  ORIGIN AND DEVELOPMENT OF FORM AND ORNAMENT IN CERAMIC ART. Transcriber's Note: Inconsistent hyphenation in the original document has been preserved. Obvious typographical errors have been corrected in this text. THE OPENING OF THE BATTLE AT WOUNDED KNEE [See p. 252] THE OPENING OF THE BATTLE AT WOUNDED KNEEToList TO THE FRONTA SEQUEL TOCADET DAYS
BYGENERAL CHARLES KING
ILLUSTRATED
NEW YORK AND LONDON |
| CHAP. | PAGE | |
| Prelude | 1 | |
| I. | From the Gray To the Blue | 11 |
| II. | The First Call | 30 |
| III. | Away To the West | 39 |
| IV. | "I'm Ready Now" | 49 |
| V. | First Night on the Range | 61 |
| VI. | First Aid To the Wounded | 76 |
| VII. | A Balked Arrest | 89 |
| VIII. | A Race To the Fort | 102 |
| IX. | Bad News From the Mines | 114 |
| X. | First Shots of the Summer | 128 |
| XI. | A Night on Guard | 142 |
| XII. | The Man of the Siege | 156 |
| XIII. | Away on the Warpath | 168 |
| XIV. | A Scout for the Sioux | 180 |
| XV. | First Sight of the Foe | 198 |
| XVI. | Proof Positive of Guilt | 213 |
| XVII. | The War-dance and the Charge | 224 |
| XVIII. | Battle and Victory | 239 |
ILLUSTRATIONS
