Have you ever thought what it would be like to have no arms, and be obliged to use your toes for everything? If not, try it on a wet day, and see how much you can manage to do. Yet, there are plenty of true stories of people born without hands, who have contrived by practice to teach their toes not only to supply the place of ordinary fingers, but of very clever fingers, which is quite another matter! I myself once saw a young man in a Belgian gallery busily engaged in copying a picture, and as he had no arms he painted with his toes, seated on a high stool, to place him on the level he wanted. It was near the hour of closing when I happened to notice him, and after a few minutes during which I had watched him spellbound, he got down from his stool, kicked off one shoe, disclosing a stocking neatly cut across the toes, leaving them free. He then shut up his paint box, and picking up his brushes one by one dabbled them in a glass of water that stood near, and wiped them on a cloth, after which he put them carefully in their case, lying on a table.

At the sight of this, I forgot my manners and uttered a cry of amazement, which I think rather pleased the painter, for everyone likes to feel that he can do something better than his fellows. At all events he knew I did not mean to be rude, for he went to his box on the floor, opened it, took up the top card printed with his name, Charles le FÉlu, from a packet, and presented it to me. Then he put on his hat which was hanging on a peg, bowed and walked away, the sleeves of his coat being so fastened that he looked like a man with his hands in his pockets.

I kept that card till I was married, and obliged to throw away many of my treasures.

James Caulfield, about the beginning of the last century, collected many stories of handless people—who were 'handless' in a very different sense from what we mean, when we use the word. He tells us of a German called Valerius, who was born when Charles II. was on the throne of England, and like my friend the painter, had no arms. This would have seemed a terrible calamity if it had come alone, but before he was out of his boyhood both his parents died, and left him penniless. Happily for Valerius, his mother had been a sensible woman, and insisted that her son should learn to make his toes as useful as fingers. Perched on his high stool, he did his copies like another child, and in later life, when he became famous, often wrote lines round his portraits. But much better than writing copies, he loved to beat a drum. Now beating a drum does not sound nearly so difficult as writing copies, and perhaps he was allowed to do it as a treat when he had said his lessons without a mistake, but with practice he was able to play cards and throw dice as well as any of his friends. He certainly always shaved himself when he grew to be a man, but it is rather hard to believe that in fencing he used his rapier, which he held between his big toe and the next, 'with as much skill as his adversary,' standing on his left leg the while.

The admiration of his playfellows at his cleverness filled him with pride, and Valerius was always trying fresh feats to show off to his audience.

When it became necessary for him to earn his own living, he was able to support himself in comfort, travelling from one country to another, and always drawing crowds who came to see this Eighth Wonder of the world—for so they thought him. In his leisure hours he practised some of his old tricks, or learnt new ones, and in 1698 he came to England where he stayed for seven years. Many are the tales told of him during this time. Sometimes he would raise a chair with his toes, and put it in a different place; sometimes with the help of his teeth he would build towers made of dice, or he would lie on his back and, taking a glass of water in his toes, would carry it to his mouth. He could fire a pistol with his toes when seated on a stool, and using both feet he could discharge a musket. This must have been the hardest thing of any, for the musket of those times was a clumsy, heavy weapon, and it was not easy to keep your balance when it went off.

Then we have all of us heard of the famous Miss Biffin, who lived at the time when James Caulfield wrote his book. She went to the big fairs round London, and had a little booth all to herself. There, on payment of a small sum, visitors were admitted to see her sewing with a needle held by her toes, and sewing much more neatly than many of those who came to look at her would have been capable of doing with their fingers. And if they paid a little extra she would draw them, roughly, anything they wanted; or cut them out houses or dogs, or even likenesses of themselves on paper.

Miss Biffin, it is pleasant to think, thoroughly enjoyed her life, and, far from feeling that she was to be pitied because she had no hands, was quite convinced that she was much superior to anybody with two.

Perhaps the most wonderful of all the 'Handless Brigade' was a man called William Kingston, who was living in a village near Bristol in 1788. In that year a Mr. Walton happened to be staying in Bristol and was taken to see this marvel, of whom he writes an account to his friend John Wesley.

On the entrance of the two gentlemen into his house Kingston did not lose a moment in giving them their money's worth. He was having breakfast, and after inviting them to sit down, took up his cup between his big toe and the next, and drank off his tea without spilling a drop. After waiting till he had buttered his toast and eaten as much as he wanted, Mr. Walton then 'put half a sheet of paper upon the floor, with a pen and an ink-horn. Kingston threw off his shoes as he sat, took the ink-horn in the toes of his left foot, and held the pen in those of his right. He then wrote three lines as well as most ordinary writers, and as swiftly. He writes out,' continues Walton, 'his bills and other accounts. He then showed how he shaves with a razor in his toes, and how he combs his own hair. He can dress and undress himself, except buttoning his clothes,' which really does not sound half as difficult as many of his other performances. 'He feeds himself and can bring both his meat and his broth to his mouth, by holding the fork or spoon in his toes. He cleans his own shoes; can clean the knives, light the fire, and do almost every domestic business as well as any other man. He can make his hen-coops. He is a farmer by occupation; he can milk his cows with his toes, and cut his own hay, bind it up in bundles, and carry it about the field for his cattle. Last winter he had eight heifers constantly to fodder. The last summer he made all his own hay-ricks. He can do all the business of the hay-field (except mowing) as fast and as well with only his feet, as others can with rakes and forks; he goes to the field and catches his horse; he saddles and bridles him with his feet and toes. If he has a sheep among his flock that ails anything, he can separate it from the rest, drive it into a corner, and catch it when nobody else can; he then examines it, and applies a remedy to it. He is so strong in his teeth that he can lift ten pecks of beans with them; he can throw a great sledge-hammer with his feet as other men can with their hands. In a word, he can do nearly as much without, as other men can with, their hands.'

'He began the world with a hen and chicken; with the profit of these he purchased an ewe. The sale of these procured him a ragged colt and then a better; after this he raised a few sheep, and now occupies a small farm.'

It would be interesting to know how many of these astonishing feats Mr. Walton actually saw Kingston perform. But at any rate we put down his letter with the impression that to be born with fingers is a distinct disadvantage.