ECHOES. Late-born and woman-souled I dare not hope, The freshness of the elder lays, the might Of manly, modern passion shall alight Upon my Muse's lips, nor may I cope (Who veiled and screened by womanhood must grope) With the world's strong-armed warriors and recite The dangers, wounds, and triumphs of the fight; Twanging the full-stringed lyre through all its scope. But if thou ever in some lake-floored cave O'erbrowed by hard rocks, a wild voice wooed and heard, Answering at once from heaven and earth and wave, Lending elf-music to thy harshest word, Misprize thou not these echoes that belong To one in love with solitude and song. SUCCESS. Oft have I brooded on defeat and pain, The pathos of the stupid, stumbling throng. These I ignore to-day and only long To pour my soul forth in one trumpet strain, One clear, grief-shattering, triumphant song, For all the victories of man's high endeavor, Palm-bearing, laureled deeds that live forever, The splendor clothing him whose will is strong. Hast thou beheld the deep, glad eyes of one Who has persisted and achieved? Rejoice! On naught diviner shines the all-seeing sun. Salute him with free heart and choral voice, 'Midst flippant, feeble crowds of spectres wan, The bold, significant, successful man. THE NEW COLOSSUS.* Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to be free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!" *Written in aid of the Bartholdi Pedestal Fund, 1883. VENUS OF THE LOUVRE. Down the long hall she glistens like a star, The foam-born mother of Love, transfixed to stone, Yet none the less immortal, breathing on. Time's brutal hand hath maimed but could not mar. When first the enthralled enchantress from afar Dazzled mine eyes, I saw not her alone, Serenely poised on her world-worshipped throne, As when she guided once her dove-drawn car,— But at her feet a pale, death-stricken Jew, Her life adorer, sobbed farewell to love. Here Heine wept! Here still we weeps anew, Nor ever shall his shadow lift or move, While mourns one ardent heart, one poet-brain, For vanished Hellas and Hebraic pain. CHOPIN. I. A dream of interlinking hands, of feet Tireless to spin the unseen, fairy woof, Of the entangling waltz. Bright eyebeams meet, Gay laughter echoes from the vaulted roof. Warm perfumes rise; the soft unflickering glow Of branching lights sets off the changeful charms Of glancing gems, rich stuffs, dazzling snow Of necks unkerchieft, and bare, clinging arms. Hark to the music! How beneath the strain Of reckless revelry, vibrates and sobs One fundamental chord of constant pain, The pulse-beat of the poet's heart that throbs. So yearns, though all the dancing waves rejoice, The troubled sea's disconsolate, deep voice. II. Who shall proclaim the golden fable false Of Orpheus' miracles? This subtle strain Above our prose-world's sordid loss and gain Lightly uplifts us. With the rhythmic waltz, The lyric prelude, the nocturnal song Of love and languor, varied visions rise, That melt and blend to our enchanted eyes. The Polish poet who sleeps silenced long, The seraph-souled musician, breathes again Eternal eloquence, immortal pain. Revived the exalted face we know so well, The illuminated eyes, the fragile frame, Slowly consuming with its inward flame, We stir not, speak not, lest we break the spell. III. A voice was needed, sweet and true and fine As the sad spirit of the evening breeze, Throbbing with human passion, yet divine As the wild bird's untutored melodies. A voice for him 'neath twilight heavens dim, Who mourneth for his dead, while round him fall The wan and noiseless leaves. A voice for him Who sees the first green sprout, who hears the call Of the first robin on the first spring day. A voice for all whom Fate hath set apart, Who, still misprized, must perish by the way, Longing with love, for that they lack the art Of their own soul's expression. For all these Sing the unspoken hope, the vague, sad reveries. IV. Then Nature shaped a poet's heart—a lyre From out whose chords the lightest breeze that blows Drew trembling music, wakening sweet desire. How shall she cherish him? Behold! she throws This precious, fragile treasure in the whirl Of seething passions; he is scourged and stung, Must dive in storm-vext seas, if but one pearl Of art or beauty therefrom may be wrung. No pure-browed pensive nymph his Muse shall be, An amazon of thought with sovereign eyes, Whose kiss was poison, man-brained, worldly-wise, Inspired that elfin, delicate harmony. Rich gain for us! But with him is it well? The poet who must sound earth, heaven, and hell! |