- Ackland, Sir Thomas, 47.
- Analysis, 68.
- Ancient drawings, 1.
- Antiquity of engraving, 2.
- Apocalypsio sue Historia, 7.
- Art representative, 3.
- Artistic purpose, 68.
- Artistic restoration, 63.
- Arundel, Duke of, 41.
- Assyrian antiquities, 4.
- Audran family, 4.
- Baillie, Captain, 46.
- Baldine, Baccio, 20.
- Bewick, Thomas, 9, 67.
- Biblia Pauperum, 7.
- Block books, 6.
- Botticelli, Sandio, 20.
- Cave dwellings, 1.
- Caxton, William, 26.
- Character, building up of, 52.
- Chinese playing cards, 5.
- Clever contrasts, 53.
- Colour dissection, 64.
- Commercial advantages, 13.
- Comparisons, 12, 13.
- Composition, 52, 53.
- Concise expression, 52.
- Constructive elements, 51.
- Controlling influences, 68.
- Cousins, Samuel, 47.
- Criticism, appreciative, 66.
- Dallaway, 26.
- Dante, 20.
- Degradation of tone, 54.
- Details, combination of, 52.
- Du Maurier, 60.
- Durer, Albert, 8, 21, 24, 40.
- Dutch masters, 67.
- Educative principle, 67.
- Egyptian monuments, 4.
- Emerson, 1, 5, 69.
- Engravers, early, 20.
- Engravers, interpretation, 49.
- Engravers, task, 48.
- Engraving, English, 26.
- Etching, 38.
- Etching, Dutch records, 38, 39.
- Etching, a summary, 40.
- Etching, description, 39.
- Etching, a stenography, 40.
- Etching, pictorial and artistic value, 40.
- Etching, light and shade in, 41.
- Etchings, Hollar's, 41.
- Evolution theory, 2.
- Execution, 54.
- Expression, 53.
- Gainsborough, 43.
- Gemeni, Thomas, 26, 27.
- German wood engraving, 6, 67.
- German engravers, 22.
- German portraits, 52.
- Gilray, James, 33.
- Goldsmith's Deserted Village, 33.
- Goltzius, Henry, 24.
- Greek art, 4.
- Gutenberg, 21.
- Half tone process engraving, 60, 61, 62.
- Heath, James, 36.
- Hieroglyphic figures, 4.
- Historia Virginis, 7.
- Historical records, 3, 50.
- Hogarth, 28, 31, 32.
- Hogenberg, Remigus, 27.
- Holbein, Hans, 8.
- Houbraken, 28.
- Hound, The, 9.
- Hudibras, 31.
- Illustrator, The, 14.
- Imaginary boundary, An, 51.
- Imaginative instinct, 20.
- Imaginative symbolism, 22.
- Inartistic work, 49.
- Inception of engraving, 1.
- Incised drawings, 1, 2.
- Intermediary values, 13.
- Ink photo, 65.
- Ink photo, expressive power, 65.
- Ink photo, intensity of, 65.
- Italian art, 22.
- Italian engraving, 22.
- Italian Niello, 18.
- Jacobite sympathies, 32.
- Justification, A, 66.
- Kartenmacher, 7.
- King of Terrors, The, 9.
- Lalanne, 38.
- Landscape engraving, 36.
- Landseer, 35, 36, 47.
- Lawrence, 35, 47.
- Lewis, F. C., 35.
- Leyden, Lucas van, 24.
- Light and shade, 53.
- Line process engraving, 59, 60.
- Litzelburger, Hans, 9.
- Louis XIV., 23.
- Ludwig, von Sigen, 42.
- Lutterell, 46.
- Mannerisms, 22, 54.
- Mantegna, Andrea, 20.
- Merchant marks, 6.
- Metal engraving, 9.
- Metal engraving, invention of, 18.
- Metal engraving, another account, 19.
- Mezzotint engraving, invention, 42, 43.
- Mezzotint engraving, qualities, 43, 44.
- Mezzotint engraving, popularised, 43, 44.
- Mezzotint engraving, described, 44.
- Movable types, 7.
- National characteristics, 21.
- Nation's progress, mirror of, 4.
- Nature's expression, 69.
- Neolithic period, 3.
- New Testament, 8.
- Northcote's pictures, 33.
- Nuremberg records, 7.
- Outline, 49, 51-52.
- Ornamental engraving, 18.
- PalÆolithic period, 3.
- Parker, Archbishop, 27.
- Passe family, 27.
- Payne, John, 28.
- Perspective, 24.
- Perspective, aËrial, 54.
- Perspective, linear, 54.
- Photo process, 57.
- Photogravure, artistic features, 64.
- Photogravure, description, 65.
- Photogravure, pictorial cards, 7.
- Place, Francis, 46.
- Pope's villa, 35.
- Prehistoric artistic power, 3.
- Prehistoric art, purpose of, 3.
- Primeval engraver, 3.
- Primeval man, 1.
- Prince Rupert, 43, 46.
- Process engraving, amplification of, 64.
- Process engraving, artistic, 58.
- Process engraving, commercial features, 58.
- Process engraving, value of, 57, 58.
- Progressive review, 23.
- Progressive process, 57, 58.
- Pye, John, 35.
- Raimbach, 34, 35.
- Raimondi, Marc Antonio, 21.
- Raphael, 21.
- Realism, 68, 69.
- Religious illustrations, 7.
- Rembrandt, 24.
- Rembrandt's influence, 41.
- Renaissance, 19.
- Retrospect, 69.
- Reynolds, 34, 43.
- Rock, Jerome, 8.
- Romney, 45.
- Royal Sovereign, 28.
- Screen effect, 60, 61.
- Society of Arts, 47.
- Speculum HumanÆ Salvationis, 7.
- Stipple engraving, 33.
- Strange, Robert, 32, 33.
- Style, 68.
- Symbolic figures, 4.
- Technique, 22, 23.
- Thirteenth century documents, 6.
- Three colour process, 64.
- Tone and texture, 49.
- Translation, 17.
- Tri-chromatography, 64.
- Turk's Head, 34.
- Turner, 35, 36, 37, 45, 67.
- Vallerant Valliant, 43.
- Venetian navigators, 5.
- Vertue, 28.
- Vesalius, 26.
- Walpole, Horace, 28, 30.
- West, 34, 45.
- Wilkie, David, 35.
- Wilson, 34.
- Wood blocks, 5.
- Wood engraving, 5.
- Wood engraving, combination of lines, 14.
- Wood engraving, justification of, 13.
- Wood engraving, power of realisation, 14.
- Wood engraving, pictorial and artistic effects, 14.
- Wood engraving, renaissance, 9.
- Wood engraving, variety of texture, 14.
Printed by Morrison & Gibb Limited, Edinburgh |
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