Ability, Natural, versus instruction, 17, 18, 19 Action, 55 Aldine printing, 158, 199, 200 Aldus type, 199, 200 Alphabets (See Lettering), 158, 181, 202, 209 America, The printer in, 159, 160 Analyzation of the naso-labial line, 86, 87 Arabic lettering, 198, 218, 222 Artist, How the, sees (See Eye, Education of), 56, 59 Artist, Reader not to be discouraged if he cannot become a full-fledged, 18, 19, 80 Art school methods, 56, 58, 62, 65–71, 74 Assyrian letters, 207 Auriol, Georg, 175, 177, 179, 191, 198, 204, 205, 216, 217, 218, 230 Axis, Every object has its, 52, 55 Balance in design, 48, 204 Ballantyne, Messrs, 183 Bargue and GÉrÔme, Studies published under direction of, 66, 67, 80, 98, 99, 100 Bauernfeind alphabets, 181, 186, 187, 188 Beggarstaff Brothers, 214, , 76, 90 d’Illzach, Ringel, 136, 138, 150 Dollman, J. C., 139 Donatello, 103, 104 Don Chisciotte, 32 Dots, Eccentric use of, 129, 130 Dragon’s blood, 235 Draw as though tracing on a window pane, 35 Draw by lamplight, 94 Drawing-board recommended, 78 Drawing Finished, and original “placing” compared, 63–70 Drawing, Finished and rough compared, 73, 78, 80, 81 Drawing fragments for practice helpful, 65 Drawing from pasteboard boxes good training in light and shade, 76 Drawing, How to begin a, 19, 49–55 Drawing not arbitrary, 86, 103 Drawing, Preliminary placing of objects in beginning a, 45, 50–66, 211, 212 Drayton, Michael, 184 DÜrer, Albrecht, 76, 187 Durham Book, 202 Eaton, Wyatt, 116, 117, 118 Economy of line, 226 Egyptian, The, hieroglyphic and hieratic writing, 207, 208, 209 Element defined, 52 English Old Style lettering, 200, 219 Enlarging a drawing, 75, 113 EngstrÖm, Albert, 22, 28, 29, 30, 132, 133, 187, 195, 198–200, 209 Italic letter. (See Lettering), 195, 199, 200 Japanese brush, 87 Japanese designing, 48, 217, 218 Japanese graphic art without Occidental modeling, 71 Japanese synthetic drawing, 59 Japanese use chalk plate, 238 Jenson, 158, 174, 200 Jewett, Llewellynn, 227 Kelmscott type, 186 Knaus, Ludwig, 82–85 Landscape, 130, 140, 144, 148, 150 Lansyer, E., 20 Larousse’s Dictionary, 166, 201, 202, 204, 208, 209, 231 Latin capitals, 197, 198 La-Tour, Fantin, 68–71, 148 Lautrec, H. de F., 211, 212 LefÉbvre, J., 105, 106, 107 Leloir, Maurice, 147, 220 LeRoux, E., 139, 140, 144 Lettering, 155, 158, 166–169, 171–175, 180–210 Lettering must follow historical principles, 180, Strange’s book on alphabets recommended, 181, 187, 202, 204 Stuck, Franz, 171, 172, 173, 177, 236 Summary, 211 Synthetic drawing, 58, 59, 62 Taste. (See Printing, Artistic), 158, 159, 160, 161, 163, 165 Technic. (See Pen Technic), 87 Texture, 30, 41, 42, 82 Thick and thin pen lines. (See Printing), 118 Tint lines, 228, 231 Touraine font, 158 Toussaint, T., 88, 89 Transfer, How to, a drawing, 131 Typographer should be designer, 17 Vale press, 183, 185, 186 Vallet, 128, 129 Vallotton heads, 133, 134, 135 Values, 42, 43, 68–71, 94 Venetian lettering, 198, 204 Verdyen, 92, 93 Vierge, Daniel, 122, 123 Visigothic letter, 155, 158, 198 Walker, Fred, 101, 102, 149 Watts, George Frederick, R. A., 78– |
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