Lord Chesterfield once remarked that a thoroughly vulgar man could not speak the most common-place word, nor perform the most ordinary act, without imparting to the one and the other a portion of his own inborn vulgarity. And exactly so is it with the Yankees; not a question can arise, no matter how great its importance, nor how trivial its bearings, upon which, the moment they express an opinion, they do not completely invest with their own native coarseness, insolence, and vulgarity. The boundary question was made a matter of violent invective and ruffian abuse; the right of search was treated with the same powers of ribaldry towards England; and now we have these amiable and enlightened citizens defending the wholesale piracy of British authors, not on the plausible but unjust pretext of the benefit to be derived from an extended acquaintance with English literature; but, only conceive! because, if “English authors were invested with any control over the republication of their own books, it would be no longer possible for American editors to alter and adapt them as they do now to the American taste.” However incredible this may seem, the passage formed part of a document actually submitted to congress, and favourably received by that body. This is not the place for me to dwell on the unprincipled usurpation by which men who have contributed nothing to the production of a work, assume the power of reaping its benefits, and profiting by its success. The wholesale robbery of English authors has been of late well and ably exposed. The gifted and accomplished author of “Darnley” and “The Gipsy” has devoted his time and his talents to the subject; and although the world at large have few sympathies with the wrongs of those who live to please them, yet the day is not distant when the rights of a large and influential body, who stamp the age with the image of their own minds, can be no longer neglected, and the security of literary property must become at least as great as of mining scrip, or the shares in a rail-road.

My present business is with the Yankee declaration, that English authors to be readable in America must be passed through the ordeal of re-writing. I scarcely think that the annals of impertinence and ignorance could equal this. What! is it seriously meant that Scott and Byron, Wordsworth, Southey, Rogers, Bulwer, James, Dickens, and a host of others, must be converted into the garbage of St. Giles, or the foetid slang of Wapping, before they can pass muster before an American public? Must the book reek of “gin twist,” “cock tail,” and fifty other abominations, ere it reach an American drawing-room? Must the “bowie-knife and the whittling-stick” mark its pages; and the coarse jest of some tobacco-chewing, wildcat-whipping penny-a-liner disfigure and sully the passages impressed with the glowing brilliancy of Scott, or the impetuous torrent of Byron's genius? Is this a true picture of America? Is her reading public indeed degraded to this pass? I certainly have few sympathies with brother Jonathan. I like not his spirit of boastful insolence, his rude speech, or his uncultivated habits; but I confess I am unwilling to credit this. I hesitate to believe in such an amount of intellectual depravity as can turn from the cultivated writings of Scott and Bulwer to revel in the coarseness and vulgarity of a Yankee editor, vamping up his stolen wares with oaths from the far west, or vapid jests from life in the Prairies. Again, what shall I say of those who follow this traffic? Is it not enough to steal that which is not theirs, to possess themselves of what they have no right or claim to? Must they mangle the corpse when they have extinguished life? Must they, while they cheat the author of his gain, rob him also of his fair fame? “He who steals my purse steals trash,” but how shall I characterise that extent of baseness that dares to step in between an author and his reputation—inserting between him and posterity their own illiterate degeneracy and insufferable stupidity?

Would not the ghost of Sir Walter shudder in his grave at the thought of the fair creations of his mind—Jeanie Deans and Rebecca—Yankeefied into women of Long Island, or damsels from Connecticut? Is Childe Harold to be a Kentucky-man? and are the vivid pictures of life Bulwer's novels abound in, to be converted into the prison-discipline school of manners, that prevail in New York and Boston, where, as Hamilton remarks, “the men are about as like gentlemen, as are our new police?” What should we say of the person who having stolen a Rembrandt or a Vandyke from its owner, would seek to legalise his theft by daubing over the picture with his own colours—obliterating every trace of the great master, and exulting that every stroke of his brush defaced some touch of genius, and that beneath the savage vandalism of his act, every lineament of the artist was obliterated? I ask you, would not mere robbery be a virtue beside such a deed as this? Who could compare the sinful promptings to which want and starvation give birth to, to the ruffian profligacy of such barbarity? And now, when I tell you, that not content with this, not satisfied to desecrate the work, the wretch goes a step farther and stabs its author—what shall I say of him now, who, when he had defaced the picture, marred every effect, distorted all drawing, and rendered the whole a chaotic mass of indistinguishable nonsense, goes forth to the world, and announces, “This is a Rembrandt, this is a Vandyke: ay, look at it and wonder: but with all its faults, and all its demerits, it is cried up above our native artists; it has got the seal of the old world's approval upon it, and in vain we of younger origin shall dare to dissent from its judgments.” Now, once more, I say, can you show the equal of this moral turpitude? and such I pledge myself is the conduct of your transatlantic pirates with respect to British literature. Mr. Dickens, no mean authority, asserts that in the same sheet in which they boast the sale of many thousand copies of an English reprint, they coarsely attack the author of that very book, and heap scurrility and slander on his head.

Yes, such is the fact; not satisfied with robbery, they murder reputation also. And then we find them expatiating in most moving terms over the superiority of their own neglected genius!