Southey—Drolls of Bartholomew Fair—The "Doves"—Typographical Devices—Puns—Poems of Abel Shufflebottom. We have already mentioned the name of Southey. By far the greater part of his works are poetical and sentimental, and hence some doubt has been thrown upon the authorship of his work called "The Doctor." But in his minor poems we find him verging into humour, as where he pleads the cause of the pig and dancing bear, and even of the maggot. The last named is under the head of "The Filbert," and commences— "Nay gather not that filbert, Nicholas, Also his Commonplace Book proves that, like many other hardworking men, he amused his leisure hours with what was light and fantastic. Moreover, he speaks in some places of the advantage of intermingling amusement and instruction— "Even in literature a leafy style, if there be any fruit under the foliage, is preferable to a knotty one however fine the grain. Whipt cream is a good thing, and better still when it covers and adorns that amiable compound of sweetmeats and ratafia cakes soaked in wine, to which Cowper likened his delightful poem, when he thus described 'The Task'— "'It is a medley of many things, some that may be useful, and some that, for aught I know, may be very diverting. I am merry that I may decoy people into my company, and grave that they may be the better for it. Now and then I put on the garb of a philosopher, and take the opportunity that disguise procures me to drop a word in favour of religion. In short there is some froth, and here and there some sweetmeat which seems to entitle it justly to the name of a certain dish the ladies call a 'trifle.' But in 'task' or 'trifle' unless the ingredients were good the whole were nought. They who should present to their deceived guests whipt white of egg would deserve to be whipt themselves." But Southey by no means follows the profitable rule he here lays down. On the contrary, he sometimes betrays such a love of the marvellous as would seem unaccountable, had we not read bygone literature, and observed how strong the feeling was even as late as the days of the "Wonderful Magazine." Among "There are other monarchies in the inferior world beside that of the bees, though they have not been registered by naturalists nor studied by them. For example, the king of the fleas keeps his court at Tiberias, as Dr. Clark discovered to his cost, and as Mr. Cripps will testify for him." He proceeds to give humorous descriptions of the king of monkeys, bears, codfish, oysters, &c. Again— "Would not John Dory's name have died with him, and so been long ago dead as a door-nail, if a grotesque likeness for him had not been found in the fish, which being called after him, has immortalized him and his ugliness? But if John Dory could have anticipated this sort of immortality when he saw his own face in the glass, he might very well have 'blushed to find it fame.'" He is fond of introducing quaint old legends— "There are certain Rabbis who affirm that Eve was not taken out of Adam's side, but that Adam had originally been created with a tail, and that among the various experiments and improvements which were made in form and organization before he was finished, the tail was removed as an inconvenient appendage, and of the excrescence or superfluous part, which was then lopped off, the woman was formed." While on this subject he says that Lady Jekyll once asked William Wiston "Why woman was formed out of man's rib rather than out of any other part of his body?" Wiston scratched his head and replied, "Indeed, Madam, I do not know, unless it be that the rib is the most crooked part of the body." Southey gives a playbill of the Drolls of "At Crawley's booth over against the Crown Tavern in Smithfield, during the time of the Bartholomew Fair, will be presented a little opera, called the 'Old Creation of the World,' yet newly revived, with the addition of 'Noah's Flood.' Also several fountains playing water during the time of the play. The last scene does represent Noah and his family coming out of the Ark, with all the beasts two and two, and all the fowls of the air seen in a prospect sitting upon trees. Likewise over the Ark is seen the sun rising in a most glorious manner. Moreover, a multitude of angels will be seen in a double rank, which represents a double prospect, one for the sun, the other for a palace, where will be seen six angels ringing of bells. Likewise machines descend from above, double and treble, with Dives rising out of Hell, and Lazarus seen in Abraham's bosom; besides several figures, dancing jigs, sarabands, and country dances to the admiration of the spectators, with the merry conceits of Squire Punch and Sir John Spendall." "So recently as the year 1816 the sacrifice of Isaac was represented on the stage at Paris. Samson was the subject of the ballet; the unshorn son of Manoah delighted the spectators by dancing a solo with the gates of Gaza on his back; Delilah clipt him during the intervals of a jig, and the Philistines surrounded and captured him in a country-dance." Sometimes Southey indulges his fancy on very trifling subjects as, "The Doves, father as well as son, were blest with a hearty intellectual appetite, and a strong digestion, but the son had the more Catholic taste. He would have relished caviare, would have ventured on laver, undeterred by its appearance, and would have liked it. He would have eaten sausages for breakfast at Norwich, sally-luns at Bath, sweet butter in Cumberland, orange marmalade at Edinburgh, Findon haddocks at Aberdeen, and drunk punch with beef-steaks to oblige the French, if they insisted upon obliging him with a dÉjeuner À l'Anglaise." 'A good digestion turneth all to health.' "He would have eaten squab pie in Devonshire, and the pie which is squabber than squab in Cornwall; sheep's-head with the hair on in Scotland, and potatoes roasted on the hearth in Ireland, frogs with the French, pickled-herrings with the Dutch, sour-krout with the Germans, "At the time of which I am now speaking, Miss Trewbody was a maiden lady of forty-seven in the highest state of preservation. The whole business of her life had been to take care of a fine person, and in this she had succeeded admirably. Her library consisted of two books; 'Nelson's Festivals and Fasts' was one, the other was the 'Queen's Cabinet Unlocked;' and there was not a cosmetic in the latter which she had not faithfully prepared. Thus by means, as she believed, of distilled waters of various kinds, maydew and buttermilk, her skin retained its beautiful texture still and much of its smoothness, and she knew at times how to give it the appearance of that brilliancy which it had lost. But that was a profound secret. Miss Trewbody, remembering the example of Jezebel, always felt conscious that she had committed a sin when she took the rouge-box in her hand, and generally ejaculated in a low voice 'The Lord forgive me!' when she laid it down; but looking in the glass at the same time she indulged a hope that the nature of the temptation might be considered an excuse for the transgression. Her other great business was to observe with the utmost precision all the punctilios of her situation in life, and the time which was not devoted to one or other of these worthy occupations was employed in scolding her servants and tormenting her niece. This kept the lungs in vigorous health; nay it even seemed to supply the place of wholesome exercise, and to stimulate the system like a perpetual blister, with this peculiar advantage, that instead of an inconvenience it was a pleasure to herself, and all the annoyance was to her dependents. "Miss Trewbody lies buried in the Cathedral at Salisbury, where a monument was erected to her memory, worthy of remembrance itself for its appropriate inscription and accompaniments. The epitaph recorded her as a woman eminently pious, virtuous and charitable, who lived universally respected, and died sincerely lamented by all who had the happiness of knowing her. This inscription was upon a marble shield supported by two Southey introduces into this work a variety of extracts from rare and curious books—stories about Job beating his wife, about surgical experiments tried upon criminals, about women with horns, and a man who swallowed a poker, and "looked melancholy afterwards." Well might he suppose that people would think this farrago a composite production of many authors, and he says that if it were so he might have given it instead of the "Doctor" a name to correspond with its heterogeneous origin, such as—Isdis Roso Heta Harco Samro Grobe Thebo Heneco Thojamma &c., the words continuing gradually to increase in length till we come to Salacoharcojotacoherecosaheco. After reading such flights as the above, we are surprised to find him despising the jester's bauble— "Now then to the gentle reader. The reason why I do not wear cap and bells is this. "There are male caps of five kinds, which are worn at present in this kingdom, to wit, the military cap, the collegiate cap, and the night-cap. Observe, reader, I said kinds, that is to say in scientific language genera—for the species and varieties are numerous, especially in the former genus. "I am not a soldier, and having long been weaned from Alma Mater, of course have left off my college cap. The gentlemen of the hunt would object to my going out with There is much in the style of the "Doctor," which reminds us of Sterne. He was evidently a favourite author with Southey, who speaking of his Sermons says, "You often see him tottering on the verge of laughter, and ready to throw his periwig in the face of the audience." Perhaps from him he acquired his love for tricks of form and typographical surprises. He introduces what he calls interchapters. "Leap chapters they cannot properly be called, and if we were to call them 'Ha-has' as being chapters, which the reader may skip if he likes, the name would appear rather strange than significant." He sometimes introduces a chapter without any heading in the following way— "Sir," says the Compositor to the Corrector of the Press "there is no heading for the copy for this chapter. What must I do?" "Leave a space for it," the Corrector replies. "It is a strange sort of book, but I dare say the author has a reason for everything he says or does, and most likely you will find out his meaning as you set up." Chapter lxxxviii begins—"While I was writing that last chapter a flea appeared upon Southey was particularly fond of acoustic humour. He represents Wilberforce as saying of the unknown author of the Doctor—Pooo-oo-oo-oo-r crēēēa-ture. Perhaps his familiarity with the works of Nash, Decker, and Rabelais suggested his word coming. One of the interchapters begins with the word Aballiboozobanganorribo. He questions in the "Poultry Yard" the assertion of Aristotle that it is an advantage for animals to be domesticated. The statement is regarded unsatisfactory by the fowl—replies to it being made by Chick-pick, Hen-pen, Cock-lock, Duck-luck, Turkey-lurkey, and Goosey-loosey. He occasionally coins words such as Potamology for the study of rivers, and Chapter cxxxiv is headed— "A transition, an anecdote, an apostrophe, and a pun, punnet, or pundigrion." He proposes in another chapter to make a distinction between masculine and feminine in several words. "The troublesome affection of the diaphragm which every person has experienced is to be called according to the sex of the patient—He-cups or She-cups—which upon the principle of making our language truly British is better The Doctor is rich in variety of verbal humour— "When a girl is called a lass, who does not perceive how that common word must have arisen? who does not see that it may be directly traced to a mournful interjection Alas! breathed sorrowfully forth at the thought that the girl, the lovely innocent creature upon whom the beholder has fixed his meditative eye, would in time become a woman—a woe to man." Our Doctor flourished in an age when the pages of Magazines, were filled with voluntary contributions from men who had never aimed at dazzling the public, but came each with his scrap of information, or his humble question, or his hard problem, or his attempt in verse— "A was an antiquary, and wrote articles upon Altars and Abbeys and Architecture. B made a blunder which C corrected. D demonstrated that E was in error, and that F was wrong in Philology, and neither Philosopher nor Physician though he affected to be both. G was a Genealogist. H was a Herald who helped him. I was an inquisitive inquirer, who found reason for suspecting J to be a Jesuit. M was a Mathematician. N noted the weather. O observed the stars. P was a poet, who produced pastorals, and prayed Mr. Urban to print them. Q came in the corner of the page with a query. R arrogated to himself the right of reprehending every one, who differed from him. S sighed and sued in song. T told an old tale, and when he was wrong U used to set him right; V was a virtuoso. W warred against Warburton. X excelled in Algebra. Y yearned for immortality in rhyme, and Z in his zeal was always in a puzzle." We have already observed that the pictorial representations of demons, which were originally Southey is not generally amatory in his humour, and therefore we appreciate the more the following effusions, which he facetiously attributes to Abel Shufflebottom. The gentleman obtained Delia's pocket-handkerchief, and celebrates the acquisition in the following strain— "'Tis mine! what accents can my joy declare? In another Elegy he expatiates on the beauty of Delia's locks;— "Happy the friseur who in Delia's hair, Of course Shufflebottom is tempted to another theft—a rape of the lock—for which he incurs the fair Delia's condign displeasure— "She heard the scissors that fair lock divide, |