CHAPTER IX.

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From Bombay to Poonah, the capital of the Maha Rashtra, or the great Indian kings.—Campooly.—The Ascent of the Bhor Ghauts.[55]—Khandala.—Caves of Carlee or Karli.—"Puja Chakra," or the famous Wheel-worship of the Brahmans.—Poonah.—Kirki.—A Visit to the Peishwa's Palace.—Temple of Parvati.—The Pundit and the Brahman Priest at Prayer.—Sanskrit and English Colleges at Poonah.—Suttee Monuments at Sangam.—Hindoo Bankers, etc.

From the island of the ancient goddess Bamba DÈvi to Poonah, the capital of the great Indian kings, one passes through the most extravagant contrasts of sights and scenes to be found anywhere in the wide world—gorgeous temples of gods and squallid dwellings of men; fertile plains and arid wastes; towering hills crowned with ancient forts and temples, now lonely or deserted; deep cave-structures in the hearts of isolated mountains, where still lie written in stone the romantic culture of a long-past age.

Our dÂhk, which was simply a native carriage furnished with horses instead of bullocks, trotted briskly along the magnificent "Lion Causeway." Passing rapidly the eastern side of the island of Salsette to Thannah, and crossing the great viaduct and round the promontory of Parsek, we turned to the south, and emerged on a striking plain whose attractiveness increased at every mile of the road until we began the descent of the Bhor Ghauts on the other side.

Bullock Cart

Bullock Cart.

In some parts our road lay over a great green floor soft as velvet, intersected with innumerable river-like channels, made in the lowlands by the ever-encroaching sea. Palm trees fringed these salt-water streams, dotted with hundreds of the fanciful sails of fishing-smacks, bunder-boats, and brightly painted canoes, all moving to and fro swiftly and silently under the shadows of the hills, which rise in fantastic broken forms on one side. There is no sound far or near to break the spell; the silent, forest-clad Ghauts and the whole sea-begirt valley lie asleep in that enchanted atmosphere.

At sunset we reached the village of Campooly, at the foot of the Ghauts—a mean, dirty, and terribly unhealthy spot, situated immediately under the lofty barrier-wall of rock called the Bhor Ghauts, which props up the great table-land of the Deccan[56]—an immense plateau, with large rivers, innumerable hills covered with forts, magnificent towns, cities, villages, and many millions of inhabitants.

This enormous mountain-chain of the Deccan, the first of the steps that rise one above the other till they terminate in the great plateau of Thibet, the highest land of the HimÂlayas, starts up almost perpendicularly from the Konkan, or lowlands, and is securely fastened together by huge buttresses of primeval granite, naked and frightful to look upon in some places, and again singularly beautiful in others. A railroad and a tunnel have since been built across this once almost inaccessible barrier, and is said to be "a noble piece of engineering," for the Ghauts extend over thirteen degrees of latitude and rise in some parts to a height of five thousand five hundred feet above the level of the sea.

There was a fine bungalow, built by Bala Roa Angria for the accommodation of European travellers, at Campooly, where we passed the first hours of the night to await some palanquins with their bearers that had already started up the Ghauts. This bungalow is only occupied by chance wayfarers. Here we took up our abode, and only a tribe of monkeys showed the least inclination to prevent our doing so. There were sixteen in all; they were evidently enjoying themselves running in and out of the half-deserted building. A number on the roof were throwing down into the verandah the peculiar nutlike fruit of the large and graceful peepul trees that overshadowed the house. Some were peeping in at the doors and windows, and some were swinging themselves from the rafters. The moment we appeared they showed regular fight, screamed, chattered, and no doubt swore at us hard and fast in monkey fashion; but, what seemed to me most curious, there was not a man in our service who would perform the unkind office of dispersing them from the bungalow. We had to send for our driver, who, being a Musulman, had no scruples of early ancestry or primitive divinities. He took off his cumberbund, or scarf, twisted it into a whip with a knot at the end, and despatched the bulk of the tribe back into the forest whence they had come. Only one great black-bearded male monkey remained on the roof in spite of the brandished rag; when we were at supper this huge creature suddenly suspended himself downward by the tail, looked in upon us, and, opening his hideous jaws, uttered some fierce imprecations, which, as our pundit would say, "were perfectly intelligible, but not translatable," and, having done this, he vanished, and we saw nothing more of him for that evening.

There is here a Hindoo temple, and a fine reservoir which occupies a quarter of a mile of ground. This reservoir and the adjoining temple, dedicated to Maha DÈo, were built by that most subtle of Mahratta ministers, the famous Nana Furnaveez, whose real name was Balaji Jahnardhan. It is exceedingly well built; the sides are lined and the banks paved with fine stone; steps lead everywhere to the edge of the water; a magnificent banyan tree overshadows the artificial lake, and near it flourishes a fine grove of mango trees.

On the opposite side of us men, women, and children were bathing, swimming and disporting themselves in the water. Some of the young women were symmetry itself, with exquisitely-proportioned, slender forms, delicate hands and feet, finely-poised heads and necks. Their long hair streamed behind them in the water as they swam merrily about. Others were just stepping out of the tank arrayed in their graceful but dripping sarees, which they allow to dry on their persons while they proceed to fill their water-jars, and, piling them one above the other on their heads, depart to their respective homes. These women seemed very innocent and child-like, and a closer acquaintance with several high-bred and true Hindoos proved that these were their distinguishing characteristics.

At three o'clock next morning we began the ascent of the Ghauts in palanquins, or, as they are commonly called, palkees, with coolies to transport our baggage and provisions. About sunrise we reached a very remarkable point in these mountains, a deep and frightful-looking chasm. We alighted from our palkees and went over this part of the Ghauts on foot. At length we were directed as near as we dared to approach the spot where the mountain was split in two.[57] Not a sound was heard anywhere. As we stood there the shadows of the crags brightened every moment, now shimmered along the sides, and shed flickering shafts of light far down upon the midnight darkness below. It was a glorious picture—the depth below and the height above, on whose summits the plumes of the palm trees waved their branches to the rising sun.

The atmosphere was remarkably clear, and this helped us to see a great distance with the naked eye. On one side gently-falling slopes gave place to abrupt precipices and innumerable peaks, and on the other far below were smiling plains, each more beautiful than the other in form and color, affording now and then most magical glimpses of green fields dotted with great reservoirs that looked like silvery spots, and cozy little Hindoo villages nestling amid charming groves and palm-plantations.

As the story goes, the duke of Wellington, then a simple colonel, cast all his guns into one of these reservoirs when he found no means of conveying them any farther, lest they should fall into the hands of the enemy, as he marched over the same road to Poonah and there quelled the famous Mahratta rebellion of 1802.

Now on foot and now in palkees we at length ascended these Ghauts, sweeping round and round, now ascending, now descending, passing by dreadful precipices, drawing breath under quaint natural bowers, following winding paths, and coming suddenly upon foaming cascades leaping from rock to rock. So we went from beauty to ever-increasing beauty, till we reached the village of Khandala, on the very top of the mountain, near which a travellers' bungalow stands with open arms—or verandahs—to receive us. And here was opened to us the full enchantments of the fairyland through which we had been passing upward. All of a sudden from this high peak we beheld a most beautiful and varied picture—sharp peaks of every form and shape and size, tremendous ravines, towering mountains, leaping waterfalls, sloping hillsides, and waving palms and mountain-forests, clearly outlined against a deep-blue sky, and over all these varied forms of nature the sunlight floats and melts, a sea of gold. No artist, however gifted, no pencil, however matchless, can catch and transfer to canvas the entrancing beauties of the views as seen from the top of the Bohr Ghauts and at such a moment.

This lovely spot has for more than twenty years been the favorite retreat of the wealthy and change-seeking inhabitants of Bombay, and now that the railway is opened it is much more easily reached.

The ravines in this neighborhood harbor many wild beasts, and it is said that at night tigers, leopards, and bears are often seen prowling about in search of prey. The natives raise wild shouts when they think they hear or see them, and thus frighten them away.

The travellers' bungalow at Khandala is most picturesquely situated on the edge of a deep ravine. On the right is a small lake or reservoir adjoining the residence of the late Parsee knight, Sir Jamsetjee Jeeboy. To the east is a magnificent hill, called the Duke's Nose, from its supposed likeness to that of Wellington. From this point there are splendid views. The pretty little mountain-village of Khandala is close by, and as we pass on to Karli we skirt the beautiful woods of Lanauli,[58] so often quoted in Mahratta song, once the hunting-grounds of the rulers of the Deccan, and still abounding in wild boars and other game.

We spent four days at the bungalow here, and, what was more, saw every sun that rose and set on these mountains. Each day was a counterpart of the preceding one, clear and bright. We traversed some miles of the surrounding country to visit hill-forts, caves, and viharas, which abound in this neighborhood.

Our next halting-place was at the village of Karli, a cluster of Hindoo houses hid amidst a fine grove of trees. There was a nice bungalow here, and even barracks to hold about two hundred men.

The most famous cave is that of Karli. It far surpassed those we had visited on the islands of Salsette and Elephanta, and took us very much by surprise. The caves are on a hill about two miles or more from the travellers' bungalow. We entered seemingly into the heart of the mountain, and found ourselves in the body of the temple or cave, which is separated from the side-aisles by fifteen columns of magnificent design and workmanship; on each side, on the upper part of each of these columns, are two kneeling elephants, and on each elephant are two seated human figures, sometimes a male and female, with their arms around each other's shoulders sometimes the figures are both female. The effect is remarkably striking. The chaitya[59] is plain and very solid, and behind it are seven plain octagonal pillars without any ornamentation. The interior of the temple seems to have been lined with woodwork. Right in front of the arched roof or hall is a second screen, as at the great cave at Salsette. It is composed of plain octagonal columns with pilasters. Over these is a mass of wall crowned with a superstructure of four dwarf pillars; the whole of this appears to have been covered with wooden ornaments.[60] These are thought to have been a broad balcony in front of the plain wall, supported by two bold wooden brackets from the two piers. This balcony is thought to have served the purpose of a music-gallery or nagara khÁnah, as are still found in the Jain temples to-day. Everything here is executed in the finest style; the bas-reliefs, the windows, the doors, the halls, roofs, vestibules, and figures are each, one and all, beautifully executed. The colossal figure of the Buddha perched on a lotos throne, with angels hovering around him, his hands folded in everlasting repose resting on his knees, is grand and imposing. On the walls are carved many a beautiful flower, some not unlike those we passed in our morning's ride, with strange characters and symbol after symbol replete with the wisdom of the Buddhists. Rows of half-nude gigantic women, elephants, lions, birds, and beasts relate in solid stone the triumphs of Buddhism over Brahmanism. Dr. Stevenson dates the building of this temple at seventy years before Christ; executed, according to him, by the emperor Devabhute, under the care of Xenocrates or Dhennuka-Kati. There has been, however, much doubt thrown by recent explorers on the dates given by Dr. Stevenson. The inscriptions under the gateway are thought to place beyond dispute the dates of these scattered excavations, so similar in point of architecture, at the second century before Christ and not long after the great Buddhist dispersion from North-western Hindostan by the Brahmans.

A number of queer-looking Brahman priests of the Sivite[61] sect, who take care of these caves and encourage pilgrims to them, came out to see us, and, finding our pundit to be a countryman, though he was not of their sect, invited us to witness their worship in a vihara adjoining.

It was difficult to believe that the quiet, dark, handsome men who spoke to us could be such dupes as they seemed while at worship. In the largest of the caves was a huge, rude machine very like a common wheel, in the centre of which was a round place for a fire, and another and smaller fireplace on each of the seven spokes of the wheel. To the wheel was attached a long pole, and to this pole was tied a large-eyed, patient-looking Brahmanee cow with bells around her neck. To the cord which fastened these bells was tied a long rope, and this rope was held by a Yoghee, a sort of mystic Brahman priest, who had nothing on but a wisp of straw around his loins, and a half-starved-looking dog at his heels.

The moment the sun sank behind the mountains a white-robed priest issued from one of the smaller caves and placed a little earthen lamp, containing a long wick and some cocoanut oil, in each one of the receptacles for the fires. This done, the deafening sounds of multitudinous drums were heard from the secret recesses of the intermediate caves. At this, away went the Yoghee, the dog, the cow, and the wheel, with the seven tiny lamps revolving around the larger one in the centre. This furious dance continued, the dog barking, the cow lowing, and the drums beating, for an hour, and then another Yoghee stepped forward and relieved the first one. There were twelve priests, or rather ascetics, for the twelve hours of the night, and this was the celebrated "puja chakra," or wheel-worship, of the ancient Brahmans.

We could not wait, of course, to see the end of this strange, wild, deafening performance. I nearly fainted from the oppressive heat and disagreeable odors of the cave, and was obliged to seek relief in the open air. Here we found the Yoghee who had begun the dance seated on a stone clothed in a long dusky mantle and evidently enjoying the evening breeze. He answered me in pure Hindostanee, and told me that the central fire or lamp represented the Surya, or the Sun, the smaller ones the seven planets, naming each one—Soma, the Moon; Mangala, Mars; Buddh, Mercury; Virhaspati, Jupiter; Sukra, Venus; Sani, Saturn; Deva Bheemi, the Earth. The cow stood for Providence, or, as he termed it, the All-giver; he himself for mankind; while the dog was the emblem of the human family; his dance was in honor of the solar system.

A look of supreme satisfaction overspread his face as he informed me that the deep spiritual meaning which was conveyed to his heart was not in the wheel or in the fires, but in himself as he thought of the efficacy of the daily sacrifice which he offered to the gods, which convinced me that he at least firmly believed that the return of the sun-god to his place in the heavens every morning was due to his efforts and that of his brethren in performing from one end of the year to the other this self-imposed mystic night-dance in honor of the solar system.

The moon had risen as we put our little tattoos'[62] faces Khandala-ward and trotted away from the Karli village and the Hindoo ascetics. We had a very amusing half-broken and half-rattling talk with our pundit, who insisted that there was nothing more holy in the way of worship than the "puja chakra," which we had just seen. When my husband irreverently inquired, "If the wheel-worship was not a gentle hint to the sun to be up and about his business every morning," our good guide and teacher became suddenly grave and silent, and not another word would he say to us on the subject of this curious worship.

Next day we climbed a hill to see the old fort of Lok-garha, which was twice captured from the Mahrattas by the East India Company's generals. It occupies a commanding position, and we enjoyed the view from it. This grand old Mahratta fortress is full of historical interest. It was here that the beautiful and astute widow of Nana Furnaveez, the most famous of the Mahratta ministers, took refuge, and the killadhar, or commander of the fort, obtained for her from General Wellesley not only a guarantee of safety, but an annual pension of twelve thousand rupees. On our return ride we passed through a wild but beautiful part of the hills. We saw and heard the stately pea-fowl that are found in this neighborhood; they added very much to the wild, luxuriant beauty of the woods.

On the following morning we bade adieu to the beautiful Bohr Ghauts. There was a great deal more of loveliness to be seen for many a mile until we reached the slope of the mountains, which is gradual rather than abrupt, as it is on the opposite side, and after that it was of no consequence at all where we looked. We were riding down a bleak, rugged, desolate country, slightly inclined; this was that immense triangular plateau between the Ghaut districts on the east and west and the great Vindhiya chain on the north. As we approached Poonah we found the views more interesting—fields of wheat, maize, orchards of fruit trees, plantain-groves, and the peepul, tamarind, and palm waving above them all. When we reached the bridge that spans the Moota River, it was near sunset. A flood of light poured from the sky over hill and dale and valley, gilding with unusual brilliancy the venerable roofs of Parbuttee and the half-ruined turretted walls of the Peishwa's palace.

Poonah, with the adjoining military station at Kirkee, where the scenery, owing to the junction of the Moota and Moola Rivers, is very picturesque, has a very respectable English population. But the majority of the natives are almost exclusively Brahmans of the Deccan and Hindoos from various parts of Hindostan.

This spot is famous in Mahratta annals. In 1599 Poonah and Supah were made over to Mahlaji Bhonsli, grandfather of the renowned Sivaji, by the government of the Nizam. In 1750 it was made the capital of the Maharashtra empire under Balaji Baji Rao. It was once more seized and destroyed by the Nizam's forces, by Alih Shah, who had established the Mohgul empire at HaiderabÂd in the Deccan. And here again another battle took place in 1802, when Jeshwant Rao Holkar defeated the combined armies of the Peishwa and Scindhia.

With our usual good-fortune we procured a house at Kirkee to stay in during our visit to this neighborhood. It was the residence of a moolah, a Mohammedan bishop, and must have been built many years ago. It is a beautiful spot. A British cavalry regiment is stationed here, and here was fought the battle in which the English gained one of their most remarkable Indian victories over the last Peishwa.

The native city is divided into seven quarters and dedicated to the seven high angels or planets after whom the days of the week are named.

The streets of the city of Poonah are more picturesque and far more Oriental than even those of Bombay. The principal street is long, wide, and furnished with sidewalks, with shops of all sizes and all kinds of merchandise, having open fronts, and the goods are exposed on inclined platforms. The lanes and thoroughfares are thronged with people of all nationalities—the sedate and white-robed Brahman; the handsome Hindoo; the refined and delicate-looking Hindoo woman in her flowing graceful saree and pretty red sandals (for in this city Mohammedan influence has not yet reached the point which it has in other parts of India, and the women are not cooped up in harems, but are met everywhere in the streets, temples, and bazaars); the pompously-dressed Musulman, Arab, and Mahratta horsemen completely armed, prancing along on their splendid chargers; Mahratta foot-soldiers with their lordly swagger, equipped with sword and shield and buckler; emaciated devotees, fakeers, and mendicants of all denominations, some wholly nude, others clothed in the skins of wild beasts, and yet others covered with dust and paint and ashes of cow-ordure; fat, lazy-looking Brahmanee bulls; Jews, Parsees, native Portuguese Christians, and occasionally a British Mahratta sepoy in his neat undress uniform. This moving picture, so strange and incongruous, had the additional fascination of state elephants; splendid cavalcades of the Peishwa's troops decked out in brilliant colors and accompanied by richly-caparisoned led horses; camels trotting along at a quick pace to the sound of merry little tinkling bells suspended from their necks; fighting rams, kept for combats, one of the favorite Mahratta pastimes, parading the streets in long rows, now leaping and butting at dreamy Brahmanee cows. Add to all this that almost every day in the week there are crowded markets, religious processions, passing funerals with gayly-dressed corpses seated on the biers, looking ghastly enough on this dancing bubbling current of human life, and some idea may be formed of the sights and scenes to be met with in the capital of the Mahratta empire.

At my first arrival at Poonah I remember seeing some Hindoo children at play in the square. They were playing at marbles in all respects like the English game, save that the boys had nothing in the world on but a sacred cord round their shoulders and some gold and silver ornaments. New-born infants could not have been more unconscious than they were. The boy who won, a lad about eight or nine, seemed the least elated of the party. The one who lost had a better time; he clapped the winner on the back and cheered him all the way across the square, crying, "Khoop! khoop!" ("Fine! fine!"). There were thirty or more nude little fellows watching the play with intense interest, and evidently having the most enjoyment out of it, to judge from the wild shouts of applause with which they hailed the victor, screaming at the very top of their lungs, "Marliah! marliah!" ("Beaten! beaten!"). How many English or American boys would behave so well?

It would be simply impossible to enumerate all the places of historical interest to be found here. The hillsides are everywhere crowned with forts and religious and military strongholds, where many a battle has been fought and won, and many a treaty formed only to be broken, both by the servants of the East India Company and the contending Mahratta and Mohgul forces, on this debatable land of the Hindoos, Mohguls, and English conquerors.

There are Bambura, or Bampoora, whence in former times an enormous gun, the Mahratta curfew, boomed sunset warnings to honest men to betake themselves home; and Dapooree, where Colonel Ford, C. B., built a palatial residence, and raised and commanded a brigade of magnificent Mahratta troops after the European fashion for the service of the Peishwa Baji Rao.

At Chinchore, near by, a boy is still worshipped as God by the credulous natives. The originator of this curious deception was one MarÂbo, who is said to have restored sight to a blind girl, and who effected a like miraculous cure for the great Sivaji.[63] In order to prove his divinity, this MarÂbo caused himself to be buried alive in a sitting posture with a holy book in his hands. His son succeeded him as God. For several miracles performed by the latter, especially the feat of transforming a piece of cow's flesh into roses, the emperor of Delhi, Alamghir, presented to this man-god Narayana eight villages in perpetuity.

Then there is another curious old fort, Chakhan,[64] with its ramparts and parapets constructed, according to Hindoo story, by an Abyssian chief named Palighar, A. D. 1295. In 1818 it was captured by the troops of the East India Company. And last, but not least, there is the famous Sing-garh, "the lion's den," a vast triangular-shaped fortress, where the brave Mahwalee soldiers, headed by the braver Tanaji Mahisreh, Sivaji's general, fought against the Rajpoots. The latter lost his life after he had captured from the Rajpoots this stronghold of the Mahrattas, causing Sivaji to exclaim, "The den is taken, but the lion, alas! is slain."

This fortress was finally captured by the English during the Mahratta and English war. The ascent is made by palanquins. Splendid trees and many a wild flower crown the hillsides, creeping over gate and tower and moat, spreading beauty and gladness where once was heard the perpetual war-cry of deadly combatants.

We visited the Peishwa's palace. Our syce, or groom, looked like a bedizened prince as he led the way with his gay turban and brilliant sash. We kept close to his horse's heels, and the pundit, whose long white robe gave him the appearance of a lady on horseback, brought up the rear.

The palace, temples, and pavilions of the late Peishwa all cluster about a most beautiful hill called Parbuttee, a corruption of the Sanskrit word Pharvati, "Sacred Mountain." A magnificent garden called "Hira BÂgh" ("the gem or diamond garden"), and a fine reservoir with an old pavilion on its bank, are some of the features of this sacred spot. The palace is in no way worthy of notice, and is fast crumbling away, but it is approached by a magnificent staircase of stone steps cut out of the mountain, and so gradual that we rode up it on horseback. The hill is covered with temples. The view is very fine; seen over the lake with its pretty little tree-covered islands and wide fields studded with palm- and mango-plantations, it was one vast beautiful picture.

Our syce pointed out to us the spot where a young Mahratta prince dashed himself headlong from his pavilion because he was publicly reprimanded for some breach of etiquette by his prime minister, Nana Furnaveez.

There was much to interest us, however, in the temples, that are still kept in good repair, filled with the monstrous idols of the Hindoos; and here are held great annual festivals in their honor. Over two hundred Brahman priests worship here, and are supported by the voluntary contributions made to their shrines.

We went into the temple of Parvati. Our pundit led the way, accompanied by a singularly interesting Mahratta Brahman priest, but I noticed that the sectarian marks on his forehead and those on the pundit's were very different. The former wore the marks of Siva, two straight lines crossed, and the pundit those of Maha DÈo, two concentric circles with a straight line. Before our eyes had become accustomed to "the dim religious light" of this temple, the power of which the Hindoos so well understand, I looked and saw right in front of me, and immediately at the foot of the altar, the prostrate figure of the pundit, and the Brahman priest beside him, their arms and hands stretched out, their faces hidden on the pavement, their limbs stiff and rigid, and their long white robes clinging to their persons.

Within full sight and hearing of the beauty of Christianity, with all the wonders and marvels of scientific discoveries taught hard by in the public native school and in the Sanskrit college, here were these men, neither of whom lacked intellectual training, bowing down to idols of wood and stone. Surely, the more earnest and spiritual of these lowly worshippers see something of the truth, beauty, and goodness of God, denied to less ardent natures, and only discernible with closed eyes and in moments of deep, silent emotion.

There is a massive silver statue of Siva seated on the altar, holding on his knees his wife Parvati and their son Ganesa. These smaller idols, it is said, are of pure gold; a princely fortune in precious gems adorns their headdresses, their necks, and gleams out of their eyes. There were dusky arches and dingy, time-stained columns and all kinds of figures on the walls, and over them all a smoky atmosphere and an odor of incense mingled with that of burnt-offerings.

We went out almost faster than we had gone in. Pundit and his guru, or spiritual guide, were still going through some genuflexions. A Brahman is a Brahman indeed, but are Christians always the followers of Jesus? We sat down on the steps of the temple, and by and by the pundit came out with his spiritual guide, looking calm and serene.

We visited the English school for the natives in the Budhwar[65] portion of the city, also the Sanskrit college, and saw there hundreds of handsome, eager-looking students, and we were assured that it produced men of very great learning, who could hold their own in Sanskrit, Mahratta, Hindostanee, and English even, with some of the greatest scholars in England, France, or Germany.

A spot is shown at Sangam, not far from where we took up our abode, where the devoted Hindoo widows formerly underwent cremation with the dead bodies of their husbands. These monuments can only be seen when the water at Sangam (the spot where the Moola and Moota Rivers meet) is at its lowest ebb. They consist of flat stones or slabs laid in the river-bed, with two female feet engraved on each of them. Even in this, the most hideous and barbaric of Hindoo customs, is found lingering a beautiful and tender sentiment. The feet engraved on the slabs prove the willingness with which these unknown women followed their loved ones through the ordeal of a fiery death into the world beyond, and the meeting of the two rivers typifies the final reunion of their souls.

We visited a banker's office in the native city of Poonah. This bank, in which large sums are deposited and extensive business transacted, was nothing but a mud house plastered over within and without. The counter was an inclined platform reaching from the front to nearly the whole length of the building; on it squatted, cross-legged, surrounded with bags of all kinds of money, a Mahratta banker with his handsome countenance and keen piercing black eyes, talking to his customers, discounting bills, and counting money with astonishing rapidity and ease.

The bank where our pundit obtained his "hoondee," or money-order, was managed, in the absence of his father, by a young Hindoo boy who could not have been over twelve years of age. This youthful cashier astonished us with his accuracy and quickness in counting and discounting money. His only account-book, as far as I could see, was a flat board covered with fine white sand. On this primitive slate he made all his calculations, writing them down with his forefinger. When he had finished he blew away the sand and handed over the amount due to pundit, with interest for odd days, etc., all calculated with the nicest accuracy down to the smallest fraction. We wondered very much to see these banking establishments left in the charge of such young lads, who sit there demurely—and, what is more strange, securely—until late at night, often amid heaps of gold, silver, and other coin left temptingly in full view; but one rarely hears of any attempt to rob them.

The bankers' checks are written on a thick country-made paper; every check has a secret mark or sign that renders forgery difficult. It is rolled up and fastened with gum-water, and thus laks[66] upon laks of rupees are circulated with ease and safety throughout the country.

The European portion of the city of Poonah stands on a fine open plain. There are here wide fields, handsome barracks for the European soldiers, bungalows for their commanding officers, a hospital, a lunatic asylum, a pretty little church with reading-room and library adjoining. In fact, there is everything here to render the European comfortable and happy, except the temper of the people, who still cling to the recollections of old times, when Poonah was the capital of their own great kings and warriors, filled with all the pomp and parade of Oriental splendor.

The late Sir Jamsetjee Jeeboy has erected a fine residence here; near it is a simple and unpretending Fire-temple for the benefit of the Parsees in this vicinity.

The last of the many bright hours spent here we drove about the native town and enjoyed Poonah at night. Every house, fort, temple, palace, and hut was illuminated, those of the poor by a dim light, those of the temples and palaces by innumerable tiny flames that flickered and gleamed in thousands of colors on the marbles and frescoes of the walls, floors, and verandahs. It seemed like passing through some fairy scene filled with the thousand and one pictures of the Arabian Nights.

[55] Bhor, a Mahratta word for the jujube tree, Zizyphus jujuba, which is found among these mountains. The Ghauts, or "Landing-Stairs," are the two ranges of mountains extending along the eastern and western shores of the peninsula of Hindostan. The highest peaks in the north-western part are found in the Mahablashwar Mountains, the summer retreat of the Europeans of Bombay.

[56] From Dakshina (Sanskrit), "South Country."

[57] This chain is now bridged over by a viaduct which once crumbled down and disappeared into the depths below in the presence of a brave English engine-driver, who had the good fortune to arrest the train, that was speeding on its way toward it, just in time to save many valuable lives.

[58] A small village on the Khandala Hills.

[59] An immense hemispherical altar of stone with a kind of wooden umbrella spreading above, beneath which lies interred some relic of the god to whom the temple is dedicated.

[60] See Fergusson's Rock-cut Temples of India, p. 27.

[61] Followers of the god Siva or Shiva.

[62] The Mahratta horses.

[63] Founder of the Mahratta empire, born at Junir, about fifty miles from Poonah, in the year 1627.

[64] This fort is reputed to be of great antiquity, and was constructed by Palighar, but as to who he was, or how he got there, they do not pretend to know.

[65] The city of Poonah is divided into seven quarters, corresponding to the days of the week. Budhwar, therefore, is the Wednesday quarter of the city.

[66] A lak is one hundred thousand rupees.


                                                                                                                                                                                                                                                                                                           

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