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The Express Series.—No. II.

A GIRL OF GRIT


CHAPTER I

MY AMERICAN MILLIONS

It was the middle of the night (as I thought) when Savory—my man, my landlord, valet, and general factotum—came in and woke me. He gave me a letter, saying simply, "The gentleman's a-waiting, sir," and I read it twice, without understanding it in the very least.

Could it be a hoax? To satisfy myself, I sat up in bed, rubbed my astonished and still half-sleepy eyes, and read it again. It ran as follows:—

"101, Lincoln's Inn, July 11, 189-.

"Gray & Quinlan,
Solicitors.

"Dear Sir,—It is our pleasing duty to inform you, at the request of our New York agents, Messrs. Smiddy & Dann, of 57, Chambers Street, New York City, that they have now definitely and conclusively established your claim as the sole surviving relative and general heir-at-law of their late esteemed client, Mr. Aretas M'Faught, of Church Place and Fifth Avenue, New York.

"As the amount of your inheritance is very considerable, and is estimated approximately at between fourteen and fifteen millions of dollars, say three millions of sterling money, we have thought it right to apprise you of your good fortune without delay. Our Mr. Richard Quinlan will hand you this letter in person, and will be pleased to take your instructions.—We are, sir, your obedient servants,

"Gray & Quinlan."

"Captain William Aretas Wood, D.S.O.,
21, Clarges Street, Piccadilly."

"Here, Savory! who brought this? Do you say he is waiting? I'll see him in half a minute;" and, sluicing my head in cold water, I put on a favourite old dressing-gown, and passed into the next room, followed by Roy, my precious golden collie, who began at once to sniff suspiciously at my visitor's legs.

I found there a prim little old-young gentleman, who scanned me curiously through his gold-rimmed pince-nez. Although, no doubt, greatly surprised,—for he did not quite expect to see an arch-millionaire in an old ulster with a ragged collar of catskin, with damp, unkempt locks, and unshorn chin at that time of day,—he addressed me with much formality and respect.

"I must apologise for this intrusion, Captain Wood—you are Captain Wood?"

"Undoubtedly."

"I am Mr. Quinlan, very much at your service. Pardon me—is this your dog? Is he quite to be trusted?"

"Perfectly, if you don't speak to him. Lie down, Roy. I fear I am very late—a ball last night. Do you ever go to balls, Mr. Quinlan?"

"Not often, Captain Wood. But if I have come too early, I can call later on."

"By no means. I am dying to hear more. But, first of all, this letter—it's all bon fide, I suppose?"

"Without question. It is from our firm. There can be no possible mistake. We have made it our business to verify all the facts—indeed, this is not the first we had heard of the affair, but we did not think it right to speak to you too soon. This morning, however, the mail has brought a full acknowledgment of your claims, so we came on at once to see you."

"How did you find me out, pray?"

"We have had our eye on you for some time past, Captain Wood," said the little lawyer smilingly. "While we were inquiring—you understand? We were anxious to do the best for you"—

"I'm sure I'm infinitely obliged to you. But still, I can't believe it, quite. I should like to be convinced of the reality of my good luck. You see, I haven't thoroughly taken it in."

"Read this letter from our New York agents, Captain Wood. It gives more details," and he handed me a type-written communication on two quarto sheets of tissue paper, also a number of cuttings from the New York press.

The early part of the letter referred to the search and discovery of the heir-at-law (myself), and stated frankly that there could be no sort of doubt that my case was clear, and that they would be pleased, when called upon, to put me in full possession of my estate.

From that they passed on to a brief enumeration of the assets, which comprised real estate in town lots, lands, houses; stocks, shares, well-


The Express Series.—No. III.

A DESPERATE VOYAGE


CHAPTER I

In Carey Street, Chancery Lane, on the ground floor of a huge block of new buildings facing the Law Courts, were the offices of Messrs. Peters and Carew, solicitors and perpetual commissioners of oaths. Such was the title of the firm as inscribed on the side of the entrance door in the middle of a long list of other names of solicitors, architects, and companies, whose offices were within. But the firm was now represented by Mr. Carew alone; for the senior partner, a steady-going old gentleman, who had made the business what it was, had been despatched by an attack of gout, two years back, to a land where there is no litigation.

Late one August evening Mr. Henry Carew entered his office. His face was white and haggard, and he muttered to himself as he passed the door. He had all the appearance of a man who has been drinking heavily to drown some terrible worry. His clerks had gone; he went into his own private room and locked the door. He lit the gas, brought a pile of papers and letters out of a drawer, and, sitting down by the table, commenced to peruse them. As he did so, the lines about his face seemed to deepen, and beads of perspiration started to his forehead. It was for him an hour of agony. His sins had found him out, and the day of reckoning had arrived.

One might have taken Henry Carew for a sailor, but he was very unlike the typical solicitor. He was a big, hearty man of thirty-five, with all a sailor's bluff manner and generous ways. His friends called him Honest Hal, and said that he was one of the best fellows that ever lived. We have it on the authority of that immortal adventuress, Becky Sharp, that it is easy to be virtuous on five thousand a year. Had Mr. Carew enjoyed such an income, he would most probably have lived a blameless life and have acquired an estimable reputation; for he had no instinctive liking for crime; on the contrary, he loathed it.

But one slight moral flaw in a man's nature—so slight that his best friends smile tolerantly at it—may, by force of circumstance, lead ultimately to his complete moral ruin. It is an old story, and has been the text of many a sermon. The trifling fault is often the germ of terrible crimes.

Carew's fault was one that is always easily condoned, so nearly akin is it to a virtue; these respectably connected vices are ever the most dangerous, like well-born swindlers. Carew was a spendthrift. He was ostentatiously extravagant in many directions. He owned a smart schooner, which he navigated himself, being an excellent sailor, and the quantities of champagne consumed by his friends on board this vessel were prodigious.

When his steady old partner died, Carew began to neglect the business for his pleasures. Soon his income was insufficient to meet his expenses. Speculation on the Stock Exchange seemed to him to be a quicker road to fortune than a slow-going profession. So this man, morally weak though physically brave, not having the courage to curtail his extravagances, hurried blindly to his destruction. He gambled and lost all his own property; for ill-luck ever pursued him. Even then it was not too late to redeem his position. But he was too great a coward to look his difficulties in the face; therefore, having the temptation to commit so terribly easy a crime ever before him in his office, he began—first, timidly, to a small extent; then wildly, in panic, in order to retrieve his losses—to speculate with the moneys entrusted to him by his clients. He pawned their securities; he forged their names; he plunged ever deeper into crime—and all in vain.

When it was too late, he swore to himself, in the torments of his remorse, that if he could but once win back sufficient to replace the sums he had stolen, he would cut down all his expenses, forswear gambling and dishonesty, and stick to his profession.

At last it came to this. He sold his yacht and everything else he possessed of value. He realised what remained of the securities under his charge, and then placed the entire sum as cover on a certain stock, the price of which, he was told, was certain to rise. It was the gambler's last despairing throw of the dice. The stock suddenly fell; settling day arrived, and his cover was swept away—he had lost all!

So he sat in his office this night and faced the situation in an agony of spirit that was more than fear. For this was no unscrupulous, light-hearted villain. An accusing conscience was ever with him, and every fresh descent in crime meant for him a worse present hell of mental torture.

He felt that it was idle to hope now, even for a short reprieve. Clients were suspicious. In a day or two at most all must be known. Disgrace and a felon's doom were staring him in the face. It would be impossible for him to raise even sufficient funds to escape from England to some country where extradition treaties were unknown. Carew realised all this. He had forced himself to look through his


Autumn 1898

LIST OF NEW
& RECENT BOOKS
PUBLISHED BY
JOHN MILNE AT
12 NORFOLK STREET
STRAND, LONDON


Mr. JOHN MILNE'S CURRENT LIST.

The Express Series.

This Series is designed to meet the taste of readers who desire a swiftly-moving, well-written, dramatic tale, of moderate length, without superfluous descriptive or other literary "padding," but with continuity and action from the first page to the last. It contains only specially-written and selected stories, mostly by well-known writers, and each volume consists of about 224 pages, crown 8vo. The First Edition, for the Library, is bound in red cloth, with gilt top, and published at 2s. 6d. The Second and subsequent Editions are issued in handy form for the Pocket or the Train, in stout cardboard covers, illustrated in colours, at 1s.

The following have been published:—

I. THE ROME EXPRESS. By Major Arthur Griffiths. [Sixth Edition

II. A GIRL OF GRIT. By Major Arthur Griffiths. [Just published.

III. A DESPERATE VOYAGE. By E. F. Knight. [Just published.


A Desperate Voyage.

A Desperate Voyage. By E. F. Knight, Author of "The Cruise of the Falcon," "Where Three Empires Meet," etc. A novel by the well-known Times war-correspondent and author, describing the escape of an absconding debtor from the river Thames in a twenty-eight ton yawl, and his subsequent desperate experiences by sea and land in the South Atlantic. 224 pages, crown 8vo, red cloth gilt, gilt top, uniform with the above, 2s. 6d.

A Girl of Grit.

A Girl of Grit. By Major Arthur Griffiths, Author of "The Rome Express." An Anglo-American story of a gigantic scheme of fraud and attempted abduction. 217 pages, crown 8vo, red cloth gilt, gilt top, 2s. 6d.

"If you wish for an exciting story—a story which will hold you fascinated for three pleasurable hours by the intricacies of a cleverly conceived plot, and the human interest of varied character—read Major Arthur Griffiths' new book, 'A Girl of Grit.' The whole story of the pursuit of the rascal Duke of Buona Mano and the rescue of Captain Wood in mid-Atlantic carries you on with a rush through a series of dramatic scenes and thrilling adventures to a climax which is as novel as it is satisfactory. 'A Girl of Grit' is a better told story than even 'The Rome Express,' which is saying a good deal."—Daily Mail.

The Rome Express.

The Rome Express. By Major Arthur Griffiths. A notable Detective Story of much ingenuity and interest. 215 pages, crown 8vo, red cloth gilt, gilt top, Library Edition, 2s. 6d.; in coloured wrapper, Sixth Edition, 1s.

"It is safe to say that the reader who glances at the first page of Major Arthur Griffiths' detective story, 'The Rome Express,' will certainly not skip one single word until he reaches the end. 'Who could have done the deed?' is the question which absorbs the reader from first to last, and in his eagerness to answer this question he will start on at least four different scents, confident each time that now he has the clue, but only to return baffled and bewildered again and again. It is General Collingham whose shrewd wit first hits upon the right track, and puts to confusion all the theories and red-tapeism of the Quai de l'Horloge. But until the last chapter we are as much in the dark as any one of them; the mystery is inscrutable until it pleases the author to lift the veil and inform us that one of the passengers was requested to continue his journey in the direction of New Caledonia, and that another was married at the British Embassy to Sabine, Contessa di Castagneto."—Daily Telegraph.

"Any reader who opens this book with the resolution that he will read a chapter of it and then resume his ordinary occupations, is likely to be surprised speedily out of such good intentions. The story grips you like a vice. There is not a superfluous word in the 215 pages."—Sketch.

*** The next volume of The Express Series will be a story from the pen of Mr. David Christie Murray, and others are in preparation.


The Evolution of a Wife.

The Evolution of a Wife, a Romance in Six Parts, by Elizabeth Holland. The life-story of Marie de Hauteville, a young girl of noble Swiss family. It contains many charming pictures of Conventual and village life in the Bernese Oberland, with a strong love interest of the non-modern school. 398 pages, large crown 8vo, cloth, Second Edition, 6s.

"There is an extraordinary genius in 'The Evolution of a Wife.' In calm and masterful handling, searching insight, and bold imaginative outlook, this romance ranks among the finest first books of all the novelists. In the delicate manner of Flaubert, without comment, and with a powerful massing of scenes, the authoress advances to her climax; and one lays down the book feeling that certain impressions will not efface themselves."—Yorkshire Post.

"Marie is delightful, with her many lovers and the pathetic little vanities that make her innocence anything but insipid. She is absolutely realisable; and not she alone. The little Swiss town and its inhabitants live at once in the reader's eye."—Saturday Review.

"A remarkable story, alike in plot and character. It makes an impression that here and there reminds us of the art and the passion of Charlotte BrontË's works."—Scotsman.


The Passion for Romance.

The Passion for Romance. By Edgar Jepson, Author of "Sibyl Falcon." Describes the remarkable love affairs of Lord Lisdor, a young and susceptible nobleman of wealth and leisure. 378 pages, large crown 8vo, cloth, Second Edition, 6s.

"'The Passion for Romance' is, at the least, recommended by that air of novelty so welcome to all, but to none more than to the professional novel-reader. The hero—the main feature of the story, as he has a right to be—is treated from a refreshingly new standpoint. He is a new sort of hero as well as a fresh specimen in individuals: neither villain, saint, nor martyr, but simply a possible human being with some strong characteristics. The vain quest and the yearning for fulfilment are told with delicacy of touch, some sense of humour, and absolutely without sickly sentiment or morbid passion. Is not this enough to prove that we do not speak of the novel of the common or British type?"—AthenÆum.

"It is a long time since we have had a new sensation in fiction. It has come at last. The author of 'The Passion for Romance' is a novelist with a style that is distinguished, and—rarissimus inter raros—Mr. Edgar Jepson is also a writer who has something new to say. Apart from the literary merit of the work, there is the story; and to say that there is nothing in fiction with which that may be compared is to acknowledge at once its originality."—Morning.


Saint Porth.

Saint Porth. The Wooing of Dolly Pentreath. By J. Henry Harris. A homely tale of life and love in a Cornish village. 320 pages, crown 8vo, cloth gilt, gilt top, 6s.

"A Cornish tale of remarkable picturesqueness, altogether natural and touching, full of quaint pictures of a marvellously decorative people."—Saturday Review.

"Written with singular sympathy, earnestness, and gentle humour. The scene is laid on the Cornish coast, and Mr. Harris paints for us the splendours of that gorgeous seascape in the manner of one who feels to the full its peculiar fascination, and to whom the character of the dwellers on its shore appeals with a familiar charm. The delicate and precious aroma of romance perfumes every page of 'Saint Porth,' and lends to this homely, unpretentious tale a value and an interest that are too often lacking in novels of a more ambitious scope."—Speaker.

"Of the many efforts which writers have made during recent years to portray various phases of Cornish life, this, to our mind, represents one of the most successful."—West Briton.

"However crowded the novel market may be, there is always room for such refreshing little idylls as 'Saint Porth'—a simple tale, simply told in delightfully breezy style."—Birmingham Gazette.


Paradise Row.

Paradise Row, and some of its Inhabitants. By W. J. Wintle. A series of powerfully painted sketches of North Country life. 240 pages, crown 8vo, cloth, gilt top, 3s. 6d.

"To adequately express the power and the pathos of these simply told sketches, is quite beyond the scope of a review, for they rouse all that is best and all that is most sacred in our common humanity, making us feel more than the grandest rhetoric could, the brotherhood of man. Some of the characters are real heroes, and one rises from the perusal of the book with a greater respect for the men who devote their lives to Christian work in the noisome dens of our populous places, and with a large hope for the ultimate redemption of mankind."—North British Daily Mail.

"This is a volume of sketches of North Country life, very vigorously drawn, and full of pathos well relieved with humour. It shows throughout a large power of sympathy and great breadth of thought."—Spectator.

"We commend this book as both literature and life. Those who wish to know how the poor live and love cannot do better than read 'Paradise Row.'"—Methodist Times.

"The work of a deep thinker and a cultured writer."—Black and White.


Butterfly Ballads.

Butterfly Ballads and Stories in Rhyme. By Helen Atteridge. With Sixty-five Illustrations by Gordon Browne, Louis Wain, H. R. Millar, and others. 142 pages, foolscap 4to, designed cover, cloth gilt, gilt edges, 3s. 6d.

"These real ballads are very clever indeed; we feel sure 'Ethelinda Gray' and 'The Boy that went to Sea' will live in the upper circles of juvenility for many a long day. 'The Doll's Dance' ought to be as widely read and as keenly appreciated as 'The Butterfly's Ball and the Grasshopper's Feast,' which was the delight of the children of fifty years ago. The illustrations are numerous and admirable."—World.

"A delightful collection of stories in verse for little ones. It is exactly what it professes to be, and does not indulge in metaphysics for infants, and every little one who has the good fortune to have the volume given it will be happy for a long time."—St. James's Gazette.

"'Butterfly Ballads' are by no means inappropriately named. They are light and bright, and go fluttering along easily. The illustrations are specially clever; the dogs, the children, and the old folks are all full of character and spirit."—Times.

"Will speedily be learned by heart, and repeated in the firelight to a breathless audience."—Lady.


The English Stage.

The English Stage. Being an Account of the Victorian Drama, by Augustin Filon. Translated from the French by Frederic Whyte, with an Introduction by Henry Arthur Jones. 320 pages, demy 8vo, cloth, 7s. 6d.

"This large and painstaking volume will certainly interest all who follow theatrical matters. We welcome it as an interesting and valuable record."—Times.

"That the writings of that acute French critic, M. Filon, on 'The English Stage' have been creditably translated and published in this country, is a subject of congratulation. The completeness with which this observer in a foreign land has mastered his subject is surprising, and adds much force to the penetrating and suggestive criticisms with which the book abounds. Altogether the work, written as it is in spirited and captivating style, is one that can be perused with pleasure by all classes of readers."—Morning Post.

"One of the most entertaining, appreciative, discriminating, and instructive of recent books upon the English stage."—New York Nation.

"No student of the theatre should miss reading 'The English Stage,' and it should be bought, not borrowed from the library, for it is essentially a book to dip into again and again. It is full of interesting facts as to the recent history of the drama in this country."—Black and White.


Verdi: Man and Musician.

Verdi: Man and Musician. His Biography, with Especial Reference to his English Experiences, by F. J. Crowest, Author of "The Great Tone Poets." With Photogravure Frontispiece of Verdi, and several full-page Portraits. The only recent and authoritative English Biography of the famous Composer. 320 pages, demy 8vo, cloth, 7s. 6d.

"As the author of this highly interesting volume rightly says, Verdi bibliography, particularly that in England, is not extensive, but he has made an important addition, a book that should be read by all admirers of the Italian composer. It is enriched with several well-executed portraits, and is fully indexed."—AthenÆum.

"A most interesting work. Did space permit, we could quote at length from this delightful book; but as it is, we must leave it to the reader to pick and choose for himself."—Weekly Sun.

"A book full of interest both to musicians and laymen, embellished with a speaking likeness of Verdi as a frontispiece. A distinct and valuable addition to the scant Verdi literature in this country."—Manchester Courier.

"An excellently-written and faithfully-compiled history of the rise and progress of a great composer, studded with gems of anecdote, and teeming with an appreciation that will find an echo in the heart of every lover of opera who reads it."—Birmingham Gazette.


                                                                                                                                                                                                                                                                                                           

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