I MUST confess," remarked Monsieur Lefevre, as he sat with Mr. Stapleton and Duvall over their after dinner cigars the following evening, "that while the case as a whole appears simple enough to me, there are one or two points that I fail to understand." "There are a great many that I fail to understand," exclaimed the banker, chewing reflectively on his cigar. "However, now that the boy is safe at home, it really makes very little difference." "On the contrary, Mr. Stapleton," remarked Duvall, "it makes a great deal of difference. For instance, I understand that you have discharged the nurse, Mary Lanahan." "Yes. You say that she is quite innocent of any part in the kidnapping of my boy; but the fact remains that I don't trust her. I am informed that she was married to that fellow, Valentin, this afternoon." "At one time," said Mr. Stapleton, "you believed this fellow Valentin to have been concerned in the plot." "Yes. That is true. My early investigations of the matter showed me at once that there was some understanding between these two, something which they were endeavoring to conceal. I did not at first understand the motive which actuated them. I thought it was guilt. In reality, it was love. Therefore I am not surprised to learn of their marriage." He gazed critically at his cigar for a time, in silence. "As matters have turned out, gentlemen," he resumed, after a few moments, "there is no cause for anything but congratulation on all hands. The child is recovered, the criminals are under arrest, the money—the hundred thousand dollars you paid out, Mr. Stapleton—was found on the kidnapper's person and returned to you." "Exactly. Nothing could be more satisfactory all around." "And yet," went on the detective, "I have never before taken part in a case in which I have done Mr. Stapleton raised his hand. "My dear Duvall," he began, "but for you, we should have been nowhere." "You are wrong, my friend. Had I kept out of the case altogether, your son would have been returned to you just the same. It is true that the men who kidnapped him would not have been caught, and your money would not have been returned to you; but the prime object which you sought, the recovery of your child, would have been realized in any event." "That is true," remarked the Prefect; "but, from the standpoint of the police, it is the detection and capture of the criminal that is desired, not the buying of him off. By insisting on that, Mr. Stapleton, you rendered our work extremely difficult." "So difficult, indeed," said Duvall, earnestly, "that but for the energy, the courage, the wit of a woman, all our plans would have failed. I refer to my wife. It is to her that all the credit in this affair is due." "By all means!" said Mr. Stapleton. "I could not fail to realize, when she told her story at Duvall smiled. "That, my dear sir, is in fact the crux, the starting point, of the whole affair." He settled back in his chair comfortably. "Otherwise the case was simple enough. Certain scoundrels steal a child, hold it for ransom, and frighten the parents into paying over a large sum. Nothing unusual in that. A clever scheme or two for turning the money over, and returning the child—simple, yet perfect enough to defy all attempts to foil them. "The real mystery lay in the utter absence of any clues which would throw light on the actual stealing of the child. In this respect the case was unique. A trusted nurse swears that the child has disappeared in broad daylight, without the slightest knowledge of how it was accomplished. Here we have a case so simple, so "But a single clue existed upon which I could build the least semblance of a case. I refer to the half-smoked cigarette with the gold tip, which I discovered in the grass at the scene of the crime. Without that apparently trivial clue, the criminals would in all probability never have been captured at all." "But," exclaimed Mr. Stapleton, "I don't see how you make that out." "Nor I," observed the Prefect. "No. I suppose not. And yet, it is simple enough. That half-smoked cigarette and nothing else is the basic reason for the arrest of the three men now in your hands." Monsieur Lefevre smiled. "Be good enough," he said, "to explain." "Very well, I will. But first, let me indicate to you my course of reasoning. When I originally found the cigarette, I regarded it as of very small value, from the standpoint of evidence. It happened to be lying in the grass at the point where "Now to go back to the cigarette, I observed at once that it was of American make, yet of such small size as to have been either used by a woman, or by a man of rather effeminate taste. "Now if the cigarette had been used by a woman, it meant one of two things. Either it was used by Mary Lanahan herself, in which case it apparently proved nothing, or by some other woman who was there with her, and who might have had a hand in the kidnapping. "On the other hand, if used by a man, it pointed clearly to the chauffeur, Valentin, for several reasons. He was a friend, a former lover, of the nurse. He had been discharged by Mr. Stapleton for dishonesty. He was, I had reason to know, of rather a weak and effeminate type. The cigarette was of American make, and he had but recently come from America. These things pointed "As soon as I returned to the house, therefore, I confronted her, and asked her if Valentin smoked gold-tipped cigarettes. I did this, not because I expected to get any reply of value, but because I wished to observe her manner, her face, when I flung the question at her. "She was greatly startled. She denied that Valentin smoked. Fifteen minutes later, she sent him a message to destroy the cigarettes. "I at once concluded that they were working together, and were both guilty, a conclusion in which, however much I was justified by the evidence, I was quite wrong. "Then came the attempt on the part of someone—the man with the black beard, I am told—to steal the cigarettes from Valentin. I learned that the man was followed to Mr. Stapleton's house. "This at once threw a new light upon the matter, although I will admit a confusing one. Someone else, besides the nurse, desired the box of cigarettes removed as evidence; someone, in fact, who belonged to, or had friends in, the house. "Why did you first suspect him?" asked Mr. Stapleton. "Because he was the only person, besides the nurse, who was present at the time of the kidnapping. I did not abandon my suspicions of either the nurse or Valentin. I fully believed that they knew a great deal more about the affair than they admitted. But I became convinced that FranÇois, too, was in the thing. He had testified that he was asleep when the affair occurred. I concluded at once that he was lying. "At the first opportunity, therefore, I made a thorough search of his room, and found the box of cigarettes hidden in a clock on his mantel." "Ha! I did not know that," exclaimed the Prefect. "What were they doing there?" "I concluded that the fellow with the black beard who stole them from Valentin, in order to prevent their use as evidence against him, turned them over to FranÇois for a definite purpose." "And that purpose was?" "Their use in subsequent crimes of a similar nature." "Mary Lanahan," said the detective, with a smile. "The nurse! Name of a dog! Then I fail to see that the matter is of the slightest importance one way or the other." "On the contrary, Monsieur, it is of the greatest importance. May I ask whether you are, by any chance, familiar with the properties of an Eastern drug, made from hemp, and generally known as hashish?" The Prefect sat up suddenly, and clapped his hands to his knees. "Mon Dieu!" he exclaimed. "Now I begin to understand." "More than I do," said Mr. Stapleton. "The cigarettes were drugged, that is all," went on Duvall. "The men who planned this thing went to work very carefully. They ascertained, through FranÇois, that Mary Lanahan was in the habit, no doubt on the sly, of using cigarettes. I discovered the fact, myself, before I "But," exclaimed Mr. Stapleton, "how could Mary Lanahan swear that she turned away but a moment—that no one came near her?" "When Mary Lanahan testified that, she believed that she was telling the truth. The hashish had simply destroyed her conception of the passage of time." "Is that its effect?" "Yes. It produces a delightful languor, a stupor in which all realization of the passage of time ceases. Sometimes, to those who use the drug, it may apparently require hours to walk a few yards. To make a momentary movement of the hand may seem to take many minutes. On the other hand, in the stupor which the drug induces, hours may be spent in the contemplation of a flower, a bit of scenery, the page of a book, without any realization on the part of the The detective's listeners looked at him in astonishment. Presently Mr. Stapleton spoke. "Why do you think it was FranÇois?" he asked. "Oh, for many reasons. Had he, on approaching, found the nurse not sufficiently under the influence of the drug, he could have pretended to wish to speak to her, on some trivial matter. Again, the child would go away with him of course without making an outcry, which he would probably not have done, with a stranger. There "The subsequent actions of Mary Lanahan are a trifle difficult to account for; but I suppose them to have been as follows: On slowly coming out of her stupor, and realizing that the boy was gone, she was terribly frightened. It had seemed to her but a moment since she turned away. She fears that the cigarette has made her drowsy—she has heard that they sometimes contain opium. She thinks she may have dozed off; but is not willing to admit it. Especially does she not want her employers to know that she uses cigarettes. She fears that such knowledge would cost her her place. It is not until later that she begins to suspect the cigarettes." "When is that?" inquired Lefevre. "Several days later, when she is supposed to have been poisoned. She was with Valentin at the time; although, on account of Mr. Stapleton's dislike for him, she feared to admit it. She smokes another of the cigarettes, while sitting on a bench with him, in the Champs ÉlysÉes. Suddenly "Her sudden message to Valentin to destroy them arose from a fear that I would discover the part which they had played in the boy's loss. This would, she knew, not only cost her her place, but would make her, in a way, responsible for the entire affair. She feared Mr. Stapleton's wrath, and therefore both she and Valentin remained dumb, so far as the cigarettes were concerned. "They both, however, were all this time doing their best to find the child. Her message to Valentin, that she was suspicious of FranÇois, telling Valentin to watch him, arose no doubt from a realization that the box of drugged cigarettes had been substituted for her own by the chauffeur. "Valentin, acting on her advice, does watch FranÇois, as his presence clinging to the rear of the latter's car the other night has proved. He "FranÇois, not wishing that the drugged cigarettes should remain in the nurse's hands as evidence against him, evidently made an attempt to recover them, discovered that she had turned them over to Valentin, and, being watched himself, sent word of the matter to his confederate, the fellow who went about in the black beard. He must have been admitted to Mr. Stapleton's house that night by FranÇois himself. "I came to the conclusion, early in the course of my investigations, that the cigarette, the end of which I had found in the Bois, had been smoked by Mary Lanahan, and I so told Mr. Stapleton." The banker nodded. "Yes," he said; "but you did not then say anything about the hashish." "I was not certain of it. I intended to have the fragment I had found analyzed. When I discovered the cigarettes in FranÇois' room, you will remember that I took one of them. I smoked that cigarette, before going to bed that night. It produced exactly the sensations that Mary Lanahan "After that, the case became simple enough. I knew at once, beyond any question, that FranÇois was one of the kidnappers. My plans last night would have worked perfectly, but for the chauffeur's accidental discovery of me, hiding in the closet. Had that not happened, the boy would have been returned, according to program, and FranÇois I had safely in my hands." "But we wouldn't have got the others," laughed the Prefect. "You must thank your wife for that. Vernet has told me how the kidnappers outwitted you at the Avenue Malakoff. The car from which the signal apparently was made contained a well known stockbroker, who knew nothing of the matter at all. He merely happened to be passing the Avenue Malakoff at the precise moment when the signal was given to FranÇois." "You are mistaken, Monsieur," observed the detective, quietly. "The signal was undoubtedly made from that car; not by Monsieur Lemaitre, I will admit, but by his chauffeur. He has admitted As he finished speaking, there was a ripple of laughter from the hall, and Mrs. Stapleton, Madame Lefevre, and Grace came in. "We have been debating a most important question," said Mrs. Stapleton, with an assumption of extreme gravity, "and we beg that you, Monsieur Lefevre, will be so good as to decide it." "What is this question so grave, Madame," inquired the Prefect, rising, with a smile. "I am all impatience to hear it." "The question is this, Monsieur Lefevre: Which deserves the greater credit for the recovery of my boy—Mr. Duvall, or his charming wife?" The Prefect stepped forward, placed one hand affectionately upon Duvall's shoulder, and with the other grasped Grace by the arm. "The question you propound, Madame," he said, looking from the detective to his wife with a smile, "is easily answered. The credit belongs equally to both. And that, my children, is as it should be. This affair, so happily terminated, "Anything?" inquired Grace, laughing. "Anything." The Prefect bowed gallantly. "Then I demand your promise, Monsieur, to visit us at our place in Maryland, before the end of the year." "That," exclaimed the Prefect, as he bent and kissed her hand, "would be the most delightful way of paying a debt that I could possibly imagine." STORIES OF RARE CHARM BY May be had wherever books are sold. Ask for Grosset and Dunlap's list. THE HARVESTER Illustrated by W. L. Jacobs book image "The Harvester," David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man, with his sure grip on life, his superb optimism, and his almost miraculous knowledge of nature secrets, it would be notable. But when the Girl comes to his "Medicine Woods," and the Harvester's whole sound, healthy, large outdoor being realizes that this is the highest point of life which has come to him—there begins a romance, troubled and interrupted, yet of the rarest idyllic quality. FRECKLES. Decorations by E. Stetson Crawford Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature of the friendships he forms in the great Limberlost swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment. A GIRL OF THE LIMBERLOST. Illustrated by Wladyslaw T. Brenda. The story of a girl of the Michigan woods; a buoyant, lovable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage. It is an inspiring story of a life worth while and the rich beauties of the out-of-doors are strewn through all its pages. AT THE FOOT OF THE RAINBOW. Illustrations in colors by Oliver Kemp. Design and decorations by Ralph Fletcher Seymour. The scene of this charming, idyllic love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love; the friendship that gives freely without return, and the love that seeks first the happiness of the object. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all. Ask for complete free list of G. & D. Popular Copyrighted Fiction Grosset & Dunlap, 526 West 26th St., New York GROSSET & DUNLAP'S THE KIND THAT ARE MAKING THEATRICAL HISTORY May be had wherever books are sold. Ask for Grosset & Dunlap's list WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. Charles Cooke. This is a novelization of the immensely successful play which ran for two years in New York and Chicago. The plot of this powerful novel is of a young woman's revenge directed against her employer who allowed her to be sent to prison for three years on a charge of theft, of which she was innocent. WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes from the play. This is a narrative of a young and innocent country girl who is suddenly thrown into the very heart of New York, "the land of her dreams," where she is exposed to all sorts of temptations and dangers. The story of Mary is being told in moving pictures and played in theatres all over the world. THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae. This is a novelization of the popular play in which David Warfield, as Old Peter Grimm, scored such a remarkable success. The story is spectacular and extremely pathetic but withal, powerful, both as a book and as a play. THE GARDEN OF ALLAH. By Robert Hichens. This novel is an intense, glowing epic of the great desert, sunlit barbaric, with its marvelous atmosphere of vastness and loneliness. It is a book of rapturous beauty, vivid in word painting. The play has been staged with magnificent cast and gorgeous properties. BEN HUR. A Tale of the Christ. By General Lew Wallace. The whole world has placed this famous Religious-Historical Romance on a height of pre-eminence which no other novel of its time has reached. The clashing of rivalry and the deepest human passions, the perfect reproduction of brilliant Roman life, and the tense, fierce atmosphere of the arena have kept their deep fascination. A tremendous dramatic success. BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. Illustrated with scenes from the play. A stupendous arraignment of modern marriage which has created an interest on the stage that is almost unparalleled. The scenes are laid in New York, and deal with conditions among both the rich and poor. The interest of the story turns on the day-by-day developments which show the young wife the price she has paid. Ask for complete free list of G. & D. Popular Copyrighted Fiction Grosset & Dunlap, 526 West 26th St., New York Transcriber Notes Obvious punctuation and spelling errors have been corrected. |