ARBAN.—OUR ENCAMPMENT.—SUTTUM AND MOHAMMED EMIN.—WINGED BULLS DISCOVERED.—EXCAVATIONS COMMENCED.—THEIR RESULTS.—DISCOVERY OF SMALL OBJECTS—OF SECOND PAIR OF WINGED BULLS—OF LION—OF CHINESE BOTTLE—OF VASE—OF EGYPTIAN SCARABS—OF TOMBS.—THE SCENE OF THE CAPTIVITY. On the morning after our arrival in front of the encampment of Sheikh Mohammed Emin, we crossed the Khabour on a small raft, and pitched our tents on its right, or northern, bank. I found the ruins to consist of a large artificial mound of irregular shape, washed, and indeed partly carried away by the river, which was gradually undermining the perpendicular cliff left by the falling earth. The Jebours were encamped to the west of it. I chose for our tents a recess, like an amphitheatre, facing the stream. We were thus surrounded and protected on all sides. Behind us and to the east rose the mound, and to the west were the family and dependents of Mohammed Emin. In the Desert, beyond the ruins, were scattered far and wide the tents of the Jebours, and of several Arab tribes who had placed themselves under their protection; the Sherabeen, wandering keepers of herds of buffaloes; the Buggara, driven by the incursions of the Aneyza from their pasture grounds at Ras-al-Ain (the source of the Khabour); and some families of the Jays, a large clan residing in the district of Orfa, whose sheikh having quarrelled with his brother chiefs had now joined Mohammed Emin. From the top of the mound the eye ranged over a level country bright with flowers, and In the extreme distance, to the east of us, rose a solitary conical elevation, called by the Arabs, Koukab. In front, to the south, was the beautiful hill of the Sinjar, ever varying in color and in outline as the declining sun left fresh shadows on its furrowed sides. Behind us, and not far distant, was the low, wooded range of Abd-ul-Azeez. Artificial mounds, smaller in size than Arban, rose here and there above the thin belt of trees and shrubs skirting the river bank. I had brought with me a tent large enough to hold full two hundred persons, and intended as a “museef,” or place of reception, always open to the wayfarer and the Arab visitor; for the first duty of a traveller wishing to mix with true Bedouins, and to gain an influence over them, is the exercise of hospitality. This great pavilion was pitched in the centre of my encampment, with its entrance facing the river. To the right were the tents of the Cawass and servants; one fitted up expressly for the Doctor to receive patients, of whom there was no lack at all times, and the black Arab tent of Rathaiyah, who would not mix with the Jebours. To the left were those of my fellow travellers, and about two hundred yards Mohammed Emin, the Sheikh of the Jebours, was a good-natured portly Arab, in intelligence inferior to Suttum, and wanting many of the qualities of the pure Bedouin. During our intercourse I had every reason to be satisfied with his hospitality and the cordial aid he My first care, after crossing to Arban, was to examine the sculptures described by the Arabs. The river having gradually worn away the mound had, during the recent floods, left uncovered a pair of winged human-headed bulls, some six feet above the water’s edge, and full fifty beneath the level of the ruin. Only the forepart of these figures had been exposed to view, and Mohammed Emin would not allow any of the soil to be removed before my arrival. The earth was soon cleared away, and I found them to be of a coarse limestone, not exceeding 5½ feet in height by 4½ in length. Between them was a pavement slab of the same material. They resembled in general form the well-known winged bulls of Nineveh, but in the style of art they differed considerably from It would appear from them that the sculptures belonged to the palace of a king whose name has been found on no other monument. No titles are attached to it, not even that of “king;” nor is the country over which he reigned mentioned; so that some doubt may exist as to whether it really be a royal name. The great accumulation of earth above these sculptures proves that, since the destruction of the edifice in which they stood, other habitations have been raised on its ruins. Arban, indeed, is mentioned by the Arab geographers as a flourishing city, in a singularly fertile district of the Khabour. Part of a minaret, whose walls were cased I will describe, at once, the results of the excavations carried on during the three weeks our tents were pitched at Arban. To please the Jebour Sheikh, and to keep around our encampment, for greater security, a body of armed men, when the tribe changed their pastures, I hired about fifty of Mohammed Emin’s Arabs, and placed them in parties with the workmen who had accompanied me from Mosul. Tunnels were opened behind the bulls already uncovered, and in various parts of the ruins on the same level. Trenches were also dug into the surface of the mound. Behind the bulls were found various Assyrian relics; amongst them a copper bell, like those from Nimroud, and fragments of bricks with arrow-headed characters painted yellow with white outlines, upon a pale green ground. In other parts of the mound were discovered glass and pottery, some Assyrian, others of a more doubtful character. Several fragments of earthenware, ornamented with flowers and scrollwork, and highly glazed, had assumed the brilliant and varied iridescence of ancient glass.[120] It was natural to conclude, from the usual architectural arrangement of Assyrian edifices, that the two bulls described stood at an entrance to a hall or chamber. We searched in vain for the remains of walls, although digging for three days to the right and left of the sculptures, a work Lion discovered at Arban. With the exception of these sculptures, no remains of building were found in this part of the mound. In another tunnel, opened at some distance from the bulls, half of a human figure in relief was discovered.[121] The face was in full. One hand grasped a sword or dagger; the other held some object to the breast. The hair and beard were long and flowing, and ornamented with a profusion of curls as in the Assyrian bas-reliefs. The head-dress appeared to consist of a kind of circular helmet, ending in a sharp point. The treatment and style marked the sculpture to be of the same period as the bull and lion. Such were the sculptures discovered in the mound of Arban. Amongst smaller objects of different periods were some of considerable interest, jars, vases, funeral urns, highly-glazed pottery, and fragments of glass. In a trench, on the south side of the ruin, was found a small green and white bottle, inscribed with Chinese characters. A jar, about four feet high, in coarse half-baked clay, was dug out of the centre of the mound. The handles were formed by rudely-designed human figures, and the sides covered with grotesque representations of men and animals, and arabesque ornaments in relief. Vases of the same material, ornamented with figures, Amongst other relics discovered at Arban were, a large copper ring, apparently Assyrian; an ornament in earthenware, resembling the pine-cone of the Assyrian sculptures; a bull’s head in terracotta; fragments of painted bricks, probably of the same period; and several Egyptian scarabÆi. It is singular that engraved stones and scarabs bearing Egyptian devices, and in some instances even royal cartouches, should have been found on the banks of the Khabour. Similar objects were subsequently dug up at Nimroud, and brought to me by the Arabs from various ruins in Assyria. It may be well for the reader to observe in this connection, that most of the Egyptian relics discovered in the Assyrian ruins are of the time of the 18th Egyptian dynasty, or of the 15th century before Christ; a period when, as we learn from Egyptian monuments, there was a close connection between Assyria and Egypt. Fewer remains and objects of antiquity were discovered in the mounds on the Khabour than I had anticipated. They were sufficient, however, to prove that the ruins are, on the whole, of the same character as those on the banks of the Tigris. That the Assyrian empire at one time embraced the whole of Mesopotamia, including the country watered by the Khabour, there can be no doubt, as indeed is shown by the inscriptions on the monuments of Nineveh. Whether the sculptures at Arban belong to the period of Assyrian domination, or to a distinct nation afterwards conquered, or whether they may be looked upon as cotemporary with, or more ancient than, the bas-reliefs of Nimroud, are questions not so easily answered. The archaic character of the treatment and design, the peculiar form of the features, the rude though forcible delineation of the muscles, and the simplicity of the details, certainly convey the impression of greater antiquity than any monuments hitherto discovered in Assyria Proper.[122] But the hand of time has long since swept even this remnant away, with the busy crowds which thronged the banks of the river. From its mouth to its source, from Carchemish to Ras-al-Ain, there is now no single permanent human habitation on the Khabour. Its rich meadows and its deserted ruins are alike become the encamping places of the wandering Arab. |