I went to look at his room, feeling that it ought to be done up before he comes home. It would certainly be improved by new wallpaper, but I dare not have this improvement made. Superstition reminds me that I have often noticed how unlucky people have been who have had their bedrooms done up. They are always either ill in the rooms or else never occupy them any more. I decided at once that I would not have it done. The room was attractive enough, as it is, with its high, narrow, mirror-hung door leading into the bathroom, and its vast wardrobe packed full now with his ordinary clothes, his military great-coat—too long and cumbersome for the trenches, even in winter—and piles of small books which in the past two years he has bought out of his own pocket-money; and his sword. The bed had an air as if it were waiting for him. The darling boy! How thankfully he nestled down between the sheets when he came home the first time! His big brown eyes were almost wild, that night. He had the look of a man who has been "I haven't slept in a proper bed since I first went out," he said. "Why, what about that French chÂteau where you said everything was so luxurious?" I asked him. "Oh, everything is comparative!" He laughed. "I had a feather bed on the floor there and it seemed to be almost a wicked luxury even though there were no sheets or pillows and I had only my brown blanket over me." Yes, even then, a fortnight ago, his bed had an air of expectancy about it, as if it knew that he had written to say he was coming again. Above the head of it the wall was bare, because I had left it to him to decide what should be put there, and he never cared two straws what his room looked like as long as it had all the little things he wanted in it and was within a dozen yards of a bathroom. That unlucky bathroom! Why is it that bathrooms and staircases cause more angry passions in a household than anything else? I, for example, am not a bad-tempered woman. I am positive that even my worst enemy—my worst feminine enemy—would think twice before laying ill-temper to my charge; yet when anybody meets me on the stairs, or comes upstairs close behind me, I feel inhuman. I quite understand In the same way, most men cannot bear that the door of any room, even the most private, in their own home should be locked against them. And this brings me back to the bathroom and Little Yeogh Wough. When a bathroom is of the ordinary kind, the only cause of trouble, as a rule, is whether the hot water is hot enough. But this particular bathroom has three doors, and the occupants of the three contiguous rooms from which those doors give access occasionally emerged at the same time and fiercely disputed possession of the means of cleanliness. When Little Yeogh Wough was at home he usually slipped in at a well-chosen moment by his particular door and, locking the two other doors on the inside, remained master of the situation, while various other members of the family, and notably his father, stormed outside. The boy had always been a fanatical devotee of the Bath, For he is vain, my Little Yeogh Wough. There is nothing effeminate about him, though he knows a great deal of womanly lore and could, for instance, choose the right lace for a particular gown as well as I could do it myself. There is nothing of the tailor's or hairdresser's dummy about him, with clothes looking like those pictured in an illustrated booklet and hair plastered with the meticulous exactitude required of men going into a Thames racing craft, where one hair more on one side or the other might sink the cranky shell and plunge them into the river. He is smart and polished and speckless as any prince with a valet at five hundred a year, and he brilliantined his rather fair and very rebellious locks until in the process of subduing they became many shades darker than their natural hue; yet he always saw clearly and maintained firmly that clothes should set off the man or woman and not be allowed to make use of the glorious human figure as a mere peg on which to display themselves, while hair should never advertise the coiffeur. So, though he has always examined himself before looking-glasses and had pots of all sorts of toilet things on his "Why shouldn't a boy look in the glass as well as a girl?" he said to me one day. "I don't see why it should only be the females that are allowed to take pleasure in whatever good things in the way of looks may happen to have been given them." All his little personal ways came back to me as I moved about his room, making sure that nothing should be missing when he came. The back brush he had bought for the bath looked a little dusty, so I washed it. Even as I did this, snatches of poems which I would rather not have remembered just then kept on coming to my mind and my lips. There was a poem called "Aftermath" in The Times, which I shall never be able to forget. It begins: "Yes ... he is gone ... there is the message ... see! My son ... my eldest son. So be it, God! This is no time for tears ... no time to mourn. In the years to come, When we have done our work, and God's own peace With tranquil glory floods a troubled world, Why, then, perhaps, in the old hall at home, Our eyes, my wife, shall meet and gleam, and mark, Niched on the walls in sanctity of pride, Hal's sword, Dick's medal, and the cross He won, Yet never wore. That is the time for tears; Drawn from a well of love deep down ... deep down; Deep as the mystery of immortal souls. That is the time for tears ... not now! Not now!" And then the last line of some verses which I saw somewhere else, headed "The Second Lieutenant": "Up and up to his God," and, best and worst of all, Rupert Brooke's: "If I should die, think only this of me, That there's one corner of a foreign field Shall be for ever England——" When I got to this point, the tears which had been blinding me so that I could hardly see what I was doing brimmed over and fell on the back brush. Why did I let those tears come when I ought to have been smiling and singing because he is coming home? I might as well be foolish enough to cry now, when I am sitting here waiting for him and when I know that at some blessed moment during the next half-hour he is bound to come in. I was quite angry with myself when I wiped my tears away that time a fortnight ago. I dried the back brush with unnecessary energy and then took another and closer look about his room. One of his hats and his riding whip hung together on the wall above shelves of books which he had bought himself. Every one of those books spoke to me of him as I glanced at their titles. Another bookcase was gloriously rich with his Public School prizes. Such handsome, wonderful books they are; and there are about fifty of them. What a "And he has never disappointed me," I thought aloud. No, he had never disappointed me. And people as a rule are so disappointing! One's friends fall short, one's lover says the wrong thing at the wrong time, or forgets to say the right thing—which is even worse—and one's dearest clergymen and favourite actors and heroes generally make unspeakable fools of themselves just as one is getting ready to fall on one's knees and worship them. All my life I have asked too much of people and then been left gaping at their unsatisfyingness. So it was no wonder that I was always frankly amazed whenever I stopped to realise that Little Yeogh Wough had always come up to my expectations. Not that he was ever a prig. Heaven forbid! I would run farther from a prig than from a criminal. He has always had heaps of faults. But they are fine faults. One never rams one's head against a blank wall in him, but always finds deeps and deeps behind. "That there Master Roland 'ave got so many nooks and corners in his mind that you can't never tell when you've got to the end of 'im," Old Nurse said once, mixing up her words, but showing her meaning plainly enough. "And what I says is, 'e'll go on getting deeper and deeper all his life, till 'e gets into the sincere and yellow leaf, as the Scriptures calls it." Oh, how his room went on speaking to me of him! Sargent's picture of Carmencita, the Spanish dancer, is over the fireplace, with two fencing foils crossed above it; and above these again is a picture of two stately lovers walking by the shore in Brittany. The table near the foot of the bed had a pile of little military books upon it—"Quick Training for War" and its fellows—and dear little books of poems, and some sheets of his favourite green blotting-paper. He put himself out a good deal to get that green blotting-paper, saying that white showed the ink stains too much, while pink was an abomination, like a red flannel petticoat for a woman or a magenta pelisse for a pallid, blue-eyed child. The dressing-table drawers were, and still are, full of things that he has no use for at the Front; all except the two small drawers on either side of the looking-glass, which have got a few old letters in them and a few odds and ends of nice things, such as solidified Eau de Cologne and the most deliciously fragrant shaving cream. Shaving, indeed! Why, he has only done it for a year or so! I am sorry, by the way, that he has got a moustache now. Speaking for myself, I don't like a man with a moustache, except in the capacity of lover. Of course, I hate beards, anyhow. They always make me think of Abraham and Isaac and all those old uninteresting men whom no woman with any romance in her would look at twice, even if it were a case of him and of her being the sole survivors of the human race in the world. By the way, though, I did once see a beard which was attractive—or, more truthfully, was not unattractive. It was a short, silky, auburn beard, torpedo-shaped, and it was on a naval officer who was otherwise so charming that he might perhaps have carried off worse things than this with success. But, coming back to the moustache, it is a fit appendage for a man in the lover stage, because it gives an impression of masculinity. But when a man is my uncle or my father, or simply my friend, and above all, when he is likely to argue much with me, I prefer him to be clean shaven. It gives me a feeling of equality. When I was a little girl I used to wonder why a man's words, however silly, always seemed to have more importance than a woman's words, however wise; and I satisfied myself that it was because a man's statements nearly always came from under a moustache. Even if he only said how fine the day was, the fact that the remark came from a Still, he is my Little Yeogh Wough, whose babyish and boyish weaknesses I have known and loved so well. As I looked more and more round the room, I got more reminders of his small-boyish and babyish times. Under the bed, with several pairs of handsome boots, there was the wreck of an old, squeaky gramophone, and the yet more interesting wreck of a toy typewriter, with which, at the age of eleven, he printed twelve numbers of a monthly home magazine called "The Vallombrosa Record," all by himself. A dusty golliwog and a Teddy bear are jammed in among the ruins of these things, together with a few feathers from the tail of an old life-size cock which used to stand on the night nursery mantelpiece. I opened the wardrobe. The first thing that my hand touched was a tape-measure, in the shape of a negro's head, with the tape coming out of the mouth. And how this thing brought back to me the Little Yeogh Wough of six and a half years old! One fine spring morning, my secretary, Miss "Really, you ought to begin training this boy's moral character," said she, speaking with the freedom of one who, though employed by me, was yet older than I. "You see this tape measure. He bought it for a Christmas present for his grand-mamma because he wanted it himself, and he felt quite sure she would give it back to him as soon as she knew he wanted it; but she didn't, and now he's been up there to Hampstead and wheedled it out of her. He's very selfish, you know, and it ought to be nipped in the bud. And he's extravagant with his selfishness—and so cunning, too! Look at the way he came to you yesterday and asked you for a shilling—at his age!—and went out and bought a miserable little peach for tenpence and brought it to you with a great deal of fuss and hung round while you ate it, so that he got you to give him quite nine-tenths of it, and then told you all the evening that he'd made you a present of a peach. Now this is a tendency that ought to be checked. Canon Bloomfield of St. Margaret's says that——" "It's all right, Miss Torry. The boy is not really cunning, though he seems so. He has a dear little heart, and, in spite of his tricks, he would give his brown velvet eyes right out of his head for me." I put down the old negro head tape-measure and took up a dark little overcoat dating from the time when he was seven. I had brought it in here out of an old box, meaning to give it away. It was badly cut, and so he had never worn it much; because, even at seven years old, he had known when a coat had no style, and had hated it. Certainly it used to make him—yes, even him—look almost commonplace. "Fancy the little wretch having known at seven years old whether a thing made him look commonplace or not!" I thought with a laugh as I moved the unsatisfactory garment aside. He had known at that early age, too, whether my own clothes were satisfactory or not. He had always taken a vivid, throbbing interest in every new garment I had; yes, and in every new yard of ribbon and in every spray of flowers. "Perhaps it's a good thing he has met Vera and taken a fancy to her, even though he is only a boy still," I said to myself aloud. "Such a fellow as he is might so easily get into trouble with the wrong woman—especially now that he's in khaki. There's so much dash about him. I should fall in love with him myself in five minutes, if I were not his mother." Falling in love? How absurd it seems in connection with this boy whom I had given to the world, and whose very early boyhood was only such a little way back! My cook has only been here eight years, and yet she remembers him as quite a small boy. It makes me laugh to think of her amazement when I mention that he has a great friendship for Vera. "Friendship for a young lady, mum? What? Master Roland? Well, I never did! What the boys is coming to in this war, I don't know. And there's the newspapers all advising 'em to get married before they go out. Mischievous nonsense, I call it. What's the good of getting married to a man who may leave you a widow inside of a month? Two or three girls I know have just done that, for the sake of getting the men's money. Downright mean, I call it, and hard on the taxpayers that have got to keep the soldiers' widows and orphans; and so I told 'em. Of course, it's different for your sort; but it's not right for the likes of us. It's not my idea of gettin' married, anyhow, and so I told my young man when he was going out." "But wouldn't you feel more sure of him, Joanna, if he'd married you? You see, if he were your husband, and not only just your lover, you'd know that you could trust him out there, and that he wouldn't be flirting with French girls." But Joanna laughed doubtfully. "I don't see as that follows, mum. 'Usbands flirts just as much as lovers, from what I've seen. And I'm not afraid of my young man flirting, anyhow, because he isn't the sort. You see, he never calls me darling in his letters, or anything like Wise philosopher of the kitchen! If only all women would judge their men as truthfully. "But to think of Master Roland!" the cook began again. Yes, to think of Little Yeogh Wough beginning to care for any girl! As I went on rummaging in the wardrobe, I came across a little loose pile of letters which he had sent back from the Front. I should never dream in the ordinary way of reading anybody else's letters—I carefully avoid looking into his private drawer in this same piece of furniture—but it happens that he told me playfully that I could read any of the letters in this particular little pile, if I chose. The first two were from myself to him. Of course I might look at those. They bore signs of violent usage in the opening. I have a habit of fastening down the flaps of my envelopes with stickphast, and then making them still more secure by sitting on the letters in a book. So Little Yeogh Wough had often told me that, whenever he saw a letter of mine arriving, he sent his soldier servant for an entrenching tool to open it with. Not that he had any right to tease me on this matter. For he followed the same plan himself in fastening letters. He always used stickphast and he always sat on the missives in a book. Whenever we bought a book that we did not enjoy, we took it to sit on as a correspondence flattener. "Don't you ever believe anybody who says they've opened by mistake any letter that you'd written," Little Yeogh Wough said to me once. "It's a sheer impossibility." The letter from myself to him, which I had just taken up, was one which he had marked to be put away later on in his despatch box for permanent safe keeping. I recognise it as one that I had written at a time when I knew he was in particular danger. Vera had made him promise that when there was going to be a great "push," or when any other circumstances arose which materially increased the ordinary risk to his life, he would send her a certain short Latin sentence. In an hour of crisis he had sent this sentence, and the anxious girl, who thought of him all day and dreamed of him all night, had passed on the warning to me. A chill ran through my blood as I re-read my own written words:
Ah, thank God! He came safely through that time of extra-acute peril. If he had not come through it—what sort of human wreck should I be now? I shivered as I put the letter down with fingers that were not quite steady. Then I took up another letter from the pile—a letter with a London postmark and with a Hammersmith address for its heading. "What a common-looking, sloppy handwriting!" I thought as I looked at it. And the thing began: "You dear pigeon of a Roly." And it was signed: "Your duck of a Queenie." And underneath the "Queenie" there were actually crosses for kisses, as if the letter were from a tweenymaid! I got a shock. Shivers went down my back. |