THE MINOR CHARACTERS Having sketched the chief actors in this tragedy, we may glance at the players of subordinate parts. They were such men as are apt to be bred when a religious and social Revolution has shaken the bases of morality, when acquiescence in theological party cries confers the title of ‘godly:’ when the wealth of a Church is to be won by cunning or force, and when feudal or clan loyalty to a chief is infinitely more potent than fidelity to king, country, and the fundamental laws of morality. The Protestants, the ‘godly,’ accused the Idolaters (the Catholics) of throwing their sins off their shoulders in the confessional, and beginning anew. But the godly, if naturally ruffians, consoled and cleared themselves by repentances on the scaffold, and one felt assured, after a life of crime, that he ‘should sup with God that night.’ The Earl of Morton is no minor character in the history of Scotland, but his part is relatively subordinate in that of Mary Stuart. The son of the most accomplished and perfidious scoundrel of the A red-handed murderer, living in open adultery with the widow of Captain Cullen, whom he had hanged, and daily consorting with murderers like his kinsman, Archibald Douglas, the Parson of Glasgow, Morton approached the Divine Mysteries. His private life was notoriously profligate; he added avarice to his other and more genial peccadilloes. He intruded on the Kirk the Tulchan Bishops, who were mere filters, or conduits, through which ecclesiastical wealth flowed to the State. Yet he was godly: he was the foe of Idolaters, and the Kirk, while deploring his excesses, cast on him no unfavourable eye. He held the office of Chancellor, and, during the raids and risings which were protests against Darnley’s marriage with Mary, he was in touch with both parties, but did not commit himself. About February, 1566, there seems to have been a purpose to deprive him of the Seals. He seized the moment to join hands with Darnley in antagonism to Riccio: he and his Douglases, George and Archibald, helped to organise the murder of the favourite: Morton was then driven into England. At Christmas, 1566, after signing a band, not involving murder, against Darnley, he was pardoned, returned, was made acquainted with the scheme for killing Darnley, but, he declared, declined to join without Mary’s written warrant. His friend and retainer, Archibald Douglas, was present at the laying of
The Regent Morton From the portrait in the collection of the Earl of Morton. In person, Morton was indeed one of the Red Douglases. A good portrait at Dalmahoy represents him with a common but grim set of features, and reddish tawny hair, under a tall black Puritanic hat. A jackal constantly attendant on Morton was his kinsman, Archibald Douglas, a son of Douglas of Whittingham. In Archibald we see the ‘strugforlifeur’ (as M. Daudet renders Darwin) of the period. A younger son, he was apparently educated for the priesthood, before the Reformation. In 1565, he was made ‘Parson of Douglas,’ drawing the revenues, and also was an Extraordinary Lord of Session. Involved in Riccio’s murder, he fled to France (where he may have been educated), but returned to negotiate Morton’s pardon. He was go-between to Morton, Bothwell, and Lethington, in the affair of Darnley’s murder, and was present at, or just before, the explosion, losing one of his embroidered velvet dress shoes, in which he had perhaps been dancing at Bastian’s marriage masque. He was also a spectator of the opening of the Casket (June 21, 1567), and so zealous and A grimmer and a godlier man is Mr. John Wood, secretary of Moray, with whom he had been in France, an austere person, a rebuker of Mary’s dances and frivolity. He, too, was a Lord of Session, and was wont to spur Moray on against Idolaters. We shall find him very busy in managing the Casket Letters. He was slain by young Forbes of Reres, the son of the corpulent Lady Reres, rumoured to have been the complacent confidant of Mary’s amour with Bothwell. Reres had certainly no reason to love Mr. John Wood. George Buchanan, too, is on the scene, the Latin poet, the Latin historian, who sang of and libelled his Queen, his pupil. Old now, and a devoted partisan of the Lennoxes, no man contributed Besides these there is a pell-mell of men and women; crafty courteous diplomatists like the two Melvilles; burly Kirkcaldy of Grange, a murderer of the Cardinal, a spy of England when he was in French service, a secret agent of Cecil, a brave man and good captain, but accused of forgery, and by no means ‘the second Wallace of Scotland,’ the frank, manly, open-hearted Greysteil of historical tradition. Huntly and Argyll make little mark on the imagination: both astute, both full of promise, both barren of accomplishment. The Hamiltons have a lofty position, but are destitute of brains as of scruples; even the Archbishop, most unscrupulous of all, is no substitute for Cardinal Beaton. There is a crowd of squires; loyal, gallant Arthur Erskine, Willie Douglas, who drew Mary forth of prison, the two Standens, English equerries of Darnley, whose lives are unwritten romances (what one of them did write is picturesque but untrustworthy), Lennox Lairds, busy Minto, Provost of Glasgow, and Houstoun, and valiant dubious Thomas But behind the men and the time are the Preachers of Righteousness, grim, indeed, as their One strange feature of the age we must not forget: the universal belief in sorcery. Mary and Moray (she declares) both believed that Ruthven had given her a ring of baneful magical properties. Foes and friends alike alleged that Bothwell had bewitched Mary ‘by unleasom means,’ philtres, ‘sweet waters,’ magic. The preachers, when Mary fled, urged Moray to burn witches, and the cliffs of St. Andrews flared with the flames wherein they perished. The Lyon King at Arms, as has been said, died by fire, apparently for confessed dealings with a wizard, who foretold the events of the year, and for treasure hunting with the divining rod. A Napier of Merchistoun did foretell Mary’s escape (according to Nau); this man, ayant rÉputation de grand When Huntly, one of the band for Darnley’s murder, died, his death was strange. He had hunted, and taken three hares and a fox, after dinner he played football, fell into a fit, and expired, crying ‘never a word save one, looking up broad with his eyes, and that word was this, “Look, Look, Look!”’ Unlike the dying murderer of Riccio, Ruthven, he perhaps did not behold the Angel Choir. His coffers were locked up in a chamber, with candles burning. Next day a rough fellow, banished by Lochinvar, and received by Huntly, fell into unconsciousness for twenty-four hours, and on waking, cried ‘Cauld, cauld, cauld!’ John Hamilton, opening one of the dead Earl’s coffers, fell down with the same exclamation. Men carried him away, and, returning, found a third man fallen senseless on the coffer. ‘All wrought as the Earl of Huntly wrought in the death thraw.’ The chamber was haunted by strange sounds: the word went about that the Earl was rising again. Says In such a mist of dark beliefs and dreads was the world living, beliefs shared by Queen, preacher, and Earl, scholar, poet, historian, and the simple secretary of Knox: while the sun shone fair on St. Leonard’s gardens, and boys like little James Melville were playing tennis and golf. The scenes in which the wild deeds were done are scarcely recognisable in modern Scotland. Holyrood is altered by buildings of the Restoration; the lovely chapel is a ruin, where Mary prayed, and the priests at the altar were buffeted. The Queen’s chamber is empty, swept and garnished, as is the little cabinet whereinto came the livid face of Ruthven, clad in armour, and Darnley, half afraid, and Standen, later to boast, with different circumstances, that he saved the Queen from the dirk of Patrick Ballantyne. The blood of Riccio, outside the door of the state chamber, is washed away: there are only a tourist or two in At Jedburgh we may still see the tall old house, with crow-stepped gables, and winding stairs, and the little chambers where Mary tried to make so good an end, and where the wounded Bothwell was tended. In the long gallery above, Lethington, and Moray, and du Croc must have held anxious converse, while physicians came and went, proposing uncouth remedies, and the Confessor flitted through, and the ladies in waiting wept. But least changed are the hills of the robbers, sweeping slopes of rough pasturage, broken by marshes, and the foaming burns of October, through which Mary rode to the wounded Bothwell in Hermitage Castle, now a huge shell of grey stone, in the pastoral wastes. Most changed of all is Glasgow, then a pretty village, among trees, between the burn and the clear water of Clyde. The houses clustered about the Cathedral, the ruined abodes of the religious, and the Castle where Lennox and Darnley both lay sick, while Mary abode, it would seem, in the palace then empty of its Archbishop. We see the little town full of armed Hamiltons, and their feudal foes, the Stewarts of Lennox, who anxiously attend her with In thinking of old Edinburgh, as Mary knew it, our fancy naturally but erroneously dwells on the narrow wynds of the old town, cabined between grimy slate-roofed houses of some twelve or fifteen stories in height, ‘piled black and massy steep and high,’ and darkened with centuries of smoke, squalid, sunless, without a green tree in the near view, so we are apt to conceive the Edinburgh of Queen Mary. But we do the good town injustice: we are conceiving the Edinburgh of Queen Mary under the colours and in the forms of the Edinburgh of Prince Charles and of Robert Burns. There exists a bird’s-eye view of the city, probably done by an English hand, in 1544. It looks a bright, red-roofed, sparkling little town, in contour much resembling St. Andrews. At St. Andrews the cathedral forms, as it were, the handle of a fan, from which radiate, like the ribs of the fan, North Street, Market Street, and South Street, with the houses and lanes between them. At Edinburgh the Castle Rock was the handle of the fan. Thence diverged two spokes or ribs of streets, High Street and Cowgate, lined with houses with red-tiled roofs. Quaint wooden galleries were suspended outside the first floor, in which, not in the ground floor, the front door usually was, approached by an outer staircase. Quaintness, irregularity, broken outlines, nooks, odd stone staircases, were everywhere. The inner stairs
Far to the left of the town, on a wooded height, the highest and central point of the landscape, we mark a tall rectangular church tower, crowned with a crow-stepped high-pitched roof. It is the church of Kirk o’ Field, soon to be so famous as the scene of Darnley’s death. The blocks of buildings are intersected, we said, by narrow wynds, not yet black, though, from Dunbar’s poem, we know that Edinburgh was conspicuously dirty and insanitary. But the narrow, compact, bright little town running down the spine of rock from the Castle to Holyrood, was on every side surrounded by green fields, and there were still trout in the Norloch beneath the base of the Castle cliff, where now the railway runs. New town, of course, there was none. Most of the town of Mary’s Such was Queen Mary’s Edinburgh: long, narrow, and mightily unlike the picturesque but stony, and begrimed, and smoke-hidden capital of to-day.[14] ‘There were fertile soil, pleasant meadows, woods, lakes, and burns, all around,’ where now is nothing but stone, noisy pavement, and slate. The monasteries of the Franciscans and Dominicans lay on either side of St. Mary in the Fields, or Kirk of Field, with its college quadrangle and wide gardens.[15] But, in Mary’s day, the monastic buildings and several churches lay in ruins, owing to the recent reform of the Christian religion, and to English invaders. The palaces of the Cowgate and of the Canongate were the homes of the nobles; the wynds were crowded with burgesses, tradesmen, prentices, and the throng of artisans. These were less godly than the burgesses, were a fickle and fiery mob, ready to Mary rode through a land of new-made ruins, black with fire, not yet green with ivy. On every side, wherever monks had lived, and laboured, and dealt alms, and written manuscripts, desolation met Mary’s eyes. The altars were desecrated, the illumined manuscripts were burned, the religious skulked in lay dress, or had fled to France, or stood under the showers of missiles on the pillory. It was a land of fallen fanes, and of stubborn blind keeps with scarce a window, that she passed through, with horse and litter, lace, and gold, and velvet, and troops of gallants and girls. In the black tall Tolbooth lurked the engines of torture, that were to strain or crush the limbs of Bothwell’s Lambs. Often must Mary have seen, on the skyline, the gallows tree, |