A Apple Pie, 58; success of, 155; drawing in Victoria and Albert Museum, 256; models for, 273; style of, 282 Abbot John of Berkhampstead, copy of illumination of, 47 À Beckett, Mr. Arthur, member of Memorial Committee, 256 Agnew, Sir William, member of Memorial Committee, 256 Aldridge, Aunt, visit to, 10 Aldridge, Uncle, visit to, 28 Alexander, Miss Francesca, 115; Kate Greenaway’s pretended jealousy of, 132; Ruskin’s reference to, 133, 138; The Peace of Polissena, Kate Greenaway’s design for cover of, 170 Alexandre, ArsÈne, on Kate Greenaway, 3, 268 ‘Alfy,’ 275 Allaman, Mrs., Kate Greenaway’s first schoolmistress, 14 Allen, Mr. George, 112 Allhusen, Mrs., references to, in Kate Greenaway’s letters, 164, 167 Allingham, Mrs. W., fellow-student with Kate Greenaway at Heatherley’s, 43; on Kate Greenaway’s work, 100; Ruskin’s Lecture on, 114; Kate Greenaway’s visit to, 160; Ruskin on, 161; as friend of Kate Greenaway, 167, 172; influence of, on Kate Greenaway’s landscape work, 269, 270 Almanack, first (1883), 122; 1883-1897, 58; 1884 and 1885, 127; 1884, drawings for, exhibited at Paris, 174; 1886, success of, 155; 1887, 163; 1888, 172; 1889, 174; 1889 and 1895, drawings for Mavor’s Spelling Book, used in, 129; 1890, 177; 1891, 179; 1892-1900, 181; 1893, drawings for, sold by Messrs. Palmer, Howe & Co., 182; 1897, 210 Alphabet, Kate Greenaway’s, success of, 129 Amateur Theatricals, designs for, 48, 78 American Queen, The, contribution to, 172 ‘An Angel Visited the Green Earth,’ at Royal Institute (1890), 178 ‘An Old Farm House,’ at Royal Institute (1891), 179 Anderson, Miss, letter from, on Punch portrait of Kate Greenaway, 87; reference to, by Ruskin, 155 Anderson, Miss Mary, 167 Anderson, Mr. J. G. S., chairman of Orient Line, 49, 179 Anderson, Mrs. Garrett, M.D., 49; asmedical adviser and friend of Kate Greenaway, 167 ‘Apple-Blossom—A Spring Idyll,’ at Dudley Gallery (1890), 50 ‘Apple Trees,’ sold, 183 April Baby’s Book of Tunes, The, 51; illustrations to, 249; letter from author of, 249; style of, 283 Art education at William Street, 41; at Canonbury House, 42; at South Kensington, 42; at Heatherley’s, 43; at the Slade School, 43 ‘Art of England,’ Ruskin’s Lecture on the, 114 Ashburton, Lady, 167 Ashburton, Dowager Lady, commission from, 181 ‘At a Garden Door,’ sold, 183 Aunt Louisa’s London Toy Books Series, designs for, 49 Autobiography of childhood, 9, 16, 28 Babies and Blossoms, 96 ‘Baby Boy,’ at R.A., 192 ‘Baby Boy in Blue Coat and Tippet,’ sold, 224 ‘Baby in White, A,’ 272 Baby’s DÉbut, designs for, 251 Backgrounds, difficulty with, 238 Ballad of a Nun (Davidson), Kate Greenaway on, 196 Bancroft, Sir Squire, reading of The Christmas Carol for Memorial Fund, 256 Bashkirtseff, Marie, Kate Greenaway on, 187, 188 Beardsley, Aubrey, Kate Greenaway on, 187, 205 Belgium, vogue and imitators in, 106 ‘Belinda,’ sold, 183 Bell, R. Anning, Kate Greenaway on illustrations to Midsummer Night’s Dream by, 204 Bellini’s, G., ‘Venus, Mistress of the World,’ Ruskin on, 168 ‘Betty,’ sold, 224 Birdwood, Sir George, member of Memorial Committee, 256 Birth, place and date, 8 Birthday Book, 58; publication and success of, 77; as inspirer of R. L. Stevenson, 77; Punch on, 87; Kate Greenaway on success of, 91; designs from, used for Painting Book, 128; models for, 273 Black, Mrs. J., book-plate for, 182 Blake’s Songs of Innocence, designs for, 251 Body-colour, use of, by Kate Greenaway, 272 Book of Games, 58; publication of, 174 Book of Girls, A, designs for, 251 Book-plates for Mr. Locker-Lampson, etc., 88, 89, 182, 276 Books illustrated by Kate Greenaway, list of, 285 ‘Boy with Basket of Apples,’ at Royal Institute (‘Off to the Village’), 178 ‘Boyhood of Sir Walter Raleigh’ (Millais), Kate Greenaway on, 228 ‘Bracken Gatherers, The,’ style of, 270 Brantwood, first visit to, 112 British Museum, work at, 47 ‘Brother and Sister,’ 270 Brown, Ford Madox, influence of, on Kate Greenaway’s work, 270 Browning, R., acquaintance with, 88 Burne-Jones, Sir Edward, Kate Greenaway on ‘The Briar Rose,’ 209, 231; on May-tree in ‘Merlin and Vivien,’ 230; Burne-Jones, Miss, reference to, by Ruskin, 155 Butler, Lady, on student days with Kate Greenaway, 43 ‘Buttercup Field, A,’ sold, 183 Caldecott, Randolph, as rival and friend, 69; letters from, to Kate Greenaway, 70; Kate Greenaway on death of, 70; story of Kate Greenaway’s marriage to, 70; Kate Greenaway on work of, 89; contributions to Routledge’s Christmas Number, 101; and Mavor, 129 Calendars for 1884, 127 ‘Calm in a Teacup,’ 272 Calvert, influence of, on Kate Greenaway’s work, 270 Campbell, Lady Colin, on Topo, 68 Canonbury House, Art classes at, 42 Carlyle, Thomas, Kate Greenaway on, 92 Cassell & Company, Kate Greenaway’s first work for, 51 Castle, Egerton, on Kate Greenaway’s book-plates, 182 Chappell, Mary, visit to, 29 Chappell, Thomas, portrait of, 275 Character of Kate Greenaway, 2 ‘Cherry Woman, The,’ sold, 183 Chesneau, Ernest, on Kate Greenaway’s work, 5; asks Ruskin for portrait of Kate Greenaway, 117 Chicago Exhibition (1893), sale of Kate Greenaway’s drawings at, 181 Childhood, autobiography of, 9, 16, 28 Children’s dress, Kate Greenaway as a reformer of, 48, 268 Children’s Hospital, Great Ormond Street, ‘Kate Greenaway’ Cot in, 256 Christmas Cards, first designs for, 44, 46, 74; designs for Marcus Ward, 50; development of, 73; published by Goodall & Sons (1884), 127; forProf. Ruskin, 272 Christ’s Folk in the Apennine, edited by Ruskin, 170 Cinderella, drawing of, 165 Clarke, Sir C. Purdon, member of Memorial Committee, 256 Cleveland, Duchess of, meeting of Kate Greenaway with, at British Museum, 47 ‘Coiffure Greeneway,’ 268 College Place, studio in, 55 Colour, work in, 270, 272, 281 Continent, The, interview in, with Kate Greenaway, 130 Copyright of drawings, refusal to part with, 106 Corbet, Mrs. Ridley, fellow-student and friend of Kate Greenaway, 167 Costume of eighteenth century, chosen by Kate Greenaway, 44 Costumes, ‘Kate Greenaway,’ 4, 44, 48, 268 ‘Cottage in Surrey, A,’ at Royal Institute (1891), 179 ‘Cottages,’ sold, 183 Crane, Walter, drawings by, in Quiver of Love, 47, 53; recollections of Kate Greenaway, 71; Kate Greenaway on work of, 90; contributions to Routledge’s Christmas Number, 101; member of Memorial Committee, 256 Cremation, 252 Cresswell, Beatrice F., author of The Royal Progress of King Pepito, 174 Cyrano de Bergerac, Kate Greenaway on, 235 Dame Wiggins of Lee, drawings for, 120; publication of, 130; Ruskin on, 130; style of, 282 ‘Dancing of the Felspar Fairies,’ 275 Day in a Child’s Life, A, 58; origin of, 101; success of, 101; designs from, in Painting Book, 128; drawing in Victoria and Albert Museum, 256; models for, 273; excellence of flower-painting in, 281 ‘Dead,’ water-colour sketch, 251, 264 Death, Kate Greenaway on, 189, 190, 263 Death of Kate Greenaway, 252 DÉbats, Journal des, on Kate Greenaway’s work, 268 De Monvel, Boutet, inspired by Kate Greenaway, 2 Dent, J. M., & Co., Almanack for 1897, 181 Diamonds and Toads, drawings for, 49 Dickinson, Miss Violet, 167; beginning of friendship with, 188; letters from Kate Greenaway to, 9, 16, 189, 190, 191, 192, 193, 205, 206, 208, 214, 215, 218, 221, 222, 224, 225, 233, 237, 241, 253 Dobson, Austin, Mr., on verses of Kate Greenaway, 62; on Under the Window drawings, 63; on drawings for The Library, 85; poem by, in Magazine of Art, with Kate Greenaway illustration, 124; friend of Kate Greenaway, 167; verse on death of Kate Greenaway, 253 Dolls, Kate Greenaway’s, 26 Dove Cottage (Wordsworth’s), Kate Greenaway’s visit to, 187 ‘Down the Steps,’ sold, 183 Downman, J., A.R.A., influence of, on Kate Greenaway, 270 Doyle, Richard, influence of, on Kate Greenaway, 270 Dreams of childhood, 16 Dudley Gallery, early exhibits at, 44, 45; ‘Apple-Blossom,’ 50; sale of drawings at, in 1872, 51; sale of water-colours at, in 1876, 55; sale of pictures at, 1878, 69; exhibits at, in 1880, 85 Dumas, Alexandre, fils, as admirer of Art of Kate Greenaway, 117 Du Maurier, George, Kate Greenaway on work of, 204; references to, in Kate Greenaway’s letters, 164, 167 DÜsseldorf, street in which Kate Greenaway is falsely said to have lived, 89 Early life of Kate Greenaway, 8 ‘Elf Ring, The,’ 270, 271 Eliot, George, and Under the Window drawings, 57; letter from, to Mr. Evans, 58 Elizabeth and her German Garden, Kate Greenaway on, 243; letter from the author of, 250 Empress Frederick, visit to H.I.H. the, 98; correspondence with, 100 English Book-plates, Kate Greenaway’s work in, 182 English Illustrated Magazine, work for, 184 Evans, Edmund, first association with Kate Greenaway, 48; yellow-back covers for, 51; Under the Window and story of its production, 57; other works produced during partnership with, 58; methods of printing, 64; reference to, by Mrs. Allingham, 172; extent of partnership with, 211; death of, see Preface Evans, Mrs. Edmund, account of Kate Greenaway by, in Girl’s Own Paper, 59; letters from Kate Greenaway to, 60, 113, 244, 248 Evans, Miss Lily, letters from Kate Greenaway to, 78, 107, 113, 145 Every Girl’s Annual, designs for, 85 ‘Fable of the Girl and her Milk Pail, The,’ sold, 183 Fairy Gifts; or, A Wallet of Wonders, 53 Fairy Tales, Kate Greenaway’s preferences in, 247 ‘Fancy Dress Ball, The,’ sold, 76 ‘Fern Gatherer, A,’ sold, 51 Figaro, Le, on Kate Greenaway’s work, 268 Fine Art Society, exhibition of Under the Window drawings at (1880), 63; Kate Greenaway exhibition at (1891), 179, 182; third exhibition at (1898), 224, 226; fourth exhibition at, 254 FitzClarence, Lady Dorothy, Kate Greenaway on, 231 Fiveash, the Misses, school of, 38 Flower painting in A Day in a Child’s Life, etc., 281 Fors Clavigera, drawings by Kate Greenaway in, 120, 122; reference to Kate Greenaway in, 120; Kate Greenaway on, 223 Foster, Mr., on A Day in a Child’s Life, 101 Fremantle, Lady, member of Memorial Committee, 256 French art, Kate Greenaway on, 233 Fripps, Miss, 167 Frognal, house at, designed by Mr. Norman Shaw, R.A., 142; F. Locker-Lampson on, 91, 144; Ruskin on, 143 Fryers’ farm, visit to the, 31 Furniss, Harry, ‘Grinaway Christmas cards’ in Punch, 102 Gazette des Beaux-Arts, La, article in, on Kate Greenaway, 106 German, Kate Greenaway falsely claimed as a, 89 Gertie, the model, 273 Giorgione, Kate Greenaway on work of, 195 Girardin, Jules, admirer of Kate Greenaway’s art, 117 ‘Girl and her Milk Pail, The,’ 272 ‘Girl and Two Children,’ at Royal Institute (1895), 192, 197 ‘Girl drawing a Chaise,’ sold at Chicago, 182 ‘Girl in Hat and Feathers,’ at Royal Institute (1897), 211; sold, 224 ‘Girl in Pink and Black,’ sold, 224 ‘Girl nursing a Baby,’ at Royal Institute (1895), 197 ‘Girl’s Head, A,’ at Royal Academy (1891), 179 Girl’s Own Paper, account of Kate Greenaway by Mrs. Evans in, 59; work for, 85 ‘Gleaners going Home,’ at Royal Institute (1895), 192, 197 ‘Going to School,’ sold, 224 Goodall & Sons, and Kate Greenaway Christmas cards, 127 Graphic, The, first work for, 55 Greenaway, John, father of the artist, 8; work for Illustrated London News, 39; love for Kate Greenaway, 39; as engraver, 39; death of, 177; as model to Kate Greenaway, 273 Greenaway, John, brother to Kate Greenaway, sub-editor of The Journal of the Chemical Society; letter from, on life of Kate Greenaway, 144; instructs Kate Greenaway in perspective, 168; as model to Kate Greenaway, 273; portrait of, 275 Greenaway, Mrs., opens a shop in Upper Street, Islington, 13; death of, 184; as model to Kate Greenaway, 273 ‘Greenawisme,’ 268 ‘Green Seat, The,’ sold, 183 Greet Close, the, at Rolleston, 10 Griffith & Farran, designs for Fairy Gifts for, 52 ‘Grinaway Christmas cards’ in Punch, 102 Grosvenor Gallery, invitation to contribute to, 85; Exhibition of 1884, Ruskin on, 137 GrÜne Weg, DÜsseldorf, where Kate Greenaway is falsely alleged to have lived, 89 Hampstead, house at, F. Locker-Lampson’s suggestions for names for, 91 ‘Happy Wretched Family,’ payment for, 50 Hare, Augustus, Kate Greenaway on Life of, 16 Harte, Bret, The Queen of the Pirate Isle, 156, 163 Hartley, Mr. Harold, member of Memorial Committee, 256 Heartsease, illustrations to, 77 Heatherley’s, Kate Greenaway attends Life Classes at, 43 Heir of Redclyffe, illustrations to, 77 Herbert, Lady Victoria, 167; member of Memorial Committee, 256 Highbury, Kate Greenaway’s home at, 21 Hospital for Women, New, design for Bazaar album for, 178 Hoxton, home at, 13 ‘Huguenots, The’ (Sir J. Millais, R.A.), Kate Greenaway on, 219 Hullah, John, acquaintance with, and designs for Time and Tune, 85 ‘Hylas and the Water-Nymphs’ (J. W. Waterhouse, R.A.), Kate Greenaway on, 216 Ibbetson, Peter, Kate Greenaway on, 204 Illustrated Family Journal, The, 23 Illustrated London News, Mr. Greenaway’s work for, 8, 39; Kate Greenaway’s first work for, 51; recognised contributor to, 55, 85 Illustration work, Kate Greenaway’s objection to, 51 Imitators of Kate Greenaway, 105, 106, 117 Indian Mutiny, Kate Greenaway’s recollection of, 41 International Art Society, the, Kate Greenaway on, 231 Interview, fictitious, with Kate Greenaway, 131 Interviewers, Kate Greenaway’s objections to, 78 Islington, home at, 13 ‘Jack and Jill,’ sold, 183 Jackson, Mason, tribute to Mr. John Greenaway, Sr., by, 178 Jackson, Miss, school of, 38 Jeune, Lady, reference to, in Kate Greenaway’s letters, 164, 167; visit of Kate Greenaway to, 224, 230; member of Memorial Committee, 257 Jones, ‘Grandma,’ and her husband, 14 Journal des DÉbats, on Kate Greenaway’s work, 268 Kate Greenaway’s Painting Book, 58, 128 King Pepito, 58 Kitchener, Lord, Kate Greenaway on, 237 ‘Knocker,’ Kate Greenaway’s pet name, 39 KrÖker, Frau KÄthe Freiligrath-, German translator of Under the Window, 85 Kronheim, Messrs., early work for, 46; Diamonds and Toads, designs for, 49; ‘Nursery Toy Books,’ 49 Labouchere, Miss Norna, on Kate Greenaway’s book-plates, 182 Ladies’ Book-plates, Kate Greenaway’s work in, 182 Ladies’ Home Journal, The, work for, 183 Lang, Andrew, Mr., and The Library, 85 Ruskin on, 149; drawings for, exhibited at Paris (1889), 174; drawings of, in Victoria and Albert Museum, 256; models for, 273; excellence of drawings in, 282 Lanterne Magique, La, French and Belgian edition of Under the Window, 281 Leighton, Lord, purchaser of Kate Greenaway drawings, 180; funeral of, 201; Kate Greenaway on death of, 203 Leiningen-Westerburg, Count of, on Kate Greenaway’s art, 117 Leslie, G. D., R.A., influence of, in Kate Greenaway’s work, 270 Liberty, Mr. Arthur Lasenby, Treasurer of Memorial Committee, 256 Library, The, drawing for, 85 ‘Lilies,’ sold, 224 Literary World, The, on Under the Window, 281 Little Ann and other Poems, 22, 58; dedicated to Mrs. Locker-Lampson, 96; drawings for new edition of, 105; Stacy Marks, R.A., on, 121; drawings for, exhibited at Paris (1889), 174; drawings of, in Victoria and Albert Museum, 256; models for 273; excellence of drawings in, 281 ‘Little Dinky,’ tail-piece for London Lyrics, 101 ‘Little Fanny,’ frontispiece to Routledge’s Christmas Number, 101 Little Folks, first appearance in, 51; ‘PoorNelly’ in, 280 ‘Little Girl and Green Cradle,’ at Royal Institute (1895), 197 ‘Little Girl in Red,’ at Royal Institute (1895), 192, 197 ‘Little Girl in Scarlet Coat,’ sold, 224 ‘Little Girl with Doll,’ at Royal Academy (1878), 69 ‘Little Girl with Fan,’ at Royal Academy (1880), 85 ‘Little Girl with Tea Rose,’ sold, 224 ‘Little Girlie,’ drawing sold at Chicago, 182 ‘Little Go-Cart, The,’ sold, 183 ‘Little Model, The,’ 275 ‘Little Phyllis,’ drawing sold at Chicago, 182 Little Wide-Awake, frontispiece to, 85 Liverpool Exhibition (1895), Kate Greenaway’s work at, 192 Locker-Lampson, Frederick, Under the Window, 57; beginning of friendship with, 86; association with, 87; London Lyrics, frontispiece to, 88; tail-piece to, 101; suggestions for names for Kate Greenaway’s house at Hampstead, 91; verses for Christmas cards by, 92; criticisms of Kate Greenaway’s drawings and verses, 93, 95; on Ruskin, 93; on Burne-Jones, 94; Poems on his children, with illustrations by Kate Greenaway, 96; death of, 96; on Kate Greenaway’s imitators, 106; on new studio at Frognal, 144; references to, in Kate Greenaway’s letters, 164, 167; introduces Kate Greenaway to Mrs. Allingham, 172; visit to, 185 letters to Kate Greenaway, from, 88, 90, 91, 92, 95; letters from Kate Greenaway, to, 86, 89, 91, 92, 94, 96, 266, 274 Locker-Lampson, Mrs., friendship with, 96; letters to Kate Greenaway, 96, 97; member of Memorial Committee, 256 Locker-Lampson, Godfrey, Esq., Kate Greenaway sends drawings to, at Eton, 96; book-plate for, 182 Locker-Lampson, Miss Dorothy, Kate Greenaway corrects drawings by, 96; book-plate for, 182 Locker-Lampson, Miss Maud, 234 Loffelt, M. A. C., on Kate Greenaway’s art, 117 Loftie, Rev. W. J., early recollections of Kate Greenaway, 45; on Kate Greenaway’s designs for valentine, 48; ‘Art at Home’ Series, 48; as friend of Kate Greenaway, 167 London Lyrics, frontispiece to, 88; tail-piece to, 101 Lord Ormont and His Aminta, Kate Greenaway on, 196 Lostalot, M. Alfred de, on Kate Greenaway’s work, 106 ‘Love’s Baubles’ (Byam Shaw), Kate Greenaway on, 218 ‘Lucy Locket,’ sold, 183; daintiness of, 271 Macmillan & Co., illustrations to Miss Yonge’s novels for, 77; frontispiece to Amateur Theatricals, 78; St. Nicholas, 78; The Library, 85 Magazine of Art, poem by Mr. Austin Dobson, illustrated by Kate Greenaway, 124; proposed article on ‘Later Work of Kate Greenaway,’ for, 252 Mallock, Mr., and The New Republic, Kate Greenaway on, 214, 215 Mannerisms of Kate Greenaway, 267 Marigold Garden, 58; designs from, in Painting Book, 128; publication of, 129; drawings for, exhibited at Paris (1889), 174; drawing of title-page sold at Chicago, 182; models for, 273; excellence of drawings in, 282 Marks, H. Stacy, R.A., encouragement from, 51; letters to Kate Greenaway from, 80, 81, 84, 104, 121; as friend of Kate Greenaway, 167; on Pied Piper of Hamelin, 172; influence of, on Kate Greenaway’s work, 270 Martineau, Mrs. Basil, 167 ‘Mary had a Little Lamb,’ 272 Mason, George, A.R.A., influence of, on Kate Greenaway’s work, 270 Mavor’s English Spelling Book, 58; Ruskin on, 128; success of, 129; AthenÆum on, 129; drawings for, used in Almanacks, 129; development of style in, 282 ‘May-Dance, The,’ 270, 275 ‘May Morning on Magdalen Tower’ (Mr. Holman Hunt, O.M.), Kate Greenaway on, 219 letters from Kate Greenaway to, 180, 186 Meadows, Kenny, Kate Greenaway on illustrations to Midsummer Night’s Dream by, 204 Memorial to Kate Greenaway, 256; Committee, 256 Meredith, George, O.M., Kate Greenaway on work of, 196 Millais, Sir J. E., _P._R.A., portraits of Duke of Argyll and Miss Nina Campbell, Ruskin on, 137; Kate Greenaway on work of, 219, 228 Millard, Miss, Kate Greenaway on, 231 Miller, Mrs., recollections of Kate Greenaway by, 52, 167 ‘Misses,’ at Royal Academy, 78 Models, child, Kate Greenaway’s tact with, 52, 273, 274 Modern Art, Kate Greenaway on, 185, 228, 229 Modern Painting (Mr. George Moore), Kate Greenaway on, 218 Mother Goose, 58; publication and success of, 100; H. Stacy Marks, R.A., on, 104; Ruskin on, 116; designs from, in Painting Book, 128; models for, 273 ‘Muff, The,’ 275 ‘Mulberry Bush, The,’ drawing sold at Chicago, 182 ‘Musing,’ sold, in 1877, 55 Muther, Dr., on Kate Greenaway’s work, 5, 267 ‘My Lady and Her Pages,’ sold, 76 ‘My Lord’s Page and my Lady’s Maid,’ sold, 76 National Zeitung on Under the Window, 85, 281 Nelthorpe, Mrs. Sutton, letters from Kate Greenaway to, 166, 167, 208 Neue Freie Presse, on Kate Greenaway’s work, 268 Nevill, Lady Dorothy, 167; commission from, 172; member of Memorial Committee, 256 Nevill, Miss Meresia, member of Memorial Committee, 256 New English Art Club, Kate Greenaway on, 221 Newhaven Court, Kate Greenaway’s visits to, 86 New Republic, The, Kate Greenaway on, 214, 215 Nicholas Nickleby, Kate Greenaway on, 216 Nickson, Miss Sarah, book-plate for, 182 Nordau, Dr. Max, on Kate Greenaway’s work, 265 Northcote, Lady, commission from, 172 Nude, studies from the, 43; Ruskin’s advice on, 117, 133, 147 Nursery Rhymes, sketches for, 251 ‘Nursery Toy Books,’ designs for, 49 ‘Odd House,’ visit to the, 10 ‘Off to the Village’ (‘Boy with Basket of Apples’), 178 Oil-painting, 237; difficulties with, 241, 242, 244 ‘Old Farm House, The,’ 270 ‘Old Steps, The,’ sold, 183 ‘On the Road to the Ball,’ sold, 76 ‘Ophelia’ (Sir J. E. Millais, P.R.A.), Kate Greenaway on, 228, 229, 242 Orient Line Guide, title-page for, 49, 179 ‘Over the Tea,’ sold, 183 Painting Book, Kate Greenaway’s, 58, 128 Paris Exhibition, 1889, contributions to, 5, 174 Paris Exhibition, 1900, invitation to contributeto, 248; invitation declined, 249 Passage from Some Memoirs (by Mrs. Richmond Ritchie), Kate Greenaway on, 196 Peace of Polissena, The, by Miss Francesca Alexander, design for cover of, 170 ‘Peeper, A,’ 50 Pemberton Gardens, Greenaways’ house in, 52 Pen and pencil sketches, 279 People’s Magazine, early work for, 45, 46, 75 Perspective, instruction in, from Ruskin, 167; from John Greenaway, 168; lack of knowledge of, 167 ‘Picnic, The,’ 279 Pied Piper of Hamelin, The, 58; models for, 273 Pinwell, George, influence of, in Kate Greenaway’s work, 272; style of, 282 Ponsonby, Hon. Gerald, 167; portraits belonging to, 270; commission from, 172; portraits of children of, 180; letters from Kate Greenaway to, 181, 182, 184, 186 Ponsonby, Lady Maria, 167; letters from Kate Greenaway to, 185, 187, 209, 212, 220, 231; member of Memorial Committee, 256 Ponsonby, Miss Eileen, portrait of, 276 Ponsonby, Miss Joan, portrait of, 276 Ponsonby, Miss Mabel, portrait of, 276 ‘Poor Nelly,’ 280 Portraitist, Kate Greenaway as a, 275 ‘Portrait of a Lady,’ 276 ‘Portrait of a Little Boy, A,’ at Royal Institute (1880), 178 ‘Portrait of a Little Lad,’ at Royal Academy (1890), 178 Portraits in oils, 237 PrÆterita (by John Ruskin), reference in, to Mavor, 129; to Dame Wiggins, 130, 145, 151; Kate Greenaway on, 161; last chapter of, 175 Princess Christian, Kate Greenaway’s meeting with, 27, 224; introduction to, 100; correspondence with, 100 Princess Louise, meeting with, 241 Princess Maud of Wales, wedding present for, 201 Princess Royal, meeting with, 27 ‘Processions,’ drawings of, 211, 216, 274 Punch, first appearance in, 86; references to Kate Greenaway in 1881, 102; ‘Grinaway Christmas Cards,’ 102, 103 Queen of the Pirate Isle, The, 58; Ruskin on, 156; publication of, 163; vignette on title-page of, 282 Queen Victoria’s Jubilee Garland, publication of, 163 Quiver of Love, illustrations in, 47; publication of, 53 Reading Books (Longman’s), Kate Greenaway’s refusal to illustrate, 184 Religion, Kate Greenaway’s views of, 189, 190, 234, 235 ‘Rescue, The’ (Sir J. E. Millais, P.R.A.), Kate Greenaway on, 229 Richards, Miss Laura E., verses by, 183 Richmond Ritchie, Mrs., letters to and from, 98; proposed collaboration with, 100 Roberts, Lord, meeting with, 237 Robinson, Mr. Lionel, on Kate Greenaway as children’s artist, 62, 180 ‘Rock, Moss, and Ivy,’ drawing by Kate Greenaway in Sheffield Museum, 134 Rolleston, the Chappells’ house at, 10; fire at, 35 Rossetti, D. G., Kate Greenaway on work of, 229, 231 Routledge, Messrs., work for, 100; Little Wide-Awake, frontispiece to, 85; Every Girl’s Annual, 85; Mother Goose, 100; Christmas Number, frontispiece (‘Little Fanny’), 101; A Day in a Child’s Life, 101; Almanack, first (1883), 122; Pied Piper of Hamelin, success of, 171; Book of Games, 174; Almanacks for, 1892-95, 181 Rover, biography of, 164, 195, 198, 207, 236, 237, 244 Rowfant, Kate Greenaway’s visits to, 86, 185 Royal Academy, first exhibit at, 55; ‘Little Girl with Doll’ (1878), 69; ‘Misses’ (1879), 78; ‘Little Girl with Fan’ (1880), 85; ‘Portrait of a Little Lad’ (1890), 178; ‘A Girl’s Head’ (1891), 179; ‘Baby Boy’ at (1895), 192 Royal Institute of Painters in Water-Colours, Kate Greenaway elected a Member of, 174, 178, 271; exhibits at (1890), 178; (1891) ‘An Old Farm House,’ ‘A Cottage in Surrey,’ 179; (1894) ‘A Girl’ at, 184; (1896) ‘Little Bo-Peep’ at, 201; last exhibits at, in 1897: ‘Girl in Hat and Feathers,’ ‘Two Little Girls in a Garden,’ 211 Royal Progress of King Pepito, The, 174 Royal Society of British Artists. See Suffolk Street Gallery Ruskin, John, on Kate Greenaway’s work, 5; on Under the Window, 63; Lecture on Mrs. Allingham and Kate Greenaway, 65, 114; first meeting with Kate Greenaway, 110; on Mother Goose drawings, 105, 116; on Kate Greenaway design on glass, 106; on the 1884 Almanack, 127; on Language of Flowers, 128; on Mavor’s English Spelling Book, 128; on Dame Wiggins of Lee, 130; portrait of, by Kate Greenaway, 135; suggested collaboration with Kate Greenaway in a book on Botany, 136; on Millais’ portraits of ‘The Marquess of Lorne’ and ‘Miss Nina Lehmann’ (Lady Campbell), 137; references to Miss Francesca Alexander, 133, 138; on house at Frognal, 142; illness of, 145, 151, 154, 170; PrÆterita, autobiography of, 145, 151, 175; Kate Greenaway on, 161; ‘Natural History of a dull Beach,’ 146, 154; on drawings from the Nude, 147; on Language of Flowers, 149; on Correspondence of Sir Philip Sidney and Hubert Languet, 154; on A Apple Pie, 156; on Mrs. Allingham, 161; practice of destroying letters, etc., 163; instructs Kate Greenaway in perspective, 167; on John Greenaway as his rival therein, 168; on Pied Piper drawings, 168, 172, 175; on Bellini’s ‘Venus, Mistress of the World,’ 168; Christ’s Folk in the Apennine, 170; last foreign tour, 175; visit of Kate Greenaway to, 186; as ‘Mr. Herbert’ in The New Republic, 215; death of, 248 letters to Kate Greenaway from, 82, 83, 84, 99, 105, 109, 110, 114, 115, 117, 118, 119, 120, 121, 122, 127, 128, 132, 133, 134, 135, 136, 137, 138, 139, 140, 142, 143, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 160, 161, 166, 168, 169, 170, 171, 172, 175, 176, 177 letters from Kate Greenaway to, 160, 164, 165, 166, 187, 188, 195, 196, 197, 198, 199, 200, 202, 203, 205, 206, 207, 208, 209, 211, 212, 214, 215, 216, 217, 218, 219, 220, 221, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247 Rydal Mount, Kate Greenaway’s visit to, 187 ‘Sailor’s Wife, A,’ in English Illustrated Magazine, 184 St. Albans, Duchess of, 167 St. Helier, Lady. See Jeune, Lady St. Ives (R. L. Stevenson), Kate Greenaway on, 221 St. Nicholas, drawings for, 78 Sambourne, Mr. E. Linley, drawing Kate Greenaway in Punch by, 86; ‘Royal Birthday Book’ by, 102 Samuel, Mr. Stuart M., M.P., book-plate for, 182; commissions from: portrait of daughter, decoration of nurseries for, 211, 216; letters from Kate Greenaway to, 106, 211 Samuel, Mrs. Stuart M., references to, in Kate Greenaway’s letters, 164, 167; letter from Kate Greenaway to, 252 Samuel, Miss Vera, book-plate for, 182, 226; Saturday Review on Under the Window, 61 Scribner, first work for Messrs., 69; frontispiece to London Lyrics for, 88 Seckendorff, Count, 99 Severn, Mrs. Arthur, on Ruskin and Kate Greenaway, 110; friendship with, 141; letter to Kate Greenaway from, 166; letters from Kate Greenaway to, Preface, 70, 201, 251, 274 Severn, Miss Lily, 167 Severn, Miss Violet, Kate Greenaway writes and illustrates ‘A very Naughty Girl’ for, 141, 167 Shaw, Mr. Norman, R.A., architect of Kate Greenaway’s house, 142; friend of Kate Greenaway, 167 Sheffield Museum, drawing, ‘Rock, Moss, and Ivy,’ by Kate Greenaway in, 134 ‘Shoe, The Kate Greenaway,’ 123 Shortness of sight, cause of Kate Greenaway’s faults of perspective, 168, 270 Sidney, Sir Philip, and Hubert Languet, Correspondence of, 154 Silver medal gained at South Kensington in 1864, 42 ‘Sisters,’ colour of, 272 Sketch-book, early, 277 Small, Mr. William, influence of work of, on Kate Greenaway, 279 Snow Queen, designs for, 251 Spielmann, Mr. M. H., letters from Kate Greenaway to, 248, 249; member of Memorial Committee, 256 Spielmann, Mrs. M. H., proposed illustrations to story by, 51; stories by, with illustrations by Kate Greenaway, 250; letters from Kate Greenaway to, 250, 251 ‘Spring Copse, A,’ sold, 183 Spring flowers, Kate Greenaway’s love for, 180 ‘Standing for her Picture,’ sale of, 183 Stanley, Hon. Mrs., 100 Stanley, Miss Dorothy, visit to Southwold with, 201 Stanley, Miss Madeline, 230, 231 Stevenson, Robert Louis, inspired by Birthday Book, 77 ‘Stick Fire, The,’ sold, 183; beauty of, 270 Stothard, influence of, on Kate Greenaway, 270 ‘Stowaway, The’ (Sir J. E. Millais, P.R.A.), Kate Greenaway on, 228 ‘Strawberries,’ influence of G. D. Leslie, R.A., in, 270 Suffolk Street Gallery, ‘A Peeper,’ 50 ‘Surrey Cottage, A,’ influence of Mrs. Allingham in, 269 ‘Swansdown,’ 272 ‘Taking a Nosegay,’ at Royal Institute (1895), 195 Tate Gallery, the, Kate Greenaway on, 242 Temps, Le, on Kate Greenaway’s work, 268 Tennyson, family, friendship with, 88; references to, in Kate Greenaway’s letters, 164, 167 Tennyson, Lord, last meeting with, 237 ‘The Seasons,’ sold, 76 Theatre, early visits to the, 19 Thomas, William L., on Kate Greenaway’s early work for The Graphic, 56 Thompson, Miss Elizabeth (Lady Butler), on student days with Kate Greenaway, 43 Thorne, Aunt, and her garden, 15 ‘Thoughts of the Sea,’ sold, 224 ‘Three Girls in White,’ in Victoria and Albert Museum, 256 ‘Three Innocents,’ sold, 76 Time and Tune, designs for, 85 ‘Time of Roses, The,’ sold, 76 Times, The, on A Day in a Child’s Life, 101 Topo: A Tale about English Children in Italy, illustrations for, 47; publication of, in 1878, 67; sale of drawings for, 76 ‘Toy Horse, The,’ sold, 183 ‘Tracts,’ payment for, 50 Trendell, Sir Arthur, Hon. Sec. of Memorial Committee, 256 Trojan, Herr, on Under the Window, 85 Trotter, Miss Lilias, reference to, by Ruskin, 155, 156 Turner, J. M. W., R.A., Ruskin on, 134 ‘Two at a Stile,’ 271 ‘Two Girls in a Garden,’ sold, 224 ‘Two Little Girls in a Garden,’ at Royal Institute (1897), 211 ‘Two Little Sisters,’ sold, 183 ‘Under the Rose Tree,’ sold, 183 Under the Window, story of its production, 57; popularity of, 60; Saturday Review on, 61; verses in, 62; exhibition of drawings for, at Fine Art Society, 63; designs copied on majolica ware at Buda Pesth, 79; translation into German, 85; reception of, in Germany, 85, 281; drawings for, criticised for lack of perspective, 167; models for, 273; French and Belgian edition of, 281 Valentines, first designs for, 44; designed for Marcus Ward & Co., 47 Van Baerle’s Gallery, Glasgow, exhibition of Kate Greenaway’s drawings at, 181 Varley, Miss, school of, 38 Velasquez, Kate Greenaway on, 218 Venetian Exhibition, Kate Greenaway on, 195 Verses by Kate Greenaway, 38, 62, 254, 257, _et seq._ Victoria and Albert Museum, Kate Greenaway’s work in, 256 Victorian Exhibition, Kate Greenaway on, 214 Vie de Paris, La, on Kate Greenaway’s work, 268 ‘Violets, Sir?’ 277 Vyvyan, Miss, fellow-student and friend of Kate Greenaway, 167 Walker, Mr. David, purchaser of Almanack (1893) drawings, 182 Walker, Fred, A.R.A., influence of, on Kate Greenaway’s work, 270 Wall-papers, Almanack (1893) designs sold for, 182 Ward, Marcus, & Co., Christmas cards designed for, 46; valentines designed for, 48; cessation of connection with, 48; Christmas cards for, 50; The Quiver of Love, 53; Topo, 68 Ward, Mr. William Marcus, as adviser, 49; on illustrations to Topo, 68 Wardle, Sir Thomas, Chairman of Memorial Committee, 256 Warne, Frederick, & Co. See Preface and List of Works Webb, Sir Aston, R.A., on Memorial Committee, 256 Wedderburn, Mr. A., K.C., 112 What the Moon Saw, designs for, 251 Wheels of Chance, The, Kate Greenaway on, 215 Whistler, J. M’N., Kate Greenaway on, 218 White, Gleeson, on Kate Greenaway’s designs for Christmas cards, 76 Whitelands College, Kate Greenaway at May-day celebration at, 201 Wise, Aunt, visit to, 10 Women and Woman’s Suffrage, Kate Greenaway on, 212 ‘Women of Amphissa, The’ (Sir L. Alma-Tadema, O.M., R.A.), Kate Greenaway on, 219 Wonderful Visit, The, Kate Greenaway on, 203 Woodlanders, The (Mr. Thomas Hardy), Kate Greenaway on, 238 Wordsworth, visit of Kate Greenaway to country of, 187; Kate Greenaway on ‘Intimations of Immortality’ of, 189 ‘Yes’ (Sir J. E. Millais, P.R.A.), Kate Greenaway on, 228 Yonge, Charlotte, Kate Greenaway’s illustrations to novels of, 77, 281 THE END Printed by R. & R. Clark, Limited, Edinburgh.
IN THE SAME SERIES ALL WITH PAGE ILLUSTRATIONS IN COLOUR EACH 20S. NET “Of all God’s gifts to the sight of man, colour is the holiest, the most Divine, the most solemn.”—Ruskin. DESCRIBED BY SIR MARTIN CONWAY TEXT BY MARCUS B. HUISH, LL.B. PAINTED BY MORTIMER MENPES, R.I., R.E. PAINTED AND DESCRIBED BY R. TALBOT KELLY, R.B.A. PAINTED BY HENRY B. WIMBUSH TEXT BY JOSEPH GREGO BY MORTIMER MENPES, R.I. PAINTED AND DESCRIBED BY ”All men completely organised and justly tempered enjoy colour; it is meant for the perpetual comfort and delight of the human heart.”—Ruskin. BY HELEN ALLINGHAM, R.W.S. PAINTED BY A. HEATON COOPER PAINTED BY COL. R. C. GOFF BY M. H. SPIELMANN, F.S.A., BY NICO JUNGMAN PAINTED BY JOHN FULLEYLOVE, R.I. BY MORTIMER MENPES, R.I. PAINTED BY FRANCIS S. WALKER, R.H.A. PAINTED BY ELLA DU CANE BY MORTIMER MENPES, R.I. PAINTED BY ROSE BARTON, A.R.W.S. PAINTED BY W. L. WYLLIE, A.R.A. PAINTED AND DESCRIBED BY PAINTED BY HERBERT M. MARSHALL, R.W.S. PAINTED BY A. S. FORREST BY AUGUSTINE FITZGERALD PAINTED BY NICO JUNGMAN PAINTED BY JOHN FULLEYLOVE, R.I. PAINTED BY ALBERTO PISA PAINTED BY SUTTON PALMER PAINTED AND DESCRIBED BY BY MORTIMER MENPES, R.I. PAINTED BY ROBERT FOWLER, R.I. BY MORTIMER MENPES, R.I. BY CAPTAIN S. E. ST. LEGER PAINTED BY A. S. FORREST BY MORTIMER MENPES, R.I. BY MORTIMER MENPES, R.I. PUBLISHED BY A. & C. BLACK, SOHO SQUARE, LONDON, W. |