PREPARATIONS FOR DEPARTURE.—SAHIMAN.—PLUNDER OF HIS CAMELS.—LEAVE BAGHDAD.—JOURNEY THROUGH MESOPOTAMIA.—EARLY ARAB REMAINS.—THE MEDIAN WALL.—TEKRIT.—HORSES STOLEN.—INSTANCES OF BEDOUIN HONESTY.—EXCAVATIONS AT KALAH SHERGHAT.—REACH MOSUL.—DISCOVERIES DURING ABSENCE.—NEW CHAMBERS AT KOUYUNJIK.—DESCRIPTION OF BAS-RELIEFS.—EXTENT OF THE RUINS EXPLORED.—BASES OF PILLARS.—SMALL OBJECTS.—ROMAN COINS STRUCK AT NINEVEH.—HOARD OF DENARII.—GREEK RELICS.—ABSENCE OF ASSYRIAN TOMBS.—FRAGMENT WITH EGYPTIAN CHARACTERS.—ASSYRIAN RELICS.—REMAINS BENEATH THE TOMB OF JONAH.—DISCOVERIES AT SHEREEF-KHAN—AT NIMROUD.—ASSYRIAN WEIGHTS.—ENGRAVED CYLINDERS. There was no hope of improvement in the state of the country round Baghdad. The Pasha had left the dam of the Hindiyah, which shortly after again gave way, and afforded fresh retreats to the Arabs. Under these circumstances, and for other reasons, I deemed it prudent to give up for the time the excavations in the ruins of Babylonia. When tranquillity had been to some extent restored in the pashalic, an expedition might be undertaken either by myself, or by some other traveller, with better prospects of success. The Shammar Bedouins were now moving northwards towards their spring and summer pastures. I had been in continual communication with the sons of Rishwan. Suttum, whose wife’s imperious temper still kept him apart from his family, had encamped during the winter with another branch of the tribe in the neighbourhood of Tekrit. It was suspected that he had been privy to As Sahiman was journeying northwards with the rest of his tribe, I thought this a good opportunity of following under his protection the direct track to Mosul through the Desert and along the western bank of the Tigris. He at once consented to escort me, only stipulating that I should obtain permission from the Pasha for his camels and flocks to pass through the suburbs of Baghdad, instead of following the longer and more difficult road through the marshes, like those of the rest of the tribe. The request was granted, and a guarantee was given to me by the governor and the commander in chief of the troops, that my Bedouin friend, with his family and property, should cross the city in safety. They had no sooner, however, entered the gates, than they were fallen upon by the inhabitants of the quarter, aided by a body of irregular troops and Agayls. Abandoning nearly eight hundred camels, Sahiman and his brother Arabs fled into the Desert. Warmly supported by Capt. Kemball, I remonstrated indignantly against this act of treachery. The Turkish authorities declared that it was an accident beyond their control, and at length adopted means to recover the stolen camels. It was, however, with some difficulty, that I was able to find Sahiman, and then to induce him to return to Baghdad. Eventually the greater part of his property was restored to him. It is thus that the Bedouins are This untimely occurrence, as well as repeated attacks of fever, delayed my departure for some days, and it was not until the 27th of February that, bidding adieu to my good friends of Baghdad, I crossed the Tigris by the crazy bridge of boats, and took the crowded road to Kathimain. There I passed the night beneath the hospitable roof of the Nawab of Oude. At daybreak on the following morning, under the guidance of Sahiman, and accompanied by Hormuzd, the Jebours, and my servants, I left the sacred suburb, and followed a beaten track leading to the Desert. In order to avoid the windings of the river, we struck across the barren plain. The low houses of Kathimain soon disappeared from our sight, but for some miles we watched the gilded domes and minarets of the tombs of the Imaums, rising above the dark belt of palms, and glittering in the rays of the morning sun. At last they too vanished, and I had looked for the last time upon Baghdad. We were now in as complete a wilderness as if we had been wandering in the midst of Arabia, and not within a few miles of a great city. Not a living creature broke the solitude. Here and there we saw the sites of former encampments, but the Arabs had long since left them, either to move further into the Desert, or to seek security from an enemy amongst the date groves on the banks of the river. We travelled with speed over the plain. After a ride of nine hours we found ourselves in the midst of the palm trees of a village called Summaichah, formerly a town of some importance, and still watered by the Dujail, a wide and deep canal of the time of the Caliphs, derived from the Tigris. The inhabitants seeing horsemen in the The plain on all sides is intersected by the remains of innumerable canals and watercourses, derived from the Tigris and the Dujail. Their lofty banks narrow the view, and it was only as we passed over them, after quitting Summaichah, that we saw the distant palm groves of the large village of Belled. We left the village to the right, and passed through the ruins of an Arab town of the time of the Caliphs. Beyond it we crossed the Dujail, by a falling bridge of four large arches, with a small arch between each. The beauty of the masonry, the ornamental inscriptions, and rich tracery of this ruin, showed that it was of the best period of Arab architecture. Beyond the Median wall we entered upon undulating gravelly downs, furrowed by deep ravines, and occasionally rising into low hills. With the rich alluvial soil of Babylonia, we had left the boundaries of the ancient province. The banks of the Tigris are here, in general, too high, and the face of the country too unequal, to admit The spiral tower, the dome, and the minarets of Samarrah at length appeared above the eastern horizon, and we rode towards them. After nine hours and a half’s journey we encamped for the night on the Tigris opposite to the town. As the sun went down we watched the women who, on the other side of the river, came to fetch their evening supplies of water, and gracefully bearing their pitchers on their heads returned to the gates. But on our bank the solitude was only broken by a lonely hyÆna coming to drink at the stream, and the hungry jackals that prowled round our tents. The ruins of an early Arab town, called Ashik, stood on a hill in the distance, and near our camping place were the deserted walls of a more recent settlement. On the third day of our journey another ride of nine hours and a half, along the banks of the Tigris, brought us to Tekrit. The Arabs were keeping the small town of Tekrit in a state of siege, and its supplies having been cut off, we had some difficulty in getting provisions for ourselves and our horses. We were not sorry to leave Tekrit, whose inhabitants did not belie a notoriously bad character. Next morning we struck inland, in order to avoid the precipitous hills of Makhoul, at whose very feet sweeps the Tigris. They form part of a long isolated limestone range which commences with the Sinjar, runs through the centre of Mesopotamia, crosses the river near Khan Karnaineh, then takes the name of Hamrin, and approaching the mountains of Luristan continues parallel with them to the Persian province of Fars. In the Makhoul hills are several ruins. Some falling walls and towers hanging over the Tigris, and once, probably, the stronghold of a freebooter, who levied blackmail on travellers, Our track led through a perfect wilderness. We found no water, nor saw any moving thing. When, after a long ride of about eleven hours, we reached some brackish springs, called Belaliss, the complete solitude lulled us into a feeling of security, and we all slept without keeping the accustomed watch. I was awoke in the middle of the night by an unusual noise close to my tent. I immediately gave the alarm, but it was too late. Two of our horses had been stolen, and in the darkness we could not pursue the thieves. Sahiman broke out in reproaches of himself as the cause of our mishap, and wandered about until dawn in search of some clue to the authors of the theft. At length he tracked them, declared unhesitatingly that they were of the Shammar, pointed out, from marks almost imperceptible to any eye but to that of a Bedouin, that they were four in number, had left their delouls at some distance from our tents, and had already journeyed far before they had been drawn by our fires to the encampment. These indications were enough. He swore an oath that he would follow and bring back our stolen horses wherever they might be, for it was a shame upon him and his tribe that, whilst under his protection in the Desert, we had lost anything belonging to us. And he religiously kept his oath. When we parted at the end of our journey, he began at once to trace the animals. After six weeks’ search, during which he went as far as Ana on the Euphrates, where one had been sold to an Arab of the town, he brought them to Mosul. I was away at the time, but he left them with Mr. Rassam, and returned to the Desert without asking a reward for performing an act of duty imperative on a Bedouin. Such Mr. Rassam frequently sent Suttum across the Desert with as much as five or six hundred pounds in money, and always with the most complete confidence. His only reward was an occasional silk dress, or one or two camel loads of corn for his family, the whole of the value of a few shillings.[232] Of late years the wool of the Bedouin sheep has been in considerable demand in the European markets, and a large trade in this article has already been opened with the Shammar. Money is generally advanced some months before the sheep are sheared, to enable the Arabs to buy their winter stock of provisions. Mr. Rassam has thus paid beforehand several thousand pounds without any written or other guarantee whatever. The tribes leave the neighbourhood of the town, and are not again heard of until their long strings of camels are seen bringing the promised wool. I remember a Bedouin coming all the way alone from the neighbourhood of Baghdad to pay Mr. Rassam a trifling sum, I think between three and four shillings, the balance of a wool account between them. A youth of the great tribe of the Aneyza having quarrelled with his parents, ran away and came to Mosul, when he entered as a student in a college. He became a Mullah, and had almost forgotten his early friends, when the tribe, driven by a famine from the Syrian desert, crossed the Euphrates, and encamped near the town to buy corn. Ibn Gayshish, their Sheikh, hearing by chance that the fugitive was still alive, and now a Mr. Rassam had, at my request, sent a party of Jebours to renew the excavations at Kalah Sherghat, which had been very imperfectly examined. The springs of Belaliss are separated from the shoulder of the Gebel Makhoul, which overhangs the ruins, by a wild rocky valley, called Wadi Jehannem, the Valley of Hell. We crossed it and the hills in about three hours and a half, and came suddenly upon the workmen, who, of course, took us for Bedouin plunderers, and prepared to defend themselves. They had opened trenches in various parts of the great mound, but had made no discoveries of any importance, and I am inclined to doubt whether an edifice containing any number of sculptures or inscriptions ever existed on the platform. Fragments of a winged bull in the alabaster of the Nineveh palaces, part of a statue in black stone with a few cuneiform characters, and pieces of a large inscribed slab of copper, were found in the ruins; I collected also the fragments of a large inscribed cylinder in baked clay[233], and a copper cup, a few vases in common pottery, and some beads. We encamped in the jungle to the north of the ruins, and were visited by fifteen men of the Albou Mohammed, who frankly confessed that they were thieves, out on I ordered the Jebours to leave Kalah Sherghat, and to return with us to Mosul, which we reached the following day. Mr. Bell, who had been sent to Assyria by the Trustees of the British Museum to succeed Mr. Cooper as artist to the expedition, had arrived in the town two days before. I rode with him without delay to Kouyunjik, to examine the excavations made during my absence. I will now describe the sculptures uncovered whilst I was at Baghdad and after my return to Mosul, previous to my departure for England. To the north of the great centre hall four new chambers had been discovered. The first was 96 feet by 23. On its walls were represented the return of an Assyrian army from war, with their spoil of captives and cattle. The prisoners were distinguished by a cap turned back at the top, not unlike the Phrygian bonnet reversed, short tunics, and a broad belt. The women had long curls falling over their shoulders, and were clothed in fringed robes. The fighting-men of the conquered tribe wore a simple fillet round their short hair; a tunic, falling in front to the knee, and behind, to the calf of the leg; a wavy girdle, and a cross-belt round their breasts, ending in two large tassels. A kneeling camel, receiving its load, was designed with considerable truth and spirit. The legs bent under, the tail raised, the foot of the man on the neck of the animal to keep it from rising, whilst a second adjusts the burden from behind, form a group seen every day in the Desert and in an Eastern town. The This chamber opened at one end into a small room, 23 feet by 13. On its walls were represented a captive tribe, dressed in short tunics, a skin falling from their shoulders, boots laced up in front, and cross-bands round their legs; they had short, bushy hair and beards. In the outer chamber two doorways opposite the grand entrances into the great hall, led into a parallel apartment, 62 feet by 16 feet. On its walls was represented the conquest of the same people, wearing the reversed Phrygian bonnet. There were long lines of prisoners; some in carts, others on foot. The fighting-men, armed with bows and quivers, were made to bear part of the spoil. In the costumes of the warriors and captives, and in the forms of the waggons and war-carts, these bas-reliefs bore a striking resemblance to the sculptures of the son of Essarhaddon, described in a previous chapter.[234] It may, therefore, be inferred that the conquest of the same nation was celebrated in both, and that on these walls we have recorded the successful wars of Sennacherib in the country of Susiana or Elam. This chamber, like the one parallel to it, led at one end into a small room 17 feet square. On its walls, the campaign recorded in the adjoining chamber had been continued. These rooms completed the discoveries on the southern side of the palace. On the northern side of the same edifice, and on the river-face of the platform, one wall of a third great hall had been uncovered; the other walls had not been excavated at the time of my departure from Mosul. From the very ruinous state of this part of the building, and from the small accumulation of On the same side of the hall was represented the conquest of a second nation, whose men were clothed in long garments, and whose women wore turbans, with veils falling to their feet. The Assyrians had plundered their temples, and were seen carrying away their idols. “Of a truth, Lord, the kings of Assyria have laid waste all the nations and their countries, and have cast their gods into the fire; for they were no gods, but the work of men’s hands, wood and stone; therefore they have destroyed them.”[235] Unfortunately the bas-reliefs were so much injured that the nature of these images could not be satisfactorily ascertained. The figures appeared to be beardless, with the exception of one, which is that of a man raising his right arm, and bearing a mace. The three entrances led into one chamber 86 feet by 24. On its calcined walls were only the faint traces of bas-reliefs. I could distinguish a line of chariots in a ravine between mountains, warriors throwing logs on a great burning pile of wood, castles on the tops of hills, Assyrians carrying away spoil, amongst which was a royal umbrella, and the king on his throne receiving his army on their return from battle with the captives and booty. Three more chambers were discovered in this part of the building. They were on the very edge of the river-face of the mound. The walls of the outer room had been almost entirely destroyed. An entrance, formed by colossal winged figures, led from it into a second chamber, about 24 feet square, in which the sculptures were still partly preserved. Amongst the bas-reliefs was another battle in a marsh. The Assyrian warriors were seen fighting in boats, and bringing their captives to the shore, one of the vessels being towed by a man swimming on an inflated skin. Sennacherib himself, in his chariot, in the midst of a grove of palm-trees, received the prisoners, and the heads of the slain. Above him was a short epigraph, which appears to read, “Sennacherib, king of the country of Assyria, the spoil of the river Agammi, from the city of Sakrina” (the last line not interpreted). Although the name of this city has not yet been found, as far as I know, in the records on the bulls and on other monuments of the same king, yet the mention of the river enables us to recognise in the bas-reliefs a representation of part of the campaign, undertaken by Sennacherib, in the fourth year of his reign, against Susubira the ChaldÆan: whose capital was Bittul, on the same stream. Although the river itself has not as yet been identified, it is evidently either a part of the Tigris A great retinue of charioteers and horsemen appear to have followed Sennacherib to this war. Large circular shields were fixed to the sides of the chariots represented in the sculptures. The third chamber, entered from that last described through a doorway guarded by colossal eagle-footed figures, contained the sculptured records of the conquest of part of Babylonia, or of some other district to the south of it. Long lines of chariots, horsemen and warriors, divided into companies according to their arms and their costume, accompanied the king. The Assyrians having taken the principal city of the invaded country, cut down the palm-trees within and without its walls. Men beating drums, such as are still seen in the same country, and women clapping their hands in cadence to their song, came out to greet the conquerors. Beneath the walls was represented a great caldron, which appears to have been supported upon metal images of oxen; perhaps a vessel resembling the brazen sea of the temple of Solomon.[236] Such were the discoveries in the ruined palace of Sennacherib at the time of my departure for Europe. In this magnificent edifice I had opened no less than seventy-one halls, chambers, and passages, whose walls, almost Only a part, however, of the palace has been explored, and much still remains underground of this enormous structure. Since my return to Europe other rooms and sculptures have been discovered. Assyrian Pedestal, from Kouyunjik. The excavations were not limited to the corner of Kouyunjik containing the palace. Deep trenches and tunnels were opened, and experimental shafts sunk in various parts of the mound. Enormous walls and foundations of brick masonry, fragments of sculptured and unsculptured alabaster, inscribed bricks, I will now describe some of the most interesting small objects discovered in the earth and rubbish during the excavations at Kouyunjik. It must be borne in mind that the mound within which was the buried palace, was used more than once, and by more than one distinct people, for the site of a castle, if not of a town. We know that Nineveh was utterly destroyed by the united armies of the Medes and Babylonians; yet we find Meherdates taking the castle of Ninos, and the same place is mentioned by several later authors.[240] As buildings thus appear to have been erected at various times on the mound, we accordingly find in the rubbish remains of various periods. Amongst the relics occasionally brought to me by the workmen were a few fragments of pottery, and coins, and ill-cut gems with inscriptions in the Pehlevi character, of the time of the Sassanian kings of Persia, that is, from the first half of the third to the seventh century after Christ. Of the Roman period we have terracotta figures and lamps, and a hoard of eighty-nine silver denarii of the Emperors Vespasian, Titus, Domitian, Trajan, Antoninus Pius, Marcus Aurelius, Lucius Verus, Commodus, and Septimius Severus, according to the dates on the coins themselves, from A. D. 74 to A. D. 201. Mr. R. Stuart Poole, of the British Museum,—to whom I am indebted for a list and description of these coins,—conjectures, with much probability, that they were buried by a Roman soldier during the second expedition undertaken by Severus against the Arabs of Mesopotamia (A. D. 202), or during the Parthian war, carried on by the same emperor. The number of coins of Commodus, and the fact that there are none of any emperor after Severus, lead to the belief that the hoard was buried about this time. It is worthy of remark, too, Of the time of the SeleucidÆ and of the Greek occupation of Assyria and Babylonia, we have several relics: amongst them a small head of Hercules, with the eyes inlaid in ivory, one or two figures in terracotta, some copper and glass vessels, and various objects in pottery and bronze. To this period I am now inclined to attribute the earthen sarcophagi, the great jars, and other sepulchral remains found at Nimroud, Kalah Sherghat, Kouyunjik, and in other Assyrian mounds, which, when my former work was written, I believed to belong to a much earlier epoch. Since my return to England, Mr. Vice-consul Rassam has discovered at Kouyunjik several tombs built of slabs of stone, and apparently of even a later date, for in one of them, I understand, was found a gold coin of the Emperor Maximinus. They contained, however, very interesting relics in the same precious metal and in glass. It is remarkable that, notwithstanding the most careful search, in all parts of the country around Mosul, I have been unable to find one undoubted Assyrian tomb, nor can I conjecture how or where the people of Nineveh buried their dead. The sepulchral chambers in the hills, so frequently described in these pages, are unquestionably of a comparatively late period. The rocky gullies outside and between the inclosure walls of Kouyunjik have been examined over and over again with the greatest care for traces of tombs, but in vain. In the numerous isolated conical mounds scattered over the face of the country, I have detected nothing to show that they were places of sepulture. It must, however, be confessed that they have not yet been sufficiently excavated. Further experiments The only relics found at Kouyunjik which I can refer to the AchÆmenian Persian period, are the remains of several dishes and vases in serpentine and marble. One fragment of this nature is inscribed with Egyptian hieroglyphs, characteristic, according to Mr. Birch, of the time of the Ptolemies. Part of Colossal Head, from Kouyunjik. Of Assyrian relics obtained from the ruins, the most interesting are A colossal beardless head in limestone, remarkable for Handles in the form of the heads of lions, and other fragments of vases and dishes. A fragment of striped marble, carved with figures in relief, and bearing an inscription with the genealogy and titles of Essarhaddon. A gold ear-ring adorned with pearls, resembling those still in common use amongst Arab women. A rude circular vessel in limestone, ornamented on the outside with figures in relief of the Assyrian Hercules struggling with the lion. Moulds for casting ear-rings and other ornaments in gold and silver. The forms upon them are all purely Assyrian, as the lion-headed deity, the cone, the bull’s head, and the sacred signs seen in the Nimroud sculptures round the neck of the king. The largest mould is in limestone, the others in serpentine. They are precisely such as are used to this day by Arab goldsmiths. Various copper instruments (one in the shape of a sickle), a key,[241] a comb, and other objects, such as the heads of spears and arrows, in iron; glass bottles, pottery, fragments of terracotta, and marble with inscriptions, and many other relics, all of which, with those above enumerated, are now in the British Museum. I had long been desirous of making some experiments in the mound on which stands the so-called tomb of the prophet Jonah. It forms part of the great group of ruins opposite Mosul, and is, like Kouyunjik, in the line of the inclosure walls. Some have believed it to represent the real site of ancient Nineveh, Kouyunjik being the remains of a palace added to the city at a later period. It was A village has risen round the mosque containing the tomb. The rest of the mound is occupied by a burying ground, thickly set with Mussulman gravestones. True believers from the surrounding country bring their dead to this sacred spot, and to disturb a grave on Nebbi Yunus would cause a tumult which might lead to no agreeable results. The pretended tomb itself is in a dark inner room. None but Mussulmans should be admitted within the holy precincts, but I have more than once visited the shrine, with the sanction of my good friend, Mullah Sultan, a guardian of the mosque. A square plaster or wooden sarcophagus, entirely concealed by a green cloth embroidered with sentences from the Koran, stands in the centre of an apartment spread with a common European carpet. A few ostrich eggs and colored tassels, such as are seen in similar Mohammedan buildings, hang from the ceiling. A small grated window looks into the hall, where the true believers assemble for prayer. A staircase leads into the holy chamber. It is needless to repeat that the tradition which places the tomb on this spot is a mere fable.[242] The village of Nebbi Yunus is inhabited by Turcoman families. Some of their dwellings occupy a considerable space. Hearing that the owner of one of the largest wished to make serdaubs, or underground apartments for After a few days’ labor, the workmen came to the walls of a chamber. They were panelled with inscribed, but unsculptured, alabaster slabs. The inscriptions merely contained the name, titles, and genealogy of Essarhaddon, such as were found on the bulls and sphinxes of the south-west palace at Nimroud. Several bricks and fragments of stone were also obtained from the ruins, but they all bore the same inscription. No remains whatever of more ancient building, and no relics of an earlier period were discovered during my residence at Mosul in the mound of the Prophet Jonah. Since my return to England an inhabitant of the village, whilst digging the foundations of his house, uncovered a pair of colossal human-headed bulls, and two figures of the Assyrian Hercules slaying the lion, similar to those in the Louvre. He communicated his discovery at once to the English Vice-consul, who informed Mr. Hodder, the artist sent out by the Trustees of the British Museum. Through some neglect these interesting specimens were not visited and secured before others became acquainted with their existence, and endeavored to obtain possession of them. The Turkish authorities, of course, settled the claims of the rival antiquaries by seizing the sculptures for themselves. On several grounds this is much to be regretted. These remains will, however, probably prove to be of the time of Essarhaddon. Three miles to the north of the inclosure of Kouyunjik, and on the bank of the Tigris, is a village called Shereef-Khan. Near it are several mounds. The largest, though The inscriptions upon the bricks contain the names of Sargon and Sennacherib. Those of the former king read, “Sargon, king of Assyria, the city (or place) of the mound of the fort of Sargon I called it; a temple of the sun ... near it I built.” Other bricks mention a temple dedicated to Mars, or some other Assyrian deity.[243] There are several smaller mounds in the neighbourhood, which have not been explored. At Nimroud the excavations had been almost suspended. A few Arabs, still working in the centre of the mound, had found the remains of sculptured walls, forming part of the edifice previously discovered there. The lower half of several colossal figures, amongst them winged men struggling with lions and mythic animals, had been preserved. A few small objects of interest were discovered in different parts of the ruins, and some additional rooms were explored in the north-west and south-east palaces. In none of them, however, were there sculptures, or even inscriptions, except such as were impressed on bricks. The Several tombs containing vases, beads and ornaments, were discovered above the centre palace. A few large earthen jars from different parts of the mound, a number of small cups of peculiar shape from the ruins of the upper chambers, other pottery of various kinds, and some rude figures in baked clay, were the principal relics found during the excavations at Nimroud. In the north-west palace was also discovered a duck, with its head turned upon its back, in greenstone, similar to that in white marble engraved in the first series of the Monuments of Nineveh. These two objects are of considerable interest, as we learn from short inscriptions upon them, deciphered by Dr. Hincks, that they are weights of thirty mana, or half a Babylonian talent. They have been examined at the mint, and are found to weigh 40 lb. 4 oz. 4 dwt. 4 gr. and 39 lb. 1 oz. 1 dwt. 6 gr. The difference between them is owing to the head of one having been broken off.[244] It may be inferred that two similar figures in baked clay, inscribed with Assyrian numerals, from the same ruins, and others of small size in agate, onyx, and other hard materials, are likewise weights, probably parts of the talent or of the mana. It is also highly probable that the curious series of bronze lions discovered at Nimroud The engraved cylinders or gems, of which a large collection was brought by me to England, form an important as well as an interesting class of Assyrian and Babylonian antiquities. They vary in size, from about two inches to a quarter of an inch, and are either circular, or barrel-shaped, or slightly curved inwards. They are usually of lapis-lazuli, rock-crystal, cornelian, amethyst, chalcedony, agate, onyx, jasper, quartz, serpentine, sienite, oriental alabaster, green felspar, and hÆmatite. The workmanship varies in different specimens, that of some being of considerable sharpness and delicacy, and that of others so coarse as scarcely to enable us to recognise the objects engraved upon them. The subjects are generally either religious or historical, usually the former, and on many are short inscriptions in the cuneiform character. These cylinders belong to several distinct periods. The most ancient with which I am acquainted are those of the time of the kings who built the oldest edifices hitherto discovered at Nineveh. The subjects are usually the king in his chariot discharging his arrows against a lion or wild bull, warriors in battle, the monarch or priests in adoration before the emblem of the deity, the eagle-headed god, winged bulls The next in order of date are those of the time of Sargon and his successors. To this period belong the cylinder with the fish-god, and that which I believe to be the signet of Sennacherib himself, described in a previous part of this work.[245] A very fine specimen, cut in agate, represents an Assyrian goddess, perhaps Astarte, or the Moon, surrounded by ten stars, with a dog seated before her. In front of her is the moon’s crescent, and a priest in an attitude of adoration. A tree and a rampant goat, both common Assyrian symbols, complete the group. On others of the same age we find the gods represented under various forms, the king and priests worshipping before them, altars and various signs peculiar to the period, and the usual mythic emblems. The pure Babylonian cylinders are more commonly found in European collections than the Assyrian. They are usually engraved with sacred figures, accompanied by a short inscription in the Babylonian cuneiform character, containing the names of the owner of the seal and of the divinity, under whose particular protection he had probably placed himself. They are usually cut in a red iron ore or hÆmatite, which appears to have been a favorite material for such objects. Many specimens, however, are in agate, jasper, and other hard substances. A class of cylinders of very rude workmanship, and usually in hÆmatite, are probably of the latest Babylonian period. Upon them are usually found the figures of various deities, and especially of Venus, sometimes represented with the waters of life flowing from her breasts. Persian cylinders frequently bear an inscription in the cuneiform character peculiar to the monuments of the AchÆmenian dynasty. The most interesting specimen of this class is the well-known gem of green chalcedony in the British Museum, on which is engraved king Darius in his chariot, with his name and that of his father. This was probably a royal signet. Another, in the same collection, bears the name of one Arsaces, who appears to have been a chamberlain, or to have held some other office in the Persian court. A very fine cylinder in rock crystal, brought by me to this country, and now also in the British Museum, has the god Ormuzd represented as at Persepolis, raised by two winged bulls with human heads, above an oval, containing the image of a king. The engraving on this gem is remarkable for its delicacy and minuteness. Persian cylinders are recognised at once by the draperies of the figures, gathered up into folds, as in the sculptures of the AchÆmenian dynasty, a peculiarity never found on pure Assyrian or Babylonian monuments; by the crown of the king; by the form of the supreme deity, It has been conjectured that these cylinders were amulets engraved with a kind of horoscope of the owner, or with the figures of the deities who were supposed to preside over his nativity and fortunes. But it is evident from the specimens above described, that they were seals or signets to be impressed on clay and other materials on which public and private documents were written. Herodotus states that the Babylonians were accustomed to have their signets constantly with them, as a modern Eastern always carries his seal.[246] The seal was evidently rolled on the moist clay, at the same time as the letters were impressed.[247] The tablet was then placed in the furnace and baked. All these cylinders have been pierced, and one specimen, found by my workmen in a mound in the desert near the Sinjar, still retained its copper setting. They revolved upon a metal axis, like a garden rolling-stone. Such then were the objects of sculpture and the smaller relics found at Nimroud and Kouyunjik. I will now endeavour to convey to the reader, in conclusion, a general idea of the results of the excavations, as far as they may tend to increase our acquaintance with the history of Assyria, and to illustrate the religion, the arts, and the manners of her inhabitants. |