Thirty men carrying muffled drums, thirty more with trumpets draped in crape, head a long procession; every now and then the drums roll dismally, and the trumpets give a long sad wail.

Numerous detachments of all the battalions come next, marching slowly, their arms reversed. A small bunch of red immortelles is on every breast. Has the choice of the colour a political signification, or is it a symbol of a bloody death?

Next appears an immense funeral car draped with black, and drawn by four black horses; the gigantic pall is of velvet, with silver stars. At the corners float four great trophies of red flags.

Then another car of the same sort appears, another, and again another; in each of them there are thirty-two corpses. Behind the cars march the members of the Commune bare-headed, and wearing red scarfs. Alas! always that sanguinary colour! Last of all, between a double row of National Guards, follows a vast multitude of men, women, and children, all sorrowful and dejected, many in tears.

The procession proceeds along the boulevards; it started from the Beaujon hospital, and is going to the PÈre Lachaise: as it passes all heads are bared. One man alone up at a window remains covered; the crowd hiss him. Shame on him who will not bow before those who died for a cause, whether it may be a worthy one or not! On looking on those corpses, do not remember the evil they caused when they were alive. They are dead now, and have become sacred. But remember, oh! remember, that it is to the crimes of a few that are due the deaths of so many, and let us help to hasten the hour when the criminals, whoever they be, and to whatever party they belong; will feel the weight of the inexorable Nemesis of human destiny.