dear Fanny herself upon my friend Curzon’s merits, I think I should have been tempted to take the liberty of wringing his neck off. However, the affair was much better as it stood, as I had only to wait a little with proper patience, and I had no fears but that my friend Charley would become the hero of a very pretty episode for the mess.

“So I suppose you must feel considerably bored by this kind of thing,” I said, endeavouring to draw him out.

“Why, I do,” replied he, “and I do not. The girl is very pretty. The place is dull in the morning; and altogether it helps to fill up time.”

“Well,” said I, “you are always fortunate, Curzon. You have ever your share of what floating luck the world affords.”

“It is not exactly all luck, my dear friend; for, as I shall explain to you—”

“Not now,” replied I, “for I have not yet breakfasted.” So saying I turned into the coffee-room, leaving the worthy adjutant to revel in his fancied conquest, and pity such unfortunates as myself.

After an early dinner at the club-house, I hastened down to the theatre, where numerous preparations for the night were going forward. The green-room was devoted to the office of a supper-room, to which the audience had been invited. The dressing-rooms were many of them filled with the viands destined for the entertainment. Where, among the wooden fowls and “impracticable” flagons, were to be seen very imposing pasties and flasks of champaigne, littered together in most admirable disorder. The confusion naturally incidental to all private theatricals, was ten-fold increased by the circumstances of our projected supper. Cooks and scene-shifters, fiddlers and waiters, were most inextricably mingled; and as in all similar cases, the least important functionaries took the greatest airs upon them, and appropriated without hesitation whatever came to their hands—thus the cook would not have scrupled to light a fire with the violoncello of the orchestra; and I actually caught one of the “gens de cuisine” making a “soufflet” in a brass helmet I had once worn when astonishing the world as Coriolanus.

Six o’clock struck. In another short hour and we begin, thought I, with a sinking heart, as I looked upon the littered stage crowded with hosts of fellows that had nothing to do there. Figaro himself never wished for ubiquity more than I did, as I hastened from place to place, entreating, cursing, begging, scolding, execrating, and imploring by turns. To mend the matter, the devils in the orchestra had begun to tune their instruments, and I had to bawl like a boatswain of a man-of-war, to be heard by the person beside me.

As seven o’clock struck, I peeped through the small aperture in the curtain, and saw, to my satisfaction, mingled, I confess, with fear, that the house was nearly filled—the lower tier of boxes entirely so. There were a great many ladies handsomely dressed, chatting gaily with their chaperons, and I recognised some of my acquaintances on every side; in fact, there was scarcely a family of rank in the county that had not at least some member of it present. As the orchestra struck up the overture to Don Giovanni, I retired from my place to inspect the arrangements behind.

Before the performance of the “Family Party,” we were to have a little one-act piece called “a day in Madrid,” written by myself—the principal characters being expressly composed for “Miss Ersler and Mr. Lorrequer.”

The story of this trifle, it is not necessary to allude to; indeed, if it were, I should scarcely have patience to do so, so connected is my recollection of it with the distressing incident which followed.

In the first scene of the piece, the curtain rising displays la belle Fanny sitting at her embroidery in the midst of a beautiful garden, surrounded with statues, fountains, At the back is seen a pavillion in the ancient Moorish style of architecture, over which hang the branches of some large and shady trees—she comes forward, expressing her impatience at the delay of her lover, whose absence she tortures herself to account for by a hundred different suppositions, and after a very sufficient expose of her feelings, and some little explanatory details of her private history, conveying a very clear intimation of her own amiability, and her guardian’s cruelty, she proceeds, after the fashion of other young ladies similarly situated, to give utterance to her feelings by a song; after, therefore, a suitable prelude from the orchestra, for which, considering the impassioned state of her mind, she waits patiently, she comes forward and begins a melody—

“Oh why is he far from the heart that adores him?”

in which, for two verses, she proceeds with sundry sol feggio’s, to account for the circumstances, and show her disbelief of the explanation in a very satisfactory manner,—meanwhile, for I must not expose my reader to an anxiety on my account, similar to what the dear Fanny here laboured under, I was making the necessary preparations for flying to her presence, and clasping her to my heart—that is to say, I had already gummed on a pair of mustachios, had corked and arched a ferocious pair of eyebrows, which, with my rouged cheeks, gave me a look half Whiskerando, half Grimaldi; these operations were performed, from the stress of circumstances, sufficiently near the object of my affections, to afford me the pleasing satisfaction of hearing from her own sweet lips, her solicitude about me—in a word, all the dressing-rooms but two were filled with hampers of provisions, glass, china, and crockery, and from absolute necessity, I had no other spot where I could attire myself unseen, except in the identical pavillion already alluded to—here, however, I was quite secure, and had abundant time also, for I was not to appear till scene the second, when I was to come forward in full Spanish costume, “every inch a Hidalgo.” Meantime, Fanny had been singing—

“Oh why is he far,”

At the conclusion of the last verse, just as she repeats the words “why, why, why,” in a very distracted and melting cadence, a voice behind startles her—she turns and beholds her guardian—so at least run the course of events in the real drama—that it should follow thus now however, “Dus aliter visum”—for just as she came to the very moving apostrophe alluded to, and called out, “why comes he not?”—a gruff voice from behind answered in a strong Cork brogue—“ah! would ye have him come in a state of nature?” at the instant a loud whistle rang through the house, and the pavillion scene slowly drew up, discovering me, Harry Lorrequer, seated on a small stool before a cracked looking-glass, my only habiliments, as I am an honest man, being a pair of long white silk stockings, and a very richly embroidered shirt with point lace collar. The shouts of laughter are yet in my ears, the loud roar of inextinguishable mirth, which after the first brief pause of astonishment gave way, shook the entire building—my recollection may well have been confused at such a moment of unutterable shame and misery; yet, I clearly remember seeing Fanny, the sweet Fanny herself, fall into an arm-chair nearly suffocated with convulsions of laughter. I cannot go on; what I did I know not. I suppose my exit was additionally ludicrous, for a new eclat de rire followed me out. I rushed out of the theatre, and wrapping only my cloak round me, ran without stopping to the barracks. But I must cease; these are woes too sacred for even confessions like mine, so let me close the curtain of my room and my chapter together, and say, adieu for a season.