The following is the way in which the fires were prepared:—In some instances a number of men, acting as avant-courriers, went first, telling the inhabitants that the Quarter was about to be delivered to the flames, and urging them to fly for their lives; in other oases, the unfortunate people were told that the whole city would be burnt, and that they might as well meet death where they were as run to seek it elsewhere. In some places—in the Rue de Vaugirard, for instance—it is asserted that sentinels were placed in the streets and ordered to fire upon everyone who attempted to escape. One incendiary, who was arrested in the Rue de Poitiers, declared that he received ten francs for each house which he set on fire. Another system consisted in throwing through the cellar doors or traps tin cans or bottles filled with petroleum, phosphorus, nitro-glycerine, or other combustibles, with a long sulphur match attached to the neck of the vessel, the match being lighted at the moment of throwing the explosives into the cellar. Finally, the batteries at Belleville and the cemetery of PÈre la Chaise sent destruction into many quarters by means of petroleum shells. Eudes, a general of the Commune, sent the following order to one of his officers:— “Fire on the Bourse, the Bank, the Post Office, the Place des Victoires, the Place VendÔme, the Garden of the Tuileries, the Babylone Barracks; leave the HÔtel de Ville to Commandant Pindy and the Delegate of War, and the Committee of Public Safety and of the Commune will assemble at the mairie of the eleventh Arrondissement, where you are established; there we will organize the defence of the popular quarters of the city. We will send you cannon and ammunitions from the Parc Basfroi. We will hold out to the last, happen what may. “(Signed) E. EUDES.” The insurgents had collected a considerable quantity of powder in the Pantheon, and when the Versailles troops obtained possession of the building the officer in command at once searched for the slow match, and cut it off when it had not more than a yard to burn! Instructions were given to the firemen not to extinguish the fires, but to retire to the Champ de Mars with the pumps and other apparatus. Whenever a man attempted to do anything to arrest the conflagration he was fired at. The firemen, who had arrived from all parts, even from Belgium, and honest citizens who joined them, worked to extinguish the fires amid showers of bullets. At the Treasury the labours of these men were four times interrupted by the violent cannonading of the insurgents. The fire broke out at the TUILERIES on Tuesday evening. When the battalions at the Arc de Triomphe and at the Corps LÉgislatif had silenced the guns ranged before the Palace, the insurgents set fire to it, and threw out men en tirailleur to prevent anyone from approaching to subdue the flames. At the same moment an attempt was made to set fire to the MINISTRY OF MARINE, in obedience to an order given to Commandant Brunel, which was thus worded:—“In a quarter of an hour the Tuileries will be in flames; as soon as our wounded are removed, you will cause the explosion of the Ministry.” It was Admiral Pothuau, the minister himself, who, at the head of a handful of sailors, set the incendiaries to flight, Brunel along with them. They also arrived in time to prevent any damage being done to the BIBLIOTHÈQUE NATIONALE. The struggle was terrific during the night; the insurgents, who had sought refuge in the Ministry of Finance, after the taking of the barricade in the Rue Saint-Florentin, increased the fury of the flames by firing from the windows, and discharging jets of petroleum at the soldiers. On Wednesday morning the battle had become fearful. Towards ten o’clock columns of smoke rose above Paris, forming a thick cloud, which the sun’s rays could not penetrate. Then, simultaneously, all the fires burst forth: at the CONSEIL D’ETAT, at the LEGION OF HONOUR, at the CAISSE DES DÉPÔTS ET CONSIGNATIONS. at the HÔTEL DE VILLE, at the PALAIS ROYAL, at the MINISTRY OF FINANCE, at the PREFECTURE DE POLICE, at the PALAIS DE JUSTICE, at the THÉÂTRE LYRIQUE, in the Rue du Bac, the Rue de Lille, the Rue de la Croix-Rouge, Rue Notre-Dame-des-Champs, in a great number of houses in the Faubourgs Saint-Germain and Saint-HonorÉ, in the Rue Royale, and in the Rue Boissy d’Anglas. Not many hours later, flames were seen to arise from the Avenue Victoria, Boulevard SÉbastopol, Rue Saint-Martin, at the ChÂteau d’Eau, in the Rue Saint-Antoine, and the Rue de Rivoli. During the night of Friday, the docks of LA VILLETTE, and the warehouses of the DOUANE, the GRENIER D’ABONDANCE and the GOBELINS were all burning! So great was the glare that small print could be read as far off as Versailles, even on that side of the town towards Meudon and Ville d’Avray. THE DOME OF THE INVALIDES.—This was placed in imminent danger. Mines were laid on all sides, but their positions were discovered, and the electric wires out which were to have communicated the spark. THE PLACE DE LA CONCORDE.—When the noise of the fusillade and cannonading ceased, the Place de la Concorde was a scene of absolute desolation. On all sides lay broken pieces of candelabra, balustrades, paving-stones, asphalte, and heaps of earth. The water-nymphs and Tritons of the fountains were much mutilated, and the statue of the town of Lille—one of the eight gigantic, seated figures of the principal towns of France, which form a prominent ornament to the Place, the work of Pradier, and a likeness of one of the Orleans princesses-lay shivered on the ground. THE ARC DE L’ETOILE.—The triumphal arch bears many scars, but none of them of much importance. On the faÇade looking towards Courbevoie, the great bas-relief by Etex, representing “War,” was struck by three shells; the group of “Peace” received only the fragment of one. Here and there, in the bas-relief representing the “Passage of the Bridge of Areole,” and the “Taking of Alexandra,” some traces of balls are visible. On the whole, no irremediable hum is done here. Rude’s masterpiece, “The Marseillaise,” is untouched. THE PALACE OF INDUSTRY.—Rumour says Courbet had, among other projects, formed an idea of demolishing the Palace of Industry. The painted windows of the great nave have received no serious injury. The bas-relief of the main faÇade, picturing Industry and the Arts offering their products to the universal exhibitions, has several of its figures mutilated. The same has happened to the colossal group by Diebolt—France offering laurel crowns to Art and Industry. THE TUILERIES.—Felix Pyat, in the Vengeur, proposed converting the Palace of the Tuileries into a school for the children of soldiers. He says:—“They have taken possession by the work and activity that reign there; a whole floor is filled with tools and activity, and converted into workshops for the construction of messenger balloons. King Labour is enthroned there. I recognised there among the workmen an exile of the revolutionary Commune of London. The workmen and the proscribed at the Tuileries! From the prison of London to the palace of the Tuileries. It is well!” But in the heart of the Commune the soul of the Vengeur underwent a change, and insisted on the complete destruction of the “infamous pile.” The portion of the building overlooking the river was alone preserved. The roofing is destroyed, but the faÇade is but little injured, the only work of art damaged here being a pediment by M. Carrier-Belleuse, representing “Agriculture.” Fortunately the Government of the Fourth of September had sent all the most precious things to the Garde-Meuble (Stores); but how can the magnificent Gobelins tapestry, the fine ceilings, the works of Charles Lebrun, of Pierre Mignard, of Coypel, of Francisque Meillet, of Coysevox, of Girardon, and of many others, and the exquisite Salon des Roses be replaced? The Tuileries burnt for three days, and ten days afterwards the ruins blazed forth anew near the Pavillon de Flore. Not only did the devouring fire threaten to destroy inestimable treasures, but on Monday a number of men carrying slow matches, and led by a man named Napias-Piquet, made all their preparations to set fire to several points of the museum of the Louvre, and two of the guardians were shot. This Napias-Piquet threatened to make of the whole quarter of the Louvre one great conflagration. He was taken and shot, and in his pocket was found a note of his breakfast of the preceding day, amounting to 57 francs 80 centimes. THE LOUVRE.—The preservation of the museum was due to the strong masonry, and the thick walls of the new portion of the building, on which the raging flames could make no impression. But it ran other risks: when the troops entered the building, they planted the tricolour on the clock pavilion, which served as an object for the insurgents’ aim. It was immediately removed, however, when this was perceived. It was generally believed that the galleries of the Louvre contained all their art treasures. This was not the case; prior to the first siege the most precious of the contents had been carefully packed and conveyed to the arsenal of Brest, where they safely reposed, but many very admirable works remained. MINISTRY OF FINANCE (Treasury).—On the 22nd of May, the official journal of the Commune published a note declaring that the certificates of stock and the stock books (grand livre) would be burnt within forty-eight hours. The Commune was annoyed at the publicity given to this note, and a violent debate took place in its council in consequence. On this occasion Paschal Grousset uttered the following:— “I blame those who inserted the note in question, but I demand that measures may be taken for the destruction of all such documents belonging to those at Versailles, the day that they shall enter Paris.” The Library is completely destroyed. More than 90,000 volumes are burnt. Rare editions, Elzevirs, precious MSS., coins, and unique collections, priceless treasures, are irrevocably lost. The building forms one of the most striking ruins in Paris. Citizen Lucas, appointed by FerrÉ to set the Ministry on fire, did his task well. The conflagration, which lasted several days, began in the night of the 23rd of May. Not only was every part soaked with petroleum, but shells had also been placed about the building, and burst successively as the fire extended. Scarcely anything remains of the huge pile but the offices of the Administration of Forest Lands, which are almost intact. A considerable number of valuable documents were saved, but the quantity was very small in comparison with the immense collection accumulated since the beginning of the century. Four times was the work of salvage interrupted by the insurgents. Not a single book in the library has escaped; and this library contained almost the whole of the enormous correspondence of Colbert, the minister, forming no less than two thousand volumes. The PALAIS ROYAL.—The palace itself alone is destroyed; the galleries of the THÉÂTRE FRANÇAIS are preserved. The Constitutionnel published the following account of the conflagration;— “It was at three o’clock that this fearful fire burst forth. A shopkeeper of the PALAIS ROYAL, M. Emile Le SachÉ, came forward in all haste to offer his services. A Communist captain, or lieutenant, threatened to fire on him if he did not retire on the instant; he added that the whole quarter was going to be blown up and burned. In the teeth of this threat, however, two fire-engines were brought to the Place, and were worked by the people of the neighbourhood. It was four o’clock. No water in the Cour des Fontaines. But some was procured by a line of people being placed along the passage leading from the Cour d’Honneur, who passed full buckets of water from hand to hand. THE HOTEL DE VILLE.—The HÔtel de Ville was set on fire by order of the Committee of Public Safety at the moment when the entry of the troops caused them to fly to the Ecole des Chartes, which was thus saved, and whence they fled to the Mairie of Belleville. Five battalions of National Guards—the 57th, 156th, 178th, 184th, and the 187th—remained to prevent any attempt being made to extinguish the fire. Petroleum had been poured about the Salle du TrÔne, and the Salle du Zodiaque, which were decorated by Jean Goujon and Cogniet; in the Galerie de Pierre, in which were paintings by Lecomte, Baudin, Desgoffes, HÉdouin, and Bellel; in the Salon des Arcades, in the Salon NapolÉon, in the Galerie des FÊtes, and in the Salon de la Paix, which contained works of Schopin, Picot, Vanchelet, Jadin, Girard, Ingres, Delacroix, Landelle, Riesener, Lehmann, Gosse, Benouville and Cabanel. It is not only as a fine specimen of architecture that the HÔtel de Ville is to be regretted, but as the cradle of the municipal and revolutionary history of Paris, as well as for the vast collection of archives of the city, duplicates of which were at the same moment a prey to the flames at the Palais de Justice. THE PREFECTURE OF POLICE was set fire to by the Communal delegate FerrÉ and a band of drunken National Guards. THE PALAIS DE JUSTICE, thanks to the prompt arrival of the soldiers, has been partially spared. The damage done, however, is very great. In the SALLE DES PAS-PERDUS several of the grand arches that support the roof have fallen in, and many of the columns are lying in ruins on the pavement. The Cour de Cassation and the Cour d’Assises are entirely destroyed. The conflagration was stopped, when it reached the Cour d’Appel and the Tribunal de PremiÈre Instance. PALACE OF THE QUAI D’ORSAY.—This vast building, in which the Conseil d’État and the Cour des Comptes held their sittings, has suffered seriously, though the walls are not destroyed; but what is irreparable is the loss of the many precious documents belonging to the financial and legislative history of France. The most famous artists of our time have contributed to the decoration of the interior. Jeanron painted the twelve allegorical subjects for the vaulted ceiling of the Salle des Pas-Perdus; Isabey, the Port of Marseilles in the Committee-room. The Death of President de Renty, in the Salle du Contentieux, was by Paul Delaroche; the fine portrait of Napoleon I., as legislator, in the great Council Chamber, by Flandrin; and in another apartment the portrait of Justinien by Delacroix. These, and many other treasures, are lost; for the work of destruction was complete. MINISTRY OF FOREIGN AFFAIRS.—The faÇade has been seriously injured. It was fired upon from the terrace of the Tuileries, and from a gunboat lying under cover of the Pont-Royal. The Doric and Ionic columns are partly broken, as well as the fifteen medallions in white marble, which bore the arms of the principal powers. The apartments in front have been greatly damaged, and especially the salon of the ambassadors, where the Congress of Paris was held in 1856. THE PALACE OF THE LEGION OF HONOUR.—This is a specimen of French architecture, unique of its kind. Happily, drawings and plans have been preserved, and the members of the Legion of Honour have offered a subscription for its re-instatement. THE GOBELINS.—The public gallery, the school of tapestry, and the painters’ studios have been destroyed. The incendiaries would have burned all, works, frames and materials, if the people of the quarter, with the Gobelins weavers, had not defended them at the peril of their lives. An irreparable loss is that of a valuable collection of tapestry dating from the time of Louis XIV. The military hospital of the VAL DE GRÂCE, the ASYLUM FOR THE DEAF AND DUMB, the MINT, the faÇade of the annex of the ÉCOLE-DES-BEAUX-ARTS, have been riddled with balls. At the LUXEMBOURG the magnificent camellia-house and conservatories exist no longer, and the graceful Medici fountain has been injured. THE BANK had most fortunately been placed in charge of the delegate Beslay, who, during the whole time he was there, made every effort to prevent the pillage of the valuables. He was ably seconded by all the officials and employÉs, who had before been armed and incorporated into a battalion. POST OFFICE.—The Communal delegate, Theiz, prevented the incendiaries from setting fire to this important establishment. THE TRIUMPHAL ARCH OF THE PORTE-ST-DENIS.—The bas-relief containing an emblematical figure of the Rhine resting on a rudder has been mutilated, a shell having carried the arm and its support entirely away. The other bas-relief of Holland vanquished and in tears, has been struck by balls, as have also the figures of Fame in the tympans of the arcades. THE TRIUMPHAL ARCH OF THE PORTE-ST-MARTIN.—The sculptures, which represent the taking of Limbourg and the defeat of the Germans, have suffered considerably. They are the works of Le Hongre and the elder Legros. A tragic incident marked the burning of the THEATRE OF THE PORTE ST. MARTIN (see sketch). After laving massacred the proprietor and people of the restaurant Ronceray, the Federals set fire to the house and the theatre which is adjoining. At eight o’clock in the evening, on beholding the first flames arise, the inhabitants of the quarter united in endeavouring to extinguish the fire, notwithstanding that the projectiles fell thickly in the Boulevard Saint-Martin and in the Rue de Bondy. The Federals from behind their barricades at the corner of the Rue Bouchardon, fired upon everyone who attempted to enter the theatre. The ARCHIVES (Record Office), the IMPRIMERIE NATIONALE, and the BIBLIOTHÈQUE MAZARINE were all preserved through the strenuous endeavours of MM. Alfred Maury, Haureau, and Charles Asselineau, who had all managed to keep their places in spite of the Commune. At the DOCKS OF LA VILLETTE, and at the warehouses of the DOUANE, the destruction of property has been enormous. Many millions’ worth of goods were consumed there. In the great buildings belonging to the MAGASINS RÉUNIS (Cooperative Stores) an ambulance had been established, and this was in the utmost danger during two days. It was only owing to the wonderful energy of M. Jahyer that the fire was mastered while the poor wounded men were transported to a place of safety. THE CHURCHES. NOTRE-DAME.—In the interior of Notre-Dame the insurgents set fire to three huge piles of chairs and wood-work. Fortunately the fact was discovered before much mischief had happened. THE SAINTE-CHAPELLE.—This incomparable gem of Gothic art, by some marvellous good fortune was neither touched by fire nor shells. It will still be an object for the pilgrimages of the erudite and the curious. THE MADELEINE.—The balls have somewhat damaged the double colonnade of the peristyle, but the sculptured pediment by Lemaire is all but untouched. THE TRINITÉ.—The faÇade has been seriously injured. The Federals, from their barricades at the entrance of the ChaussÉe-d’Antin, bombarded it for several hours. The painted windows by Ondinot had been removed before the siege—like those of the ancient Cathedral of St. Denis, and the Chapel of St. Ferdinand, by Ingres, they repose in safety. Of all the churches of Paris ST. EUSTACHE has suffered the most. At one time the fire had reached the roof, but it was fortunately discovered in time. The paintings at NOTRE-DAME-DE-LORETTE, at SAINT-GERMAIN-L’AUXERROIS, and at SAINT-GERMAIN-DES-PRÉS have been spared. It is curious that the churches suffered so little, whilst several theatres were burned, including the Porte St. Martin, ThÉÂtre du ChÂtelet, Lyrique, DÉlassements Comiques, etc. The windows of the church of SAINT-JACQUES-DU-HAUT-PAS are destroyed. It has been estimated that the value of the houses and other property destroyed in Paris amounts to twenty millions sterling. In addition to this, it is said that twelve millions’ worth of works of art, furniture, &c., have disappeared, and that more than two and a half millions’ worth of merchandise was burnt, making a total of nearly thirty-five millions. It has been said that the value of the window-glass alone destroyed during the reign of the Commune approaches a million sterling. The demand for glass was at one time so great that the supply was quite insufficient, and at the present moment the price is 20 per cent. higher than usual. |