CHAPTER XXXVI. In the Chaise.

Previous

Hearing steps approaching, Donica recollected herself, and said, locking the room door—

"Don't let them in for a minute."

"Who is she?" inquired the nurse, following Donica's glance.

"Lady Jane Lennox."

The woman looked at her with awe and a little involuntary courtesy, which Lady Jane did not see.

"A relation—a—a sort of a niece like of the poor master—a'most a daughter like, allays."

"Didn't know," whispered the woman, with another faint courtesy; "but she's better out o' this, don't you think, ma'am?"

"Drink a little wine, Miss Jennie, dear," said Donica, holding the glass to her lips. "Won't you, darling?"

She pushed it away gently, and got up, and looked at Sir Jekyl in silence.

"Come away, Miss Jennie, darling, come away, dear, there's people at the door. It's no place for you," said Donica, gently placing her hand under her arm, and drawing her toward the study door. "Come in here, for a minute, with old Donnie."

Lady Jane did go out unresisting, hurriedly, and weeping bitterly.

Old Donica glanced almost guiltily over her shoulder; the nurse was hastening to the outer door. "Say nothing of us," she whispered, and shut the study door.

"Come, Miss Jennie, darling; do as I tell you. They must not know."

They crossed the floor; at her touch the false door with its front of fraudulent books opened. They were now in a dark passage, lighted only by the reflection admitted through two or three narrow lights near the ceiling, concealed effectually on the outside.

The reader will understand that I am here describing the architectural arrangements, which I myself have seen and examined. At the farther end of this room, which is about twenty-three feet long, is a niche, in which stands a sort of cupboard. This swings upon hinges, secretly contrived, and you enter another chamber of about the same length. This room is almost as ill-lighted as the first, and was then stored with dusty old furniture, piled along both sides, the lumber of fifty years ago. From the side of this room a door opens upon the gallery, which door has been locked for half a century, and I believe could hardly be opened from without.

At the other end of this dismal room is a recess, in one side of which is fixed an open press, with shelves in it; and this unsuspected press revolves on hinges also, shutting with a concealed bolt, and is, in fact, a door admitting to the green chamber.

It is about five years since I explored, under the guidance of the architect employed to remove this part of the building, this mysterious suite of rooms; and knowing, as I fancied, thoroughly the geography of the house, I found myself with a shock of incredulity thus suddenly in the green chamber, which I fancied still far distant. Looking to my diary, in which I that day entered the figures copied from the ground plan of the house, I find a little column which explains how the distance from front to rear, amounting to one hundred and seventy-three feet, is disposed of.

Measuring from the western front of the house, with which the front of the Window dressing-room stands upon a level, that of the green chamber receding about twelve feet:—

ft. in.
Window dressing-room or hexagon 12 0
Green chamber 38 0
Recess 2 0
First dark room 23 0
Recess 1 6
Second dark room 23 0
Recess 1 6
Study 25 0
Wall 1 0
Sir Jekyl's bed-room 27 0
Ante-room 10 0
Stair, bow-window of which forms part of the eastern front 9 0
——— ——
173 0

I never spoke to anyone who had made the same exploration who was not as much surprised as I at the unexpected solution of a problem which seemed to have proposed bringing the front and rear of this ancient house, by a "devilish cantrip slight," a hundred feet at least nearer to one another than stone mason and foot-rule had ordained.

The rearward march from the Window dressing-room to the foot of the back stair, which ascends by the eastern wall of the house, hardly spares you a step of the full distance of one hundred and seventy-three feet, and thus impresses you with an idea of complete separation, which is enhanced by the remote ascent and descent. When you enter Sir Jekyl's room, you quite forget that its great window looking rearward is in reality nineteen feet nearer the front than the general line of the rear; and when you stand in that moderately proportioned room, his study, which appears to have no door but that which opens into his bed-room, you could not believe without the evidence of these figures, that there intervened but two rooms of three-and-twenty feet in length each, between you and that green chamber, whose bow-window ranks with the front of the house.

Now Lady Jane sat in that hated room once more, a room henceforward loathed and feared in memory, as if it had been the abode of an evil spirit. Here, gradually it seemed, opened upon her the direful vista of the future; and as happens in tales of magic mirrors, when she looked into it her spirit sank and she fainted.

When she recovered consciousness—the window open—eau de cologne, sal volatile, and all the rest around her, with cloaks about her knees, and a shawl over her shoulders, she sat and gazed in dark apathy on the floor for a time. It was the first time in her life she had experienced the supernatural panic of death.

Where was Jekyl now? All irrevocable! Nothing in this moment's state changeable for ever, and ever, and ever!

This gigantic and inflexible terror the human brain can hardly apprehend or endure; and, oh! when it concerns one for whom you would have almost died yourself!

"Where is he? How can I reach him, even with the tip of my finger, to convey that one drop of water for which he moans now and now, and through all futurity?" Vain your wild entreaties. Can the dumb earth answer, or the empty air hear you? As the roar of the wild beast dies in solitude, as the foam beats in vain the blind cold precipice, so everywhere apathy receives your frantic adjuration—no sign, no answer.

Now, when Donica returned and roused Lady Jane from her panic, she passed into a frantic state—the wildest self-upbraidings; things that made old Gwynn beat her lean hand in despair on the cover of her Bible.

As soon as this frenzy a little subsided, Donica laid her hand firmly on the young lady's arm.

"Come, Lady Jane, you must stop that," she said, sternly. "What I hear matters nothing, but there's others that must not. The house full o' servants; think, my darling, and don't let yourself down. Come away with me to Wardlock—this is no place any longer for you—and let your maid follow. Come along, Miss Jennie; come, darling. Come by the glass door, there is no one there, and the chaise waiting outside. Come, miss, you must not lower yourself before the like o' them that's about the house."

It was an accident; but this appeal did touch her pride.

"Well, Donnie, I will. It matters little who now knows everything. Wait one moment—my face. Give me a towel."

And with feminine precaution she hastily bathed her eyes and face, looking into the glass, and adjusted her hair.

"A thick veil, Donnie."

Old Gwynn adjusted it, and Lady Jane gathered in its folds in her hand; and behind this mask, with old Donnie near her, she glided down-stairs without encountering anyone, and entered the carriage, and lay back in one of its corners, leaving to Gwynn, who followed, to give the driver his directions.

When they had driven about a mile, Lady Jane became strangely excited.

"I must see him again—I must see him. Stop it. I will. Stop it." She was tugging at the window, which was stiff. "Stop him, Gwynn. Stop him, woman, and turn back."

"Don't, Miss Jennie; don't, darling. Ye could not, miss. Ye would not face all them strangers, ma'am."

"Face them! What do you mean? Face them! How dare they? I despise them—I defy them! What is their staring and whispering to me? I'll go back. I'll return. I will see him again."

"Well, Miss Jennie, where's the good? He's cold by this time."

"I must see him again, Donnie—I must."

"You'll only see what will frighten you. You never saw a corpse, miss."

"Oh! Donnie, Donnie, Donnie, don't—you mustn't. Oh! Donnie, yes, he's gone, he is—he's gone, Donnie, and I've been his ruin. I—I—my wicked, wretched vanity. He's gone, lost for ever, and it's I who've done it all. It's I, Donnie. I've destroyed him."

It was well that they were driving in a lonely place, over a rough way, and at a noisy pace, for in sheer distraction Lady Jane screamed these wild words of unavailing remorse.

"Ah! my dear," expostulated Donica Gwynn. "You, indeed! Put that nonsense out of your head. I know all about him, poor master Jekyl; a wild poor fellow he was always. You, indeed! Ah! it's little you know."

Lady Jane was now crying bitterly into her handkerchief, held up to her face with both hands, and Donica was glad that her frantic fancy of returning had passed.

"Donnie," she sobbed at last—"Donnie, you must never leave me. Come with me everywhere."

"Better for you, ma'am, to stay with Lady Alice," replied old Donnie, with a slight shake of her head.

"I—I'd rather die. She always hated him, and hated me. I tell you, Gwynn, I'd swallow poison first," said Lady Jane, glaring and flushing fiercely.

"Odd ways, Miss Jane, but means kindly. We must a-bear with one another," said Gwynn.

"I hate her. She has brought this about, the dreadful old woman. Yes, she always hated me, and now she's happy, for she has ruined me—quite ruined—for nothing—all for nothing—the cruel, dreadful old woman. Oh, Gwynn, is it all true? My God! is it true, or am I mad?"

"Come, my lady, you must not take on so," said old Gwynn. "'Tisn't nothing, arter all, to talk so wild on. Doesn't matter here, shut up wi' me, where no one 'ears ye but old Gwynn, but ye must not talk at that gate before others, mind; there's no one talking o' ye yet—not a soul at Marlowe; no one knows nor guesses nothing, only you be ruled by me; you know right well they can't guess nothink; and you must not be a fool and put things in people's heads, d'ye see?"

Donica Gwynn spoke this peroration with a low, stern emphasis, holding the young lady's hand in hers, and looking rather grimly into her eyes.

This lecture of Donica's seemed to awaken her to reflection, and she looked for a while into her companion's face without speaking, then lowered her eyes and turned another way, and shook old Gwynn's hand, and pressed it, and held it still.

So they drove on for a good while in silence.

"Well, then, I don't care for one night—just one—and to-morrow I'll go, and you with me; we'll go to-morrow."

"But, my lady mistress, she won't like that, mayhap."

"Then I'll go alone, that's all; for another night I'll not stay under her roof; and I think if I were like myself nothing could bring me there even for an hour; but I am not. I am quite worn out."

Here was another long silence, and before it was broken they were among the hedgerows of Wardlock; and the once familiar landscape was around her, and the old piers by the roadside, and the florid iron gate, and the quaint and staid old manor-house rose before her like the scenery of a sick dream.

The journey was over, and in a few minutes more she was sitting in her temporary room, leaning on her hand, and still cloaked and bonneted, appearing to look out upon the antique garden, with its overgrown standard pear and cherry trees, but, in truth, seeing nothing but the sharp face that had gazed so awfully into space that day from the pillow in Sir Jekyl's bed-room.


                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page