  -
PART I. -
CHAPTER I. 17 INTRODUCTORY — A KNOWLEDGE OF DESIGNING OF VALUE TO PRINTERS -
CHAPTER II. 26 SEEING PROPERLY -
CHAPTER III. 32 SILHOUETTES — PERSPECTIVE -
CHAPTER IV. 41 POWER OF OUTLINE — SHADED DRAWING -
CHAPTER V. 49 GENERAL PRACTICE -
CHAPTER VI. 57 CHARACTERISTICS OF OBJECTS -
CHAPTER VII. 63 LIGHT AND SHADE -
CHAPTER VIII. 73 METHODS — OUTLINE AND SHADED DRAWING — RÉSUMÉ -
CHAPTER IX. 82 LINES OF THE FACE -
CHAPTER X. 86 BROAD OUTLINE ADAPTED TO PRINTING — LIGHT AND DARK MASSES — FRENCH NAMES — ART SCHOOL METHODS -
CHAPTER XI. 101 LINES INTRODUCED BECAUSE THEIR COUNTERPART IS SEEN IN NATURE — FACIAL EXPRESSION -
CHAPTER XII. 111 PEN DRAWING FOR MAGAZINE AND NEWSPAPER -
CHAPTER XIII. 121 PEN TECHNIC: ITS USE AND ABUSE — CRITICISM OF VARIOUS STYLES -
CHAPTER XIV. 132 ILLUSTRATIONS REVIEWED — THE PLANES OF THE FACE -
PART II. -
CHAPTER I. 153 INTRODUCTION -
CHAPTER II. 163 TASTE -
CHAPTER III. 175 MISCELLANEOUS ILLUSTRATIONS — ECONOMY IN PRINTING -
CHAPTER IV. 181 LETTERING: THEORY AND PRACTICE -
CHAPTER V. 191 SOME STANDARD HISTORIC ALPHABETS STUDIED -
CHAPTER VI. 197 EARLY AND MODERN TYPE: ITS APPROPRIATENESS, ITS ORNAMENTATION -
CHAPTER VII. 207 |
  |
