I. THE IMPORTANCE OF A HAT.

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Within a distance of about ten miles Shagford River makes three long curves, each of which is crossed by a bridge.

The first is for the railroad. The second, thrown across at a point where the ground is lower, carries a country road from bank to bank. Still further down is the third, which is of stone, and forms a paved street connecting the two parts of the factory town of Shagford.

On the afternoon of a superb summer day a fast train from the north-west swept around the curve leading to the bridge-head, and emerged upon the open iron-work structure which bore the double track above the water. The fireman was shovelling coal, and the engineer had just withdrawn his hand from a cord which blew the whistle when he caught sight of a man, in a round Bombay hat, half way across and walking in the same direction the train was taking. Again he pulled the string, sending out four hoarse notes: "Lo-ook oout, a-head!" But the man did not step aside, as would have been expected, on to the line of plank provided for foot passengers between the tracks. The engineer turned on the air-brake and shouted; but there was a strong breeze blowing against him; and at best a voice could hardly rouse a traveller deaf to the steam notes. The last chance of escape appeared to have passed when the stranger, moved by an instinct of danger, though hearing nothing, turned his head.

For the space of a second he confronted the swift, trembling glitter of steel and brass and the pallid face of the engineer at the cab-window. A look of unutterable horror convulsed his own features, and he sprang wildly into the air. Falling again, without being hit by the engine, he went tumbling down through an interstice of the iron beams into the muddy water below. The train was soon stopped and reversed. Slowly the wheels revolved backward—with a solemn, funereal movement, as if conscious of the inanimate body that might soon be added to their freight.

But to the amazement of every one on board, staring frightened into the river, the hurt man was seen to be already struggling out of the current, and clambering—wet, hatless, with dripping hair—up the steep bank they had just left. On reaching the top he began to walk aimlessly away from the train, as if nothing had happened, but presently sat down on the ground looking weak and bewildered.

"Well, if he ain't the coolest hand!" exclaimed the brakeman. "Must be a new sort of water-rat." This same brakeman, however, was prompt to go with the conductor to the aid of the stranger. They found him conscious, but stupefied, and so helped him into the train, which then continued on its way, bearing him off to Shagford.

"Where are you bound?" asked the conductor.

The man, who was of middle age, with a sun-browned face and close iron-gray whiskers along the upper jaws, felt for his hat and, not finding it, looked uneasy. "There must be no delay," he said, half to himself. "I'll tell you in a moment," he added.

But he sat for some time without speaking; and it was evident that the shock of his terrible fall had worked confusion in his brain. Even on reaching Shagford he was unable to collect himself. But they persuaded him to consult the nearest physician, whom he sought under care of the young brakeman. This resulted in his being taken temporarily to the hospital, for, though seemingly without physical injury, he had suffered so peculiar a mental effect that rest and proper care were thought advisable.

Shortly after the occurrence of this singular accident a vehicle crossed the turnpike bridge, of which mention has been made. The vehicle was a buggy, occupied by a single figure—that of a man say about thirty-eight, clothed in a close-fitting suit of mixed brown. He was of prosperous but not portly aspect, and what was most noticeable in him was that his eyes scanned the river in a sudden, peculiar way. One might have said that, emerging from the softly massed trees upon the bank, he had an uneasy sense of being exposed to unexpected observation on the open stretch of the bridge. But perhaps the more likely explanation would be that he was an inquiring, energetic person, who habitually looked everywhere. Habit or chance, whichever it might be, his alert vision was not exercised in vain that day. He saw on the river, floating toward his point of vantage, an upturned hat. Now, this hat was the identical one which had quitted the head of the unlucky man at the railroad bridge; for, being made of cork, it was perfectly adapted to navigation.

"That's what comes of sharp eyes," said the driver of the buggy aloud, much as though he were stating a moral maxim which it did him good to hear. "Who knows but this may turn out important? If anybody's been drowned, or—" The alternative was lost in a clucking sound with which he accompanied the urging of his horse; for he had formed a plan.

The bridge was low; the hat was drifting toward one of the numerous rows of spiles, hence he believed he could fish it up with his long-handled whip. Dismounting, and watching his opportunity, he succeeded after a few moment's novel angling in bringing up, by a noose made of the lash-end, his piece of flotsam.

As I have said, this man wore a comfortable mien; his face was smooth, rosy, firm and beardless, and though the structure of his lips was rather hard and determined, the corners of the lips indicated constant readiness for a smile which, however, never culminated when he was alone. Still, at this moment, a beam of satisfaction rested on his features. The recovery of the hat presented itself to him in the light of a virtuous action. Looking into it he saw the owner's name written on the leather band: "Simeon Piper." As this conveyed no impression, he turned his attention to a small folded paper stuffed inside of the band and making a slight bulge in it. On examining what was inscribed upon the sheet, his countenance changed; the beaming look vanished, and his eyebrows, always describing an acute angle to the temples, grew sharper than ever. It was a movement analogous to that of an animal drawing back its lips before biting, or darting a fang out. His expression, in fact, had become wolfish.

What did it mean? Merely that the name he had seen this time was his own. "Martin E. Hounshell," he read, in a half voice, finding it for an instant even stranger than the strange name he had encountered just before. But he had seen other things on the page with his name; things which he would not articulate even here; certain names and dates for which he deemed silence the fittest atmosphere.

Hounshell's next act was to toss the hat back into the river, and he was about to tear up the paper scrap and send it after the hat, when he changed his mind. He put the memorandum into an inside pocket and buttoned up his coat, tapped the surface of the coat snugly, then got into his buggy and drove on—thoughtful and puzzled, but with equanimity returning and ready to spring his patent smile in a moment, should he meet an acquaintance.

Nevertheless, what had just happened was startling. If the paper which now lay over his heart had possessed the power of receiving a photograph from his brain he could not have been more astonished. The invisible had become visible; what had lain concealed for years in his own mind now confronted him from without. And who was Simeon Piper—a total stranger—in whose hat so mysterious a revelation had taken place? Hounshell's horse dragged that question along unconsciously to the end of the bridge, where, for the moment, it disappears from our pen unanswered.

The small waves flashed lightly around the spiles; a breeze rustled in the woods, perhaps looking for something it had lost there and never could find again. The two bridges were deserted; all was silent, dreamy. Then from the unseen bridge lower down a shrill clamor arose to break the serenity of the evening; a chorused shriek of twenty unearthly voices blended together. Unexpected and wild, loudly startling it was, so that there seemed something uncanny about it. One might have thought it the cry of monsters discovering human prey, or a mob of witches revelling in some crime that had been found out there. But as a matter of fact no one indulged in either of these impossible fancies. Everybody knew that the uproar came from the mills of Shagford, blowing the hour of release from work.


                                                                                                                                                                                                                                                                                                           

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