LIST OF ILLUSTRATIONS.

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PLATES.

PAGE

M. Annei Lucani de Bello Civili Libri X. Apud Seb. Gryphium Lugduni. 1551 To face

62

Pub. Virgilii Maronis Opera Parisiis. Apud Hieronymum de Marnef, sub Pelicano, Monte D’Hilurii. 1558 To face

64

Title-page of “Le Rommant de la Rose,” Paris, 1539 To face

94

WOODCUTS.

Frontispiece. Drawn by Walter Crane; engraved by Swain.

Initial. Drawn by Walter Crane; engraved by Swain

1

Group of Children. Drawn by Kate Greenaway; engraved by O. Lacour

122

Initial. From Hughes’s “Scouring of the White Horse, 1858.” Drawn by Richard Doyle; engraved by W. J. Linton

123

Infant Joy.” From Blake’s “Songs of Innocence,” 1789. Engraved by J. F. Jungling

129

Counsellor, King, Warrior, Mother and Child, in the Tomb.” From Blair’s “Grave,” 1808. Designed by William Blake; facsimiled on wood from the engraving by Louis Schiavonetti

131

The Woodcock.” From Jackson & Chatto’s “History of Wood-Engraving,” 1839. Engraved, after T. Bewick, by John Jackson

141

Tailpiece. From the same. Engraved, after T. Bewick, by John Jackson

143

Headpiece. From Rogers’s “Pleasures of Memory, with other Poems,” 1810. Drawn by T. Stothard; engraved, after Luke Clennell, by O. Lacour

145

Golden head by golden head.” From Christina Rossetti’s “Goblin Market and other Poems,” 1862. Drawn by D. G. Rossetti; engraved by W. J. Linton

149

The Deaf Post-Boy.” From Clarke’s “Three Courses and a Dessert,” 1830. Drawn by G. Cruikshank; engraved by S. Williams [?]

153

The Mad Tea-Party.” From “Alice’s Adventures in Wonderland,” 1865. Drawn by John Tenniel; engraved by Dalziel Brothers

162

Black Kitten. From “Through the Looking-Glass,” 1871. Drawn by John Tenniel; engraved by Dalziel Brothers

163

The Music of the Past.” From “Punch’s Almanack,” 1877. Drawn by George du Maurier; engraved by Swain

165

Lion and Tub. From “Punch’s Pocket-Book,” 1879. Drawn by Linley Sambourne; engraved by Swain

167

Boy and Hippocampus. From Miss E. Keary’s “Magic Valley,” 1877. Drawn byE. V. B.” (Hon. Mrs. Boyle); engraved by T. Quartley

171

Love Charms.” From Irving’s “Bracebridge Hall,” 1876. Drawn by Randolph Caldecott; engraved by J. D. Cooper

173

Books, books again, and books once more!
These are our theme, which some miscall
Mere madness, setting little store
By copies either short or tall.
But you, O slaves of shelf and stall!
We rather write for you that hold
Patched folios dear, and prize “the small,
Rare volume, black with tarnished gold.”

A. D.

                                                                                                                                                                                                                                                                                                           

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