INDEX.

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A

Abbey, Mr. E. A., 342

Abbott, Dr. E. A., 364

Actor, Shakespeare as an, 43-45
See also RÔles, Shakespeare’s

Actors: entertained for the first time at Stratford-on-Avon, 10
return of the two chief companies to London in 1587, 33
the players’ licensing Act of Queen Elizabeth, 34
companies of boy actors, 34 35 38 213
companies of adult actors in 1587, 35
the patronage of the company which was joined by Shakespeare, 35 36
women’s parts played by men or boys, 38 and n 2
tours in the provinces, 39-42
foreign tours, 42
Shakespeare’s alleged scorn of their calling, 44 45
‘advice’ to actors in Hamlet, 45
their incomes, 198 199 and n 2, 201
the strife between adult actors and boy actors, 213-17 221
patronage of actors by King James, 232 and n 2
substitution of women for boys in female parts, 334 335

Adam, in As You Like It, played by Shakespeare, 44

Adaptations by Shakespeare of old plays, 56

Adaptations of Shakespeare’s plays at the Restoration, 331 332

Adulation, extravagance of, in the days of Queen Elizabeth, 137 138 and n 2

Æschylus, Hamlet’s ‘sea of troubles’ paralleled in the PersÆ of, 13 n
resemblance between Lady Macbeth and Clytemnestra in the Agamemnon of, 13 n

Æsthetic school of Shakespearean criticism, 333

Alexander, Sir William, sonnets by, 438

Alleyn, Edward, manages the amalgamated companies of the Admiral and Lord Strange, 37
pays fivepence for the pirated Sonnets, 90 n
his large savings, 204

Allot, Robert, 312

All’s Well that Ends Well: the sonnet form of a letter of Helen, 84
probable date of production, 162
plot drawn from Painter’s ‘Palace of Pleasure,’ 163
probably identical with Love’s Labour’s Won, 162
chief characters, 163
its resemblance to the Two Gentlemen of Verona, 163
For editions see Section xix. (Bibliography), 301-25

America, enthusiasm for Shakespeare in, 341 342
copies of the First Folio in, 308 310 n

Amner, Rev. Richard, 321

‘Amoretti,’ Spenser’s, 115 435 and n 5, 436

‘Amours’ by ‘J. D.,’ 390 and n

Amphitruo of Plautus, the, and a scene in The Comedy of Errors, 54

‘Amyntas,’ complimentary title of, 385 n 2

Angelo, Michael, ‘dedicatory’ sonnets of, 138 n

‘Anthia and Abrocomas,’ by Xenophon Ephesius, and the story of Romeo and Juliet, 55 n

Antony and Cleopatra: allusion to the part of Cleopatra being played by a boy, 39 n
the youthfulness of Octavius CÆsar, 143 n 2
the longest of the poet’s plays, 224
date of entry in the ‘Stationers’ Registers,’ 244
date of publication, 245
the story derived from Plutarch, 245
the ‘happy valiancy’ of the style, 245
For editions see Section xix. (Bibliography), 301-25

Apollonius and Silla, Historie of, 210

‘Apologie for Poetrie,’ Sidney’s, allusion to the conceit of the immortalising power of verse in, 114
on the adulation of patrons, 138

‘Apology for Actors,’ Heywood’s, 182

Apsley, William, bookseller, 90 304 312

‘Arcadia,’ Sidney’s, 88 n, 241 and n 2, 429

Arden family, of Warwickshire, 6 191

Arden family, of Alvanley, 192

Arden, Alice, 7

Arden, Edward, executed for complicity in a Popish plot, 6

Arden, Joan, 12

Arden, Mary. See Shakespeare, Mary

Arden, Robert (1), sheriff of Warwickshire and Leicestershire in 1438, 6

Arden, Robert (2), landlord at Snitterfield of Richard Shakespeare, 3 6
marriage of his daughter Mary to John Shakespeare, 6 7
his family and second marriage, 6
his property and will, 7

Arden, Thomas, grandfather of Shakespeare’s mother, 6

Arden of Feversham, a play of uncertain authorship, 71

Ariel, character of, 256

Ariodante and Ginevra, Historie of, 208

Ariosto, I Suppositi of, 164
Orlando Furioso of, and Much Ado about Nothing, 208

Aristotle, quotation from, made by both Shakespeare and Bacon 370 n

Armado, in Love’s Labour’s Lost 51 n, 62

Armenian language, translation of Shakespeare in the, 354

Arms, coat of, Shakespeare’s, 189 190 191 193

Arms, College of, applications of the poet’s father to, 2 10 n, 188-92

Arne, Dr., 334

Arnold, Matthew, 327 n 1

Art in England, its indebtedness to Shakespeare, 340 341

As You Like It: allusion to the part of Rosalind being played by a boy, 38 n 2
ridicule of foreign travel, 42 n 2
acknowledgments to Marlowe (III. v. 8), 64
adapted from Lodge’s ‘Rosalynde,’ 209
addition of three new characters, 209
hints taken from ‘Saviolo’s Practise,’ 209
its pastoral character, 209
said to have been performed before King James at Wilton, 232 n 1 411 n.
For editions see Section xix. (Bibliography), 301-25

Asbies, the chief property of Robert Arden at Wilmcote, bequeathed to Shakespeare’s mother, 7
mortgaged to Edmund Lambert, 12
proposal to confer on John Lambert an absolute title to the property, 26
Shakespeare’s endeavour to recover, 195

Ashbee, Mr. E. W., 302 n

Assimilation, literary, Shakespeare’s power of, 61 109 seq.

Aston Cantlowe, 6
place of the marriage of Shakespeare’s parents, 7

‘Astrophel,’ apostrophe to Sidney in Spenser’s, 143 n 2

‘Astrophel and Stella,’ 83
the metre of, 95 n 2
address to Cupid, 97 n
the praise of ‘blackness’ in, 119 and n 153 n 1
editions of, 428 429

Aubrey, John, the poet’s early biographer, on John Shakespeare’s trade, 4
on the poet’s knowledge of Latin, 16
on John Shakespeare’s relations with the trade of butcher, 18
on the poet at Grendon, 31
lines quoted by him on John Combe, 269 n
on Shakespeare’s genial disposition, 278
value of his biography of the poet, 362
his ignorance of any relation between Shakespeare and the Earl of Pembroke, 414 415

‘Aurora,’ title of Sir W. Alexander’s collection of sonnets, 438 Autobiographical features of Shakespeare’s plays, 164-7 168 248
of Shakespeare’s sonnets, the question of, 100 109 125 152 160

Autographs of the poet, 284-6

‘Avisa,’ heroine of Willobie’s poem, 155 seq

Ayrer, Jacob, his Die schÖne Sidea, 253 and n 1

Ayscough, Samuel, 364 n

B

Bacon, Miss Delia, 371

Bacon Society, 372

Bacon-Shakespeare controversy, (Appendix II.), 370-73

Baddesley Clinton, the Shakespeares of, 3

BaÏf, De, plagiarised indirectly by Shakespeare, 111 and n
indebtedness of Daniel and others to, 431 432
one of ‘La PlÉiade,’ 443 444

Bandello, the story of Romeo and Juliet by, 55 n 1
the story of Hero and Claudio by, 208
the story of Twelfth Night by, 210

Barante, recognition of the greatness of Shakespeare by, 350

Barnard, Sir John, second husband of the poet’s granddaughter Elizabeth, 282

Barnes, Barnabe, legal terminology in his Sonnets, 32 n 2
and (Appendix IX.) 432
use of the word ‘wire,’ 118 n 2
his sonnets of vituperation, 121
the probable rival of Shakespeare for Southampton’s favour, 131 132 133 135 n
his sonnets, 132 133 432
called ‘Petrarch’s scholar’ by Churchyard, 133
expressions in his sonnet (xlix.) adopted by Shakespeare, 152 n
sonnet to Lady Bridget Manners, 379 n
sonnet to Southampton’s eyes, 384
compliment to Sidney in Sonnet xcv. 432
Sonnet lxvi. (‘Ah, sweet Content’) quoted, 432
his sonnets to patrons, 440
his religious sonnets, 441

Barnfield, Richard, feigning old age in his ‘Affectionate Shepherd,’ 86 n
his adulation of Queen Elizabeth in ‘Cynthia,’ 137 n, 435
sonnets addressed to ‘Ganymede,’ 138 n 2, 435
predicts immortality for Shakespeare, 179
chief author of the ‘Passionate Pilgrim,’ 182 and n

Bartholomew Fair, 255

Bartlett, John, 364

Barton collection of Shakespeareana at Boston, Mass., 341

Barton-on-the-Heath, 12
identical with the ‘Burton’ in the Taming of the Shrew, 164

Bathurst, Charles, on Shakespeare’s versification, 49 n

Baynes, Thomas Spencer, 365

Beale, Francis, 389

‘Bear Garden in Southwark, The,’ the poet’s lodgings near, 38

Bearley, 6

Beaumont, Francis, on ‘things done at the Mermaid,’ 177

Beaumont, Sir John, 388

Bedford, Edward Russell, third Earl of: his marriage to Lucy Harington, 161

Bedford, Lucy, Countess of, 138 n 2, 161

Beeston, William (a seventeenth-century actor), on the report that Shakespeare was a schoolmaster, 29
on the poet’s acting, 43

Bellay, Joachim du, Spenser’s translations of some of his sonnets, 101 105 n, 432 436 443 444

Belleau, Remy, poems and sonnets by, 441 n 1, 444 445 n

Belleforest (Francois de), Shakespeare’s indebtedness to the ‘Histoires Tragiques’ of, 14 55 n 1, 208 222

Benda, J. W. 0., German translation of Shakespeare by, 344

Benedick and his ‘halting sonnet,’ 108 208

Benedix, J. R., opposition to Shakespearean worship by, 345

Bentley, R., 313

Berlioz, Hector, 351

Bermudas, the, and The Tempest, 252

Berners, Lord, translation of ‘Huon of Bordeaux’ by, 162

Bernhardt, Madame Sarah, 351

Bertaut, Jean, 443

Betterton, Mrs., 335

Betterton, Thomas, 33 332 334 335 362

Bianca and her lovers, story of, partly drawn from the ‘Supposes’ of George Gascoigne, 164

Bible, the, Shakespeare and, 16 17 and n 1

Bibliography of Shakespeare, 299-325

Bensley, Robert, actor, 338

Bidford, near Stratford, legend of a drinking bout at, 271

Biography of the poet, sources of (Appendix I.), 361-5

Birmingham, memorial Shakespeare library at, 298

Biron, in Love’s Labour’s Lost, 51 and n

Birth of Merlin, 181

Birthplace, Shakespeare’s, 8 9

‘Bisson,’ use of the word, 317

Blackfriars Shakespeare’s purchase of property in, 267

Blackfriars Theatre, built by James Burbage (1596), 38 200
leased to ‘the Queen’s Children of the Chapel,’ 38 202 213
occupied by Shakespeare’s company, 38
litigation of Burbage’s heirs, 200
Shakespeare’s interest in, 201 202
shareholders in, 202
Shakespeare’s disposal of his shares in, 264

‘Blackness,’ Shakespeare’s praise of, 118-120 cf. 155

Blades, William, 364

Blind Beggar of Alexandria, Chapman’s, 51 n

Blount, Edward, publisher, 92 135 n, 183 244 304 305 312 393 394 and n 1

Boaistuau de Launay (Pierre) translates Bandello’s story of Romeo and Juliet, 51 n

Boaden, James, 406 n

Boar’s Head Tavern, 170

Boas, Mr. F. S., 365

Boccaccio, Shakespeare’s indebtedness to, 163 249 251 and n 2

Bodenstedt, Friedrich von, German translator of Shakespeare, 344

Bohemia, allotted a seashore in Winter’s Tale, 251
translations of Shakespeare in, 354

Boiardo, 243

Bond against impediments respecting Shakespeare’s marriage, 20 21

Bonian, Richard, printer, 226

Booth, Barton, actor, 335

Booth, Edwin, 342

Booth, Junius Brutus, 342

Booth, Lionel, 311

Borck, Baron C. W. von, translation of Julius CÆsar into German by, 343

Boswell, James, 334

Boswell, James (the younger), 322 405 n

Boswell-Stone, Mr. W. G. 364

BÖttger, A., German translation of Shakespeare by, 344

Boy-actors, 34 35 38
the strife between adult actors and, 213-217

Boydell, John, his scheme for illustrating the work of the poet, 341

Bracebridge, C. H., 364

Brach, Pierre de, his sonnet on Sleep echoed in Daniel’s Sonnet xlix., 101 and n 1 431 445 n

Brandes, Mr. Georg, 365

Brassington, Mr. W. Salt, 290 n

Brathwaite, Richard, 269 n 1, 388 398

Breton, Nicholas, homage paid to the Countess of Pembroke in his poems, 138 n 2
his play on the words ‘wit’ and ‘will,’ 417

Brewster, E., 313

Bridgeman, Mr. C. 0., 415 n

Bright, James Heywood, 406 n

Broken Heart, Ford’s, similarity of theme of Shakespeare’s Sonnet cxxvi. to that of a song in, 97 n

Brooke or Broke, Arthur, his translation of the story of Romeo and Juliet, 55 322

Brooke, Ralph, complains about Shakespeare’s coat-of-arms, 192 193

Brown, C. Armitage, 406 n

Brown, John, obtains a writ of distraint against Shakespeare’s father, 12

Browne, William, love-sonnets by, 439 and n 2

Buc, Sir George, 245

Buckingham, John Sheffield, first Duke of, a letter from King James to the poet said to have been in his possession, 231

Bucknill, Dr. John Charles, on the poet’s medical knowledge, 364

Burbage, Cuthbert, 37 200

Burbage, James, owner of The Theatre and keeper of a livery stable, 33 36
erects the Blackfriars Theatre, 38

Burbage, Richard, erroneously assumed to have been a native of Stratford, 31 n
a lifelong friend of Shakespeare’s, 36
demolishes The Theatre and builds the Globe Theatre, 37 200
performs, with Shakespeare and Kemp, before Queen Elizabeth at Greenwich Palace, 43
his impersonation of the King in Richard III, 63
litigation of his heirs respecting the Globe and the Blackfriars Theatres, 200
his income, 203 219
creates the title-part in Hamlet, 222 231
his reputation made by creating the leading parts in the poet’s greatest tragedies, 264 265
anecdote of, 265
the poet’s bequest to, 276
as a painter, 292

Burgersdijk, Dr. L. A. J., translation in Dutch by, 352

Burghley, Lord, 375 376 378

Burton, Francis, bookseller, 399 n 2, 400

Butter, Nathaniel, 180 241

C

‘C., E.,’ sonnet by, on lust, 153 n 1
his collection of sonnets, ‘Emaricdulfe,’ 436

Caliban, the character of, 253 256 257 and notes

Cambridge, Hamlet acted at, 224

Cambridge edition of Shakespeare, 324

Camden, William, 191

Campbell, Lord, on the poet’s legal acquirements, 364

Campion, Thomas, his opinion of Barnes’s verse, 133
his sonnet to Lord Walden, 140
sonnets in Harleian MS., 437 and n 3

Capell, Edward, reprint of Edward III in his ‘Prolusions,’ 71 224
his edition of Shakespeare, 319
his works on the poet, 320

Cardenio, the lost play of, 181 258 259

Carter, Rev. Thomas, on the alleged Puritan sympathies of Shakespeare’s father, 10 n

Casteliones y Montisis, Lope de Vega’s, 55 n 1

Castille, Constable of, entertainments in his honour at Whitehall, 233 234

Castle, William, parish clerk of Stratford, 34

Catherine II of Russia, adaptations of the Merry Wives and King John by, 352 353

Cawood, Gabriel, publisher of ‘Mary Magdalene’s Funeral Tears,’ 88 n

Cecil, Sir Robert, and the Earl of Southampton, 143 379 381 382

‘Centurie of Spiritual Sonnets, A,’ Barnes’s, 132

‘Certain Sonnets,’ Sidney’s, 153 n 1

Cervantes, his ‘Don Quixote,’ foundation of lost play of Cardenio, 258
death of, 272 n 1

Chamberlain, the Lord, his company of players. See Hunsdon, first Lord and second Lord

Chamberlain, John, 149 261 n

Chapman, George, plays on Biron’s career by, 51 n, 395 n 1
his An Humourous Day’s Mirth, 51 n
his Blind Beggar of Alexandria, 51 n
his censure of sonnetteermg, 106
his alleged rivalry with Shakespeare for Southampton’s favour, 134 135 n, 183
his translation of the ‘Iliad,’ 227
his sonnets to patrons, 388 440 n
sonnets in praise of philosophy, 441

Charlecote Park, probably the scene of the poaching episode, 27 28

Charles I and the poet’s plays, 329
his copy of the Second Folio, 312

Charles II, his copy of the Second Folio, 312

Chateaubriand, 349

ChÂtelain, Chevalier de, rendering of Hamlet by, 351

Chaucer, the story of ‘Lucrece’ in his ‘Legend of Good Women,’ 76
hints in his ‘Knight’s Tale’ for Midsummer Night’s Dream, 162
the plot of Troilus and Cressida taken from his ‘Troilus and Cresseid,’ 227
plot of The Two Noble Kinsmen drawn from his ‘Knight’s Tale,’ 260

Chenier, Marie-Joseph, sides with Voltaire in the Shakespearean controversy in France, 349

Chester, Robert, his ‘Love’s Martyr,’ 183 184 n

Chettle, Henry, the publisher, his description of Shakespeare as an actor, 43 48 n
his apology for Greene’s attack on Shakespeare, 58 277 225
appeals to Shakespeare to write an elegy on Queen Elizabeth, 230

Chetwynde, Peter, publisher, 312

Chiswell, R., 313

‘Chloris,’ title of William Smith’s collection of sonnets, 437 and n 4 Chronology of Shakespeare’s plays 48-57 59 63-72
partly determined by subject-matter and metre, 48-50 161 seq., 207 seq., 235 seq., 248 seq.

Churchyard, Thomas, his Fantasticall Monarcho’s Epitaph, 51 n
calls Barnes ‘Petrarch’s scholar,’ 133

Cibber, Colley, 335

Cibber, Mrs., 336

Cibber, Theophilus, the reputed compiler of ‘Lives of the Poets,’ 32 and n 3, 33

Cinthio, the ‘Hecatommithi’ of, Shakespeare’s indebtedness to, 14 53 236
his tragedy, Epitia, 237

Clark, Mr. W. G., 325

Clement, Nicolas, criticism of the poet by, 347 348

Cleopatra: the poet’s allusion to her part being played by a boy, 38 n 2
compared with the ‘dark lady’ of the sonnets 123 124
her character, 245

Clive, Mrs., 336

Clopton, Sir Hugh, the former owner of New Place, 193

Clopton, Sir John, 283

Clytemnestra, resemblance between the characters of Lady Macbeth and, 13 n

Cobham, Henry Brooke, eighth Lord, 169

‘Coelia,’ love-sonnets by William Browne entitled, 439 and n 2

‘Coelia,’ title of Percy’s collection of sonnets, 435

‘Coelica,’ title of Fulke Greville’s collection of poems, 97 n

Cokain, Sir Aston, lines on Shakespeare and Wincot ale by, 166

Coleridge, S. T., on the style of Antony and Cleopatra, 245
on The Two Noble Kinsmen, 259
representative of the Æsthetic school, 333
on Edmund Kean, 338 365

Collier, John Payne, includes Mucedorus in his edition of Shakespeare, 72
his reprint of Drayton’s sonnets, 110 n
his forgeries in the ‘Perkins Folio,’ 312 and n 2, 317 n 2 324 333 362
his other forgeries (Appendix I.), 367-9

Collins, Mr. Churton, 317 n 1

Collins, Francis, Shakespeare’s solicitor, 271 273

Collins, Rev. John, 321

Colte, Sir Henry, 410 n

Combe, John, bequest left to the poet by, 269
lines written upon his money-lending, 269 n

Combe, Thomas, legacy of the poet to, 276

Combe, William, his attempt to enclose common land at Stratford, 269

Comedy of Errors: the plot drawn from Plautus, 16 54
date of publication, 53
allusion to the civil war in France, 53
possibly founded on The Historie of Error, 54
performed in the hall of Gray’s Inn 1594, 70
For editions see Section xix. (Bibliography), 301-25

‘Complainte of Rosamond,’ Daniel’s, parallelisms in Romeo and Juliet with, 56
its topic and metre reflected in ‘Lucrece,’ 76 77 and n 431

Concordances to Shakespeare, 364 and n

Condell, Henry, actor and a lifelong friend of Shakespeare, 36 202 203 264
the poet’s bequest to him, 276
signs dedication of First Folio, 303 306

Confessio Amantis, Gower’s, 244

Conspiracie of Duke Biron, The, 51 n

Constable, Henry, piratical publication of the sonnets of, 88 n
followed Desportes in naming his collection of sonnets ‘Diana,’ 104 431
dedicatory sonnets, 440
religious sonnets, 440

Contention betwixt the two famous houses of Yorke and Lancaster, first part of the, 59

‘Contr Amours,’ Jodelle’s, parody of the vituperative sonnet in, 122 and n

Cooke, Sir Anthony, 436

Cooke, George Frederick, actor, 338

Coral, comparison of lips with, 118 and n 2

Coriolanus: date of first publication, 246
derived from North’s ‘Plutarch,’ 246
literal reproduction of the text of Plutarch, 246 and n
originality of the humorous scenes, 246
date of composition, 246 247
general characteristics, 247
For editions see Section xix. (Bibliography), 301-25

‘Coronet for his mistress Philosophy, A,’ by Chapman, 106

Coryat, ‘Odcombian Banquet’ by, 395

Cotes, Thomas, printer, 312

Cotswolds, the, Shakespeare’s allusion to, 168

Court, the, Shakespeare’s relations with, 81 83 230 232-4
cf. 251 n, 254 n, 256 n 1, 264

Cowden-Clarke, Mrs., 364

Cowley, actor, 208

‘Crabbed age and youth,’ etc. 182

Craig, Mr. W. J., 325

Creede, Thomas, draft of the Merry Wives of Windsor printed by, 172
draft of Henry V printed by, 173
fraudulently assigns plays to Shakespeare, 179 180

Cromwell, History of Thomas, Lord, 313

‘Cryptogram, The Great,’ 372

Cupid, Shakespeare’s addresses to, compared with the invocations of Sidney, Drayton, Lyly, and others, 97 n

Curtain Theatre, Moorfields, one of the only two theatres existing in London at the period of Shakespeare’s arrival, 32 36
the scene of some of the poet’s performances, 37
closed at the period of the Civil War, 37 233 n 1

Cushman, Charlotte, 342

Cust, Mr. Lionel, 290 n

Cymbeline: sources of plot, 249
introduction of Calvinistic terms, 250 and n
Imogen, 250
comparison with As You Like It, 250
Dr. Forman’s note on its performance, 250
For editions see Section xix. (Bibliography) 301-25

‘Cynthia,’ Barnfield’s, adulation of Queen Elizabeth in, 137 n, 435

‘Cynthia,’ Ralegh’s, extravagant apostrophe to Queen Elizabeth in, 137 n

Cynthia’s Revels, performed at Blackfriars Theatre, 215

Cyrano de Bergerac, plagiarisms of Shakespeare by, 347

D

‘Daiphantus,’ allusion to the poet in Scoloker’s, 277

Daniel, Samuel, parallelisms in Romeo and Juliet with his ‘Complainte of Rosamond,’ 56 61
the topic and metre of the ‘Complainte of Rosamond’ reflected in ‘Lucrece,’ 76 77 and n 1
feigning old age, 86 n
his sonnet (xlix.) on Sleep, 101
admits plagiarism of Petrarch in his ‘Delia,’ 101 n 4
followed Maurice SÈve in naming his collection of sonnets, 104 430
claims immortality for his sonnets, 115
his prefatory sonnet in ‘Delia,’ 130 429
celebrates in verse Southampton’s release from prison, 149 388
his indebtedness to Desportes, 430
and to De Balt and Pierre de Brach, 431
popularity of his sonnets, 431

Danish, translations of Shakespeare in, 354

Danter, John, prints surreptitiously Romeo and Juliet, 56
Titus Andronicus entered at Stationers’ Hall by, 66

Daurat (formerly Dinemandy), Jean, one of ‘La Pleiade,’ 443

D’Avenant, John, keeps the Crown Inn, Oxford, 265

D’Avenant, Sir William, relates the story of Shakespeare holding horses outside playhouses, 33
on the story of Southampton’s gift to Shakespeare, 126 374
a letter of King James to the poet once in his possession, 231
Shakespeare’s alleged paternity of, 265 328

Davies, Archdeacon, vicar of Saperton, on Shakespeare’s ‘unluckiness’ in poaching, 27
on ‘Justice Clodpate’ (Justice Shallow), 29 362

Davies, John, of Hereford, his allusion to the parts played by Shakespeare, 44
celebrates in verse Southampton’s release from prison, 149 388
his ‘Wittes Pilgrimage,’ 439
sonnets to patrons, 440 n

Davies, Sir John: his ‘gulling sonnets,’ a satire on conventional sonnetteering, 106 107 and n 1 128 n, 435 436
his apostrophe to Queen Elizabeth, 137 n 273

Davison, Francis, his translation of Petrarch’s sonnet, 102 n
dedication of his ‘Poetical Rhapsody’ to the Earl of Pembroke, 414

Death-mask, the Kesselstadt, 296 and n 1

‘Decameron,’ the, indebtedness of Shakespeare to, 163 249 251 and n2

Dedications, 392-400

‘Dedicatory’ sonnets, of Shakespeare, 125 seq.
of other Elizabethan poets, 138 n 2 140 141

Defence of Cony-Catching, 47 n

Dekker, Thomas, 48 n
the quarrel with Ben Jonson, 214-20 228 n 225
on King James’s entry into London, 232
his song ‘Oh, sweet content’ an echo of Barnes’s ‘Ah, sweet Content,’ 433 n 1

‘Delia,’ title of Daniel’s collection of sonnets, 104 118 n 2, 130 430 434
See also under Daniel, Samuel

‘DÉlie,’ sonnets by SÈve entitled, 442

Delius, Nikolaus, edition of Shakespeare by, 324
studies of the text and metre of the poet by, 345

Dennis, John, on the Merry Wives of Windsor, 171 172
his tribute to the poet, 332

Derby, Ferdinando Stanley, Earl of, his patronage of actors, 35
performances by his company, 56 59 66 73
Spenser’s bestowal of the title of ‘Amyntas’ on, 385 n 2

Derby, William Stanley, Earl of, 161

Desmond, Earl of, Ben Jonson’s apostrophe to the, 140

Desportes, Philippe, his sonnet on Sleep, 101 and 431
plagiarised by Drayton and others, 103 and n 3, 430 seq.
plagiarised indirectly by Shakespeare, 110 111
his claim for the immortality of verse, 114 and n 1
Daniel’s indebtedness to him, 430 431 443 444 445 n

Deutsche Shakespeare-Gesellschaft, 365

Devrient family, the, stage representation of Shakespeare by, 346

Diana, George de Montemayor’s, and Two Gentlemen of Verona, 53
translations of, 53

‘Diana’ the title of Constable’s collection of sonnets, 88 n 96 n 104 431

Diderot, opposition to Voltaire’s strictures by, 348

‘Diella,’ sonnets by ‘R. L.’ [Richard Linche], 437

Digges, Leonard, on the superior popularity of Julius CÆsar to Jonson’s Catiline, 220 n
commendatory verses on the poet, 276 n 1 300 306
on the poet’s popularity, 329

‘Don Quixote’ and the lost play Cardenio, 258

Doncaster, the name of Shakespeare at, 1

Donne Dr. John, his poetic addresses to the Countess of Bedford, 138 n 2
expression of ‘love’ in his ‘Verse Letters,’ 141
his anecdote about Shakespeare and Jonson, 177

Donnelly, Mr. Ignatius, 372

Dorell, Hadrian, writer of the preface to the story of ‘Avisa,’ 157

Double Falsehood, or the Distrest Lovers, 258 259 and n 1

Douce, Francis, 364

Dowdall, John, 362

Dowden, Professor, 333 416 n 364 365

Drake, Nathan, 363

Drayton, Michael, 61
feigning old age in his sonnets, 86 n
his invocations to Cupid, 97 n
plagiarisms in his sonnets, 103 and n 2 434
follows Claude de Pontoux in naming his heroine ‘Idea,’ 104 105 n 1
his admission of insincerity in his sonnets, 105
Shakespeare’s indebtedness to his sonnets, 110 n
claims immortality for his sonnets, 115
use of the word ‘love,’ 127 n
title of ‘Hymn’ given to some of his poems, 135 n
identified by some as the ‘rival poet,’ 135
adulation in his sonnets, 138 n 2
Shakespeare’s Sonnet cxliv. adapted from, 153 n 2
entertained by Shakespeare at New Place, Stratford, 271 427 n 2
greetings to his patron in his works, 398

Droeshout, Martin, engraver of the portrait in the First Folio, 287-8
his uncle of the same name, a painter, 290

Droitwich, native place of John Heming, one of Shakespeare’s actor-friends, 31 n

Drummond, William, of Hawthornden, his translations of Petrarch’s sonnets, 104 n 4 111 n
Italian origin of many of his love-sonnets, 104 and n
translation of a vituperative sonnet from Marino, 122 n 1
translation of a sonnet by Tasso, 152 n
two self-reproachful sonnets by him, 152 n
See also (Appendix) 439 and n 1

Dryden, a criticism of the poet’s work by, 330
presented with a copy of the Chandos portrait of the poet, 330 361

Ducis, Jean-FranÇois, adaptations of the poet for the French stage 349 352

Dugdale, Gilbert, 231 n

Dulwich, manor of, purchased by Edward Alleyn, 204 233 n 1

Dumain, Lord, in Love’s Labour’s Lost, 51 n

Dumas, Alexandre, adaptation of Hamlet by, 351

Duport, Paul, repeats Voltaire’s censure, 350

Dyce, Alexander, 259 n 1
on The Two Noble Kinsmen, 259
his edition of Shakespeare, 323

E

Ecclesiastes, Book of, poetical versions of, 441 and n 1

Eden, translation of Magellan’s ‘Voyage to the South Pole’ by, 253

Edgar, Eleazar, publisher, 390

Editions of Shakespeare’s works.
See under Quarto and Folio

Editors of Shakespeare, in the eighteenth century, 313-22
in the nineteenth century, 323-5
of variorum editions, 322 323

Education of Shakespeare: the poet’s masters at Stratford Grammar School, 13
his instruction in Latin, 13
no proof that he studied the Greek tragedians, 13 n
alleged knowledge of the classics and of Italian and French literature, 13 14 15 16
study of the Bible in his schooldays, 16 17 and n 1
removal from school, 18

Edward II, Marlowe’s, Richard II suggested by, 64

Edward III, a play of uncertain authorship, 71
quotation from one of Shakespeare’s sonnets, 72 89 and n 2

Edwardes, Richard, author of the lost play PalÆmon and Arcyte, 260

Edwards, Thomas, ‘Canons of Criticism’ of, 319

Eld, George, printer, 90 180 399 n 2 401 402

Elizabeth, Princess, marriage of, performance of The Tempest, etc. at, 254 258 262 264

Elizabeth, Queen: her visit to Kenilworth, 17
Shakespeare and other actors play before her, 43 70 81
shows the poet special favour, 81 82
her enthusiasm for Falstaff, 82
extravagant compliments to her, 137
called ‘Cynthia’ by the poets, 148
elegies on her, 147 148
compliment to her in Midsummer Night’s Dream, 161
her objections to Richard II, 175
death, 230
her imprisonment of Southampton, 380

Elizabethan Stage Society, 70 n 1 210 n 2

Elton, Mr. Charles, Q.C., on the dower of the poet’s widow, 274 n

Elze, Friedrich Karl, ‘Life of Shakespeare’ by, 364
Shakespeare studies of, 345

‘Emaricdulfe,’ sonnets by ‘E.C.,’ 153 n 1 436

Endymion, Lyly’s, and Love’s Labour’s Lost, 62

Eschenburg, Johann Joachim, completes Wieland’s German prose translation of Shakespeare, 343

Error, Historie of, and Comedy of Errors, 54

Essex, Robert Devereux, second Earl of, company of actors under the patronage of, 33
an enthusiastic reception predicted for him in London in Henry V, 174
trial and execution, 175 176
his relations with the Earl of Southampton, 376 377 380 383

Euphues, Lyly’s, Polonius’s advice to Laertes borrowed from, 62 n

Euripides, Andromache of, 13 n

Evans, Sir Hugh, quotes Latin phrases, 15
sings snatches of Marlowe’s ‘Come live with me and be my love,’ 65

Evelyn, John, on the change of taste regarding the drama, 329 n 2

Every Man in his Humour, Shakespeare takes a part in the performance of, 44 176
prohibition on its publication, 208

F

Faire Em, a play of doubtful authorship, 72

Falstaff, Queen Elizabeth’s enthusiasm for, 82 171
named originally ‘Sir John Oldcastle,’ 169
objections raised to the name, 170
the attraction of his personality, 170
his last moments, 173
letter from the Countess of Southampton on, 383 and n 1

Farmer, Dr. Richard, on Shakespeare’s education, 14 15 363

Farmer, Mr. John S., 386 n 1

‘Farmer MS., the Dr.,’ Davies’s ‘gulling sonnets’ in, 107 n 1

Fastolf, Sir John, 170

Faucit, Helen. See Martin, Lady

Felix and Philomena, History of, 53

‘Fidessa,’ Griffin’s, 182 n 431 437

Field, Henry, father of the London printer, 186

Field, Richard, a friend of Shakespeare, 32
apprenticed to the London printer, Thomas Vautrollier, 32
his association with the poet, 32
publishes ‘Venus and Adonis,’ 74 396
and ‘Lucrece,’ 76 396

Finnish, translations of Shakespeare in, 354

Fisher, Mr. Clement, 166

Fitton, Mary, and the ‘dark lady,’ 123 n 406 n 415 n

Fleay, Mr. F. G., metrical tables by, 49 n
on Shakespeare’s and Drayton’s sonnets, 110 n 363

Fletcher, Giles, on Time, 77 n 2
his ‘imitation’ of other poets, 103
admits insincerity in his sonnets, 105
his ‘Licia,’ 433

Fletcher, John, 181 184 258
collaborates with Shakespeare in The Two Noble Kinsmen and Henry VIII, 259 262

Fletcher, Lawrence, actor, takes a theatrical company to Scotland, 41 and n 1 231

Florio, John, and Holofernes, 51 n 84 n
the sonnet prefixed to his ‘Second Frutes,’ 84 and n
Southampton’s protÉgÉ, 84 n
his translation of Montaigne’s ‘Essays,’ 84 n 253
his ‘Worlde of Wordes,’ 84 n 387
his praise of Southampton, 131 (and Appendix IV.)
Southampton’s Italian tutor, 376 384

Folio, the First, 1623: editor’s note as to the ease with which the poet wrote, 46
the syndicate for its production, 303 304
its contents, 305 306
prefatory matter, 306 307
value of the text, 307
order of the plays, 307 308
the typography, 308
unique copies, 308-10
the Sheldon copy, 309 and n 310
number of extant copies, 311
reprints, 311
the ‘Daniel’ copy, 311
dedicated to the Earl of Pembroke, 412

Folio, the Second, 312

Folio, the Third, 312 313

Folio, the Fourth, 313

Ford, John, similarity of theme between a song in his Broken Heart and Shakespeare’s Sonnet cxxvi., 97 n

Forgeries in the ‘Perkins’ Folio, 312 and n 2

Forgeries, Shakespearean (Appendix I.), 365-9
of John Jordan, 365 366
of the Irelands, 366
promulgated by John Payne Collier and others, 367-369

Forman, Dr. Simon, 239 250

Forrest, Edwin, American actor, 342

Fortune Theatre, 212 233 n 1

France, versions and criticisms of Shakespeare in, 347-50
stage representation of the poet in, 350 351
bibliographical note on the sonnet in (1550-1600)
(Appendix X.), 442-5

Fraunce, Abraham, 385 n 2

Freiligrath, Ferdinand von, German translation of Shakespeare by, 344

French, the poet’s acquaintance with, 14 15

French, George Russell, 363

‘Freyndon’ (or Frittenden), 1

Friendship, sonnets of, Shakespeare’s, 136 138-47

Frittenden, Kent. See Freyndon

Fulbroke Park and the poaching episode, 28

Fuller, Thomas, allusion in his ‘Worthies’ to Sir John Fastolf, 170
on the ‘wit combats’ between Shakespeare and Jonson, 178
the first biographer of the poet, 361

Fulman, Rev. W., 362

Furness, Mr. H. H., his ‘New Variorum’ edition of Shakespeare, 323 341

Furness, Mrs. H. H., 364

Furnivall, Dr. F. J., 49 n 302 n 325 334 364

G

Gale, Dunstan, 397

Ganymede, Barnfield’s sonnets to, 435 and n 4

Garnett, Henry, the Jesuit, probably alluded to in Macbeth, 239

Garrick, David, 315 334 335-7

Gascoigne, George, his definition of a sonnet, 95 n 2
his Supposes, 164

Gastrell, Rev, Francis, 283

Gates, Sir Thomas, 252

Germany, Shakespearean representations in, 340 346
translations of the poet’s works and criticisms in, 342-6
Shakespeare Society in, 346

Gervinus, ‘Commentaries’ by, 49 n 346

‘Gesta Romanorum’ and the Merchant of Venice, 67

Ghost in Hamlet, the, played by Shakespeare, 44

Gilchrist, Octavius, 363

Gildon, Charles, on the rapid production of the Merry Wives of Windsor, 172
on the dispute at Eton as to the supremacy of Shakespeare as a poet, 328 n

Giovanni (Fiorentino), Ser, Shakespeare’s indebtedness to his ‘Il Pecorone,’ 14 66 172

Giuletta, La, by Luigi da Porto, 55 n 1

‘Globe’ edition of Shakespeare, 325

Globe Theatre: built in 1599, 37 196
described by Shakespeare, 37 cf. 173
mainly occupied by the poet’s company after 1599, 37
profits shared by Shakespeare, 37 196 200 201
the leading London theatre, 37
revival of Richard II at, 175
litigation of Burbage’s heirs, 200
prices of admission, 201
annual receipts, 201
performance of A Winter’s Tale, 251
its destruction by fire, 260 261 n
the new building, 260
Shakespeare’s disposal of his shares, 264

Goethe, criticism and adaptation of Shakespeare by, 345

Golding, Arthur, his English version of the ‘Metamorphoses,’ 15 16 116 n 162 253

Gollancz, Mr. Israel, 222 n 325

Googe, Barnabe, his use of the word ‘sonnet,’ 427 n 2

Gosson, Stephen, his ‘Schoole of Abuse,’ 67

Gottsched, J. C., denunciation of Shakespeare by, 343

Gounod, opera of Romeo and Juliet by, 351

Gower, John, represented by the speaker of the prologues in Pericles, 244
his ‘Confessio Amantis,’ 244

Gower, Lord Ronald, 297

Grammaticus, Saxo, 222

Grave, Shakespeare’s, 272

Gray’s Inn Hall, performance of The Comedy of Errors in, 70 and n

Greek, Shakespeare’s alleged acquaintance with, 13 and n 16

Green, C. F., 364

Greene, Robert, charged with selling the same play to two companies, 47 n
his attack on Shakespeare, 57
his publisher’s apology, 58
his share in the original draft of Henry VI, 60
his influence on Shakespeare, 61
describes a meeting with a player, 198
A Winter’s Tale founded on his Pandosto, 251
dedicatory greetings in his works, 398

Greene, Thomas, actor at the Red Bull Theatre, 31 n

Greene, Thomas (‘alias Shakespeare’), a tenant of New Place, and Shakespeare’s legal adviser, 195 206 269 270 and n

Greenwich Palace, Shakespeare and other actors play before Queen Elizabeth at, 43 44 n 1 70 81 82

Greet, hamlet in Gloucestershire, identical with the ‘Greece’ in the Taming of the Shrew, 167

Grendon, near Oxford, Shakespeare’s alleged sojourn there, 31

Greville, Sir Fulke, complains of the circulation of uncorrected manuscript copies of the ‘Arcadia,’ 88 n
invocations to Cupid in his collection, ‘Coelica,’ 97 n
his ‘Sonnets,’ 438 439

Griffin, Bartholomew, 182 n
plagiarises Daniel, 431 437

Griggs, Mr. W., 302 n

Grimm, Baron, recognition of Shakespeare’s greatness by, 349 350 n 1

‘Groats-worth of Wit,’ Greene’s pamphlet containing his attack on Shakespeare, 57

Guizot, FranÇois, revision of Le Tourneur’s translation by, 350

‘Gulling sonnets,’ Sir John Davies’s, 106 107 435 436
Shakespeare’s Sonnet xxvi. parodied in, 128 n

H

‘H., Mr. W.,’ ‘patron’ of Thorpe’s pirated issue of the Sonnets, 92
identified with William Hall, 92 402 403
his publication of Southwell’s ‘A Foure-fould Meditation,’ 92
erroneously said to indicate the Earl of Pembroke, 94 406-415
improbability of the suggestion that a William Hughes was indicated, 93 n
‘W. H.’s’ true relations with Thomas Thorpe, 390-405

Hacket, Marian and Cicely, in the Taming of the Shrew, 164-6

Hal, Prince, 169 173

Hales, John (of Eton), on the superiority of Shakespeare to all other poets, 328 and n

Hall, Elizabeth, the poet’s granddaughter, 192 266 275
her first marriage to Thomas Nash, and her second marriage to John Barnard (or Bernard), 282
her death and will, 282 283

Hall, Dr. John, the poet’s son-in-law, 266 268 273 281

Hall, Mrs. Susanna, the poet’s elder daughter, 192 205 266
inherits the chief part of the poet’s estate, 275 281
her death, her ‘witty’ disposition, 281

Hall, William (1), on the inscription over the poet’s grave, 272 and n 2 362

Hall, William (2), see ‘H., Mr. W.’

Halliwell-Phillipps, James Orchard, the indenture of the poet’s property in Blackfriars in the collection of, 267 n
his edition of Shakespeare, 325 312
his great labours on Shakespeare’s biography, 333 363 364

Hamlet: parallelisms in the Electra of Sophocles, the Andromache of Euripides, and the PersÆ of Æschylus, 13 n
Polonius’s advice to Laertes borrowed from Lyly’s Euphues, 62 n
allusion to boy-actors, 213 n 2 214 and n 1 216
date of production, 221
previous popularity of the story on the stage, 221 and n
sources drawn upon by the poet, 221-2
success of Burbage in the title-part, 222
the problem of its publication, 222-4
the three versions, 222-4
Theobald’s emendations, 224
its world-wide popularity, 224
the longest of all the poet’s plays, 224
the humorous element, 224 225
its central interest, 225
For editions see Section xix. (Bibliography), 301-25

Hanmer, Sir Thomas, 224
his edition of Shakespeare, 318

Harington, Sir John, translates Ariosto, 208

Harington, Lucy, her marriage to the third Earl of Bedford, 161

Harness, William, 324

Harrison, John, publisher of ‘Lucrece,’ 76

Harsnet, ‘Declaration of Popish Impostures’ by, 241

Hart family, the, and the poet’s reputed birthplace, 8

Hart, Joan, Shakespeare’s sister, 8
his bequest to her, 276
her three sons, 276 283

Hart, John, 283

Hart, Joseph. C., 371

Harvey, Gabriel, bestows on Spenser the title of ‘an English Petrarch,’ 101
justifies the imitation of Petrarch, 101 n 4
his parody of sonnetteering, 106 121 and n
his advice to Barnes, 133
his ‘Four Letters and certain Sonnets,’ 440

Hathaway, Anne. See Shakespeare, Anne

Hathaway, Catherine, sister of Anne Hathaway, 19

Hathaway, Joan, mother of Anne Hathaway, 19

Hathaway, Richard, marriage of his daughter Anne (or Agnes) to the poet, 18 19-22
his position as a yeoman, 18 19
his will, 19

Haughton, William, 48 n 418

Hawthorne, Nathaniel, 371

Hazlitt, William, and Shakespearean criticism, 333 364 365

Healey, John, 400 403 n 2 408 409

‘Hecatommithi,’ Cinthio’s, Shakespeare’s indebtedness to, 14 53 236

Heine, studies of Shakespeare’s heroines by, 345

Helena in All’s Well that Ends Well, 163

Heming, John (actor-friend of Shakespeare), wrongly claimed as a native of Stratford, 31 n 36 202 203 264
the poet’s bequest to, 276
signs dedication of First Folio, 303 306

Henderson, John, actor, 337

Heneage, Sir Thomas, 375 n 3

Henley-in-Arden, 4

Henrietta Maria, Queen, billeted on Mrs. Hall (the poet’s daughter) at Stratford, 281

Henry IV (parts i. and ii.): passage ridiculing the affectations of Euphues, 62 n
sources drawn upon, 167
Justice Shallow, 29 168
references to persons and districts familiar to the poet, 167 168
the characters, 68 169 170
For editions see Section xix. (Bibliography), 301-325

Henry V, The Famous Victories of, the groundwork of Henry V and of Henry V, 167 174

Henry V: French dialogues, 1
disdainful allusion to sonnetteering, 108
date of production 173
imperfect drafts of the play, 173
First Folio version of 1623, 173
the comic characters, 173
the victory of Agincourt, 174
the poet’s final experiment in the dramatisation of English history, 174
the allusions to the Earl of Essex, 175
For editions see Section xix. (Bibliography), 301-25

Henry VI (pt. i.): performed at the Rose Theatre in 1592, 56
Nash’s remarks on, 56 57
first publication, 58
contains only a slight impress of the poet’s style, 59
performed by Lord Strange’s men, 59

Henry VI (pt. ii.): parallel in the Œdipus Coloneus of Sophocles with a passage in, 13 n
publication of a first draft with the title of The first part of the Contention betwixt the two famous Houses of Yorke and Lancaster, 59
performed by Lord Strange’s men, 59
revision of the play, 60
the poet’s coadjutors in the revision, 60

Henry VI (pt. iii.): performed by a company other than the poet’s own, 36
performed in the autumn of 1592, 57
publication of a first draft of the play under the title of The True Tragedie of Richard, Duke of Yorke, &c., 59
performed by Lord Pembroke’s men, 36 59
partly remodelled, 60
the poet’s coadjutors in the revision, 60
For editions see Section xix. (Bibliography), 301-25

Henry VIII, 174
attributed to Shakespeare and Fletcher, 259
noticed by Sir Henry Wotton, 260
first publication, 261
the portions that can confidently be assigned to Shakespeare, 262
uncertain authorship of Wolsey’s farewell to Cromwell, 262
Fletcher’s share, 262
For editions see Section xix. (Bibliography), 301-25

Henryson, Robert, 227

Henslowe, Philip, erects the Rose Theatre, 36
bribes a publisher to abandon the publication of Patient Grissell, 48 n 180 n 225 260

‘Heptameron of Civil Discources,’ Whetstone’s, 237

‘Herbert, Mr. William,’ his alleged identity with ‘Mr. W. H.’ (Appendix VI.), 406-10

Herder, Johann Gottfried, 343

‘Hero and Leander,’ Marlowe’s, quotation in As You Like It, from, 64

Herringman, H., 313

Hervey, Sir William, 375 n 3

Hess, J. R., 342

Heyse, Paul, German translation of Shakespeare by, 344

Heywood, Thomas, his allusion to the dislike of actors to the publication of plays, 48 n
his poems pirated in the ‘Passionate Pilgrim,’ 182 301 328

Hill, John, marriage of his widow, Agnes or Anne, to Robert Arden, 6

Holinshed’s ‘Chronicles,’ materials taken by Shakespeare from, 17 47 63 64 167 239 241 249

Holland, translations of Shakespeare in, 352

Holland, Hugh, 306

Holmes, Nathaniel, 372

Holmes, William, bookseller, 403 n 1

Holofernes, quotes Latin phrases from Lily’s grammar, 15
groundless assumption that he is a caricature of Florio, 51 n 84 n

Horace, his claim for the immortality of verse, 114 and n 1 116 n

Hotspur, 168 169

Howard of Effingham, the Lord Admiral, Charles, Lord, his company of actors, 35
its short alliance with Shakespeare’s company, 37
Spenser’s sonnet to, 140

Hudson, Rev. H. N., 325

Hughes, Mrs. Margaret, plays female parts in the place of boys, 335

Hughes, William, and ‘Mr. W. H.,’ 93 n

Hugo, Francois Victor, translation of Shakespeare by, 350

Hugo, Victor, 350

Humourous Day’s Mirth, An, 51 n

Hungary, translations and performances of Shakespeare in, 353

Hunsdon (Lord Chamberlain), George Carey, second Lord, his company of players, 35
promotion of the company to be the King’s players on the accession of King James, 35

Hunsdon (Lord Chamberlain), Henry Carey, first Lord, his company of players, 35
Shakespeare a member of this company, 36

Hunt, Thomas, master of Stratford Grammar School, 13

Hunter, Rev. Joseph, 333 363 406

‘Huon of Bordeaux,’ hints for the story of Oberon from, 162

‘Hymn,’ use of the word as the title of poems, 133 134 135 n

‘Hymnes of AstrÆa,’ Sir John Davies’s, 440

I

‘Idea’,’ title of Drayton’s collection of sonnets, 104 105 434

‘Ignoto,’ 183

Immortality of verse, claimed by Shakespeare for his sonnets, 113 114 115 and n
a common theme with classical and French writers, 114 and n 1
treated by Drayton and Daniel, 115

Imogen, the character of, 249 250

Income, Shakespeare’s, 196-204

Incomes of actors, 198 199 and n 2

India, translations and representations of Shakespeare in, 354

Ingannati, (Gl’), its resemblance to Twelfth Night, 210

Ingram, Dr., on the ‘weak endings’ in Shakespeare, 49 n

Ireland forgeries, the (Appendix 1.), 366

Ireland, Samuel, on the poaching episode, 28

Irishman, the only, in Shakespeare’s dramatis personÆ, 173

Irving, Sir Henry, 339

Italian, the poet’s acquaintance with, 14-16 cf. 66 n 3

Italy, Shakespeare’s knowledge of, 43
translations and performances of Shakespeare in, 352
the original home of the sonnet, 442 n 2
list of sonnetteers of the sixteenth century in, 442 n 2

Itinerary of Shakespeare’s company in the provinces between 1593 and 1614, 40 and n 1

J

Jaggard, Isaac, 305

Jaggard, William, piratically inserts two of Shakespeare’s sonnets in his ‘Passionate Pilgrim,’ 89 182 299 390 396
prints the First Folio, 303 304

James VI of Scotland and I of England, his favour bestowed on actors, 41 n 1
sonnets to, 440
his appreciation of Shakespeare, 82
his accession to the English throne, 147 148 149
grants a license to the poet and his company, 230
his patronage of Shakespeare and his company 232-4 411
performances of A Winter’s Tale and The Tempest before him, 251 and n 254 255 256 n

James, Sir Henry, 311

Jameson, Mrs., 365

Jamyn, Amadis, 432 443 444 n

Jansen, Cornelius, alleged portrait of Shakespeare by, 294

Jansen or Janssen, Gerard, 276

Jeronimo, resemblance between the stories of Hamlet and, 221 n

Jew of Malta, Marlowe’s, 68

Jew . . . showne at the Bull, a lost play, 67

Jodelle, Estienne, resemblances in ‘Venus and Adonis’ to a poem by, 75 n 2
his parody of the vituperative sonnet, 121 122 and n
and ‘La PlÉiade,’ 443

John, King, old play on, attributed to the poet, 181

John, King, Shakespeare’s play of, printed in 1623, 69
the originality and strength of the three chief characters in, 69 70
For editions see Section xix. (Bibliography) 301-325

Johnson, Dr., his story of Shakespeare, 33
his edition of Shakespeare, 319 320 321
his reply to Voltaire, 348

Johnson, Gerard, his monument to the poet in Stratford Church, 276

Johnson, Robert, lyrics set to music by, 255 and n

Jones, Inigo, designs scenic decoration for masques, 38 n 2

Jonson, Ben, on Shakespeare’s lack of exact scholarship, 16
Shakespeare takes part in the performance of Every Man in his Humour and in Sejanus, 44
on Titus Andronicus, 65
on the appreciation of Shakespeare shown by Elizabeth and James I, 82
on metrical artifice in sonnets, 106 n 1
use of the word ‘lover,’ 127 n
identified by some as the ‘rival poet,’ 136
his ‘dedicatory’ sonnets, 138 n 2
his apostrophe of the Earl of Desmond, 140
relations with Shakespeare, 176 177
gift of Shakespeare to his son, 177
share in the appendix to ‘Love’s’ Martyr,’ 183
quarrel with Marston and Dekker, 214-20
his ‘Poetaster,’ 217 218 and n
allusions to him in the Return from Parnassus, 219
his scornful criticism of Julius CÆsar, 220 n
satiric allusion to A Winters Tale, 251
his sneering reference to The Tempest in Bartholomew Fair, 255
entertained by Shakespeare at New Place, Stratford, 271
testimony to Shakespeare’s character, 277
his tribute to Shakespeare in the First Folio, 306 311 327
his Hue and Cry after Cupid, 432 n 2
Thorpe’s publication of some of his works, 395 n 3 401

Jordan, John, forgeries of (Appendix 1.), 365 366

Jordan, Mrs., 338 339

Jordan, Thomas, his lines on men playing female parts, 335 n

Jourdain, Sylvester, 252

‘Jubilee,’ Shakespeare’s, 334

Julius CÆsar: use of the word ‘lovers,’ 127 n
plot drawn from Plutarch, 211
date of production, 211
a play of the same title acted in 1594, 211
general features of the play 211 212
Jonson’s hostile criticism, 220 n
For editions see Section xix. (Bibliography), 301-25

Jusserand, M. J. J., 42 n 1 348 n 1 351 n 2

K

Kean, Edmund, 338 351

Keller, A., German translation of Shakespeare by, 344

Kemble, Charles, 351

Kemble, John Philip, 337

Kemp, William, comedian, plays at Greenwich Palace, 43 208 219

Kenilworth, Elizabeth’s visit to, 17 cf. 162

Ketzcher, N., translation into Russian by, 353

Killigrew, Thomas, and the substitution of women for boys in female parts, 334

King’s players, the company of, 35
Shakespeare one of its members, 36
the poet’s plays performed almost exclusively by, 36
theatres at which it performed, 36 37
provincial towns which it visited between 1594 and 1614, 40 and n 1
King James’s license to, 230 231

Kirkland, the name of Shakespeare at, 1

Kirkman, Francis, publisher, 181

Knight, Charles, 324

Knollys, Sir William, 415 n

Kok, A. S., translation in Dutch by, 352

KÖrner, J., German translation of Shakespeare by, 345

Kraszewski, Polish translation edited by, 353

Kreyssig, Friedrich A. T., studies of the poet by, 345

Kyd, Thomas, influence of, on Shakespeare, 61 222 n
and Titus Andronicus, 65
his Spanish Tragedy, 65 221
and the story of Hamlet, 221 and n
Shakespeare’s acquaintance with his work, 222 n

L

‘L., H.,’ initials on seal attesting Shakespeare’s autograph.
See Lawrence, Henry

La Harpe and the Shakespearean controversy in France, 349

LabÉ, Louise, 445 n

Lamb, Charles, 259 338

Lambarde, William, 175

Lambert, Edmund, mortgagee of the Asbies property, 12 26 164

Lambert, John, proposal to confer upon him an absolute title to the Asbies property, 26
John Shakespeare’s lawsuit against, 195

Lane, Nicholas, a creditor of John Shakespeare, 186

Langbaine, Gerard, 66 362

Laroche, Benjamin, translation by, 350

Latin, the poet’s acquaintance with, 13 15 16

‘Latten,’ use of the word in Shakespeare, 177 n

‘Laura,’ Shakespeare’s allusion to her as Petrarch’s heroine, 108
title of Tofte’s collection of sonnets, 438

Law, the poet’s knowledge of, 32 and cf. n 2 and 107

Lawrence, Henry, his seal beneath Shakespeare’s autograph, 267

Lear, King: date of composition, 241
produced at Whitehall, 241
Butter’s imperfect editions, 241
sources of story, 241
the character of the King, 242
For editions see Section xix. (Bibliography) 301-25

Legal terminology in plays and poems of the Shakespearean period, 32 n 2 430 cf. 107

Legge, Dr. Thomas, a Latin piece on Richard III by, 63

Leicester, Earl of, his entertainment of Queen Elizabeth at Kenilworth, 17 162
his regiment of Warwickshire youths for service in the Low Countries, 30
his company of players, 33 35

Leo, F. A. 346

Leoni, Michele, Italian translation of the poet issued by, 352

‘Leopold’ Shakspere, the, 325

Lessing, defence of Shakespeare by, 343

L’Estrange, Sir Nicholas, 176

Le Tourneur, Pierre, French prose translation of Shakespeare by, 349

‘Licia,’ Fletcher’s collection of sonnets called, 77 n 2 103 105 113 n 5 433

Linche, Richard, his sonnets entitled ‘Diella,’ 437

Lintot, Bernard, 231

Locke (or Lok), Henry, sonnets by, 388 441

Locrine, Tragedie of, 179

Lodge, Thomas, 57 61
his ‘Scillaes Metamorphosis’ drawn upon by Shakespeare for ‘Venus and Adonis,’ 75 and n 2
his plagiarisms, 103 and n 3 433
comparison of lips with coral in ‘Phillis,’ 118 n 2
his ‘Rosalynde’ the foundation of As You Like It, 209
his ‘Phillis,’ 417 433

London Prodigall, 180 313

Lope de Vega dramatises the story of Romeo and Juliet, 55 n 1

Lopez, Roderigo, Jewish physician, 68 and n

Lorkin, Rev. Thomas, on the burning of the Globe Theatre, 261 n

Love, treatment of, in Shakespeare’s sonnets,
97 and n 98 112 113 and n 2
in the sonnets of other writers, 104-6 113 n 2

‘Lover’ and ‘love’ synonymous with ‘friend’ and ‘friendship’ in Elizabethan English, 127 n

‘Lover’s Complaint, A,’ possibly written by Shakespeare, 91

Love’s Labour’s Lost: Latin phrases in, 15
probably the poet’s first dramatic production, 50
its plot not borrowed, 51
its characters, 51 and n 52
its revision in 1597, 52
date of publication, 52
influence of Lyly, 62
performed at Whitehall, 81
examples of the poet’s first attempts at sonnetteering, 84
scornful allusion to sonnetteering, 107
the praise of ‘blackness,’ 118 119 and n 2
performed before Anne of Denmark at Southampton’s house in the Strand, 384
For editions see Section xix. (Bibliography), 301-25

Love’s Labour’s Won, attributed by Meres to Shakespeare, 162
See All’s Well

‘Love’s Martyr, or Rosalin’s Complaint,’ 183 184 n 304

Lowell, James Russell, 13 n 341

Lucian, the Timon of, 243

‘Lucrece:’ published in 1594, 76
Daniel’s ‘Complainte of Rosamond’ reflected, 76 77 and n 1
the passage on Time elaborated from Watson, 77 and n 2
dedicated to the Earl of Southampton, 77 78 126 127
enthusiastic reception of, 78-9
quarto editions in the poet’s lifetime, 299
posthumous editions, 300

Lucy, Sir Thomas, his prosecution of Shakespeare for poaching, 27 28
caricatured in Justice Shallow, 29 173

Luddington, 20

Lydgate, ‘Troy Book’ of, drawn upon for Troilus and Cressida, 227

Lyly, John, 61
followed by Shakespeare in his comedies, 61 62
his addresses to Cupid, 97 n
his influence on Midsummer Night’s Dream, 162

Lyrics in Shakespeare’s plays, 207 250 255 and n

M

‘M. I.’ 306 See also ‘S., I. M.’

Macbeth: references to the climate of Inverness, 41 n 3 42
date of composition, 239
the story drawn from Holinshed, 239
points of difference from other plays of the same class, 240
Middleton’s plagiarisms, 240
not printed until 1623, 239
the shortest of the poet’s tragedies, 239
performance at the Globe, 239
For editions see Section xix. (Bibliography), 301-25

Macbeth, Lady, and Æschylus’s Clytemnestra, 13 n

Mackay, Mr. Herbert, on the dower of the poet’s widow, 274

Macklin, Charles, 336 337

Macready, William Charles, 339 351

Madden, Rt. Hon. D. H., on Shakespeare’s knowledge of sport, 27 n 168 364

Magellan, ‘Voyage to the South Pole’ by, 253

Magny, Olivier de, 443

Malone, Edmund, on Shakespeare’s first employment in the theatre, 34
on the poet’s residence, 38
on the date of The Tempest, 254 332 333
his writings on the poet, 321 322 362

Malvolio, 211

Manners, Lady Bridget, 378 379 and n

Manningham, John (diarist), a description of Twelfth Night by, 210

Manuscript, circulation of sonnets in, 88 and n
(Appendix ix.), 391 396

Marino, vituperative sonnet by, 122 n 1 442 n 2

Markham, Gervase, his adulation of Southampton in his sonnets, 131 134 387

Marlowe, Christopher, 57
his share in the revision of Henry VI, 60
his influence on Shakespeare, 61 63-4
Shakespeare’s acknowledgments, 64
his translation of Lucan, 90 393 399

Marmontel and the Shakespearean controversy in France, 349

Marot, ClÉment, 442

Marriage, treatment of, in the Sonnets, 98

Marshall, Mr. F. A., 325

Marston, John, identified by some as the ‘rival poet,’ 136 183
his quarrel with Jonson, 214-20

Martin, one of the English actors who played in Scotland, 41 and n 1

Martin, Lady, 298 339 365

Masks worn by men playing women’s parts, 38 n 2

Massey, Mr. Gerald, on the Sonnets, 91 n 1

Massinger, Philip, 258
portions of The Two Noble Kinsmen assigned to, 259
and Henry VIII, 263 and n 2

‘Mastic,’ use of the word, 228 n

Masuccio, the story of Romeo and Juliet told in his Novellino, 55

Matthew, Sir Toby, 375 383

Measure for Measure: the offence of Claudio, 23 n
date of composition, 235
produced at Whitehall, 235
not printed in the poet’s lifetime, 235
source of plot, 236
deviations from the old story, 237 238
creation of the character of Mariana, 238
the philosophic subtlety of the poet’s argument, 238
references to a ruler’s dislike of mobs, 238
For editions see Section xix. (Bibliography), 301-325

Melin de Saint-Gelais, 442

Memorials in sculpture to the poet, 297

MenÆchmi of Plautus, 54

Mendelssohn, setting of Shakespearean songs by, 347

Merchant of Venice: the influence of Marlowe, 63 68
sources of the plot, 66 67
the last act, 69
date of, 69
use of the word ‘lover,’ 127 n
For editions see Section xix. (Bibliography), 301-325

Meres, Francis, recommends Shakespeare’s ‘sugred’ sonnets, 89
his quotations from Horace and Ovid on the immortalising power of verse, 116 n
attributes Love’s Labour’s Won to Shakespeare, 162
testimony to the poet’s reputation, 178 179 390

Mermaid Tavern, 177 178

Merry Devill of Edmonton, 181 258 n 2

Merry Wives of Windsor: Latin phrases put into the mouth of Sir Hugh Evans, 15
Sir Thomas Lucy caricatured in Justice Shallow, 29
lines from Marlowe sung by Sir Hugh Evans, 64 65
period of production, 171
publication of, 172
source of the plot, 172
chief characteristics, 173
For editions see Section xix. (Bibliography), 301-325

Metre of Shakespeare’s plays a rough guide to the chronology, 48-50
of Shakespeare’s poems, 75-77
of Shakespeare’s sonnets, 95 and n 2

MÉziÈres, Alfred, 350

Michel, Francisque, translation by, 350

Middle Temple Hall, performance of Twelfth Night at, 210

Middleton, Thomas, his allusion to Le Motte in Blurt, Master Constable, 51 n
his plagiarisms of Macbeth in The Witch, 240

Midsummer Night’s Dream: references to the pageants at Kenilworth Park, 17 162
reference to Spenser’s ‘Teares of the Muses,’ 80
date of production, 161
sources of the story, 162
the final scheme, 162
For editions see Section xix. (Bibliography), 301-325

Milton, applies the epithet ‘sweetest’ to Shakespeare, 179 n
his epitaph on Shakespeare, 327

Minto, Professor, claims Chapman as Shakespeare’s ‘rival’ poet, 135 n

Miranda, character of, 256

‘Mirror of Martyrs,’ 211

Miseries of Enforced Marriage, 243

‘Monarcho, Fantasticall,’ 51 n

Money, its purchasing power in the sixteenth century, 3 n 3 197 n

Montagu, Mrs. Elizabeth, 348

Montaigne, ‘Essays’ of, 85 n 253 n

MontÉgut, Emile, translation by, 350

Montemayor, George de, 53

Montgomery, Philip Herbert, Earl of, 306 381 410

Monument to Shakespeare in Stratford Church, 276 286

Morley, Lord, 410 n

Moseley, Humphrey, publisher, 181 258

Moth, in Love’s Labour’s Lost, 51 n

Moulton, Dr. Richard G. 365

Mucedorus, a play by an unknown author, 72

Much Ado about Nothing: a jesting allusion to sonnetteering, 108
its publication, 207 208
date of composition, 208
the comic characters, 208
Italian origin of Hero and Claudio, 208
parts taken by William Kemp and Cowley, 208
quotation from the Spanish Tragedy, 221 n
For editions see Section xix. (Bibliography), 301-25

Mulberry-tree at New Place, the, 194 and n

Music at stage performances in Shakespeare’s day, 38 n 2
its indebtedness to the poet, 340

N

Nash, Anthony, the poet’s legacy to, 276

Nash, John, the poet’s legacy to, 276

Nash, Thomas (1), marries Elizabeth Hall, Shakespeare’s granddaughter, 282

Nash, Thomas (2), on the performance of Henry VI. 56 57
piracy of his ‘Terrors of the Night,’ 88 n
on the immortalising power of verse, 114
use of the word ‘lover,’ 127 n
his appeals to Southampton, 131 134 135 n 385 386 221 n 427 n 2
his preface to ‘Astrophel and Stella,’ 429 n 1

Navarre, King of, in Love’s Labour’s Lost, 51 n

Neil, Samuel, 364

Nekrasow and Gerbel, translation into Russian by, 353

New Place, Stratford, Shakespeare’s purchase of, 193 194
entertainment of Jonson and Drayton at, 271
the poet’s death at, 272
sold on the death of Lady Barnard (the poet’s granddaughter) to Sir Edward Walker, 283
pulled down, 283

Newcastle, Margaret Cavendish, Duchess of, criticism of the poet by, 331

Newdegate, Lady, 406 n 415

Newington Butts Theatre, 37

Newman, Thomas, piratical publication of Sir Philip Sidney’s sonnets by, 88 n 429 and n 1

Nicolson, George, English agent in Scotland, 41 n 1

Nottingham, Earl of, his company of players, 225
taken into the patronage of Henry, Prince of Wales, 231 n

O

Oberon, vision of, 17 161
in ‘Huon of Bordeaux,’ 162

Oechelhaeuser, W., acting edition of the poet by, 346

Oldcastle, Sir John, play on his history, 170 313

‘Oldcastle, Sir John,’ the original name of Falstaff in Henry IV, 169

Oldys, William, 231 362

Olney, Henry, publisher, 437

Orlando Furioso, 47 n 208

Ortlepp, E., German translation of Shakespeare by, 344

Othello: date of composition, 235
not printed in the poet’s lifetime, 235
plot drawn from Cinthio’s ‘Hecatommithi,’ 236
new characters and features introduced into the story, 236
exhibits the poet’s fully matured powers, 236
For editions see Section xix. (Bibliography), 301-25

Ovid, influence on Shakespeare of his ‘Metamorphoses,’ 15 75 and n 1 76 162 253
claims immortality for his verse, 114 and n 1 116 n
the poet’s alleged signature on the title-page of a copy of the ‘Metamorphoses’ in the Bodleian Library, 15

Oxford, the poet’s visits to, 31 265 266
Hamlet acted at, 224

Oxford, Earl of, his company of actors, 35

‘Oxford’ edition of Shakespeare, the, 325

P

Painter, William, his ‘Palace of Pleasure’ and Romeo and Juliet, 55
All’s Well that Ends Well, 163
Timon of Athens, 243
and Coriolanus, 246

PalÆmon and Arcyte, a lost play, 260

Palamon and Arsett, a lost play, 260

Palmer, John, actor, 337

‘Palladis Tamia,’ eulogy on the poet in, 178

‘Pandora,’ Soothern’s collection of love-sonnets, 138 n 2

Pandosto (afterwards called Dorastus and Fawnia), Shakespeare’s indebtedness to, 251

Parodies on sonnetteering, 106-8 122 and n

‘Parthenophil and Parthenophe,’ Barnes’s, 132

Pasquier, Estienne, 443

Passerat, Jean, 443

‘Passionate Centurie of Love,’ Watson’s, the passage on Time in, 77
plagiarisation of Petrarch in, 101 n 4 102 427 n 2 428

‘Passionate Pilgrim,’ piratical insertion of two sonnets in, 98 182 437
the contents of, 182 n 299
printed with Shakespeare’s poems, 300

Patrons of companies of players, 35
adulation offered to, 138 and n 2 140 141 440 and n

Pavier, Thomas, printer, 180

‘Pecorone, Il,’ by Ser Giovanni Fiorentino, Shakespeare’s indebtedness to, 14 66 and n 3 172
W. G. Waters’s translation of, 66 n 3

Peele, George, 57
his share in the original draft of Henry VI, 60

Pembroke, Countess of, dedication of Daniel’s ‘Delia’ to, 130 429
homage paid to, by Nicholas Breton, 138 n 2

Pembroke, Henry, second Earl of, his company of players, perform Henry VI (part iii.), 36 59
and Titus Andronicus, 66

Pembroke, William, third Earl of, the question of the identification of ‘Mr. W. H.’ with, 94 406-15
performance at his Wilton residence, 231 232 n 1 411
dedication of the First Folio to, 306
his alleged relations with Shakespeare, 411-15
the identification of the ‘dark lady’ with his mistress, Mary Fitton, 123 n 409
the mistaken notion that Shakespeare was his protÉgÉ, 123 n
dedications by Thorpe to, 399 and n 1 403 n 2

Penrith, Shakespeares at, 1

Pepys, his criticisms of The Tempest and Midsummer Night’s Dream, 329

Percy, William, his sonnets, entitled ‘Coelia,’ 435

Perez, Antonio, and Antonio in The Merchant of Venice, 68 n

Pericles: date of composition, 242
a work of collaboration, 242
the poet’s contributions, 244
dates of the various editions, 244
not included in the First Folio, 305
included in Third Folio, 313
For editions see Section xix. (Bibliography), 301-25

Perkes (Clement), in Henry IV., member of a family at Stinchcombe Hill in the sixteenth century, 168

‘Perkins Folio,’ forgeries in the, 312 317 n 2 367 and n

Personalities on the stage, 215 n 1

PÉruse, Jean de la, 443

Petowe, Henry, elegy on Queen Elizabeth by, 148

Petrarch, emulated by Elizabethan sonnetteers, 84 85 86 n
feigns old age in his sonnets, 86 n
his metre, 95
Spenser’s translations from, 101
imitation of his sonnets justified by Gabriel Harvey, 101 n 4
plagiarisms of, admitted by sonnetteers, 101 n 4
Wyatt’s translations of two of his sonnets, 101 n 4 427
plagiarised indirectly by Shakespeare, 101 111 and n 113 n 1
the melancholy of his sonnets, 152 n
imitated in France, 443

Phelps, Samuel, 325 339

Phillips, Augustine, actor, friend of Shakespeare, 36
induced to revive Richard II at the Globe in 1601, 175
his death, 264

Phillips, Edward (Milton’s nephew), criticism of the poet by, 362
editor of Drummond’s Sonnets, 439 n 1

‘Phillis,’ Lodge’s, 118 n 2 433 and n 3

Philosophy, Chapman’s sonnets in praise of, 441

‘Phoenix and the Turtle, The,’ 183 184 304

Pichot, A., 350

‘Pierce Pennilesse.’ See Nash, Thomas (2)

‘Pierces Supererogation,’ by Gabriel Harvey, 101 n 4 105

Pindar, his claim for the immortality of verse, 114 and n 1

Plague, the, in Stratford-on-Avon, 10
in London, 65 231

Plautus, the plot of the Comedy of Errors drawn from, 16
translation of, 54

Plays, sale of, 47 and n
revision of, 47
their publication deprecated by playhouse authorities, 48 n
only a small proportion printed, 48 n
prices paid for, 202 n

‘PlÉiade, La,’ title of the literary comrades of Ronsard, 442
list of, 443

‘Plutarch,’ North’s translation of, Shakespeare’s indebtedness 10 47 162 211 243 245 and n 246 and n

Poaching episode, the, 27 28

‘Poetaster,’ Jonson’s, 217 218 and n

Poland, translations and performances of Shakespeare in, 353

Pontoux, Claude de, name of his heroine copied by Drayton, 104

Pope, Alexander, 297
edition of Shakespeare by, 315

Porto, Luigi da, adapts the story of Romeo and Juliet, 55 n 1

Portraits of the poet, 286-93 296 n 2
the ‘Stratford’ portrait, 287
Droeshout’s engraving, 287 288 300 306
the ‘Droeshout’ painting, 288-91
portrait in the Clarendon gallery, 291
‘Ely House’ portrait, 290 291
Chandos portrait, 292 293
‘Jansen’ portrait, 293 294
‘Felton’ and ‘Soest’ portraits, 294
miniatures, 295

Pott, Mrs. Henry, 372

PrÉvost, AbbÉ, 348

Pritchard, Mrs., 336

Procter, Bryan Waller (Barry Cornwall), 324

Promos and Cassandra, 237

Prospero, character of, 257

Provinces, the, practice of theatrical touring in, 39-42 65

Publication of dramas: deprecated by playhouse authorities, 48 n
only a small proportion of the dramas of the period printed, 48 n
sixteen of Shakespeare’s plays published in his lifetime, 48

Punning, 418 419 n

Puritaine, or the Widdow of Watling-streete, The, 180 313

Puritanism, alleged prevalence in Stratford-on-Avon of, 10 n 268 n 2
its hostility to dramatic representations, 10 n 212 213 n 1
the poet’s references to, 268 n

‘Pyramus and Thisbe,’ 397

Q

Quarles, John, ‘Banishment of Tarquin’ of, 300

Quarto editions of the plays, in the poet’s lifetime, 301 302
posthumous, 302 303
of the poems in the poet’s lifetime, 299
posthumous, 300

‘Quatorzain,’ term applied to the Sonnet, 427 n 2 cf. 429 n 1

‘Queen’s Children of the Chapel,’ the, 34 35 38 213-17

Queen’s Company of Actors, the, welcomed to Stratford-on-Avon by John Shakespeare, 10
its return to London, 33 35 231 n

Quiney, Thomas, marries Judith Shakespeare, 271
his residence and trade in Stratford, 280
his children, 281

Quinton, baptism of one of the Hacket family at, 165

R

Rapp, M., German translation of Shakespeare by, 344

Ralegh, Sir Walter, extravagant apostrophe to Queen Elizabeth by, 137 n 1 182 n

‘Ratseis Ghost,’ and Ratsey’s address to the players, 185 199

Ravenscroft, Edward, on Titus Andronicus, 65 332

Reed, Isaac, 321 322

Reformation, the, at Stratford-on-Avon, 10 n

Rehan, Miss Ada, 342

Religion and Philosophy, sonnets on, 440 441

Return from Parnassus, The, 198 199 n 1 218-20 277

Revision of plays, the poet’s, 47 48

Reynoldes, William, the poet’s legacy to, 276

Rich, Barnabe, story of ‘Apollonius and Silla’ by, 53 210

Rich, Penelope, Lady, Sidney’s passion for, 428

Richard II: the influence of Marlowe, 63 64
published anonymously, 63
the deposition scene, 64
the facts drawn from Holinshed, 64
its revival on the eve of the rising of the Earl of Essex, 175 383
For editions see Section xix. (Bibliography), 301-25

Richard III: the influence of Marlowe, 63
materials drawn from Holinshed, 63
Mr. Swinburne’s criticism, 63
Burbage’s impersonation of the hero, 63
published anonymously, 63
Colley Cibber’s adaptation, 335
For editions see Section xix. (Bibliography), 301-25

Richardson, John, one of the sureties for the bond against impediments respecting Shakespeare’s marriage, 20 22

Richmond Palace, performances at, 82 230

Ristori, Madame, 352

Roberts, James, printer, 225 226 303 431

Robinson, Clement, use of the word ‘sonnet’ by, 427 n 2

Roche, Walter, master of Stratford Grammar School, 13

RÔles, Shakespeare’s: at Greenwich Palace, 43 44 n 1
in Every Man in his Humour, 44
in Sejanus, 44
the Ghost in Hamlet, 44
‘played some kingly parts in sport,’ 44
Adam in As You Like It, 44

Rolfe, Mr. W. J, 325

Romeo and Juliet, 54
plot drawn from the Italian, 55
date of composition, 56
first printed, 56
authentic and revised version of 1599, 56
two choruses in the sonnet form, 84
satirical allusion to sonnetteering, 108
For editions see Section xix. (Bibliography), 301-35

Romeus and Juliet, Arthur Brooke’s, 55 322

Ronsard, plagiarised by English sonnetteers, 102 103 n 3 432 seq.
by Shakespeare, 111 112 and n 1
his claim for the immortality of verse, 114 and n 1 116 n
his sonnets of vituperation, 121
first gave the sonnet a literary vogue in France, 442
and ‘La PlÉiade,’ 442
modern reprint of his works, 445 n

Rosalind, played by a boy, 38 n 2

Rosaline, praised for her ‘blackness,’ 118 119

‘Rosalynde, Euphues Golden Legacie,’ Lodge’s, 209

Rose Theatre, Bankside: erected by Philip Henslowe, 36
opened by Lord Strange’s company, 36
the scene of the poet’s first successes, 37
performance of Henry VI, 56
production of the Venesyon Comedy, 69

Rossi, representation of Shakespeare by, 352

Roussillon, Countess of, 163

Rowe, Nicholas, on the parentage of Shakespeare’s wife, 18
on Shakespeare’s poaching escapade, 27
on Shakespeare’s performance of the Ghost in Hamlet, 44
on the story of Southampton’s gift to Shakespeare, 126
on Queen Elizabeth’s enthusiasm for the character of Falstaff, 171
on the poet’s last years at Stratford, 266
on John Combe’s epitaph, 269 n
his edition of the poet’s plays, 314 362

Rowington, the Richard and William Shakespeares of, 2

Rowlands, Samuel, 397

Rowley, William, 181 243

Roydon, Matthew, poem on Sir Philip Sidney, 140 184 n

RÜmelin, Gustav, 345

Rupert, Prince, at Stratford-on-Avon, 281

Rusconi, Carlo, Italian prose version of Shakespeare issued by, 352

Russia, translations and performances of Shakespeare in, 352 353

Rymer, Thomas, his censure of the poet, 329

S

S., M. I., tribute to the poet thus headed, 327 and n 328

S., W., initials in Willobie’s book, 156 157
commonness of the initials, 157 n
use of the initials on works fraudulently attributed to the poet, 179 180

Sackville, Thomas, 408 n

Sadler, Hamlett, the poet’s legacy to, 276

Saint-SaËns, M., opera of Henry VIII by, 351

St. Helen’s, Bishopsgate, a William Shakespeare in 1598 living in, 38 and n 1

Sainte-Marthe, ScÉvole de, 443

Salvini, representation of Othello by, 352

Sand, George, translation of As You Like It by, 351

Sandells, Fulk, one of the sureties for the bond against impediments with respect to Shakespeare’s marriage, 20 22
supervisor of Richard Hathaway’s will, 22

Saperton, 27 29

‘Sapho and Phao,’ address to Cupid in, 97 n

Satiro-Mastix, a retort to Jonson’s Cynthia’s Revels, 215

Savage, Mr. Richard, 165 n 363

‘Saviolo’s Practise,’ 209

Scenery unknown in Shakespeare’s day, 38 and n 2
designed by Inigo Jones for masques, 38 n 2
Sir Philip Sidney on difficulties arising from its absence, 38 n 2

Schiller, adaptation of Macbeth for the stage by, 345

Schlegel, A. W. von, 180
German translation of Shakespeare by, 343
lectures on Shakespeare by, 344

Schmidt, Alexander, 364

‘Schoole of Abuse,’ 67

Schroeder, F. U. L., German actor of Shakespeare, 346

Schubert, Franz, setting of Shakepearean songs by, 347

Schumann, setting of Shakespearean songs by, 347

‘Scillaes Metamorphosis,’ Lodge’s, drawn upon by Shakespeare for ‘Venus and Adonis,’ 75 and n 2

Scoloker, Anthony, in ‘Daiphantus,’ 277

Scotland, Shakespeare’s alleged travels in, 40-42
visits of actors to, 41

Scott, Reginald, allusion to Monarcho in ‘The Discoverie of Witchcraft’ of, 51 n

Scott, Sir Walter, at Charlecote, 28

Scourge of Folly, 44 n 2

Sedley, Sir Charles, apostrophe to the poet, 331

Sejanus, Shakespeare takes part in the performance of, 44 401

Selimus, 179

Serafino dell’ Aquila, Watson’s indebtedness to, 77 n 2 102 103 n 1 442 n

SÈve, Maurice, 104 and n 430 442 445 n 1

Sewell, Dr. George, 315

‘Shadow of the Night, The,’ Chapman’s, 135 n

Shakespeare, the surname of, 1 2 cf. 24 n

Shakespeare, Adam, 1

Shakespeare, Ann, a sister of the poet, 11

Shakespeare, Anne (or Agnes): her parentage, 18 19
her marriage to the poet, 18 19-22
assumed identification of her with Anne Whateley, 23 24 and n
her debt, 187
her husband’s bequest to her, 273
her widow’s dower barred, 274 and n
her wish to be buried in her husband’s grave, 274
committed by her husband to the care of the elder daughter, 275
her death, 280 and n

Shakespeare, Edmund, a brother of the poet, is ‘a player,’ 283
death, 283

Shakespeare, Gilbert, a brother of the poet, 11
witnesses his brother’s performance of Adam in As You Like It, 44
apparently had a son named Gilbert, 283
his death not recorded, 283

Shakespeare, Hamnet, son of the poet, 26 187

Shakespeare, Henry, one of the poet’s uncles, 3 4 186

Shakespeare, Joan (1), 7

Shakespeare, Joan (2), see Hart, Joan

Shakespeare, John (1), the first recorded holder of this surname (thirteenth century), 1

Shakespeare, John (2), the poet’s father, administrator of Richard Shakespeare’s estate, 3 4
claims that his grandfather received a grant of land from Henry VII, 2 189
leaves Snitterfield for Stratford-on-Avon, 4
his business, 4
his property in Stratford and his municipal offices, 5
marries Mary Arden, 6 7
his children, 7
his house in Henley Street, Stratford, 8 11
appointed alderman and bailiff, 10
welcomes actors at Stratford, 10
his alleged sympathies with puritanism, 10 n
his application for a grant of arms, 2 10 n 188-92
his financial difficulties, 11 12
his younger children, 11
writ of distraint issued against him, 12
deprived of his alderman’s gown, 12
his trade of butcher, 18
increase of pecuniary difficulties, 186
relieved by the poet, 187
his death, 204

Shakespeare or Shakspere, John (a shoemaker), another resident at Stratford, 12 n 3

Shakespeare, Judith, the poet’s second daughter, 26 205
her marriage to Thomas Quiney, 271
her father’s bequest to her, 275
her children, 280 281
her death, 281

Shakespeare, Margaret, 7

Shakespeare, Mary, the poet’s mother: her marriage, 6 7
her ancestry and parentage, 6 7
her property, 7
her title to bear the arms of the Arden family, 191
her death, 266

Shakespeare, Richard, a brother of the poet, 11 266
his death, 283

Shakespeare, Richard, of Rowington, 2

Shakespeare, Richard, of Snitterfield, probably the poet’s grandfather, 3
his family, 3 4
letters of administration of his estate, 3 and n 3

Shakespeare, Richard, of Wroxhall, 3

Shakespeare, Susanna, a daughter of the poet, 22
See also Hall, Mrs. Susanna

Shakespeare, Thomas, probably one of the poet’s uncles, 3 4

Shakespeare, William: parentage and birthplace, 1-9
childhood, education, and marriage, 10-24
(see also Education of Shakespeare; Poaching; Shakespeare, Anne)
departure from Stratford, 27-31
theatrical employment, 32-4
joins the Lord Chamberlain’s company, 36
his rÔles, 43
his first plays, 50-73
publication of his poems, 74 76 seq.
his Sonnets, 83-124 151-6
patronage of the Earl of Southampton, 125-50 374
plays composed between 1595 and 1598, 161-73
his popularity and influence, 176-79
returns to Stratford, 187
buys New Place, 193
financial position before 1599, 196 seq.
financial position after 1599, 200 seq.
formation of his estate at Stratford, 204 seq.
plays written between 1599 and 1609, 207-47
the latest plays, 248 seq.
performance of his plays at Court, 264
(see also Court; Whitehall; Elizabeth, Queen; James I)
final settlement in Stratford (1611), 266 seq.
death (1616), 272
his will, 273 seq.
monument at Stratford, 276
personal character, 277-9
his survivors and descendants, 280 seq.
autographs, portraits, and memorials, 284-98
bibliography, 299-325
his posthumous reputation in England and abroad, 326-54
general estimate of his work, 355-7
biographical sources, 361-5
alleged relation between him and the Earl of Pembroke, 411-15

Shakespeare Gallery in Pall Mall, 341

‘Shakespeare Society,’ the, 333 365

Shallow, Justice, Sir Thomas Lucy caricatured as, 29
his house in Gloucestershire, 167 168 173

Sheldon copy of the First Folio, the, 309 310

Shelton, Thomas, translator of ‘Don Quixote,’ 258

Shiels, Robert, compiler of ‘Lives of the Poets,’ 32 n 3

Shottery, Anne Hathaway’s Cottage at, 19

Shylock, sources of the portrait of, 67 68 and n

Siddons, Mrs. Sarah, 337 338

Sidney, Sir Philip: on the absence of scenery in a theatre, 38 n 2
translation of verses from ‘Diana,’ 53
Shakespeare’s indebtedness to him, 61
addressed as ‘Willy’ by some of his eulogists, 81
his ‘Astrophel and Stella,’ brings the sonnet into vogue, 83
piracy of his sonnets, 88 n 432
circulation of manuscript copies of his ‘Arcadia,’ 88 n
his addresses to Cupid in his ‘Astrophel,’ 97 n
warns the public against the insincerity of sonnetteers, 104
on the conceit of the immortalising power of verse, 114
his praise of ‘blackness,’ 119 and n 1
sonnet on ‘Desire,’ 153
use of the word ‘will,’ 417
editions of ‘Astrophel and Stella,’ 428 429
popularity of his works, 429

Sidney, Sir Robert, 382

Singer, Samuel Weller, 324

Sly, Christopher, probably drawn from life, 164 165 166 167 221 n

Smethwick, John, bookseller, 304

Smith, Richard, publisher, 431

Smith, Wentworth, 157 n
plays produced by, 180 n

Smith, William, sonnets of, 138 n 2 157 n 390 437

Smith, Mr. W. H., and the Baconian hypothesis, 372

Smithson, Miss, actress, 351

Snitterfield, Richard Shakespeare rents land of Robert Arden at, 3 6
departure of John Shakespeare, the poet’s father, from, 4
the Arden property at, 7
sale of Mary Shakespeare’s property at, 12 and n 1 186

Snodham, Thomas, printer, 180

Somers, Sir George, wrecked off the Bermudas, 252

Somerset House, Shakespeare and his company at, 233 and n 2

Sonnet in France (1550-1600), the, bibliographical note on (Appendix X.), 442-5

Sonnets, Shakespeare’s: the poet’s first attempts, 84
the majority probably composed in 1594, 85
a few written between 1594 and 1603 (e.g. cvii.)
their literary value, 87 88
circulation in manuscript, 88 396
commended by Meres, 89
their piratical publication in 1609, 89-94 390
their form, 95 96
want of continuity, 96 100
the two ‘groups,’ 96 97
main topics of the first ‘group,’ 98 99
main topics of the second ‘group,’ 99 100
rearrangement in the edition of 1640, 100
autobiographical only in a limited sense, 100 109 125 152 160
censure of them by Sir John Davies, 107
their borrowed conceits, 109-24
indebtedness to Drayton, Petrarch, Ronsard, De BaÏf, Desportes, and others, 110-12
the poet’s claim of immortality for his sonnets, 113-16 cf. 114 n 1
the ‘Will Sonnets,’ 117 (and Appendix VIII)
praise of ‘blackness,’ 118
vituperation, 120-4
‘dedicatory’ sonnets, 125 seq.
the ‘rival poet,’ 130-6
sonnets of friendship, 136 138-47
the supposed story of intrigue 153-8
summary of conclusions respecting the sonnets, 158-60
edition of 1640, 300

Sonnets, quoted with explanatory comments:
xx. 93 n : xxvi. 128 n : xxxii. 128 129 n : xxxvii. 130
xxxviii. 129 : xxxix. 130 : xlvi.-xlvii. 112 113 n 1
lv. 115 116 : lxxiv. 130 (quot.) : lxxviii. 125
lxxx. 134 : lxxxv. 133 : lxxxvi. 132 : lxxxviii. 133
lxxxix. 133 : xciv. 1 14 72 89 : c. 126
ciii. 126 : cvii. 13 n 87 147 149 380
cviii. 130 : cx. 44 130 : cxi. 45 : cxix. 152 and n
cxxiv. 425 : cxxvi. 97 and n : cxxvii. 118
cxxix. 152 153 and n 1 : cxxxii. 118
cxxxv.-cxxxvi. 420-424 : cxxxviii. 89
cxliii. 93 n 425 426 and n : cxliv. 89 153 301
cliii.-cliv. 113 and n 2
the vogue of the Elizabethan: English sonnettering inaugurated by Wyatt and Surrey, 83 427 428
followed by Thomas Watson, 83 428
Sidney’s ‘Astrophel and Stella,’ 83 428 429 and n
poets celebrate patrons’ virtues in sonnets, 84
conventional device of sonnetteers of feigning old age, 85 86 n
lack of genuine sentiment, 100
French and Italian models, 101 and n 1 102-5 Appendices IX. and X.
translations from Du Bellay, Desportes, and Petrarch, 101 and n 4 102 103
admissions of insincerity, 105
censure of false sentiment in sonnets, 106
Shakespeare’s scornful allusions to sonnets in his plays, 107 108
vituperative sonnets, 120-24
the word ‘sonnet’ often used for ‘song’ or ‘poem,’ 427 n 2
I. Collected sonnets of feigned love, 1591-7, 429-40
II. Sonnets to patrons, 440
III. Sonnets on philosophy and religion, 440 441
number of sonnets published between 1591 and 1597, 439-41
various poems in other stanzas practically belonging to the sonnet category, 438 n 2

Soothern, John, sonnets to the Earl of Oxford, 138 n 2

Sophocles, parallelisms with the works of Shakespeare, 13 n

Southampton, Henry Wriothesley, third Earl of, 53
the dedications to him of ‘Venus and Adonis’ and ‘Lucrece,’ 74 77
his patronage of Florio, 84 n
his patronage of Shakespeare, 126-50
his gift to the poet, 126 200
his youthful appearance, 143
his identity with the youth of Shakespeare’s sonnets of ‘friendship’ evidenced by his portraits, 144 and n 145 146
imprisonment, 146 147 380
his long hair, 146 n 2
his beauty, 377
his youthful career, 374-381
as a literary patron, 382-9

Southwell, Robert, circulation of incorrect copies of ‘Mary Magdalene’s Tears’ by, 88 n
publication of “A Foure-fould Meditation’ by, 92 400 and n 401 n
dedication of his ‘Short Rule of Life,’ 397

Southwell, Father Thomas, 371

Spanish, translation of Shakespeare’s plays into, 354

Spanish Tragedy, Kyd’s, popularity of, 65 221
quoted in the Taming of the Shrew, 221 n

Spedding, James, 262

Spelling of the poet’s name, 284-6

Spenser, Edmund: probably attracted to Shakespeare by the poems ‘Venus and Adonis’ and ‘Lucrece,’ 79
his description of Shakespeare in ‘Colin Clouts come home againe,’ 79
Shakespeare’s reference to Spenser’s work in Midsummer Night’s Dream, 80
Spenser’s allusion to ‘our pleasant Willy’ not a reference to the poet, 80 and n
his description of the ‘gentle spirit’ no description of Shakespeare, 81 and n 2
translation of sonnets from Du Bellay and Petrarch, 101
called by Gabriel Harvey ‘an English Petrarch,’ 101 and cf. n 4
on the immortalising power of verse, 115
his apostrophe to Admiral Lord Charles Howard, 140
his ‘Amoretti,’ 115 435 and n 5 436
dedication of his ‘Faerie Queene,’ 398

‘Spirituall Sonnettes’ by Constable, 440

Sport, Shakespeare’s knowledge of, 26 27 and n 173

StaËl, Madame de,

Stafford, Lord, his company of actors, 33

Stage, conditions of, in Shakespeare’s day: absence of scenery and scenic costume, 38 and n 2
the performance of female parts by men or boys, 38 and n 2
the curtain and balcony of the stage, 38 n 2

Stanhope of Harrington, Lord, 234 n

‘Staple of News, The,’ Jonson’s quotations from Julius CÆsar in, 220 n

Staunton, Howard, 311
his edition of the poet, 323 324

Steele, Richard, on Betterton’s rendering of Othello, 334

Steevens, George: his edition of Shakespeare, 320
his revision of Johnson’s edition, 320 321
his criticisms, 320 321
the ‘Puck of commentators,’ 321

Stinchcombe Hill referred to as ‘the Hill’ in Henry IV, 168

Stopes, Mrs. C. C., 363

Strange, Lord. See Derby, Earl of

Straparola, ‘Notti’ of, and the Merry Wives of Windsor, 172

Stratford-on-Avon, settlement of John Shakespeare, the poet’s father, at, 4
property owned by John Shakespeare in, 5 8
the poet’s birthplace at, 8 9
the Shakespeare Museum at, 8 297
the plague in 1564 at, 10
actors for the first time at, 10
and the Reformation, 10 n
the Shoemakers’ Company and its Master, 12 n 3
the grammar school, 13
Shakespeare’s departure from, 27 29 31
native place of Richard Field, 32
allusions in the Taming of the Shrew to, 164
the poet’s return in 1596 to, 187
the poet’s purchase of New Place, 193
appeals from townsmen to the poet for aid, 195 196
the poet’s purchase of land at, 203 204-6
the poet’s last years at, 264 266
attempt to enclose common lands and Shakespeare’s interest in it, 269 270
the poet’s death and burial at, 272
Shakespeare memorial building at, 298
the ‘Jubilee’ and the tercentenary, 334

Suckling, Sir John, 328

‘Sugred,’ an epithet applied to the poet’s work, 179 and n 390

Sullivan, Barry, 298

Sully, M. Mounet, 351 and n 1

Sumarakow, translation into Russian by, 352

Supposes, the, of George Gascoigne, 164

Surrey, Earl of, sonnets of, 83 95 101 n 4 427 428

Sussex, Earl of, his company of actors, 35
Titus Andronicus performed by, 36 66

Swedish, translations of Shakespeare in, 354

‘Sweet,’ epithet applied to Shakespeare, 277

Swinburne, Mr. A. C., 63 71 72 n 333 365

Sylvester, Joshua, sonnets to patrons by, 388 440 and n

T

Taille, Jean de la, 445 n

Tamburlaine, Marlowe’s, 63

Taming of A Shrew, 163

Taming of The Shrew: probable period of production, 163
identical with Love’s Labour’s Won, 163
and The Taming of A Shrew, 163 164
the story of Bianca and her lovers and the Supposes of George Gascoigne, 164
biographical bearing of the Induction, 164
quotation from the Spanish Tragedy, 221 n
For editions see Section xix. (Bibliography), 305-25

Tarleton, Richard, 81
his ‘Newes out of Purgatorie’ and the Merry Wives of Windsor, 172

Tasso, similarity of sentiment with that of Shakespeare’s sonnets, 152 n

‘Teares of Fancy,’ Watson’s, 428 433

‘Teares of the Isle of Wight,’ elegies on Southampton, 389

‘Teares of the Muses,’ Spenser’s, referred to in Midsummer Night’s Dream, 80

Tempest, The: traces of the influence of Ovid, 15 25 n 43
the shipwreck akin to a similar scene in Pericles, 244
probably the latest drama completed by the poet, 251
and the shipwreck of Sir George Somers’s fleet on the Bermudas, 252
the source for the plot, 253
performed at the Princess Elizabeth’s nuptial festivities, 254
the date of composition, 254 and n
its performance at Whitehall in 1611, 254 n
its lyrics, 255 and n
Ben Jonson’s scornful allusion to, 255
reflects the poet’s highest imaginative powers, 256
fanciful interpretations of, 256 257
chief characters of, 256 257 and notes 1 and 2.
For editions see Section xix. (Bibliography), 301-325

Temple Grafton, 23 24 and n

‘Temple Shakespeare, The,’ 325

Tercentenary festival, the Shakespeare, 334

‘Terrors of the Night,’ piracy of, 88 n
nocturnal habits of ‘familiars’ described in, 135 n

Terry, Miss Ellen, 339

Theatre, The, at Shoreditch, 32
owned by James Burbage, 33 36
Shakespeare at, between 1595 and 1599, 37
demolished, and the Globe Theatre built with the materials, 37

Theatres in London: Blackfriars (q.v.)
Curtain (q.v.)
Duke’s, 295
Fortune, 212 233 n 1
Globe (q.v.)
Newington Butts, 37
Red Bull, 31 n 2
Rose (q.v.)
Swan, 38 n 2
The Theatre, Shoreditch (q.v.)

Theobald, Lewis, his emendations of Hamlet, 224
publishes a play alleged to be by Shakespeare, 258
his criticism of Pope, 316
his edition of the poet’s works, 316 317

Thomas, Ambroise, opera of Hamlet by, 351

Thoms, W. J., 363

Thornbury, G. W., 363

Thorpe, Thomas, the piratical publisher of Shakespeare’s Sonnets, 89-95
his relations with Marlowe, 90 135 n
adds ‘A Lover’s Complaint’ to the collection of Sonnets, 91
his bombastic dedication to ‘Mr. W. H.’, 92-5
the true history of ‘Mr. W. H.’ and, (Appendix V.) 390-405

Three Ladies of London, The, some of the scenes in the Merchant of Venice anticipated in, 67

Thyard, Ponthus de, a member of ‘La PlÉiade’ 443 444

Tieck, Ludwig, theory respecting The Tempest of, 254 333 344

Tilney, Edmund, master of the revels, 233 n 2

Timon of Athens: date of composition, 242
written in collaboration, 242
a previous play on the same subject, 242
its sources, 243
For editions see Section xix. (Bibliography), 305-25

Timon, Lucian’s, 243

Titus Andronicus: one of the only two plays of the poet’s performed by a company other than his own, 36
doubts of its authenticity, 65
internal evidence of Kyd’s authorship, 65
suggested by Titus and Vespasian, 65
played by various companies, 66
entered on the ‘Stationers’ Register’ in 1594, 66
For editions see Section xix. (Bibliography), 301-25

Titus and Vespasian, Titus Andronicus suggested by, 65

Tofte, Robert, sonnets by, 438 and n 2

Topics of the day, Shakespeare’s treatment of, 51 n, 52

Tottel’s ‘Miscellany,’ 427 428

Tours of English actors: in foreign countries between 1580 and 1630, 42 and see n 1
in provincial towns, 39 40-42 65 214
itinerary from 1593 to 1614, 40 n 1 231

Translations of the poet’s works, 342 seq.

Travel, foreign, Shakespeare’s ridicule of, 42 and n

‘Troilus and Cresseid,’ 227

Troilus and Cressida: allusion to the strife between adult and boy actors, 217
date of production, 217 225
the quarto and folio editions, 226 227
treatment of the theme, 227 228
the endeavour to treat the play as the poet’s contribution to controversy between Jonson and Marston and Dekker, 228 n
plot drawn from Chaucer’s ‘Troilus and Cresseid and Lydgate’s ‘Troy Book,’ 227
For editions see Section xix. (Bibliography), 301-25

‘Troy Book,’ Lydgate’s, 227

True Tragedie of Richard III, The, an anonymous play, 63 301

True Tragedie of Richard, Duke of Yorke, and the death of good King Henry the Sixt, as it was sundrie times acted by the Earl of Pembroke his servants, The, 59

Turbervile, George, use of the word ‘sonnet’ by, 427 n 2

Twelfth Night: description of a betrothal, 23 n
indebtedness to the story of ‘Apollonius and Silla,’ 53
date of production, 209
allusion to the ‘new map,’ 209 210 n 1
produced at Middle Temple Hall, 210
Manningham’s description of, 210
probable source of the story, 210
For editions see Section xix. (Bibliography), 301-25

Twiss, F., 364 n

Two Gentlemen of Verona: allusion to Valentine travelling from Verona to Milan by sea, 43
date of production, 52
probably an adaptation, 53
source of the story, 53
farcical drollery, 53
first publication, 53
influence of Lyly, 62
satirical allusion to sonnetteering, 107 108
resemblance of it to All’s Well that Ends Well, 163
For editions see Section xix. (Bibliography), 301-25

Two Noble Kinsmen, The: attributed to Fletcher and Shakespeare, 259 and n
Massinger’s alleged share in its production, 259
plot drawn from Chaucer’s ‘Knight’s Tale,’ 260

Twyne, Lawrence, the story of Pericles in the ‘Patterne of Painfull Adventures’ by, 244

Tyler, Mr. Thomas, on the sonnets, 129 n 406 n 415 n

U

Ulrici, ‘Shakespeare’s Dramatic Art’ by, 345

V

Variorum editions of Shakespeare, 322 323 362

Vautrollier, Thomas, the London printer, 32

Venesyon Comedy, The, produced by Henslowe at the Rose, 69

‘Venus and Adonis:’ published in 1593, 74
dedicated to the Earl of Southampton, 74 126
its imagery and general tone, 75
the influence of Ovid, 75
and of Lodges ‘Scillaes Metamorphosis,’ 75 and n 2
the motto, 75 and n 1
eulogies bestowed upon it, 78 79
early editions, 79 299 300

Verdi, operas by, 352

Vere, Lady Elizabeth, 378

Vernon, Mistress Elizabeth, 379

Versification, Shakespeare’s, 49 and n 50

Vigny, Alfred de, version of Othello by, 351

Villemain, recognition of the poet’s greatness by, 350

Virginia Company, 381

Visor, William, in Henry IV, member of a family at Woodmancote, 168

Voltaire, strictures on the poet by, 348 349

Voss, J. H., German translation of Shakespeare by, 344

W

Walden, Lord, Campion’s sonnet to, 140

Wales, Henry, Prince of, the Earl of Nottingham’s company of players taken into the patronage of, 231 n

Walker, William, the poet’s godson, 276

Walker, W. Sidney, on Shakespeare’s versification, 49 n

Walley, Henry, printer, 226

Warburton, Bishop, revised version of Pope’s edition of Shakespeare by, 318 319

Ward, Dr. A. W., 365

Ward, Rev. John, on the poet’s annual expenditure, 203
on the visits of Drayton and Jonson to New Place before the poet’s death, 271
his account of the poet, 361

Warner, Richard, 364

Warner, William, the probable translator of the MenÆchmi, 54

Warren, John, 300

Warwickshire: prevalence of the surname Shakespeare, 1 2
a position of the Arden family, 6
Queen Elizabeth’s progress on the way to Kenilworth, 17

Watchmen in the poet’s plays, 31 62

Watkins, Richard, printer, 393

Watson, Thomas, 61
the passage on Time in his ‘Passionate Centurie of Love’ elaborated in ‘Venus and Adonis,’ 77 and n 2
his sonnets, 83 427 n 2 428
plagiarisation of Petrarch, 101 n 4 102
foreign origin of his sonnets, 103 n 1 112
his ‘Tears of Fancie,’ 113 n 1 433

‘Weak endings’ in Shakespeare, 49 n

Webbe, Alexander, makes John Shakespeare overseer of his will, 11

Webbe, Robert, buys the Snitterfield property from Shakespeare’s mother, 12 and n

Webster, John, alludes in the White Divel to Shakespeare’s industry, 278 n

Weelkes, Thomas, 182 n

Weever, Thomas: his eulogy of the poet, 179 n
allusion in his ‘Mirror of Martyrs’ to Antony’s speech at CÆsar’s funeral, 211

Welcombe, enclosure of common fields at, 269 270 and n

‘Westward for Smelts’ and the Merry Wives of Windsor, 172 and n 3
story of Ginevra in, 249

Whateley, Anne, the assumed identification of her with Anne Hathaway, 23 24 and n

Wheler, R. B., 363

Whetstone, George, his Promos and Cassandra, 237

White, Mr. Richard Grant, 325

Whitehall, performances at, 81 82 234 235 and n 241 254 n 264

Wieland, Christopher Martin: his translation of Shakespeare, 343

Wilkins, George, his collaboration with Shakespeare in Timon of Athens and Pericles, 242 243
his novel founded on the play of Pericles, 244

Wilks, Robert, actor, 335

Will, Shakespeare’s, 203 271 273-276

‘Will’ sonnets, the, 117
Elizabethan meanings of ‘will,’ 416
Shakespeare’s uses of the word, 417
the poet’s puns on the word, 418
play upon ‘wish’ and ‘will,’ 419
interpretation of the word in Sonnets cxxiv.-vi. and cxliii., 420-26

‘Willobie his Avisa,’ 155-158

Wilmcote, house of Shakespeare’s mother, 6 7
bequest to Mary Arden of the Asbies property at, 7
mortgage of the Asbies property at, 12 26
and ‘Wincot’ in The Taming of the Shrew, 166 167

Wilnecote. See under Wincot

Wilson, Robert, author of The Three Ladies of London, 67

Wilson, Thomas, his manuscript version of ‘Diana,’ 53

Wilton, Shakespeare and his company at, 231 232 411 and n

‘Wilton, Life of Jack,’ by Nash, 385 and n 1

Wincot (in The Taming of the Shrew), its identification, 165 166

‘Windsucker,’ Chapman’s, 135 n

Winter’s Tale, A: at the Globe in 1611, 251
acted at Court, 251 and n
based on Greene’s Pandosto, 251
a few lines taken from the ‘Decameron,’ 251 and n
the presentation of country life, 251
For editions see Section xix. (Bibliography), 305-25

‘Wire,’ use of the word, for women’s hair, 118 and n 2

Wise, J. R., 363

Wither, George, 388 399 n 2

‘Wittes Pilgrimage,’ Davies’s, 441 n 2

Women, excluded from Elizabethan stage, 38 and n 2
in masques at Court, 38 n 2
on the Restoration stage, 334

Women, addresses to, in sonnets, 92 117-20 122 n 123 124 154

Woncot in Henry IV identical with Woodmancote, 168

Wood, Anthony À, on the Earl of Pembroke, 414

Woodmancote. See Woncot

Worcester, Earl of, his company of actors at Stratford, 10 35
under the patronage of Queen Anne of Denmark, 231 n

Worcester, registry of the diocese of, 3 20

Wordsworth, Bishop Charles, on Shakespeare and the Bible, 17 n 1

Wordsworth, William, the poet, on German and French Æsthetic criticism, 344 349

Wotton, Sir Henry, on the burning of the Globe Theatre, 260 261 n

Wright, Dr. Aldis, 314 n 325

Wright, John, bookseller, 90

Wriothesley, Lord, 381

Wroxhall, the Shakespeares of, 3

Wyatt, Sir Thomas, sonnetteering of, 83 95 101 n 4 427
his translations of Petrarch’s sonnets, 104 n 4

Wyman, W. H., 372

Wyndham, Mr. George, on the sonnets, 91 n 110 n
on Antony and Cleopatra, 245 n
on Jacobean typography, 419 n

Y

Yonge, Bartholomew, translation of ‘Diana’ by, 53

Yorkshire Tragedy, The, 180 243 313

Z

Zepheria, a collection of sonnets called, 435
legal terminology in, 32 n 2 435
the praise of Daniel’s ‘Delia’ in, 431 435 436

                                                                                                                                                                                                                                                                                                           

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