CHAPTER IX

Previous
BOURBON, CHINA, AND POLYANTHA ROSES

Besides the three great races of perpetual flowering Roses, the Teas, Hybrid Teas, and Hybrid Perpetuals, on which the chief interest of the modern rose-world is centred at the present time, there are other perpetual flowering roses, which are of great importance both for their value in the past and their beauty in the present. For although the modern hybrids have somewhat obscured the fame of their ancestors, many of them owe their origin to the Bourbon and China roses, which, in the early years of the nineteenth century, before the advent of Hybrid Perpetuals, were almost the only autumn flowering roses on which to depend.


The Bourbon Rose, R. Bourboniana.

According to that invaluable book,[7] to which I owe an untold debt of gratitude since first I began to study rose-growing seriously—the original Bourbon, "a beautiful semi-double rose, with brilliant rose-coloured flowers, prominent buds, and nearly evergreen foliage," was discovered in the Isle of Bourbon.

Bourbon. SOUVENIR DE LA MALMAISON.
Bourbon.
SOUVENIR DE LA MALMAISON.

It appears that the land there was—probably is still—enclosed by "hedges made of two rows of roses, one row of the common China Rose, the other of the Red Four Seasons, the Perpetual Damask." In planting one of these hedges, a proprietor found a rose quite different in appearance to the rest of his young plants, and transferred it to his garden. Here it flowered, and proved to be a new type, evidently a seedling from the two sorts, which were the only ones known in the island. "M. BrÉon arrived at Bourbon in 1817, as botanical traveller for the Government of France, and curator of the Botanical and Naturalization Garden there. He propagated this rose very largely; and sent plants and seeds of it in 1822 to Monsieur Jacques, gardener at the ChÂteau de Neuilly, near Paris, who distributed it among the rose cultivators of France. M. BrÉon named it 'Rose de l'Isle Bourbon,' and is convinced that it is a hybrid from one of the above roses, and a native of the island."

The true Bourbon roses are thoroughly perpetual, with rose, blush, or white flowers, smooth solid stems, and dark, almost evergreen, foliage. One has only to mention the well-known and well-beloved Souvenir de la Malmaison to recall the type. Gloire de RosamÈnes[8] is a hybrid, as I have said: but Hermosa, or Armosa (1840), and the charming Mrs. Bosanquet (1832), often classed among the China roses, are pure Bourbons, and so are Mme. Isaac Pereire, Mrs. Paul (1891), Queen of the Bourbons, Boule de Neige, Setina a climbing form of Hermosa, and Zephirine Drouhin (1873), a good climbing rose. Hermosa, which is constantly mistaken for a very full, globular pink China, is an excellent rose for massing in the garden, as it is in continuous bloom from spring till late autumn, the dwarf, bushy plants being covered with flowers. The charming hybrid Tea rose, CamoËns, which resembles it in habit, but is a rather larger flower of a rich China pink, may also be used in the same way. A group of small beds arranged in a simple geometrical pattern, and planted with either or both these roses, is an extremely pretty feature in the garden. Hermosa has been for years largely used in this way on the Continent and in England; for instance, 20,000 have been planted in the Sandringham gardens alone. But I was told last year in Luxembourg, that in Holland, where it is most popular, CamoËns is almost superseding it; one Dutch lady who had a large portion of her garden planted with nothing but Hermosa, is now using hundreds of CamoËns in the same way, as it is equally generous in bloom, richer in colour, and as neat and strong in growth.


The China Rose, R. Indica.
The Crimson China Rose, R. Semperflorens.

These old favourites were introduced into England in the eighteenth century. The Old Blush Monthly came first, in 1718; and in 1789 the Old Crimson (R. Semperflorens), a much less vigorous plant, arrived. It is not surprising that both should have found instant popularity; for roses which in warm situations are practically in flower the whole year through, must indeed have been precious adjuncts to the gardens of those days. In England they were popularly known as "Monthly roses"; while in France they are known as Rosiers du Bengal.


The "Common" China, or Monthly Rose (1796),
though it has many newer rivals, is one of those which has never gone out of favour, and justly so; for what can be more pure and lovely than it is when well grown. Either as a bedder, or a bush in the herbaceous border, or, still more, when grown as a dwarf hedge, its fresh loveliness is a never-ending delight. Indeed, one wonders why it is not more generally used in England in this last manner; for both in the South of France and Switzerland, hedges of the pink Monthly rose are common, and of exceeding beauty. Cramoisie SupÉrieure (1834), a form of the Crimson China, should be grown in masses, as its weak and straggling growth is unsuited to the above purposes. But many of the newer varieties are admirable in whatever way they are used. Laurette Messimy (1887), rose, shaded yellow, and Madame EugÈne Resal (1895), copper and bright China-rose, are two of the very best of these, and are brilliantly effective as bedding roses. So are the rosy-apricot Queen Mab (1906), and the yellow-apricot and orange Arethusa (1903). Comtesse du Cayla (1902) is a fine carmine crimson, with orange on the outer petals, varying to orange-yellow shaded carmine. Cora is a pretty clear yellow, often tinted carmine, a rose of a charming habit. Le Vesuve bears some flowers rich crimson and some rosy pink. Ducher (1869) is the best white; Frau Syndica Roeloffs, yellow, shaded coppery-red and peach; Nabonnand, a large flower, velvety purple-red, shaded coppery-yellow. Souvenir d'AimÉe Terrel des ChÊnes is a small, beautiful, and well-shaped flower, coppery-pink, shaded carmine, the pointed buds being golden yellow. Climbing Cramoisie SupÉrieure and Field Marshal are both deep crimson climbers, but the last does best under a glass or in a warm position out of doors.
China. LAURETTE MESSIMY.
China.
LAURETTE MESSIMY.

We now come to a quite modern class of perpetual flowering roses, which is as yet too little known, except among those ardent rose-growers who keep closely in touch with the marvels of modern hybridization. And this special race is indeed one of its most extraordinary results. For


The Dwarf Polyantha Roses, R. Multiflora,
are derived from the summer flowering, climbing Multiflora, and in them we get a first cousin of, say, Crimson Rambler, so dwarf as to make a charming two-feet high edging to an ordinary rose-bed, and so thoroughly perpetual, that from May to December it is thickly covered with its hundreds of miniature flowers in clusters. How these tiny roses, which remind one of the "Fairy Rose" of long-ago nursery days, came into being is not exactly known. But they were evidently the result of crossings with the Tea rose strain. M. J. B. Guillot developed the first, Ma Paquerrette, pure white, flowering in large bunches, in 1875. In 1879, Rambaux followed with the charming Anna Maria de Montravel, one of the best known of the class. The next year Ducher brought out the lovely Cecile Brunner, blush, shaded pink, and the race was fully recognized. Since then nearly every year has seen fresh varieties; and the charming little plants are growing in favour.

These roses may be roughly divided into two classes: one showing the Polyantha blood very strongly; the other the Tea blood.

In the first, the flowers, whether double or single, are borne in dense upright clusters, after the manner of the true Multiflora. Some of the best of these are Gloire des Polyantha; Schneewittchen; the fine Mme. N. Levavasseur, really a miniature Crimson Rambler; the even more attractive Mrs. W. H. Cutbush, a bright pink Crimson Rambler; and the exquisite little Baby Dorothy, which has created such a sensation as a pot plant since it was shown in the spring of 1907. These are all admirably fitted for planting in masses. In the famous PÉpiniÈre, or Public Gardens of Nancy, beds of Madame N. Levavasseur last autumn (1907) were remarkably effective. In one the ground was thickly covered among the plants with a very dwarf grey-blue Ageratum; and the effect of the erect crimson clusters of the rose over the soft grey flowers was most striking; while another bed of the same rose was edged with a dwarf bronze-foliaged fibrous Begonia. Even more charming was a whole bed of Mrs. W. H. Cutbush, which I saw in MM. Soupert et Notting's garden at Luxembourg, the rich rosy colour being much finer.

Dwarf Polyantha. PERLE D'OR.
Dwarf Polyantha.
PERLE D'OR.

In the other class the Tea blood is shown as strongly; the flowers are borne singly, or at most in heads of four or five, on smooth and delicate yet firm little stalks; while the foliage is that of a miniature Tea rose. These as to the actual blossoms are perhaps even more attractive. For what can be prettier than a perfectly formed flower the size of a Fairy rose—and sweetly scented too—such as those of Étoile d'Or, lemon shaded with sulphur; or Perle d'Or, nankeen yellow with orange centre; or EugÉnie Lamesch, coppery pink; or the beautiful Cecile Brunner, its well-shaped flowers blush with a deeper pink centre?

In one or two we get an example of the double strain. For the velvety crimson flowers of Perle des Rouges are borne in clusters, though in substance and foliage the plant appears to take after the Tea rose.

But I deprecate the tendency which I see among some varieties, to produce much larger flowers such as those of Clothilde Soupert and Georges Pernet. This quite alters the character of the pretty little plants; giving us a rose that is neither one thing or another, neither a fine bedding rose or a miniature edging rose.


Bourbon Roses, R. Bourboniana.
Baron Gonella. Guillot pÈre, 1839. Violet rose.
Baronne de Maynard. One of the best white roses.
Catherine Guillot. Guillot fils, 1861. Purple red.
Comtesse de Barbantane. Guillot pÈre, 1859. Flesh colour.
Gloire de RosamÈnes. Vibert, 1825. Scarlet crimson, semi-double.
Hermosa (Armosa). Marcheseau, 1840. Deep pink. J. B. M. Camm. Pale salmon pink.
Kronprinsessin Victoria. L. SpÄth, 1888. Milky white outside, sulphur-yellow centre.
Lorna Doone. Wm. Paul & Son. Magenta carmine, shaded scarlet.
Madame Isaac Pereire. Margottin, 1880. Rosy carmine.
Madame Pierre Oger. Oger, 1879. Cream white, shaded and edged lilac.
Marie ParÉ. Pavie, 1880. Flesh colour, deeper centre.
Mrs. Allen Chandler. Chandler, 1904. Pure white sport from Mrs. Paul.
Mrs. Bosanquet. Laffay, 1832. Salmon white.
Mrs. Paul. Paul & Son, 1852. Pinkish white; a fine rose.
Paxton. Laffay, 1852. Fiery rose.
PhilÉmon Cochet. Cochet, 1896. Bright rose.
Queen of the Bourbons. Mauger, 1852. Salmon rose.
Queen of Bedders. Nobbe, 1878. Deep crimson.
Reine Victoria. Schwartz, 1878. Bright rose, perfect form.
Setina. Henderson, 1879. Pink, a climbing Hermosa.
Souv. de la Malmaison. Beluze, 1843. Tender flesh white.
Souv. de la Malmaison rose. Verschaffelt, 1862. Fine rose colour.
Zephirine Drouhin. Bizot, 1873. Bright silvery pink.

China or Bengal Roses, R. Indica.
R. Semperflorens.
AbbÉ Cretin. Mille-Toussaint, 1906. Light rose, shaded salmon.
Alexina. Beluze, 1854. Almost pure white.
Alice Hamilton. Nabonnand, 1904. Bright velvety crimson reflexed madder.
Antoinette Cuillerat. Buatois, 1898. Electric white on copper base.
Arethusa. Wm. Paul & Son, 1903. Yellow, tinted apricot.
Aurore. Schwartz, 1897. Creamy yellow, tinted salmon rose.
Baronne Piston de St. Cyr. Pale flesh, distinct and attractive.
BÉbÉ Fleuri. Dubreuil, 1907. Varying from China rose to currant red.
Cardinal. Welter, 1904. Dark red, centre yellow.
Common (old Blush Monthly). Parsons, 1796. Pale pink.
Comtesse du Cayla. Guillot, 1902. Coppery-carmine, shaded orange and yellow.
Cora. Vve. Schwartz, 1899. Clear yellow, tinted carmine.
Cramoisi SupÉrieur. Coquereau, 1832. Velvety crimson, large clusters.
Cramoisi SupÉrieur. A climbing sport.
Crimson China (Sanguinea). Evans, 1810. Dark crimson.
Ducher. Ducher, 1869. Pure white.
Duke of York. Wm. Paul & Son, 1894. Variable from white to red.
EugÈne de Beauharnais. Fellemberg, 1838. Amaranth.
Fabvier. Laffay. Scarlet crimson, finest of its colour.
Field Marshall. Wm. Paul & Son. Blood crimson, shaded amaranth.
Frau Syndica Roeloffs. Lambert, 1900. Bright yellow, shaded copper red.
Irene Watts. P. Guillot, 1896. White, tinted salmon pink.
Jean Bach Sisley. Dubreuil, 1899. Silvery rose, outer petals salmon-rose, veined carmine.
Le Vesuve. Sprunt, 1858. Bright red and pink.
Madame EugÈne Resal. Guillot, 1894. Nasturtium red or bright red, on yellow base.
Madame H. Montefiore. Bernaix, 1900. Salmon yellow, shaded apricot and carmine.
Madame Laure Dupont. Schwartz, 1907. Vivid carmine, reflexed silver rose.
Madame Laurette Messimy. Guillot fils, 1887. China rose, shaded yellow.
Martha. P. Lambert, 1906. Copper red, flowers in large corymbs.
Queen Mab. Wm. Paul & Son, 1896. Rosy apricot, shaded orange and rose.
Red Pet. Paul & Son, 1888. Miniature rose, deep crimson.
Souv. d'AimÉe Terrel des ChÊnes. Schwartz, 1897. Coppery rose, shaded carmine.
UnermÜdliche. Lambert, 1904. Crimson, shaded red, always in bloom.

Dwarf Polyantha Roses, R. Multiflora.
Aennchen Mueller. J. C. Schmidt, 1907. Large clusters, brilliant rose.
AmÉlie-Suzanne Morin. Soupert et Notting, 1899. White, yellow centre.
Anne-Marie de Montravel. Rambaux, 1879. Pure white, immense cluster.
Aschenbrodel. Lambert, 1903. Peach, centre salmon.
BÉbÉ Leroux. Soupert et Notting, 1901. White, centre canary yellow.
Blanche Rebatel. Bernaix, 1889. Bright carmine, reverse white.
Canarienvogel. Welter, 1904. Golden yellow, flaked orange and rose.
Cecile Brunner. Ducher, 1881. Bright rose, yellowish centre.
Clara Pfitzer. Soupert et Notting, 1889. Light carmine.
Clotilde Soupert. Soupert et Notting, 1890. Pearly white, rose centre, rather large flowers.
Dr. Ricaud. Corboeuf-Marsault, 1907. Rosy salmon, copper base.
Étoile de Mai. Gamon, 1893. Nankeen yellow, rather large.
Étoile d'Or. Dubreuil, 1889. Citron yellow, shaded sulphur.
EugÉnie Lamesch. Lambert, 1900. Orange yellow, passing to clear yellow, shaded rose.
Filius Strassheim. Soupert et Netting, 1893. Rosy cream, orange base.
Georges Pernet. Pernet-Ducher, 1888. Rather large, bright rose, shaded yellow.
Gloire des Polyanthas. Guillot fils, 1887. Bright rose, white centre.
Golden Fairy. Bennett, 1889. Clear buff, yellow and white.
Hermine Madele. Soupert et Notting, 1888. Cream, reflexed yellow.
Katherine Ziemet. Lambert, 1901. Pure white, very fragrant.
Kleiner Alfred. Lambert, 1904. Ground colour red, suffused ochre yellow.
Le Bourguignon. Buatois, 1901. Electric madder yellow.
Leonie Lamesch. Lambert, 1900. Bright copper red, golden centre.
Liliput. Paul & Son, 1897. Cerise carmine, flushed crimson.
Little Dot. Bennett, 1889. Soft pink, flaked deeper on outside petals.
Madame E. A. Nolte. Bernaix, 1892. Buff yellow, passing to rosy white.
Madame N. Levavasseur. Levavasseur, 1904. Bright carmine red; the dwarf Crimson Rambler.
Madame Zelia Bourgeois. Vilin, 1907. Small double white flowers.
Ma Fillette. Soupert et Notting, 1898. Peach rose, yellow ground.
Ma Petite AndrÉe. Chauvry, 1899. Deep carmine red.
Marie PaviÉ. AlÉgatiÈre, 1889. White, rose centre, large.
Martha. Lambert, 1906. Strawberry pink, coppery buds.
Maxime Buatois. Copper yellow, changing to carmine yellow.
Mignonette. Guillot, 1881. Soft rose, changing to white.
Mosella. Lambert & Reiter, I 896. Yellowish white, centre rose.
Mrs. W. H. Cutbush. Levavasseur, 1907. A pink Mme. N. Levavasseur.
PÂquerette. Guillot fils, 1875. Pure white; flowers in immense panicles.
Perle d'Or. Dubreuil, 1883. Nankeen yellow, orange centre.
Perle des Rouges. Dubreuil, 1896. Velvety crimson, reflexes bright cerise.
Petit Constant. Soupert et Notting, 1900. Deep nasturtium red.
Petite LÉonie. Soupert et Notting, 1893. Rosy white, carmine centre.
Philipine Lambert. Lambert, 1903. Silvery pink, centre deep flesh.
Primula. Soupert et Notting, 1901. Bright China rose, centre snow white.
Rosalind. Paul & Son, 1907. Bright pink, with deeper buds.
Rosel Dach. 1907. Bright cherry rose.
Schneewittchen. Lambert, 1901. Creamy white, passing to snow white.
Schneekopf. Lambert, 1903. Snow white, in large clusters.

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page