TEA ROSES, R. Indica odorata. The popular fallacy which universally prevailed forty to fifty years ago with regard to the extreme delicacy of Tea roses, has happily been exploded by the experience of later years. It was then supposed that no Tea rose could possibly stand the English winter if planted out of doors. And so firmly was this belief fixed in the minds of all amateurs, that if they were so reckless (in their own eyes) as to plant a Tea rose anywhere except in a greenhouse, the careful treatment they bestowed on the unfortunate specimen went far to prove the rule. For not only was it pruned in the autumn: but so coddled and smothered up in straw and matting that it could not breathe; and as every bud was made doubly tender by this means, when at last it saw the light again it was pretty sure to die of absolute anÆmia. The older gardeners of the fifties would look in amaze on our glorious beds of Tea roses, flowering in some cases up to Christmas, and beginning again as happily as ever the next June. While to us of the present day, a rose garden without Tea roses would be no garden at all. It is not that the modern Tea rose is hardier than its ancestors; for some of the old ones, such as Souvenir d'un Ami, grow as cheerfully in the garden as a Hybrid Perpetual. But experience has shown that Tea roses, with a very few exceptions, may be safely grown in the open ground, if a few simple precautions are observed in their treatment. The first of these is, of course, that no pruning should be done till April. The second, that a few fronds of bracken should be drawn through the branches. This in most cases will be found quite sufficient to ward off frost. But as an extra precaution in the event of very severe weather, the earth may be drawn up some four or five inches round the stems, so that if by chance a hard frost should cut the upper part of the shoots, the base may still be kept alive. Great care, however, must be exercised in uncovering the plants, the protecting material being removed gradually, so that growth may not be unduly forced on—only to be cut by the first cold wind—or, on the other hand, that the plant may not receive a shock by sudden and complete exposure. Standard Tea roses may be protected by straw tied lightly round the heads, care being taken not to break the shoots by tying them in too tightly. The history of the Tea rose in Europe began just 100 years ago. The original "Blush tea-scented rose," R. Indica odorata, was brought from China in 1810. In 1824, the "Yellow China or Tea rose" was introduced Some few of these early Tea roses still hold their own among the host of their brilliant successors—BougÈre, 1832; Adam, 1833; Le Pactole—now extremely difficult to procure; Devoniensis, 1838; Safrano, 1839; Mme. Willermoz, 1843; Niphetos, 1844; Souv. d'un Ami, 1846; Mme. Bravy, 1846. But of some dozen or more others in Mr. Rivers' list of 1843, not a trace remains. In 1853 a great development took place, when Jacotot introduced an absolutely new type into the race with his Gloire de Dijon. This rose is so distinct, with its strong constitution, vigorous growth, and large foliage, that one cannot but imagine some other strain, such as the Noisette, must have helped in fertilizing the seed parent of Gloire de Dijon. Since that notable date, the raising of new Tea roses in England, France and Luxembourg, has In France, Luxembourg and Germany, the famous houses of Pernet-Ducher, Nabonnand, Bernaix, Bonnaire, Cochet, Chatenay, Guillot, Verdier, Levet, Chauvry, Dubreuil, Godard, Mari, Lacharme, LÉvÊque, Soupert et Notting, Lambert, Schwartz, etc., are now household words among rose lovers. The influence of the old Yellow Tea is to be found among a large proportion of these lovely roses, in the golden and sulphur base which adds such richness to the endless shades of pink, crimson, copper and white. But a pure yellow Tea rose is still a rarity. And its production is the goal towards which many of the greatest rose-growers are still working. What we all desire is a Tea rose for bedding of as pure a yellow as the dear old Persian Briar, or MarÉchal Niel, and one that will stand, as that glorious rose does, the hot rays of the sun without changing colour. For, charming as many of the so-called Yellow Tea roses are when they are in bud, the open flower quickly turns white in the sun. To this object, as I have said, some of the greatest rose-growers have been devoting their energies for years; while others are striving as eagerly and with far greater success, after the development of deep crimson and scarlet Tea roses. And though they may not yet have attained the absolute perfection they were seeking, both sets of experiments have resulted of late in some truly magnificent roses, of various rich shades undreamt of even twenty years ago. In the following lists the roses will be found grouped in colour, as this may be useful to amateurs who are unacquainted with some of the names. Many of those mentioned, while they are not included in the National Rose Society's list, are still well worthy of cultivation in our gardens; and others, hardly known in England as yet, have proved most valuable in my own Hampshire collection and perfectly hardy. Among roses that are little known in English gardens are Baronne de Hoffmann, a vigorous grower, vivid copper-red, with yellow base; and the invaluable M. Tillier, which I first saw in the Paris Exhibition of 1900. I have grown it largely since, and every one is attracted by the bushes, set thickly with medium-sized imbricated flowers of carmine and brick-red, borne on upright stems in such numbers that they make a brilliant mark in the garden from a distance. It is perfectly hardy, and I have gathered good blooms at Christmas. Amabilis is a useful china pink rose for decorative purposes, either in the garden I would also call attention to other roses which, though well known to collectors and exhibitors, might be more generally cultivated by the ordinary amateur. These are the delightful G. Nabonnand, Duchesse Marie Salviati, Mrs. B. R. Cant—an admirable rose—Madame Constant Soupert, a new and most brilliant variety; Souvenir de Pierre Notting—best on a standard, but excellent in every way; General Schablikine, absolutely invaluable, as it is covered with bloom from June to November; Innocent Pirola, one of the best creamy whites; Peace, a newer and very beautiful rose, pale lemon, carrying its fine flowers singly on strong erect stalks; and the older Souv. de S. A. Prince, a pure white sport from Souv. d'un Ami. The climbing Tea roses will be found in another chapter. Pink, Rose, Salmon, Peach. Archiduchesse Marie Immaculata. Soupert et Notting, 1887. Brick red. Adam. Adam, 1833. Rose, shaded salmon. Baronne H. de Loew. Nabonnand, 1889. Tender rose, yellow centre. Boadicea. W. Paul & Son, 1901. Pale peach, tinted rose. Bridesmaid. May, 1893. Clear pink. Catherine Mermet. J. B. Guillot fils, 1869. Light rosy flesh. Cecile-Charles. Schwartz, 1907. Pale rosy salmon, edged carmine, fragrant. Comtesse de Breteuil. Pernet-Ducher, 1893. Salmon rose, peach centre. Comtesse de Nadaillac. Guillot, 1871. Peach, shaded apricot, salmon base; an exhibitor's rose. Dr. Grill. Bonnaire, 1886. Clear rose, centre salmon. Duchesse Maria Salviati. Soupert et Notting, 1890. Rosy flesh, shaded chrome, fragrant. Ernest Metz. Guillot, 1889. Soft carmine-rose, reverse of petals deeper. Ethel Brownlow. Alex. Dickson, 1887. Bright salmon-pink, yellow base. Franciska Kruger. Nabonnand, 1879. Copper, shaded peach. G. Nabonnand. Nabonnand, 1889. Pale flesh, shaded yellow. HomÈre. Robert, 1859. Rose-edged, salmon centre. Jean Ducher. Ducher, 1874. Salmon yellow, shaded peach. Lena. Alex. Dickson, 1906. Glowing apricot. Madame Antoine Mari. Mari, 1902. Rose, washed with white. Madame Cusin. Guillot, 1881. Rose, lighter centre. Madame Georges Durrschmidt. Peletier, 1895. China rose, cerise centre, fragrant. Madame Lambard. Lacharme, 1877. Bright rose. Madame Jules Gravereaux. Soupert et Notting, 1901. Chamois yellow, rosy peach centre. Madame PhilÉmon Cochet. Clear rose, shaded salmon. Maman Cochet. Cochet, 1893. Carmine, shaded salmon-yellow. Mathilde LiÉgeard. Nabonnand, 1907. Pearly rose, touched carmine. Mrs. B. R. Cant. B. R. Cant, 1901. Deep rose outer petals, inner petals silvery rose. Mrs. Edward Mawley. Alex. Dickson, 1899. Bright carmine, shaded salmon. Morning Glow. Wm. Paul & Son, 1902. Rosy crimson, suffused orange and fawn. Nellie Johnstone. Paul & Son, 1906. Pure rose pink. Paul Nabonnand. Nabonnand, 1878. Hydrangea pink. Rainbow. Sievers, 1891. Sport from Papa Gontier, pink, striped crimson. Rose d'Evian. Bernaix, 1895. China rose outside, lined carmine. Souvenir d'un Ami. DefougÈre, 1846. Salmon-rose. Souvenir de Paul Neyron. Levet, 1872. Salmon, edged rose. Souvenir de William Robinson. Bernaix, 1900. Fawn, shaded pink and yellow. Sunrise. Piper, 1899. Outer petals carmine, shading to pale fawn and salmon within. Yellow, Buff, and Apricot. Alexandra. Wm. Paul & Son, 1901. Copper yellow, streaked with orange. Anna Olivier. Ducher, 1872. Buff, flushed pink. Antoine Devert. Gonod, 1881. Clear straw colour. Belle Lyonnaise. Levet, 1869. Deep lemon, climbing. Billiard et BarrÉ. Pernet-Ducher, 1899. Deep golden yellow. Blumenschmidt, J. C. Schmidt, 1907. Bright lemon yellow, edged pink. Comtesse Alexandra Kinsky. Soupert et Notting, 1905. White, centre apricot yellow. Comtesse de Frigneuse. Guillot, 1886. Fine canary yellow. Georges Schwartz. Schwartz, 1900. Deep canary yellow. Goldquelle. Lambert, 1899. Clear golden yellow. Harry Kirk. Alex. Dickson, 1907. Deep sulphur yellow. Hugo Roller. Wm. Paul & Son, 1907. Lemon yellow, edged crimson. J. F. Giraud. Ketter, 1907. Golden yellow, centre saffron. Jean Pernet. Pernet, 1869. Clear yellow. Lady Mary Corry. Alex. Dickson, 1900. Deep golden yellow. Lena. Alex. Dickson, 1906. Glowing apricot, edged primrose. Madame BarthÉlemy Levet. Levet pÈre, 1880. Canary yellow, climbing. Madame Chauvry. Bonnaire, 1887. Nankeen yellow. Madame Chedanne Guinoisseau. LevÊque, 1880. Clear bright yellow. Madame C. P. Strassheim. Soupert et Notting, 1898. Yellowish-white in summer, turning sulphur and buff in autumn. Madame Constant Soupert. Soupert et Notting, 1906. Dark golden-yellow, strongly-tinted peach-pink. Madame Edmond Sablayrolles. Bonnaire, 1907. Clear yellow, orange centre. Madame Falcot. Guillot, 1858. Deep apricot yellow. Madame Pol Varin-Bernier. Soupert et Notting, 1907. Melon-yellow shaded; a "yellow Richmond." Mrs. Dudley Cross. Wm. Paul & Son, 1907. Pale chamois yellow, with touches of rose and crimson in autumn. Perle de Lyon. Ducher, 1873. Deep yellow. Perle des Jardins. Levet, 1874. Deep straw-colour. Perle des Jaunes. Reymond, 1904. Deep orange yellow, tinted salmon. Rose Gubert. Nabonnand, 1907. Tender bright yellow, deep centre. Safrano. Beauregard, 1839. Bright apricot. Souvenir de Pierre Notting. Soupert et Notting, 1903. Apricot-yellow, blended copper-yellow. Souvenir de Stella Gray. Alex. Dickson, 1907. Deep orange, veined yellow, apricot, and crimson. Sulphurea. Wm. Paul & Son, 1902. Sulphur yellow. Sunset. Henderson, 1884. Deep apricot. Crimson and Copper-red. Albert Durand. Schwartz, 1906. Coppery carmine, shaded flesh. Amabilis. China red. Bardou Job. Nabonnand, 1887. Glowing crimson. Baronne de Hoffmann, Nabonnand, 1887. Copper and crimson. Baronne Henriette Snoy. Bernaix, 1898. Petals carnation inside, outside carmine pink. BeautÉ Inconstante. Pernet-Ducher, 1893. Coppery-red, shaded carmine and yellow. Betty Berkeley. Bernaix, 1904. Bright red, shading to crimson. Christine de NouË. Guillot fils, 1891. Deep purple red, shaded pink. Corallina. Wm. Paul & Son, 1900. Deep rose. Empress Alexandra of Russia. Wm. Paul & Son, 1898. Lake, shaded orange and crimson. FranÇois Dubreuil. Dubreuil, 1895. Deep crimson. Frau Dr. Thelka Schlegelmilch. Welter, 1902. Bright red, shaded velvet crimson. Freiherr von Marschall. Lambert, 1903. Dark carmine. General Schablikine. Nabonnand, 1879. Coppery-red. Lady Roberts. Frank Cant, 1902. Rich apricot, copper-red base. L'IdÉal. Nabonnand, 1887. Yellow and metallic red. Ma Capucine. Levet, 1871. Bronzy yellow, shaded red. Monsieur DÉsir. Pernet pÈre, 1889. Crimson. Monsieur Tillier. Bernaix, 1892. Carmine and brick-red. Mrs. Reynolds Hole. Nabonnand, 1900. Dark purple pink, centre crimson. Papa Gontier. Nabonnand, 1883. Rosy crimson. Princesse de Sagan. Dubreuil, 1887. Deep cherry red, shaded maroon. Salmonea. Wm. Paul & Son, 1902. Bright crimson with light salmon centre. Souvenir de Catherine Guillot. Guillot, 1896. Coppery carmine, and orange. Souvenir J. B. Guillot. Guillot, 1897. Nasturtium-red, shaded to crimson and rose. Souvenir ThÉrÈse Levet. Levet, 1882. Brownish crimson. White and Pale Lemon. Caroline Kuster. Pernet, 1872. Pale yellow. ChÂteau des Bergeries. LÉdechaux, 1886. Very pale canary yellow, centre darker. Comtesse Eva de Starhemberg. Soupert et Notting, 1891. Cream, centre ochre. Comtesse de Saxe. Soupert et Notting, 1905. Porcelain white. Coquette de Lyon. Pernet Ducher, 1872. Pale canary yellow. Devoniensis. Foster, 1838. White, touched lemon. Tender. Enchantress. Wm. Paul & Son, 1896. Creamy white. Étoile de Lyon. Guillot, 1881. Deep lemon. Grand Duchess Olga. LÉvÊque, 1897. Creamy white. Golden Gate. Dingee & Conard, 1892. Creamy white, yellow base. Hon. Edith Gifford. Guillot, 1882. White, centre flesh. Innocent Pirola. Ducher, 1878. Creamy white, shaded yellow. Isabella Sprunt. Verchaffelt, 1866. Pale sulphur. Ivory. America Rose Co., 1902. Ivory-white sport from Golden Gate. Le Pactole. Sulphur yellow, pointed buds. Madame Bravy. Guillot, 1846. White, centre tinted pink. Madame Carnot. Pernet, 1894. Yellowish white on deep yellow ground. Madame Hoste. Guillot, 1887. Primrose yellow. Madame de Watteville. Guillot, 1883. Salmon white, petals edged bright rose. Marie Van Houtte. Ducher, 1871. Canary yellow, petals tipped rose. Marquis de Moustier. Dubreuil, 1906. Ivory, reflexed pearly white. Medea. Wm. Paul & Son, 1891. Lemon yellow, canary centre. Mrs. Miles Kennedy. Alex. Dickson, 1906. Silvery white, shaded buff, pink centre. Muriel Grahame. Alex. Dickson, 1898. Pale cream, flushed rose. Niphetos. BougÈre, 1844. Pure white. Peace. Piper, 1902. Pale lemon. Reine Natalie de Serbie. Soupert et Notting, 1886. Creamy flesh. Rubens. Robert, 1859. White, delicately tinted rose. Souvenir d'Élise Vardon. Marest, 1854. Creamy white. Souvenir de Gabrielle Drevet. Guillot, 1865. Salmon white. Souvenir de S. A. Prince. Prince, 1889. Pure white sport from Souv. d'un Ami. The Bride. May, 1885. White sport from Catherine Mermet. White Maman Cochet. Cook, 1898. White sport from Maman Cochet. |