It is easy to conceive circumstances not widely different from those of actual life that would, if not altogether, at least very largely, take from death the gloom that commonly surrounds it. If all the members of the human race died either before two or after seventy; if death was in all cases the swift and painless thing that it is with many; and if the old man always left behind him children to perpetuate his name, his memory, and his thoughts, Death, though it might still seem a sad thing, would certainly not excite the feelings it now so often produces. Of all the events that befall us, it is that which owes most of its horror not to itself, but to its accessories, its associations, and to the imaginations that cluster around it. 'Death,' indeed, as a great stoical moralist said, 'is the only evil that can never touch us. When we are, death is not. When death comes, we are not.' The composition of treatises of consolation intended to accustom men to contemplate death without terror was one of the favourite exercises of the philosophers in the Augustan and in the subsequent periods of Pagan Rome. The chapter which Cicero has devoted to this subject in his treatise on old age is a beautiful Vague notions, however, of a dim, twilight, shadowy world where the ghosts of the dead lived a faint and joyless existence, and whence they sometimes returned to haunt the living in their dreams, were widely spread through the popular imaginations, and it was as the extinction of all superstitious fears that the school of Lucretius and Pliny welcomed the belief that all things ended with death—'Post mortem nihil est, ipsaque mors nihil.' Nor is it by any means certain that even in the school of Plato the thought of another life had a great and operative influence on minds and characters. Death was chiefly represented as rest; as the close of a banquet; as the universal law of nature which befalls all living beings, though the immense majority encounter it at an earlier period than man. It was thought of simply as sleep—dreamless, undisturbed sleep—the final release from all the sorrows, sufferings, anxieties, labours, and longings of life. The best of rest is sleep, And that thou oft provok'st; yet grossly fear'st Thy death, which is no more. To die is landing on some silent shore Where billows never break, nor tempests roar. It is a strange thing to observe to what a height not only of moral excellence, but also of devotional fervour, men have arisen without any assistance from the doctrine of a future life. Only the faintest and most dubious glimmer of such a belief can be traced in the Psalms, in which countless generations of Christians have found the fullest expression of their devotional feelings, or in the Meditations of Marcus Aurelius, which are perhaps the purest product of pagan piety. As I have already said, I am endeavouring in this book to steer clear of questions of contested theologies; but it is impossible to avoid noticing the great changes that have been introduced into the conception of death by some of the teaching which in different forms has grown up under the name of Christianity, though much of it may be traced in germ to earlier periods of human development. Death in itself was made incomparably more terrible by the notion that it was not a law but a punishment; that sufferings inconceivably greater than those of Earth awaited the great masses of the Fermati, O Passagiero, mira tormenti. Siamo abbandonati dai nostri parenti. Di noi abbiate pietÀ, o voi amici cari. This is one side of the picture. On the other hand it cannot be questioned that the strong convictions and impressive ceremonies, even of the most superstitious faith, have consoled and strengthened multitudes in their last moments, and in the purer and more enlightened forms of Christianity death now wears a very different aspect from what it did in the teaching of mediÆval Catholicism, or of some of the sects that grew Looking, however, on death in its purely human aspects, the mourner should consider how often in a long illness he wished the dying man could sleep; how consoling to his mind was the thought of every hour of peaceful rest; of every hour in which the patient was withdrawn from consciousness, insensible to suffering, removed for a time from the miseries of a dying life. He should ask himself whether these intervals of insensibility were not on the whole the happiest in the illness—those which he would most have wished to multiply or to prolong. He should accustom himself, then, to think of death as sleep—undisturbed sleep—the only sleep from which man never wakes to pain. You find yourself in the presence of what is a far It was an ancient saying that 'he whom the gods love dies young,' and more than one legend representing speedy and painless death as the greatest of blessings has descended to us from pagan antiquity; while other legends, like that of Tithonus, anticipated the picture which Swift has so powerfully but so repulsively drawn of the misery of old age and its infirmities, if death did not come as a release. I have elsewhere related an old Irish legend embodying this truth. 'In a certain lake in Munster, it is said, there were two islands; into the first death could never enter, but age and sickness, and the weariness of life and the paroxysms of fearful suffering were all known there, and they did their work till the inhabitants, tired of their immortality, learned to look upon the opposite island as upon a haven of repose. They launched their barks upon its gloomy waters; they touched its shore, and they were at rest.' No one, however, can confidently say whether an early death is a misfortune, for no one can really know what calamities would have befallen the dead man if his life had been prolonged. How often does it happen that the children of a dead parent do things or suffer Remember, above all, that whatever may lie beyond the tomb, the tomb itself is nothing to you. The narrow prison-house, the gloomy pomp, the hideousness of decay, are known to the living and the living alone. By a too common illusion of the imagination, men picture themselves as consciously dead,—going through the process of corruption, and aware of it; imprisoned with the knowledge of the fact in the most hideous of dungeons. Endeavour earnestly to erase this illusion from your mind, for it lies at the root of the fear of death, and it is one of the worst sides of mediÆval and of much modern teaching and art that it tends to strengthen it. Nothing, if we truly realise it, is less real than the grave. We should be no more concerned with the after fate of Bacon has justly noticed that while death is often regarded as the supreme evil, there is no human passion that does not become so powerful as to lead men to despise it. It is not in the waning days of life, but in the full strength of youth, that men, through ambition or the mere love of excitement, fearlessly and joyously encounter its risk. Encountered in hot blood it is seldom feared, and innumerable accounts of shipwrecks and other accidents, and many episodes in every war, show conclusively how calmly honour, duty, and discipline can enable men of no extraordinary characters, virtues, or attainments, to meet it even when it comes before them suddenly, as an inevitable fact, and without any of that excitement which might blind their eyes. If we analyse our own feelings on the death of those we love, we shall probably find that, except in cases where life is prematurely shortened and much promise cut off, pity for the dead person is rarely a marked element. The feelings which had long been exclusively concentrated on the sufferings of the dying man take a new course when the moment of death arrives. It is the sudden blank; the separation from him who is dear to us; the cessation of the long reciprocity of love and pleasure,—in a word our own loss,—that affects us then. 'A happy release' is perhaps the phrase most frequently heard around a death-bed. And as we look back through the vista of a few years, and have learned to separate death more clearly from the illness that It is, I think, a healthy tendency that is leading men in our own generation to turn away as much as possible from the signs and the contemplation of death. The pomp and elaboration of funerals; protracted mournings surrounding us with the gloom of an ostentatious and artificial sorrow; above all, the long suspension of those active habits which nature intended to be the chief medicine of grief, are things which at least in the English-speaking world are manifestly declining. We should try to think of those who have passed away as they were at their best, and not in sickness or in decay. True sorrow needs no ostentation, and the gloom of death no artificial enhancement. Every good man, knowing the certainty of death and the uncertainty of its hour, will make it one of his first duties to provide for those he loves when he has himself passed away, and to do all in his power to make the period of bereavement as easy as possible. This is the last service he can render before the ranks are closed, and his place is taken, and the days of forgetfulness set in. In careers of riot and of vice the thought of death may have a salutary restraining influence; but in a useful, busy, well-ordered life it should have little place. It was not the Stoics alone who 'bestowed too much cost on death, and by their preparations made it more fearful.' FOOTNOTES:******* This and all associated files of various formats will be found in: Updated editions will replace the previous one--the old editions will be renamed. |