I.

RETURN AT MIDNIGHT.

Driving from the station at midnight, the immensity of everything, gigantic proportions of silent palaces and closed churches. Passing in front of the Quirinal, the colossal Dioscuri with their horses, the fountain flowing down and spurting upwards between them, white under the electric light, against the deep blue darkness.

Even the incredible huge vulgarity of modern things, advertisements, yards long at the street corners under the gas, and immense rows of jerry-built houses, somehow help to make up the impression of Rome as a theatre of the ages: a gigantic stage, splendidly impressive to eye and fancy, where Time has strutted and ranted, and ever will continue.

At night particularly one feels the Piranesi grandeur, but also the Callot picturesqueness which are secondary qualities of Rome. As a whole the town belongs mainly to the shabby and magnificent seventeenth century. Those hundreds of architecturally worthless Jesuit churches are not, as we are apt stupidly to say, absurd or meaningless, but quite the contrary; admirably suited to their place and function among ruins and vagueness. The beggars and loafers, the inconceivable squalor and lousiness, are also, in this sense, in their rights.

March 24.

II.

VILLA MADAMA.

The great empty, unfinished, hulk, very grand and with delicate details, stranded like the ark on Ararat on its hillside of brushwood and market-garden, seems to sum up, in a shape only a little more splendid than usual, the story told on all sides. For on all sides there are great mouldering unfinished villas, barrocco casinos, even fifteenth-century small palaces, deserted among the fields; and everywhere monumental gateways leading to nothing. Their story is that of the unceasing enterprise of pope after pope, and cardinal after cardinal against the inexorable climate of Rome. Each shortlived generation of old men, come to Rome too late to learn, already accustomed to order about and to swagger, refusing to see the ruins left by its predecessors; insisting on having its way with those malarious hillocks and riversides; only to die like the rest, leaving another gaunt enclosure behind.

One of the fascinations of Rome is undoubtedly not its murderous quality as such, but the character of which that seems a part, the quality of being a living creature, with unbreakable habits and unanswerable reasons, making it massacre quite quietly, whatever came in its way.

Rome, as perhaps only Venice, is an organic city, almost a living being; its genius loci no allegory, but its own real self.

March.

III.

FROM VALMONTONE TO OLEVANO.

Valmontone, on the railway line to Naples, to which we bicycled back from Segni—a savage village on a hill, pigs burrowing and fighting at its foot—and on its skirt a great stained Palazzo Farnese-like palace.

Crossing the low hills of the wide valley between the Alban and Sabine chains, magnificent bare mountains appear seated opposite, crystalline, almost gemlike; and splendid, almost crepuscular, colours in the valley even at noon: deep greens and purples, the pointed straw stacks replacing, as black accents, our Tuscan cypresses. Quantities of blue and white wind-flowers on the banks, and wine-coloured anemones under the thick ilex-like olives; and all round the splendid pale-blue chains of jagged and conical mountains. A population of tattered people and galled horses; much misery; a sort of more savage Umbrian landscape, and without Umbrian serenity; deserted, deserted roads. I am writing from the olive yard above the inn; the rugged little Olevano hanging, almost sliding, down the hillside opposite, black houses and yellow-lichened roofs.

Olevano March 28.

IV.

FROM OLEVANO TO SUBIACO.

Yesterday afternoon bicycled and walked from Olevano to Subiaco. A steep mile and a half up to the very crest of the mountains, and then down some sharp corners and one or two very precipitous zigzags, letting myself run down; the first time I have had such a sensation, a sensation largely of fear, partly of joy: a changing view in front, on the side—steeps of sere woods, great mountains, like jasper or some other stone that should be veined amethyst, a smell of freshness, whiffs of violets, at one point a small green lake deep, deep below (Stagno di Rojate); yet an annihilation of both space and time. It was better when Ch. Br. and I dismounted and walked down; the road cut out of the steep wooded hills; on the shady side trickling with water and delicious with moss, primroses, and violets among the sere chestnuts. Here and there a cherry-tree in the valley deep below, like a little puff of smoke. The sweetness of those mountain woods with the great bare lilac mountains all round!

A sharp zigzag, a swish over a bridge, where as one rather felt than saw the full green Anio dashing through rocks; and just at sunset we came upon Subiaco—rising violet, with its great pointing castle mound, from the green valley of water and budding poplars into a purple and fiery sky. Then in the dusk through the little town, where the bells were ringing.

Tivoli March 29.

V.

ACQUA MARCIA.

I sha'n't forget, on the long bleak road from Subiaco to Vicovaro, a violent dry wind against us, veiling all things in dust, a spring near Spiagge: a wide runnel of water spirting out of the travertine and running off into clear rills where the mules drink. The water they collect up here for the Acqua Marcia, whose aqueducts we see about, old arches and new; water, cold, infinitely pure, exquisite, one might say almost fragrant. It was such spirts from the rock, as well as the sight of pure mountain streams, which taught St. Francis his verse about Suor Acqua. St. Francis must have wandered in these fastnesses which (totally unlike the country between Segni and Olevano) are very Umbrian in character. There is a portrait of him, said to be by a contemporary monk, on a pilaster of one of the subterranean chapels of the Sacro Speco above Subiaco: blond, wide-eyed, the cowl drawn over his head.

Tivoli March 29.

VI.

THE SACRO SPECO.

The Sacro Speco was a very charming surprise. The series of little churches and chapels up and down flights of steps, vaulted and painted in Gothic style, with shrine lamps here and there, were quite open and empty. We walked into them, or rather into a crooked vestibule frescoed by some Umbrian, with no sudden transition from the splendid grove of ilexes, immense branches like beams overhead, from the great hillside of bluish-grey tufo, with only a few bitter herbs on it. The convent of the Sacro Speco is a half-fortified little place into which we could not penetrate. Only a surly monk, found with difficulty (another entered the chapels with a great bundle of wall-flowers and irises), took us into the microscopic garden under the convent battlements hedged with flowering rosemary, where the roses in which St. Benedict rolled are grown (May roses, only bright leaves as yet) literally in the shape of a bed or gridiron, row along row.

Though it is not remote-looking, 'tis a splendid place for a hermit's thoughts: the blue-grey hillside running down into the green rushing Anio, the great bare bluish mountains all round, far enough to be visible, a great sense of air and space, for a valley. No vegetation, save a few olives and scrub oaks and the bitter herbs and euphorbus. No scented happy Tuscan things. And deep below, the arches of Nero's Villa—with demons no doubt galore. Those giottesque chapels hold in them, all hung with lamps, a small tufo grotto, the one down which, as in Sodoma's fresco, the angels sent baskets of provisions and the devils made horns at St. Benedict.

Rome, March 30.

VII.

THE VALLEY OF THE ANIO.

There is a nice Cosmati cloister at S. Scolastica, lower on the hill, an enormous also fortified-looking monastery, but to which also there is only a mule path. These places are splendidly meditative, but they do not give me the idea of hermitages in the wilderness like that ruined Abbey of Sassovivo above Foligno. But the Sacro Speco's little up and down chapels, a miniature Assisi, empty, yet not abandoned on this sunburnt rock, are very impressive.

I take great pleasure following the Anio, which we first met coming out of the narrow gorge round the S. Scolastica hill (the other side behind Nero's ruins is a hill covered with pale green scrub, beech, or more likely alder), down below Subiaco. In the ever-widening valley it is an impetuous stream, but not at all a torrent; pale green filling up a narrow bed between pale green willows, here and there slackening into pools with delicate green waving plants: a very unexpected and (to me) inexplicable sight among those mountains which are more arid than any Tuscan ones, and from which very few tributary streams seem to descend. (I can remember crossing only one, full and with waving weeds also.)

The Anio swirls round a beautiful wooded promontory, ilexes and even a few cypresses, between Spiagge and Vicovaro, making a little church into a miniature Tivoli Sibilla. One becomes very fond of such a stream, and it is a great delight to see it in its triumph at Tivoli racing headlong into the abyss of the big fall, only a spray cloud revealing it among the thick green; or breaking out into tiny delicate fountains—garden fountains, you would think—among the ilexes and grottoes under the little round Temple; a wonderful mixture of wildness and art, a place, with its high air, its leaping waters and glimpses of distant plain, such as one would really wish for a sibyl, and might imagine for Delphi. An enchanted place with its flight and twitter of birds above the water. I should like to follow the Anio into the Tiber.

At sunset, had there been one, we went into the Villa d'Este, entering through the huge deserted courts and grottoed halls of the colossal palace, surprised to find the enchanted gardens, the terraces and cypresses descending on the other side, the grey vague plain and distant mountains—and always the sound of waters. What a solemn magnificent place! How strange a contrast from the Benedictine monastery on its arid rocks, to this huge, solemn, pompous palace, with its plumed gardens and statued hedges, hanging on a hillside too, but what a different one!

Rome, March 30.

VIII.

VICOVARO.

There was cultivation all down the valley of the Anio, lots of blossoming cherry-trees; and the peasant-women in stays, and some men in knee breeches, looked prosperous. Subiaco seeming a sort of S. Marcello.

Vicovaro is a delightful village above the Anio, with a fine palace of the Bolognettis, a good many houses with handsome carved windows and lintels as in Umbria, a nice circular church with fourteenth-century elaborate statued porch, and a very charming temple portico. Here also the people looked well-to-do and civilised, on the whole like Umbrians; whereas on the Olevano side, even on Sunday, they were in rags and miserably stolid. The little caffÈ where we eat was lined with political caricatures.

Places like Vicovaro and still more the many apparently inaccessible other villages incredibly high up—Cantalupo, Castel Madama, S. Vito, &c., each with its distinguishing palazzone—makes one understand what Rome is made of—the feudal, savage mountains whence, even like its drinking water which splashes in Bernini fountains, this sixteenth and seventeenth century Rome has descended. For Rome is not an Urban City; and underneath all the Bernini palaces, we must imagine things like Palazzo Capranica, with the few mullioned and Gothic windows picked in its fortress-like walls. How I seem to feel what Rome is made of—its strange living components in the past!

At Subiaco the streets were strewn, as for a procession, with shredded petals of violets. All kinds of violets grow on those hills, some reddish and as big as pansies; and as we swished past, instead of the dry scent of myrrh and mint of our Tuscan hills, there came a moist smell of violets from the hedgerows.

Rome, March 31.

IX.

TOR PIGNATTARA.

Drove to-day with Maria outside Porta Maggiore, little changed since my childhood. Stormy sunshine, the mountains blue, with patches of violet, like dark rainbow splendours, flashing out with white towns; cherry blossoms among the reeds, vague gardens with statues and bits of relief stuck about. Finally the circular domed tomb of Empress Helena, with a tiny church, a bit of orphanage built into it, and all round the priest's well-kept garden and orphans' vegetable garden. A sound of harmonium and girls' hymn issuing out of the ruin, on which grow against the sky great tufts of fennel, of stuff like London pride and of budding lentisk. This is Rome!

March 31.

X.

VILLA ADRIANA.

We crossed the Anio twice—first at Ponte Mammolo, where it is Tiber-coloured, and it tugs at the willows; then before it has been polluted by the sulphur water of the Acque Albule (though the sulphur blue water is itself lovely) at a magnificent tower under Tivoli, like Cecilia Metella. An Anio green, rushing flush as at Subiaco, among poplars and willows, fields of sprouting reeds.

Villa Adriana: you see it from a distance at the foot of the Tivoli hills—sloping olive woods and domes of pines. What a place! The Armida gardens for a Faust-Rinaldo. Antiquity like a belle au bois dormant in the groves of colossal ilexes, the rows of immense cypresses, above all, enclosed in the magic of those thick old silver-coloured huge unpruned olives, of the high flowering grasses. These vestiges of porticoes and domes and grottoes are not in the least beautiful architecturally; and every statue, every bit of frieze has been ruthlessly removed, only the broken slabs of marble, of wainscot and a few broken mosaics remaining—'tis the only garden near Rome with not one statue in it! But somehow the divine vegetation, the divine view of near blue mountains and blue plain seem to transform all this brick and cement into something beautiful and precious, to turn the few remaining columns and stalked broken capitals (all the rest, vases, baths, floors, marbles, gone to the Vatican) into something exquisite. Perhaps 'tis the very absence of statues which makes one think what statues must have stood there, and feel as if they were still present. Anyhow this quite accidental place, this vanished palace covered over by the olive groves, the box hedges, cypress avenues and pastures of little trumpery farm villas—is far more beautiful and wonderful than any of the art-made Roman gardens, and is, so to speak, their original—much as those Tivoli falls seem the prototype of all the Roman fountains.

It began to rain as we were there, and thundered through the great halls. Then as it cleared over the mountains, the plain green, vague! was blotted with black rain, a threatening yellow sky above.

April 10.

XI.

S. LORENZO FUORI.

The fine ambones; the very peculiar and beautiful galleries, with delicate columns, like a triforium on either side of choir for women; the choir with splendid episcopal seat and pale cipolin benches—Tadema like—for priests all round.

We must imagine classic antiquity full of this wonderful blond colour of marbles; arrangements of palest lilac, green, rosy yellow, and a white shimmer. Colours such as we see on water at sunset, ineffable.

April 10.

XII.

ON THE ALBAN HILLS.

The big olives, pruned square, but of full dense foliage, not smoke-like, but the colour of old dark silver; the vineyards of pale criss-cross blond canes on violet ground. The railway goes round Lake Albano, reflecting blue stormy sky and white cloud balls; a gash when the current alters shows marvellous hyacinth blue. A fringe of budding little trees and of great pale asphodels; the smell of them and of freshness.

Beautiful circular church, cupola silvery, ribbed outside, at Ariccia, opposite Palazzo Chigi; a great grim palace, stained grey with damp and time, flanked by four sorts of towers; windows scarce. This solemn type of sixteenth-century White Devil of Italy palace or villa recurs in this neighbourhood; places to keep their secrets; some apparently on the very border of the Campagna, where vines and olives end. Wonderful woods full of flowers between Albano and Genzano.

The little round Lake of Nemi disappointed me.

Bicycling to Marino, Lake Albano seen from above, waters reflecting black storm, sere oakwoods of Rocca di Papa stormy purple too, and round the highest Latin peak, which looks like an altar slab, a great inky storm, water, hills, sky, all threatening inky green and violet; and against them, on the hill ridge of stones, the delicate pale pink chandeliers of the asphodels.

On the other side the slopes of vineyards and pale blue campagna and faint shining sea line, blond under a clear sky. Lovely woods of oak near Marino, through which, alas! we swished down hill. A whole flock of sheep, newly raddled, and faunlike shepherds lying in the shade opposite.

In Villa Torlonia at Albano, a pond, surrounded by masks (whence water spouted), deep green water, broken by fountain, green deep ilex groves round; every stone picked out with delicate green moss. And at the end of the vistas the campagna in green, purple blue modelling of evening, hillocks and farms and aqueducts, hay and straw stacks vaguely visible. And beyond the white shiny sea. The storm has disappeared, leaving only a few clouds veiling the Subiaco mountains which we see. How different in memory from these Latin Hills! All up the hill great terraced gardens, piled-up villas: Aldobrandini, Falconieri, Lancillotti.

Rome, April 13.

XIII.

MAUNDY THURSDAY.

Yesterday, Giovedi Santo evening, the washing of the high-altar of St. Peter's. A sudden impression of the magnificence of this church, its vastness filled with dusk, a few wax tapers scattered along the nave; in the far distance a lit-up altar throwing its light up into the vault of an aisle, showing the shimmer of golden coffering; the crowd circling unseen.

Then the ceremony of washing the high-altar: all the canons, priests and choir-boys mounted onto its dais; and, as they passed, wiped the great slab with a brush of white shavings dipped in oil and wine; then walked round the church in solemn procession, tiny choir-boys first, purple canons, and, lastly, a tall cardinal with scarlet cap, all with their white mops; a penetrating sweet smell of wine and oil filling the place, and seeming to waken paganism. As they turned again towards the high-altar, its huge twisted gilded columns glimmering in the light of the tapers, lights appeared in the Veronica balcony; priests moved to and fro with a great gold cross in that distant lit-up gloom; the canons fell on their knees, great purple poppies. There was the noise of a rattle; more lights in that balcony, and another gold shining thing was displayed; the Veronica this time, with (as you guessed) the outline of a bearded face.

It was twilight outside; and St. Peter's, its colonnade, St. Angelo's, the Tiber, looked colossal.

Maundy Thursday.

XIV.

GOOD FRIDAY.

It was overcast yesterday, and the sun set as we approached this place, the train passing through woods of myrtle and lentisk scrub. Suddenly we came upon green fields lying against the skyline, and full of asphodels—a pale golden-rosy sunset under mists, a pinkish full moon rising in the misty blue opposite; and against this pale, serene sky, the hundreds of asphodels, each distinct like a candlestick, rising out of the green. I never saw such a vision of the Elysian fields.

Here at Anzio we found a GesÙ Morto procession winding with a band, and a red-and-white confraternity, through the little fishing town. At one moment the great black erect Madonna appeared among the torch-light against the deep blue sky, the misty blue moonlit sea.

Much less fine than such processions are in Tuscany; but impressive. The little boats, with folded lateen sails, near the pier had coloured lanterns slung from the mast to the bowsprit. The sea broke like ruffled silk.

Anzio, April 17.

XV.

ASPHODELS.

Like Johnson and his wall-fruit, I have never had as many asphodels to look at as I wanted. Ever since I saw them first, rushing by train through the Maremma, nay ever since I saw them in a photograph of a Sicilian temple, nay perhaps, secretly, since hearing their name, I have felt a longing for them, and a secret sense that I was never going to be shown as many as I want. Here I have. Yesterday morning bicycling inland, along a rising road along which alternate green pastures and sea, and woods of dense myrtle and lentisk scrub overtopped by ilexes and cork-trees, there were asphodels enough: deep plantations, little fields, like those of cultivated narcissus, compact masses of their pale salmon and grey shot colours and greyish-green leaves, or fringes, each flower distinct against field or sky, on the ledges of rock and the high earth banks. The flowers are rarely perfect when you pick them, some of the starry blossoms having withered and left an untidy fringe instead; but at a distance this half-decay gives them a singular distinction, makes the light fall on the very tips, the silvery buds, sinking the stretching out branches and picking out the pale rose colour with grey. The beauty of the plant is in the candlestick thrust of the branches. The flower has a faint oniony smell, but fresh like box hedge.

Anzio, Easter Day.

XVI.

NETTUNO.

Nettuno, a little castellated town on the rocks; battlemented walls and towers, a house with fortified windows, a sixteenth-century fortress, very beautiful. All manner of vines, weeds and lilac flowers growing in the walls. Men in boots and breeches and brigand hats about, women with outside stays. In the evening a flock of goats being milked. Strings of mules, literally strings, beasts tied together.

Last evening we bicycled beyond Nettuno on the way to Torre Astura, which you see bounding this semicircular gulf, vague great mountains behind. The Cape of Circe, which looks (and surely must have been) an island, came out faint towards evening, a great cliff ending in something like a castle, apparently in the middle of the sea, mysterious. We got, skirting the sea, to a large heath—a heath, black sandy soil, of budding bracken, grass and asphodels; immense, inexpressibly solemn and fresh; a little wood of cork-trees in the distance, a broken Roman ruin, blue Apennines half hidden in clouds. A few shepherds were going home, looking immense on the flatness, and goats and horses. Song of larks, and suddenly an unexpected booming of surf. Following the sound inexplicably loud, across the deeper black sandy soil, we got to the sea. Most strange against it, a fringe of marshy grass, of bulrushes! Far off the tower of Astura, and the faint Cape of Circe among mists. It began to rain.

Anzio, Easter.

XVII.

TORRE ASTURA.

Yesterday evening bicycled farther in the direction of Torre Astura, which seemed quite near in its solitude. The dunes were covered with thick bushes of lentisk, myrtle and similar shrubs; every step bruised some scented thing. Along the sands, black, hard and full of coloured shells, was a strip of bulrushes. The sea, which is tame and messy in the artificial bay formed by the pier of Anzio, was fresh and rushing; the wind swept the brown dark sand like smoke along the ground.

Monte Circeo was quite distinct, blue and white its summit an overhanging rock, no castle. Inland stretched the fields of asphodels and the deep woods.

We found in the morning a lane or road gone to ruin, running high up from Anzio to Nettuno, and entirely under splendid overarching ilexes; a sunk lane, with here and there a glimpse of blue sea among the evergreen branches.

Anzio, April 19.