HYBRID PERPETUALS Mr. Thomas Rivers, that father of scientific rose culture in England, gives a most interesting account in his famous book, The Rose Amateur's Guide, 1840, of the origin of the Hybrid Perpetual rose. "The Crimson Perpetual, Rose du Roi, or Lee's Crimson Perpetual, "Every gentleman's garden ought to have a large bed of Crimson Perpetual Roses, to furnish bouquets during August, September, and October; their fragrance is so delightful, their colour so rich, and their form so perfect." What would that great pioneer say to our Crimson Perpetuals of to-day? But though this rose was the first, and probably the parent of many of the earlier Hybrid Perpetuals, the true development of this glorious race took place by other means. The Hybrid Chinas, Of those early parents of this fine race but very few are known now. Gloire de RosamÈnes (Vibert, 1823) is still in cultivation. But in vain I search English and French catalogues for those marked by my father in 1844 in Mr. Rivers' book. Where is Mme. Laffay, 1839, with its fine foliage and rosy-crimson, highly fragrant flowers; or Fulgorie; or Rivers, with its large red flowers "produced in clusters of great beauty"; or La Reine, 1843; or William Jesse? Probably they still exist as "old and nameless roses" in my own and many other The great development in the race began in the fifties, and was at its height in the sixties and seventies: but for the last fifteen years and more the tide has turned in favour of the Hybrid Teas; and comparatively few new Hybrid Perpetuals are raised each year. In 1853, Margottin gave the enchanted rose-world Jules Margottin, parent of many most excellent roses. And in the same year the delightful General Jacqueminot was raised by Roussel, and became the parent of many of our finest deep reds. Then in 1859 came Lacharme's famous Victor Verdier, a rose still in favour, and one to which the class owes, perhaps, more than any other as a parent. And in 1861 came Charles Lefebvre; also raised by Lacharme. From that date new and magnificent roses were sent out in numbers every year by the well-known French and Continental houses of Lacharme, Verdier, Pernet, Gautreau, Liabaud, Guillot, Postans, Levet, Margottin, Rambaud, LevÊque, Jamain, Schwartz, Soupert et Notting. And in England by Messrs. Wm. Paul & Son, B. R. Cant & Sons, Bennett, The pure pinks, and the rich crimsons and scarlets of the Hybrid Perpetuals are of surpassing beauty. And though there is a craze just now for Hybrid Teas, the Hybrid Perpetual must for ever hold its own in the garden on its own lines. For it will flourish where the more tender race would die; and its magnificent size, colour, strong growth, and rich foliage, must always render it indispensable for decoration and as a cut flower. As with the Teas and Hybrid Teas, these roses create their finest effect in the garden when grouped together in beds of one colour. And if we wish to specialize yet further in the matter of colours, they may be graduated from dark to light, or light to dark, with admirable success. A magnificent bed may be filled with such crimsons, scarlets, and cherry reds as the following, beginning with dark and medium crimsons, A. K. Williams, Duke of Edinburgh, Duke of Wellington, Dr. Andry, Charles Lefebvre, Countess of Oxford, Fisher Holmes, Louis Van Houtte, Mrs. Harry Turner, Victor Hugo; and the lighter crimsons, Alfred Colomb, Beauty of Waltham, Captain Hayward, Duchess of Bedford, Duke of Teck, Dupuy Jamain, General Jacgueminot, Gloire de Margottin, Hugh Dickson, Marie Other yet darker crimson roses, with maroon or purple shading, are Abel CarriÈre, Black Prince, Prince Camille de Rohan, Xavier Olibo. For a very effective rose-pink and carmine bed we may use FranÇois Michelon, Helen Keller, John Hopper, Jules Margottin, Magna Charta, Marquise de Castellane, Suzanne Marie Rodocanachi, Victor Verdier. An pure pink bed is most attractive, when filled with such lovely roses as Baroness Rothschild, Mdlle. EugÉnie Verdier, Mrs. Sharman Crawford, Mrs. John Laing, Pride of Waltham. And although Captain Christy is now, wisely, called a Hybrid Tea, it has so much the habit of the Hybrid Perpetuals, that it really goes better in a bed with them than among the more delicate-foliaged Teas. For a white and pale blush bed we have the pure white Boule de Neige, Coquette des Blanches (both Dwarf Hybrid Noisettes), Frau Karl Druschki, and Marchioness of Londonderry, which is very beautiful when it does well, though this is not always the case. And for white with a faint blush, Margaret Dickson and Merveille de Lyon, though these are sadly given to mildew. But for sheer effect and mass of bloom, a bed of Frau Karl Druschki is unequalled. If the long shoots are pegged down Another very effective arrangement may be made by gradating a broad border from a white centre, through clear pinks on either side to bright scarlets, and ending at each extremity with deepest crimsons. This I have seen carried out successfully with a central group of Frau Karl Druschki, flanked on either side by the clear pinks of Mrs. Sharman Crawford and Mrs. John Laing, and beyond them, right and left, General Jacqueminot, FranÇois Michelon, Prince Camille de Rohan, Fisher Holmes, Duke of Edinburgh, Mrs. Harry Turner, Dr. Andry, Duke of Wellington, Victor Hugo, Captain Hayward, Duke of Teck, Horace Vernet. As standards many of the Hybrid Perpetuals make grand heads, their sturdy constitution being particularly suitable to this form of growth. Among the best for this purpose are, Captain Hayward, Charles Lefebvre, Clio, Dr. Andry, Duke of Edinburgh, Dupuy Jamain, Ferdinand de Lesseps, Fisher Holmes, Frau Karl Druschki, General Jacqueminot, Gloire de Margottin, Heinrich Schultheis, Hugh Dickson, Mme. Gabriel Luizet, Mme. Victor Verdier, Margaret Dickson, Marie Baumann, Mrs. Cocker, Mrs. John Laing, Mrs. R. G. Sharman Crawford, Paul Jamain, Pride of Waltham, Prince Arthur, Prince Camille Besides those dwarfs I have enumerated as particularly good for massing in colour, many other excellent roses for general use will be found in the following lists. HYBRID PERPETUAL ROSES Red. Abel CarriÈre. E. Verdier, 1875. Purple crimson, fiery red centre. Alfred Colomb. Lacharme, 1865. Bright carmine red. Alfred K. Williams. Schwartz, 1877. Bright carmine red; an exhibitor's rose. Baron de Bonstetten. Liabaud, 1871. Blackish crimson. Ben Cant. B. R. Cant & Sons, 1902. Deep crimson. Beauty of Waltham. Wm. Paul & Son, 1862. Rosy crimson. Black Prince. Wm. Paul & Son, 1866. Deep blackish crimson. Camille Bernadin. Gautreau, 1865. Light crimson, paler edges. Captain Hayward. Bennett, 1893. Scarlet crimson, sweet scented. Charles Darwin. Laxton, 1879. Brownish crimson. Charles Lefebvre. Lacharme, 1861. Brilliant velvety crimson. Commandant FÉlix Faure. Boutigny, 1902. Crimson, flushed lake. Comte de Raimbaud. Roland, 1867. Clear crimson. Comtesse de Ludre. V. Verdier, 1880. Light crimson. Countess of Oxford. Guillot, 1869. Bright carmine red. Dr. Andry. E. Verdier, 1864. Deep carmine red. Dr. Sewell. Turner, 1879. Maroon crimson, reflexes bright red. Duchess of Bedford. Postans, 1879. Velvety crimson, suffused scarlet. Duke of Connaught. Paul & Son, 1876. Bright velvety crimson. Duke of Edinburgh. Paul & Son, 1868. Scarlet crimson. Duke of Teck. Paul & Son, 1880. Bright crimson scarlet. Duke of Wellington. Granger, 1864. Velvet red, shaded crimson. Dupuy Jamain. Jamain, 1868. Very bright cerise. Earl of Dufferin. Alex. Dickson, 1887. Rich velvety crimson. Éclair. Lacharme, 1883. Vivid fiery red. Étienne Levet. Levet, 1871. Carmine red. E. Y. Teas. E. Verdier, 1874. Very bright red. Fisher Holmes. E. Verdier, 1865. Shaded crimson scarlet. General Jacqueminot. Roussel, 1853. Brilliant scarlet crimson; a noble old rose. Gustave Piganeau. Pernet-Ducher, 1889. Brilliant shaded carmine; chiefly an exhibitor's rose. Horace Vernet. Guillot, 1866. Crimson scarlet, dark shading. Hugh Dickson. Hugh Dickson, 1904. Crimson, shaded scarlet. Hugh Watson. Alex. Dickson, 1904. Crimson, shaded carmine. J. B. Clark. Hugh Dickson, 1905. Deep scarlet, shaded plum. Jean Soupert. Lacharme, 1876. Deep velvety purple. Jules Margottin. Margottin, 1853. Bright cherry red. Lady Helen Stewart. Alex. Dickson, 1887. Bright crimson, shaded scarlet. Le Havre. Eude, 1871. Vermilion red. Louis Ricard. Boutigny, 1902. Velvet crimson, shaded vermilion and black. Louis Van Houtte. Lacharme, 1869. Deep crimson, shaded maroon. Madame Crapelet. Fontaine, 1859. Beautiful light crimson. Madame Victor Verdier. E. Verdier, 1863. Bright cherry red; still one of the best. Maharajah. B. R. Cant & Sons, 1904. Large single flowers, deep velvet crimson; a very fine pillar rose. Marie Baumann. Baumann, 1863. Soft carmine red. Marie Rady. Fontaine, 1865. Brilliant red. Maurice Bernadin (syn. Exposition de Brie). Granger, 1861. Shaded crimson. M. H. Walsh. Alex. Dickson, 1905. Velvety crimson, suffused scarlet. Oberhofgartener A. Singer. P. Lambert, 1904. Pure carmine, darker centre. Prince Arthur. B. R. Cant, 1875. Rich deep crimson. Prince Camille de Rohan. E. Verdier, 1861. Crimson maroon. Reynolds Hole. Paul & Son, 1873. Maroon, shaded crimson; an exhibitor's rose. Ruhm der Gartenwelt. Jacobs, 1904. Dark pure red. Senateur Vaisse. Guillot, 1859. Fine dazzling red; one of the best still. Sir Rowland Hill. Mack, 1888. Rich port wine, shaded maroon. Star of Waltham. Wm. Paul & Son, 1875. Deep crimson. T. B. Haywood. Paul & Son, 1895. Crimson scarlet, dark shading. Tom Wood. Alex. Dickson, 1896. Cherry red. Ulrich Brunner. Levet, 1881. Bright cherry red; fragrant, excellent. White and Blush. Bertha Giemen. Wm. Paul & Son, 1899. Creamy white sport from Marchioness of Dufferin. Boule de Neige (Noisette). Lacharme, 1867. Pure white. Frau Karl Druschki. Lambert, 1900. Snow white. Mabel Morrison. Broughton, 1878. Pure white, not much substance. Mademoiselle RenÉe Denis. Chedane, 1907. White, shaded rose. Marchioness of Londonderry. Alex. Dickson, 1893. Ivory white. Margaret Dickson. Alex. Dickson, 1891. White, pale flesh centre. Merveille de Lyon. Pernet, 1882. White, centre slightly rosy peach. Perfection des Blanches. Schwartz, 1873. Pure white. White Baroness. Paul & Son, 1883. Pure white. |