GENERAL CHARLES KING, U.S.V.

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Author of "Ray's Recruit," "Marion's Faith," "The Colonel's Daughter," etc.

Decoration

Philadelphia and London
J. B. Lippincott Company
1901

Copyright, 1900
by
J. B. Lippincott Company

Electrotyped and Printed by
J. B. Lippincott Company, Philadelphia, U.S.A.


were to see.

and--

As I outrode this enderes night
Of three jolly shepherds, I saw a sight;
And all about their fold a star shone bright,
They sang "Terli, terlow!"
So merrily the shepherds their pipes can blow.

In this Coventry play we have nearly all the ingredients--foreign, liturgical, or homely English--of the composite miracle play brought together. It bears traces of many hands; and betrays in the dialogue of the formal characters the rubricated lines of the church play on which it was based. The chief characters live, move and act their recognised parts with the certainty of the folk in a nursery tale. Herod out-Herods himself with a Blunderbore extravagance:--

I am the cause of this great light and thunder;
It is through my fury that they such noise do make.
My fearful countenance, the clouds so doth incumber
That oftentimes for dread thereof, the very earth doth quake.

"Fee, fi, fo, fum!" might be the refrain of this giant's litany. The other types are as plainly stamped. The shepherd's are from the life, and contrast well with the stilted and rather tiresome prophets. The scenes at the babe's crib when the offerings are made of the shepherds' pipe, old hat, and mittens, are both droll and tender.

The tragic counterparts of these scenes are those where the Three Executioners work their pitiless task to an end at the Crucifixion, or where the Three Maries go to the grave afterwards in the Cornish mystery, or where Isaac bids his father bind his eyes that he shall not see the sword. It was for long the fashion to say, as Sir Walter Scott did, that these plays had little poetic life, or human interest in them. But they are, at their best, truly touched with essential emotions, with humour, terror, sorrow, pity, as the case may be. Dramatically they are far more alive at this moment, than the English drama of the mid-nineteenth century.

In the Cornish mysteries we lose much by having to use a translation. But something of the spirit and life survive in spite of it, and one detached passage from another of the plays, that of the Crucifixion, is printed in the appendix, which loses nothing by being compared with the treatment in other miracle-plays. Also in the Appendix will be found an interesting note from Norris's Ancient Cornish Drama, on the mode in which the Cornish mysteries were played; and a brief account by Mr. Jenner of the trilogy contained in that work.

There remains John Bayle's play of God's Promises. Its author was born at the sea-doomed city of Dunwich in Suffolk, in 1495. Destined for the church, he showed his obstinacy early by marrying in defiance of his cloth. He was lucky and unlucky in being a protÉgÉ of Thomas Cromwell, and had to fly the country on that dangerous agent's death. He returned when the new order was established, and became Bishop of Ossory, had to suffer and turn exile for his tenets again in Mary's reign; but found safe harbourage for his latter years at Canterbury, where he died. He wrote, on his own evidence, more than twenty plays, of which God's Promises, the Life of John the Baptist, and King John, a history play of interest as a pioneer, are best known. He himself called God's Promises a tragedy, but unless the sense of Sodom hanging in the balance, while Abraham works down to its lowest point the diminishing ratio of the just to be found there, or of David's appearing before the Pater Coelestis as the great judge, of dramatic or tragic emotion there is little indeed. But Bayle's rhetoric easily ran to the edge of suspense, as in the opening of his seventh act, where he puts the dramatic question in the last line:--

I have with fearcenesse mankynde oft tymes corrected,
And agayne I have allured hym by swete promes.
I have sent sore plages, when he hath me neglected,
And then by and by, most confortable swetnes.
To wynne hym to grace, bothe mercye and ryghteousnes
I have exercysed, yet wyll he not amende.
Shall I now lose hym, or shall I hym defende?

And what could be finer than the setting he gives to the antiphon, O Oriens Splendor, at the end of the second act?

To turn from Bayle's play to the heart-breaking realities of Everyman is like turning from a volume of all too edifying sermons to the last chapters of one of the gospels. Into the full history of this play, opening a difficult question about the early relations between Dutch and English writers and printers, there is no room here to go. The Dutch Everyman--Elckerlijk--was in all probability the original of the English, and it was certainly printed a few years earlier. Richard Pynson, who first imprinted the English play at the Sign of the George in Fleet Street, was printing at his press there from the early years of the sixteenth century. The play itself may have been written, and first performed, in English, as in Dutch, a generation or more before.

It was written, no doubt, like most of the plays in this volume, by a churchman; and he must have been a man of profound imagination, and of the tenderest human soul conceivable. His ecclesiastical habit becomes clear enough before the end of the play, where he bids Everyman go and confess his sins. Like many of the more poignant scenes and passages in the miracle-plays that follow it, this morality too leaves one exclaiming on how good a thing was the plain English of the fourteenth and fifteenth centuries.

The relation of the several miracle-plays here printed to the town-cycles from which they come will be seen at a glance on reference to the tables of pageants that appear in the Appendix. We may take it that all these town and country plays represent continually used and frequently tinkered texts, that must in some cases have passed through many piecemeal changes. In making them easy to the average reader of to-day, who takes the place of the mediÆval playgoer at a Corpus Christi festival, their latest copyists have but followed in the wake of a series of Tudor scribes who renewed the prompt-books from time to time. In this process, apart from the change of spelling, the smallest possible alteration has been made consistent with the bringing of the text to a fair modern level of intelligibility. Old words that have been familiarised in Malory or Shakespeare, or the Bible, or in the Border Ballads and north-country books, or in Walter Scott, or the modern dialect of Yorkshire, are usually allowed to stand, and words needed to keep the rhyme, are left intact. But really hard words, likely to delay the reader, are glossed. One Towneley play, the Extractio Animarum, another and a most spirited example of the "Harrowing of Hell," mysteries that thrilled the people long ago, is given in the original spelling, as some test of the change effected in the others. Further, in the Appendix will be found a late example of a St. George and the Dragon doggerel Christmas play, which comes from Cornwall, and which in a slightly varying form has been played in many shires, from Wessex to Tyneside, within living memory. This shows us the last state of the traditional mystery, and the English folk-play as it became when it was left to the village wits and playwrights to produce it, without any co-operation from the trained eye and hand of a parson or a learned clerk. Of some other forms of our earlier drama, not omitting the Welsh interludes of Twm o'r Nant, it may be possible to give illustrations in a later book, companion to this. Only so much is given here as may interest the reader, who is a playgoer first of all, and asks for entertainment and a light in these darker passages of the old British drama.


Finally the amplest acknowledgments are due to those who have worked upon these present plays, including Mrs. C. Richardson, M.A., Mr. O'Brien, Mr. Roberts, Miss Hawkins, G. R., and Mr. Ezra Pound; and to the various editors of the "Early English Text Society," who have made this book possible. Especially should tribute be paid to Dr. Furnivall for his permission to make use of the Society's texts, and his interest in this uncertain attempt to capture the outer public too, and attract it to that ever-living literature to which he has devoted so many days of his young old-age.

E. R.


Everyman: a moral play otherwise called: A Treatyse how the hye fader of heven sendeth dethe to somon every creature to come and gyve a counte of theyr lyves in this worlde], translated from the Dutch play, Elckerlijk, 1520 (?); published in Dodsley's Select Collection of Old English Plays, etc., vol. I., 1874; reprint of one of Skot's editions, collated with his other edition and those of Pynson, Ed. H. Logeman, 1892; with an introduction by F. Sidgwick, 1902; reprinted by W. W. Greg from the Edition by John Skot preserved at Britwell Court, 1904; set to music by H. Walford Davies, etc. (with historical and analytical notes), 1904; J. S. Farmer, Six Anonymous Plays (Early English Dramatists), 1905; with designs by Ambrose Dudley, 1906; in Broadway Booklets, 1906; with introduction, note-book, and word list, J. S. Farmer (Museum Dramatists), 1906.

Miracle Plays: Towneley Mysteries, ed. by Surtees Society, 1836; Pollard, Early English Text Society, 1897. York Mysteries, ed. Lucy Toulmin Smith, 1885. Chester Mysteries, ed. Th. Wright, Shakespeare Society, 1843-47; Deimling, Early English Text Society, 1893, etc.; T. H. Markland (two plays), Roxburghe Club, 1818. Coventry Mysteries, ed. Halliwell, Shakespeare Society, 1841. See also Sharp, Dissertation on the Coventry Mysteries. For other Mysteries see Davidson, Modern Language Notes, vii.; E. Norris, Ancient Cornish Drama, 1859.

Selections, or Separate Plays: Harrowing of Hell, ed. Halliwell, 1840; Collier, Five Miracle Plays, 1867; Dr. E. Mall, 1871; A. W. Pollard, English Miracle Plays, 1895; Specimens of the Pre-Shakespearean Drama, 1897, 2 vols. (a third vol. to come), Prof. Manly. See J. H. Kirkham (Enquiry into Sources, etc.), 1885. Abraham and Isaac, ed. L. Toulmin Smith (Brome Hall MS.), 1886; R. Brotanek (Dublin MS.), Anglia, xxi.

General Literature: Ward, History of English Dramatic Literature, 1875-6; Payne Collier, The History of English Dramatic Poetry, 1879; K. Hase, Miracle Plays, trans. A. W. Jackson, 1880; C. Davidson, Studies in English Mystery Plays, 1892; A. W. Pollard, English Miracle Plays, Moralities, and Interludes, Specimens of pre-Elizabethan Drama, etc., 1895; K. Chambers, The MediÆval Stage, 1903; A full bibliography is given in F. H. Stoddard, References for Students of Miracle Plays and Mysteries, 1887.

rly interested them. They put their heads together, talking in undertones and pointing—so Smith said—first at one design and then at another. An old Hopi buck, a priest of the Antelope clan, was lounging in the low doorway watching them. What the Shriners said to one another could have had no significance for him, even admitting that he heard them, for he did not understand a word of English; but suddenly he reached forth a withered hand and plucked Smith by the sleeve. I am letting Smith tell the rest of the tale just as he told it to us:

"The Hopi pointed to one of the Shriners, an elderly man who came, I think, from somewhere in Illinois, and in his own tongue he said to me: 'That man with the white hair is a Hopi—and he is a member of my clan!' I said to him: 'You speak foolishness—that man comes from the East and never until to-day saw a Hopi in his whole life!' The medicine man showed more excitement than I ever saw an Indian show.

"'You are lying to me!' he said. 'That white-haired man is a Hopi, or else his people long ago were Hopis.' I laughed at him and that ruffled his dignity and he turned away, and I couldn't get another word out of him.

"As the Shriners were passing out I halted the white-haired man and said to him: 'The Hopi medicine man insists that you are a Hopi and that you know something about his clan.' 'Well,' he said, 'I'm no Hopi; but I think I do know something about some of the things he seems to revere. Where is this medicine man?'

"I pointed to where the old Indian was squatted in a corner, sulking; he walked right over to him and motioned to him, and the Hopi got up and they went into the kiva together. I do not know what passed between them—certainly no words passed—but in about ten minutes the Shriner came out, and he had a puzzled look on his face.

"'I've just had the most wonderful experience,' he said to me, 'that I've ever had in my whole life. Of course that Indian isn't a Mason, but in a corrupted form he knows something about Masonry; and where he learned it I can't guess. Why, there are lodges in this country where I actually believe he could work his way in.'"

Not being either a Mason or a Hopi, I cannot undertake to vouch for the story or to contradict it; but Smith has the reputation of being a truthful man.

The Navajos are the aristocrats of the Southwestern country. They are dignified, cleanly in their personal habits, and orderly; and they are wonderful artisans. In addition to being wonderful weavers and excellent silversmiths, they shine at agriculture and at stock raising and sheep raising. They are born horse-traders, too, and at driving a bargain it is said a buck Navajo can spot a Scotchman five balls any time and beat him out; but they have the name of being absolutely honest and absolutely truthful.

This same Mr. Smith, who has lived several years on the Navajo reservation and who is an adopted member of the tribe, took several of us to pay a formal call upon a Navajo subchief, who spends the tourist season at the Grand CaÑon. The old chap, long-haired and the color of a prime smoke-cured ham, received us with perfect courtesy into his winter residence, the same being a circular hut contrived by overlapping timbers together in a kind of basket design and then coating the logs inside and out with adobe clay.

The place was clean and free from all unpleasant odors. In the middle of the floor a fire burned, the smoke escaping through a hole in the roof. At one side was the primitive forge, where the head of the house worked in metals; and against the far wall his squaw was hunkered down, weaving a blanket on her wooden loom. A couple of his young offspring were playing about, dressed simply in their little negligee-strings. The mud walls were hung with completed blankets. Long, stringy strips of dried beef and mutton—the national dishes of the tribe—were dangling from cross-pieces overhead; and on a rug upon the earthen floor lay a glittering pile of bracelets and brooches that had been made by the old man out of Mexican dollars. When we came away, after spending fifteen minutes or so as their guests, the whole family came with us; but the old man tarried a minute to fasten a small brass padlock through a hasp upon his wattled wooden door.

"Up on the reservation, away from the railroads and the towns, there are no locks upon the doors," Smith said.

"Why is that?" I asked.

Smith grinned. "I'll tell the old man what you said and let him answer."

He clucked in guttural monosyllables to the chief, and the chief clucked back briefly, meanwhile eyeing me with a whimsical squint out of his puckered old eyes. And then Smith translated:

"Why should we lock our doors in the place where we live? There are no white men there!"

I will confess that as a representative of the dominant Caucasian stock I had, for the moment, no apt reply ready. Later I thought of a very fitting retort, which undoubtedly would have flattened that impertinent Indian as flat as a flounder; unfortunately, though, it only came to me after several days of study, and by that time I was upward of a thousand miles away from him. But I am saving it to use on him the next time I go back to the Grand CaÑon. No mere Indian can slander our race, even if he is telling the truth—not while I'm around!

Down in Southern California I rather figured on finding a large swarm of Mission Indians clustering about every Mission; but, alas! they weren't there, either. We saw a few worshipers and plenty of tourists, but no Indians—at least, I didn't see any personally. There is something wonderfully impressive about a first trip to any one of those old gray churches; everything about it is eloquent with memories of that older civilization which this Western country knew long before the Celt and the Anglo-Saxon breeds came over the Divide and down the Pacific Slope, filled with their lust for gold and lands, craving ever more power and more territory over which to float the Stars and Stripes.

The vanished day of the Spaniard now lives only within the walls of the early Missions, but it invests them with that added veneration which attaches to whatever is old and traditional and historic. We haven't a great deal that is very old in our own country; maybe that explains why we fuss over it so when we come across it in Europe.

AS SHE LEVELED THE LENS A YELL WENT UP FROM SOMEWHERE
AS SHE LEVELED THE LENS A YELL WENT UP FROM SOMEWHERE

There is one Mission which in itself, it seemed to me, is almost worth a trip clear across the continent to see—the one at Santa Barbara. It is up the side of a gentle foothill, with the mountains of the Coast Range behind it. Down below the roofs and spires of a brisk little city show through green clumpage, and still farther beyond the blue waters of the Pacific may be seen.

Parts of this Mission are comparatively new; there are retouchings and restorations that date back only sixty or seventy years, but most of it speaks to you of an earlier century than this and an earlier race than the one that now peoples the land. You pass through walls of solid masonry that are sixteen feet thick and pierced by narrow passages; you climb winding stairs to a squat tower where sundry cracked brazen bells, the gifts of Spanish gentlemen who died a hundred years ago perhaps, swing by withes of ancient rawhide from great, worm-gnawed, hand-riven beams; you walk through the Mission burying-ground, past crumbly old family vaults with half-obliterated names and titles and dates upon their ovenlike fronts, and you wander at will among the sunken individual graves under the palms and pepper trees.

Most convincing of all to me were the stone-flagged steps at the door of the church itself, for they are all worn down like the teeth of an old horse—in places they are almost worn in two. Better than any guidebook patter of facts and figures—better than the bells and the graves and the hand-made beams—these steps convey to the mind a sense of age.

You stand and look at them, and you see there the tally of vanished generations—the heavy boot of the conquistador; the sandaled foot of the old padre; the high heel of a dainty Spanish-born lady; the bare, horny sole of the Indian convert—each of them taking its tiny toll out of stone and mortar—each of them wearing away its infinitesimal mite—until through years and years the firm stone was scored away and channeled out and left at it is now, with curves in it and deep hollows.

Given a dime's worth of imagination to start on, almost any one could people that spot with the dead-and-gone figures of that shadowy past; could forget the trolley cars curving right up to the walls; the electric lights strung in globular festoons along the ancient ceilings of the porticoes; the roofs of the new, shiny modern bungalows dotting the gentle slopes below—could forget even that the brown-cowled, rope-girthed father who served as guide spoke with a strong German accent; could almost forgive the impious driver of the rig that brought one here for referring to this place as the Mish. But be sure there would be one thing to bring you hurtling back again to earth, no matter how far aloft your fancy soared—and that would be the ever-present souvenir-collecting tourist, to whom no shrine is holy and no memory is sacred.

There is no charge for admission to the Mission. All comers, regardless of breed or creed, are welcomed; and on constant duty is a gentle-voiced priest, ready to lead the way to the inner rooms where priceless relics of the day when the Spaniards first came to California are displayed; and into the church itself, with its candles burning before the high altar and the quaint old holy pictures ranged thick upon the walls; and through the burying-ground—and to all the rest of it; and for this service there is nothing to pay. On departing the visitor, if he chooses, may leave a coin behind; but he doesn't have to—it isn't compulsory.

There is a kind of traveler who repays this hospitality by defiling the walls with his inconsequential name, scratched in or scrawled on, and by toting away as a souvenir whatever portable object he can confiscate when nobody is looking. Up in the bell tower the masonry is all defaced and pocked where these vandals have dug at it with pocketknives; and as we were coming away, one of them—a typical specimen—showed me with deep pride half of a brick pouched in his coat pocket. It seemed that while the priest's back was turned he had pried it loose from the frilled ornamentation of a vault in the burying-ground at the cost only of his self-respect—admitting that he had any of that commodity in stock—and a broken thumbnail. It was, indeed, a priceless treasure and he valued it accordingly. And yet, at a distance of ten feet in an ordinary light, no one not in the secret could have said offhand whether that half-brick came out of a Mission tomb in California or a smokehouse in Arkansas.

We didn't see any Indians when we ran down into Mexico. However, we only ran into Mexico for a distance of a mile and a half below the California state boundary, and maybe that had something to do with it. By automobile we rode from San Diego over to the town of Tia Juana, signifying, in our tongue, Aunt Jane. Ramona, heroine of Helen Hunt Jackson's famous novel, had an aunt called Jane. I guess they had a grudge against the lady; they named this town after her.

Selling souvenirs to tourists, who come daily on sightseeing coaches from Coronado Beach and San Diego, is the principal pastime of the natives of Tia Juana. Weekdays they do this; and sometimes on a Sunday afternoon they have a bullfight in their little bullring. On such an occasion the bullfighting outfit is specially imported from one of the larger towns farther inland. Sometimes the whole troupe comes from Juarez and puts on a regular metropolitan production, with the original all-star cast. There is the gallant performer known as the armadilla, who teases the bull to desperation by waving a red shawl at him; the no less daring parabola, sticking little barbed boleros in the bull's withers; and, last of all, the intrepid mantilla, who calmly meets the final rush of the infuriated beast and, with one unerring thrust of his trusty sword, delivers the porte-cochÈre, or fatal stroke, just behind the left shoulder-blade, while all about the assembled peons and pianolas rend the ambient air with their delighted cry: "Hoi Polloi! Hoi Polloi! Dolce far niente!"

Isn't it remarkable how readily the seasoned tourist masters the difficulties of a foreign language? Before I had been in Mexico an hour I had picked up the intricate phraseology of the bullfight; and I was glad afterward that I took the trouble to get it all down in my mind correctly, because such knowledge always comes in handy. You can use it with effect in company—it stamps you as a person of culture and travel—and it impresses other people; but then I always could pick up foreign languages easily. I do not wish to boast—but with me it amounts to a positive gift.

It was a weekday when we visited Tia Juana, and so there was no bullfight going on; in fact, there didn't seem to be much of anything going on. Once in a while a Spigotty lady would pass, closely followed by a couple of little Spigots, and occasionally the postmaster would wake up long enough to accept a sheaf of postcards from a tourist and then go right back to sleep again. We had sampled the tamales of the country, finding them only slightly inferior to the same article as sold in Kansas City, Kansas; and we had drifted—three of us—into a Mexican cafÉ. It was about ten feet square and was hung with chromos furnished by generous Milwaukee brewers and other decorations familiar to all who have ever visited a crossroads bar-room on our own side of the line. Bottled beer appeared to be the one best bet in the drinking line, and the safest one, too; but somehow I hated—over here upon the soil of another country—to be calling for the domestic brews of our own St. Louis! Personally I desired to conform my thirst to the customs of the country—only I didn't know what to ask for. I had learned the bullfighting language, but I hadn't progressed very far beyond that point. While I was deliberating a Mexican came in and said something in Spanish to the barkeeper and the barkeeper got a bottle of a clear, almost colorless fluid out from under the counter and poured him a sherry glassful of it. So then, by means of a gesture that is universal and is understood in all climes, I indicated to the barkeeper that I would take a little of the same.

The moment, though, that I had swallowed it I realized I had been too hasty. It was mescal—an explosive in liquid form that is brewed or stilled or steeped, or something, from the juices of a certain variety of cactus, according to a favorite family prescription used by Old Nick several centuries ago when he was residing in this section. For its size and complexion I know of nothing that is worthy to be mentioned in the same breath with mescal, unless it is the bald-faced hornet of the Sunny South. It goes down easily enough—that is not the trouble—but as soon as it gets down you have the sensation of having swallowed a comet.

As I said before, I didn't see any Indians in Old Mexico, but if I had taken one more swig of the national beverage I am satisfied that not only would I have seen a great number of them, but, with slight encouragement, might have been one myself. For the purpose of assuaging the human thirst I would say that it is a mistake on the part of a novice to drink mescal—he should begin by swallowing a lighted kerosene lamp for practice and work up gradually; but the experience was illuminating as tending to make me understand why the Mexicans are so prone to revolutions. A Mexican takes a drink of mescal before breakfast, on an empty stomach, and then he begins to revolute round regardless.

On leaving Tia Juana we stopped to view the fort, which was the principal attraction of the place. It was located in the outskirts just back of the cluster of adobe houses and frame shacks that made up the town. The fort proper consisted of a mud wall about three feet high, inclosing perhaps half an acre of bare clayey soil. Outside the wall was a moat, upward of a foot deep, and inside was a barrack. This barrack—I avoid using the plural purposely—was a wooden shanty that had been whitewashed once, but had practically recovered from it since; and its walls were pierced—for artillery-fire, no doubt—with two windows, to the frames of which a few fragments of broken glass still adhered. Overhead the flag of the republic was flying; and every half-minute, so it seemed to us, a drum would beat and a bugle would blow and the garrison would turn out, looking—except for their guns—very much like a squad of district-telegraph messengers. They would evolute across the parade ground a bit and then retire to quarters until the next call to arms should sound.

We could not get close enough to ascertain what all the excitement was about, because they would not let us. We were not allowed to venture within fifty yards of the outer breastworks, or kneeworks; and even then, so the village authorities warned us, we must keep moving. A woman camera fiend from Coronado was along, and she unlimbered her favorite instrument with the idea of taking a few snapshots of this martial scene.

As she leveled the lens a yell went up from somewhere, and out of the barrack and over the wall came skipping a little officer, leaving a trail of inflammatory Spanish behind him in a way to remind you of the fireman cleaning out the firebox of the Through Limited. He was not much over five feet tall and his shabby little uniform needed the attention of the dry cleanser, but he carried a sword and two pistols, and wore a brass gorget at his throat, a pair of huge epaulets and a belt; and he had gold braid and brass buttons spangled all over his sleeves and the front of his coat, and a pair of jingling spurs were upon his heels. There was a long feather in his cap, too—and altogether, for his size, he was most impressive to behold. He charged right up to the abashed camera lady and, through an interpreter, explained to her that it was strictly against the rules to permit a citizen of a foreign power to make any pictures of the fortifications whatsoever. He appeared to nurse a horrid fear that the secret of the fortifications might become known above the line, and that some day, armed with this information, the Boy Scouts or a Young Ladies' High School might swoop down and capture the whole works. He explained to the lady, that, much as he regretted it, if she persisted in her suspicious and spylike conduct, he would have to smash her camera for her. So she desisted.

The little officer and his merry men had ample reason for being a mite nervous just then. Their country was in the midst of its spring revolution. The Madero family had just been thinned out pretty extensively, and it was not certain yet whether the Diaz faction or the Huerta faction, or some other faction, would come out on top. Besides, these gallant guardians of the frontier were a long way from headquarters and in no position to figure out in advance which way the national cat would jump next. All they knew was that she was jumping.

AS THE OCCUPANTS SPILLED SPRAWLINGLY THROUGH THE GAP, A FRONT TIRE EXPLODED WITH A LOUD REPORT
AS THE OCCUPANTS SPILLED SPRAWLINGLY THROUGH THE GAP, A FRONT TIRE EXPLODED WITH A LOUD REPORT

Every morning, so we heard, they were taking a vote to decide whether they would be Federalists that day or Liberalists, or what not; and the vote was invested with a good deal of personal interest, too, because there was no telling when a superior force might arrive from the interior; and if they had happened to vote wrong that day there was always the prospect of their being backed up against a wall, with nothing to look at except a firing squad and a row of newmade graves.

We were told that one morning, about three or four weeks before the date of our visit, the garrison had been in the barrack casting their usual ballot. They were strong Huertaists that morning—it was Viva Huerta! all the way. Just about the time the vote was being announced a couple of visiting Americans in an automobile came down the road flanking the fort. There had been a rain and the road was slippery with red mud. As the driver took the turn at the corner his wheels began skidding and he lost control. The car skewed off at a tangent, hurdled the moat, and tore a hole in the mud wall; and, as the occupants spilled sprawlingly through the gap, a front tire exploded with a loud report. The garrison took just one look out the front door, jumped to the conclusion that the Villa crowd had arrived and were shooting automobiles at them, and unanimously adjourned by the back way into the woods. Some of them did not get back until the shades of night had descended upon the troubled land.

Such is military life in our sister republic in times of war, and yet they sometimes have a very realistic imitation of the real thing over there. Revolution before last there were two separate engagements in this little town of Tia Juana. A lot of belligerents were killed and a good many more were wounded.

In an iron letter box in front of the post-office we saw a round hole where a steel-jacketed bullet had passed through after first passing through a prominent citizen. We did not see this citizen. It became necessary to bury him shortly after the occurrence referred to.

In vain I sought the red brother on my saunterings through California. In San Francisco I once thought I had him treed. On Pacific Street, a block ahead of me, I saw a group of pedestrians, wrapped in loose flowing garments of many colors. Even at that distance I could make out that they were dark-skinned and had long black hair. I said to myself: "It is probable that these persons are connected with Doctor Somebody's Medicine Show; but I don't care if they are. They are Indians—more Indians than I have seen in one crowd at one time since Buffalo Bill was at Madison Square Garden last spring. I shall look them over."

So I ran and caught up with them—but they were not Indians. They were genuine Egyptian acrobats, connected with a traveling carnival company. When Moses transmitted the divine command to the Children of Israel that they should spoil the Egyptians, the Children of Israel certainly did a mighty thorough job of it. That was several thousand years ago and those Egyptians I saw were still spoiled. I noticed it as soon as I got close to them.

In Salt Lake City I saw half a dozen Indians, but in a preserved form only. They were on display in a museum devoted to relics of the early days. In my opinion Indians do not make very good preserves, especially when they have been in stock a long time and have become shopworn, as was the case with these goods. Personally, I would not care to invest. Besides, there was no telling how old they were. They had been dug out, mummified, from the cliff-dwellers' ruins in the southern part of the state, along with their household goods, their domestic utensils, their weapons of war and their ornaments; and there they were laid out in glass cases for modern eyes to see. There were plenty of other interesting exhibits in this museum, including several of Brigham Young's suits of clothes. For a man busied with statecraft and military affairs and domestic matters, Brigham Young must have changed clothes pretty often. I couldn't keep from wondering how a man with a family like his was found the time for it.

To my mind the most interesting relic in the whole collection was the spry octogenarian who acted as guide and showed us through the place—for he was one of the few living links between the Old West and the New. As a boy-convert to Mormonism he came across the desert with the second expedition that fled westward from Gentile persecution after Brigham Young had blazed the trail. He was a pony express rider in the days of the overland mail service. He was also an Indian fighter—one of the trophies he showed was a scalp of his own raising practically, he having been present when it was raised by a friendly Indian scout from the head of the hostile who originally owned it—and he had lived in Salt Lake City when it was a collection of log shanties within the walls of a wooden stockade. And now here he was, a man away up in his eighties, but still brisk and bright, piloting tourists about the upper floor of a modern skyscraper.

We visited the museum after we had inspected the Mormon Tabernacle and had looked at the Mormon Temple—from the outside—and had seen the Beehive and the Lion House and the Eagle Gate and the painfully ornate mansion where Brigham Young kept his favorite wife, Amelia. The Tabernacle is famous the world over for its choir, its organ and its acoustics—particularly its acoustics. The guide, who is a Mormon elder detailed for that purpose, escorts you into the balcony, away up under the domed wooden roof; and as you wait there, listening, another elder, standing upon a platform two hundred feet away, drops an ordinary pin upon the floor—and you can distinctly hear it fall. At first you are puzzled to decide exactly what it sounds like; but after a while the correct solution comes to you—it sounds exactly like a pin falling. Next to the Whispering Gallery in the Capitol at Washington, I don't know of a worse place to tell your secrets to a friend than the Mormon Tabernacle. You might as well tell them to a woman and be done with it!

In Salt Lake City I had rather counted upon seeing a Mormon out walking with three or four of his wives—all at one time. I felt that this would be a distinct novelty to a person from New York, where the only show one enjoys along this line is the sight of a chap walking with three or four other men's wives—one at a time. But here, as in my quest for the Indian, I was disappointed some more. Once I thought I was about to score. I was standing in front of the Zion CoÖperative Mercantile Establishment, which is a big department store owned by the Church, but having all the latest improvements, including bargain counters and special salesdays. Out of the door came an elderly gentleman attired in much broadcloth and many whiskers, and behind him trailed half a dozen soberly dressed women of assorted ages.

Filled with hope, I fell in behind the procession and followed it across to the hotel. There I learned the disappointing truth. The broadclothed person was not a Mormon at all.

He was a country bank president from somewhere back East and the women of his party were Ohio school-teachers. Anywhere except in Utah I doubt if he could have fooled me, either, for he had the kind of whiskers that go with the banking profession. For some reason whiskers are associated with the practice of banking all over this country; hallowed by custom, they have come to stand for financial responsibility. A New York banker wears those little jib-boom whiskers on the sides of his head and sometimes a pennon on his chin, whereas a country banker usually has a full-rigged face. This man's whiskers were of the old square barkentine cut. I should have known who he was by his sailing gear.

And so, disappointed in my dreams of seeing Indians on the hoof and Mormon households taking the air in family groups, I left Salt Lake City, with its fine wide streets and its handsome business district and its pure air and its background of snow-topped mountains, and started on the long homebound hike. It was late in the afternoon. We had quit Utah, with its flat plains, its garden spots reclaimed from the desert, and its endless succession of trim red-brick farmhouses, which seem to be the universal dwelling-places of the prosperous Mormon farmer.

We had departed from the old trail that Mark Twain crawled over in a stage-coach and afterward wrote about in his immortal Roughing It. The Limited, traveling forty-odd miles an hour, was skipping through the lower part of Wyoming before turning southward into Colorado. We were in the midst of an expanse of desolation and emptiness, fifteen miles from anywhere, and I was sitting on the observation platform of the rear car, watching how the shafts of the setting sun made the colors shift and deepen in the caÑons and upon the sides of the tall red mesas, when I became aware that the train was slowing down.

Through the car came the conductor, with a happy expression upon his face. Behind him was a pleased-looking flagman leading by the arm a ragged tramp who had been caught, up forward somewhere, stealing a free ride.

The tramp was not resisting exactly, but at every step he said:

"You can't put me off the train between stations! It's the law that you can't put me off the train between stations!"

Neither the conductor nor the flagman said a word in answer. As the conductor reached up and jerked the bellcord the tramp, in the tone and manner of one who advances an absolutely unanswerable argument, said:

"You know, don't you, you can't put me off the train between stations?"

The train halted. The conductor unfastened a tail-gate in the guard-rail, and the flagman dropped his prisoner out through the opening. As the tramp flopped off into space I caught this remark:

"You can't put me off the train between stations."

The conductor tugged another signal on the bellcord, and the wheels began to turn faster and faster. The tramp picked himself up from between the rails. He brushed some adhering particles of roadbed off himself and, facing us, made a megaphone of his hands and sent a message after our diminishing shapes. By straining my ears I caught his words. He spoke as follows:

"You can't put me off the train between stations!"

In my whole life I never saw a man who was so hard to convince of a thing as that tramp was.

Transcriber's Note:

Minor spelling, hyphenation, and punctuation errors have been corrected.





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