Illustrations for "A Child's History of England"—Begins Life as a Writing-Engraver—Designs for Books—Exhibits at the Royal Academy—Elected an Associate of the New Society of Painters—Retires from the Society—Elected a Member of the Old Society of Painters in Water-Colours—First Visit to Spain—Fatal Illness—Some Pictures Inspired by Dickens's Stories—Histrionic Ability—The Artist as a Juggler.

A Child's History of England, 1852-53-54.During the years 1851-52-53, there appeared in the pages of Household Words one of Charles Dickens's less familiar writings, "A Child's History of England." On its completion as a serial, the little work was issued in three 16mo volumes, each containing a frontispiece by F. W. Topham. These illustrations were engraved on wood, each consisting of a circular design, printed in black, and surrounded by an ornamental border of a light mauve colour, the latter enclosing familiar scenes from English History, viz., Alfred in the Neatherd's Cot; Canute reproving his Courtiers; Edwy and Elgiva; Eleanor and Fair Rosamond. The decorative border with its four tableaux remained unchanged, but the subject of the central illustration varied, that in the first volume depicting a girl reading to two children; in the second, Alfred the Great receiving instruction in reading from his mother, Queen Osburgha; while in the third there is a more modern representation of a similar incident.

Francis William Topham, who was born at Leeds in 1808, enjoyed the privilege of being numbered among the personal friends of Charles Dickens. He entered professional life as a writing-engraver, and his first design was for a label required by a well-known firm of pin manufacturers. From this modest beginning he advanced to more artistic work, and was soon busily engaged in engraving plates for pocket-books, &c. During the several years he was thus occupied he engraved many original designs for book-illustrations, and in 1832 began to exhibit pictures; his works after this date being frequently seen at the Royal Academy and other London galleries. In 1842 he was elected an Associate of the New Society of Painters in Water-Colours, of which body he became a full member in the following year. He, with several other members, left the New Society after a comparatively short time, and was immediately elected into the Old Society of Painters in Water-Colours—the present Royal Water-Colour Society—to the Exhibitions of which the majority of his more important productions were contributed. It was in Spain, whither he first went in 1852-53, that he found subjects most congenial to his tastes, and there, in that land of sunny skies, he was seized with a fatal illness in 1877, expiring at Cordova on March 31st of that year.

Topham was a great admirer of the works of Charles Dickens, and selected from them the subjects of some of his most successful pictures. One of these—a water-colour drawing executed in 1851—illustrates a scene in "Barnaby Rudge," where children flock round the half-witted hero as he and his mother pass through her native village; the drawing was presented by the artist to Dickens, and realised at the sale of the novelist's effects the sum of £115, 10s. This picture was followed by another from "The Old Curiosity Shop," representing Little Nell and her Grandfather in the tent, making bouquets for the racecourse, which was also a gift to Dickens, being subsequently disposed of at the above-mentioned sale for £288, 15s. It is also recorded that the artist, in 1856, produced a drawing portraying "Little Nell in the Churchyard," which some five years after the novelist's death found a purchaser for £325, 10s.

F. W. Topham proved a welcome addition to Dickens's company of distinguished amateur actors, and concerning his histrionic ability the artist's son, Mr. Frank W. W. Topham (himself an eminent painter), thus writes: "My father had, from quite a young man, a great love of acting, at which he was considered unusually good. One of my earliest recollections of a play was one acted at the St. James's Theatre, in which my father, Sir John Tenniel, the late Francis Holl, A.R.A. (the engraver), and others took part, for the benefit of the Artists' Benevolent Fund. I do not know if my father owed his introduction to Dickens to his acting, but have an impression that he did,—certainly it was the cause of their after intimacy."

Apropos of their "splendid strolling," and the fun incidental thereto, Dickens observed to his wife, in a letter dated from Clifton, November 13, 1851: "I forgot to say that Topham has suddenly come out as a juggler, and swallows candles, and does wonderful things with the poker very well indeed, but with a bashfulness and embarrassment extraordinarily ludicrous."