CONTENTS | FOREWORD | | ARGUMENT | | ELEGY | | NONENTITY | | MARTYR À LA MODE | | DON JUAN | | THE SEA | | HYMN TO PRIAPUS | | BALLAD OF A WILFUL WOMAN | | FIRST MORNING | | SHE LOOKS BACK | | ON THE BALCONY | | FROHNLEICHNAM | | IN THE DARK | | HUMILIATION | | GREEN | | RIVER ROSES | | GLOIRE DE DIJON | | ROSE OF ALL THE WORLD | | QUITE FORSAKEN | | FORSAKEN AND FORLORN | | FIREFLIES IN THE CORN | | SINNERS | | MISERY | | WINTER DAWN | | | WHY DOES SHE WEEP? | | GIORNO DEI MORTI | | ALL SOULS | | LADY WIFE | | BOTH SIDES OF THE MEDAL | | LOGGERHEADS | | DECEMBER NIGHT | | NEW YEAR'S EVE | | NEW YEAR'S NIGHT | | VALENTINE'S NIGHT | | BIRTH NIGHT | | RABBIT SNARED IN THE NIGHT | | PARADISE RE-ENTERED | | SPRING MORNING | | WEDLOCK | | HISTORY | | ONE WOMAN TO ALL WOMEN | | PEOPLE | | STREET LAMPS | | NEW HEAVEN AND EARTH | | ELYSIUM | | MANIFESTO | | AUTUMN RAIN | | FROST FLOWERS | | CRAVING FOR SPRING | |
SEA AND SARDINIA
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