Cold and gray in the mist of the morning the long columns have filed down from the heights, and are massed at the water's edge. It is chill December, and the frost has eaten deep into the ruddy soil of Virginia, but the Rappahannock flows swiftly along, uncrusted by the ice that fetters Northern streams, yet steaming in the biting air. Fog-wreaths rise from the rippling surface, and all along the crowded shore the clouds hang dense and heavy. Nowhere can one see in any direction more than a dozen yards away; all beyond is wrapped in swirling, eddying fog-bank. Here in the thronging ranks, close at hand, men speak in low tones as they stamp upon the frozen ground or whip their mittened hands across the broad blue chests to restore circulation and drive the ache and numbness away. Here and there are some who have turned their light blue capes up over their heads, and take no part in the low-toned chat. Leaning on their muskets, they let their thoughts go wandering far away, for all men know that bloody work is coming. The engineers are hammering at their bulky pontoons now, and down at the water's edge the clumsy boats are moored, waiting for chess and balk carriers to be told off, and the crews to man the heavy sweeps. Up on the heights to the rear, planted thickly on every knoll and ridge, are the black-mouthed guns, and around them are grouped the squads of ghostly, grisly, fog-dripping cannoneers. One may walk along that line of heights for mile after mile, and find there only grim ranges of batteries and waiting groups of men. All is silence; all is alertness; all is fog. Back of the lines of unlimbered cannon, sheltered as far as possible from returning fire, the drivers and horses and the heavy-laden caissons are shrouded in the mist-veil, and the staff officers, groping to and fro, have to ask their way from battery to battery, or go yards beyond their real objective point. Little fires are burning here and there, and battery-lanterns are flickering in the gloom. Out on the face of the stream, too, one can see from the northern shore weird, dancing lights, like will-o'-the-wisps, go twinkling through the fog; and far across the waters, from time to time, there is heard the sudden crack of rifle. The Southern pickets are beginning to catch faint glimpses of those lights, and are opening fire, for vigilant officers are there to interpret every sound and sight, and with the first break of the wintry dawn they grasp the meaning of the murmur that has come for hours from the upper shore. "The Yanks are laying bridges" is the word that goes from mouth to mouth, and long before the day is fairly opened the nearing sounds and the will-o'-the-wisp lights out there in the fog tell the shivering pickets that the foe is more than half-way across. Daybreak brings strong forces into line along the southern bank, all eyes straining through the fog. Out to the front the ping! ping! of the rifles has become rapid and incessant, and by broad daylight all the river bank and the walls of the buildings that command a view of it are packed with gray riflemen ready for work the instant those bridge-heads loom into view. When seven o'clock comes, and the fog thins just a little, there are the bridge-ends, sure enough, poking drearily into space, but the only signs of the builders are the motionless forms in blue that are stretched here and there about the boats or planks, only faintly visible through the mist; the working parties have been forced to give it up. Back they come, what is left of them, and tell their tale among the sympathizing blue overcoats in the wearying ranks, and officers ride away up the slopes, and there are moments of suspense and question, and then the thud of sponge-staff and rammer among the batteries, and a sudden flash and roar, tearing the mists asunder; another, another; and then, up and down along the line of heights, the order goes, and gun after gun belches forth its charge of shot and shell, and back from the walls of Fredericksburg comes the direful echo and the crash of falling roof or gable. "Depress those muzzles!" is the growling order. "The whole bank is alive with rebs, and we must shell 'em out before those bridges can be finished." The elevating screws are spun in their beds, the shell fuzes cut down to the very edge. Some guns are so near the river that they are rammed with grape and canister; and so, for an hour, the thundering cannonade goes on, and the infantry crouch below, and swear and shiver, and once in a while set up a cheer when occasion seems to warrant it. And then, covered by this furious fog-bombardment, the engineers again push forward their bridge-builders, and cram their pontoons, and launch them forth upon the stream. It is all useless. No sooner do they reach the bridge-end when down they go by the dozens before the hot fire of a thousand Southern rifles. So dense is the fog that the gunners cannot aim. Shot, shell, and canister go shrieking through roof and wall, and ripping up streets and crossings; but the plucky riflemen hug the shore in stern determination, and again the bridges are abandoned.
And so a cold and cheerless morning ebbs away; and at last, towards noon, there comes relief. The sun bursts through the clouds, and licks up the fog-bank. The mist-veil is withdrawn, and there stands Fredericksburg, with shattered roof and spire, backed by a long line of gun-bristling heights, and there are the unfinished bridges jutting helplessly out two thirds across the water. A number of the heavy pontoons are still moored close to shore, and while all along under the bank the regiments are ranging into battle order, two or three of them are tumbling into those clumsy arks, cramming them with armed men, and then pushing off into the stream. Failing in working across a narrow causeway, the "Yanks" are taking to their boats and sending over a flotilla. It is a daring, desperate feat, but it tells. Despite the fierce resistance, despite the heavy loss that befalls them, animated by the cheers of their comrades, they push ahead, answering the fire as well as they can, and at last, one after another, the boats are grounded on the southern shore, and, though sadly diminished in numbers, the men leap forth and go swarming up the bank, driving the gray pickets to cover. Others hurry across and reinforce them; then more and more, until they are strong enough to seize the nearest buildings and hold the approaches, and then the working parties leap forward; the bridge is finished with a will, and the comrades of their brigade come tramping cheerily across. Three splendid regiments are they which made that daring venture, mere companies in numbers as compared with their early strength, and one of them is the—th Massachusetts, now led by a captain. Colonel Putnam stands at his side at this moment of triumph and partial rest. He commands the brigade that has done this brilliant work, and now is receiving the thanks sent over from corps headquarters; and the mounted officer, the first one across the bridge, who bears the general's congratulations, is his young chief-of-staff, Major Abbot.
There has been fierce fighting through the streets, stubborn resistance on part of the occupants of the town, and determined effort on part of the thronging force of Union men who are constantly gaining accessions as the brigades come marching over. Just at sunset, with the town fully in their possession, there is sudden turmoil and excitement among the blue-coats gathered around an old brick building near the western edge. There is rushing to and fro; then savage exclamations, shouts of "Kill him!" "Hang him!" "Run him down to the creek and duck him!" and the brigade commander, with Major Abbot and one or two other mounted officers, has quite as much as he can do to rescue from the hands of an infuriated horde of soldiers a bruised, battered, slouching hulk of a man in a dingy Confederate uniform. He implores their protection, and it is only when they see the piteous, haggard, upturned face, and hear the wail of his voice, that Putnam and Abbot recognize the deserter, Rix. Abbot is off his horse and by his side in an instant. Sternly ordering back the men who had grappled and were dragging him, the major holds Rix by the coat-collar and gazes at him in silent amaze.
"In God's name, how came you here, and in this garb?" he finally asks.
Weak with sickness, suffering, and the horrible fright he has undergone, the bully of former days simply shudders and cringes now. He crouches at Abbot's feet, gazing fearfully around him at the circle of vengeful, powder-blackened faces.
"Don't let them touch me, Mr. Abbot! Oh, for God's sake help me. I'm 'most dead, anyhow. I can't talk now. We're 'most starved, too, and Mr. Hollins is dying."
"Hollins!" exclaims Abbot, almost losing his hold on the collar and dropping the limp creature to earth. "What do you mean? where?"
"In there; in the bedroom up-stairs. Oh, major, don't leave me here; these men will murder me!" he implores, clutching the skirts of Abbot's heavy overcoat; but Colonel Putnam signals "Go on," and, leaving his abject prisoner, Abbot hastens up the stairs of the old brick house, and there, in a low-ceilinged room, stretched upon the bed, with wild, wandering eyes and fevered lips, with features drawn and ghastly, lies the man who has so bitterly sinned against him, and whom he has so often longed to meet eye to eye—but not this way.
And it is an awful look of recognition that greets him, too. Shot through and through as he is, tortured with thirst and suffering, praying for help and longing for the sight of some friendly face, it seems a retribution almost too cruel that, in his extreme hour, the man sent by Heaven to minister to his needs should be the one he has so foully wronged, the one of whom he lives in dread. He covers his eyes with a gesture of dismay, and turns fearfully to the wall. There is a moment of silence, broken only by the rattle of the window in its casing as it shudders to the distant boom of the guns far down the line. Then Abbot steps to the bedside and places his gauntleted hand upon the shoulder of the stricken man.
"Hollins! How are you wounded? Have you seen a surgeon?"
No answer for a moment, and the question is gently repeated.
"Shot through the body—rifle-ball. There was a surgeon here last night, but he's gone."
"Lie still then until I get one. I would bring Doctor Thorn, but he has too much to do with—too much to do just now." He comes near saying "with our own men," but checks himself in time. He cannot "kick the man that is down" with such a speech as that, and it is not long before he reappears, and brings with him a surgeon from one of the arriving regiments. Colonel Putnam, too, comes up the stairs, but merely to take a look at the situation, and place a guard over both the wounded man and his strange, shivering companion, Rix. Some of the soldiers are sent for water, and others start a fire in the little stove in the adjoining room. The doctor makes his examination, and does what he can for his sinking patient, but when he comes out he tells Abbot that Hollins has not many hours to live, "and he wants to see you," he adds. "Did you know him?"
There is a strange scene in the cramped little room of the quaint old house that night. By the light of two or three commissary candles and the flickering glare from the fire one can see the features of the watchers and of the fast-dying man. Abbot sits by the bedside; Colonel Putnam is standing at the foot, and the adjutant of the—th Massachusetts has been reading aloud from his notes the statement he has taken down from the lips of the former quartermaster. One part of it needs verification from authority not now available. Mr. Hollins avers that he is not a deserter to the enemy as appearances would indicate, but a prisoner paroled by them.
The statement, so far as it bears upon his official connection with the regiment, is about as follows:
"I had personal reasons for going back to the Monocacy—reasons that could not be explained to the satisfaction of a commanding officer. I had to see Mr. Abbot to explain a wrong I had done him, and avert, if possible, the consequences. I left without permission, and rode back, but found all the roads picketed, and I was compelled to hide with a farmer near Boonsboro' until Rix reached me. He had been my clerk, and was an expert penman. He fixed the necessary papers for me, and, with the aid of certain disguises I had, it was not so hard to get around. I meant to resign, but feared that, if offered through the regular channels, it would be refused, and I be brought to trial because of the condition of my accounts. Then I found that I was too late to undo the wrong I had done, and it was while trying to make partial amends that I came so near being captured by Colonel Putnam at Frederick. It made me desperate. That night I took the first horse I could find, and rode down the valley, believing all was lost, and that I must get away from that part of the country. Money found me a hiding-place when my papers would no longer serve. Then money bribed a messenger to carry word of my condition to Rix, who had been sent to the regiment at Harper's Ferry. He got away and joined me, and made out some more papers for me, and then started, by night and alone, to get home, where he said he had money. Mine was about gone by that time, and here I lay in hiding until Stuart came sweeping down the Monocacy on his way back to Virginia, and I was glad to be captured and carried along. I gave him my proper name and rank, and when Rix came back the army had left that part of the country, and he followed me into Virginia. He said he would be shot, anyway, if captured; and the next I heard of him—I being then a prisoner in Richmond—was that he had enlisted in a Virginia regiment, and was dying here in Fredericksburg. He had been devoted to me, and needed me. I gave my parole, and was allowed to come here to nurse him. He was recovering and able to be about when the bombardment opened, and I was shot at the river bank, whither I had gone to bid him good-bye, and was carried here. The rest that I have to say is for Major Abbot alone to hear."
Putnam and the adjutant, after a few questions, withdraw; and at last, with even the soldier nurse excluded, the dying man is alone with the one officer of his regiment who had striven to befriend him, and whom he has so basely rewarded.
"There is no time for lamenting or empty talk of forgiveness and remorse. It is time you heard the truth, Abbot. I always envied you at college. I envied every man who had birth or wealth or position. I had some brains, but was poor, burdened with the care of a vagabond brother who was well-nigh a jail-bird, and whose only talent was penmanship. He would have been a forger then if it hadn't been for me. For me he afterwards became one. You know who I mean now—Rix. Mr. Winthrop gave me opportunities, and I worked. I had little money, though, but time and again I was called to his house, saw his daughter, and I was ambitious. When she went abroad I followed; was as discreetly attentive as my wit could make me—and when I failed to make the impression I hoped, and we returned, I learned the reason—she was engaged to you. It made me determine that I would undermine it. You did not love her, nor she you. It was a family match, and not one that would make either of you happy. My life in the regiment was a hell, because they seemed to—seemed to know me for what I was. And you simply tolerated me. It made a devil of me, Abbot, and I vowed that proud girl should love me and turn from you if I had to hang for the means that brought it about. I was quartermaster at Edwards's Ferry, and Rix was the man who fetched and carried the mails. 'Twas easy enough to abstract her letters or yours from time to time, but the case needed something more than that. Neglect would not rouse her; jealousy might. One day there came the picture of those girls at Hastings (Abbot's hands begin to clinch; he has listened coldly up to this point), and I saw the group that was sent to them, and the pretty letter written by their secretary, Miss Warren. Then came her letter saying she was Guthrie Warren's sister. I knew him well at college, and an idea occurred to me. I took your picture, wrote a note, and had Rix copy it, and sent it in your name. When the answer came Rix and I were on the lookout for it, and got it, and wrote again and again. I had matter enough to work on with my knowledge of Warren, and then his death intensified the interest. I don't care to look in your face now, Abbot, for I'm not a fearless man; nothing but a beaten, broken, cowardly scoundrel; but I began trying on that sweet and innocent country girl the arts against which your fiancÉ my highbred kinswoman, had been proof; I was bound to punish her pride. But I found my pretty correspondent as shy, as maidenly and reserved, with all her sister-love and pride, as the other was superior. It was game worth bringing down, by Heaven! and I grew desperate. I was drinking then, and getting snarled up in my accounts, and you had turned a cold shoulder on me; and then came the campaign and Rix's break and more difficulties, and I was at my wit's end to keep the letters from you; and just before Second Bull Run came Miss Winthrop's letters challenging me to prove that you did not care for her, and I sent her three of Miss Warren's letters. But, worse than that, I had been wooing another in your name; and, because she would not betray an undue interest, I became more engrossed; became more warmly interested; and soon it was not for the sake of showing your fiancÉ a love-letter from another woman, but to satisfy the cravings of my own heart. I began more and more to strive to win this dainty, innocent, pure-minded girl. Aye, sir, I was wooing over your name; but 'twas I who loved; yes, loved her, Abbot. Now, what think you of me and what I suffered?"
He pauses a moment, choked and quivering. He motions with his hand to the cup of stimulant the doctor has left him. Abbot coldly hands it to him, and finds that he must raise him from the pillow before he can swallow. He is stirred to his inmost soul with wrath and indignation against this ruthless traitor, even when the fates have laid him low. It is hard to touch him gently, but he steps to his side and does what he can, bidding him use no exertion and be calm as possible. A few painful, hurried breaths, and then Hollins goes on again.
"Though not once had she confessed her love, I felt I was gaining. She sent me her photograph. It is here, on my breast; I have carried it day and night." Abbot's muscles grew rigid again and his stern face sets with a sterner look. "But I was in constant worry about my affairs and the coming of those letters. Then when you were wounded and left behind at South Mountain I felt that the crisis had come. I had to get back there. Something told me she would hasten to you. They came, and I had the agony of seeing him—her father—returning from his visit to you; Rix told me of it afterwards. Then I strove madly to see her; to tell her the truth, though I knew she would only despise and spurn me. I scrawled a note confessing my crime, but sending no name; gave it to the woman to give to the doctor, and then tore myself away. I was the rebel spy the colonel nearly caught, and from that time I have been a fugitive; and now—a chance shot ends it all. Rix has been faithful to me, poor devil, and I came here to do what I could for him. Voila tout! Abbot, don't let them shoot him. He isn't worth it. Give me more of that brandy."
He lies back on the grimy pillow, breathing fast and painfully. Abbot stands in silence a moment. Then his voice, stern and constrained, is heard in question:
"Have you any messages, Hollins? Is there any way in which I can serve you?"
"It seems tough—but the only friend I have to close my eyes is the man I plotted against and nearly despoiled of his lady-love," mutters Hollins. Either he is wandering a little bit or the brandy is potent enough to blur his sense of the nearness of death. "I wanted to tell you the truth—not that I look for forgiveness. I know your race well enough. You'll see fair play, but love and hate are things you don't change in much. I've no right to ask anything of you, but—who is there? My God! I believe your wife that is to be was about the only friend I had in the world—except Rix. He brought me back the letters, and says she was so good to him. I hope he didn't ask her for money. He swears he didn't, but he's such a liar! We both are, for that matter. I'm glad, though, now, that my lies didn't hurt you. They didn't, did they, Abbot? You're still engaged?"
"I—am engaged."
"Oh, well; if I only hadn't brought that damnable sorrow to that poor child, and if I could only feel that they wouldn't shoot Rix, it wouldn't be so bad—my going now. What will they do with Rix?"
"He must stand trial for desertion, I fancy. The men nearly lynched him as it was."
"I know, and you saved him. Isn't it all strange?" Here for over a year we two have been plotting against you, and now, at the last, you're the only friend we have. "Where is he?"
"Down below, under guard. You shall see him whenever you feel like it. Is there any one else you want to see, Hollins?"
"Any one—any one? Ah, God! Yes, with a longing that burns. It is her face. It is she—Bessie!" His hand steals feebly into his breast, and he drags slowly forth a little packet of oiled silk. This he hugs close to his fluttering heart, and his eyes seek those of the young soldier standing there so strong, so self-reliant and erect. His glance seems envious, even now, with the fast-approaching angel's death-seal dimming their light, and the clammy dew gathering on his brow.
"It was your picture I sent her, just as you seem to stand there now. It was I who won her, but she thinks I looked like you."
"Pardon me, Hollins," breaks in Abbot, with a voice that trembles despite every effort at self-control, and trembles, too, through the very coldness of the tone. "Colonel Putnam is not far off. There are others whom you might like to see; and shall I send Rix to you?"
"No—not now—no use. Promise me this, Abbot. No matter where or how I'm buried—never mind coffin, or the flag, or the volleys, or the prayers; I don't deserve—They won't help me. You see to it, will you, that this is buried on my heart? It's her picture, and some letters. Promise."
Abbot slowly bows his head.
"I promise, Hollins, if it will comfort you."
"If there were only some way—some way to tell her. I loved her so. She might forgive when she knew how I died. You may see her, Abbot. Stop! take these three letters; they're addressed to you, anyway. Take them to her, by and by, and tell her, will you? but let the picture go with me."
The clutching fingers of one hand clasp about the slim envelope that contains the little photograph; the fingers of the other hand are plucking nervously at the blanket that is thrown over the dying man. There is another moment of silence, and then Abbot again asks him if he will have his brother brought to him. Hollins nods, and Abbot goes to the door and whispers a few words to the orderly. When he returns a feeble hand gropes its way towards him, and Hollins looks up appealingly.
"I'm so much weaker. I'm going fast. Would you shake hands, Abbot? What! Then you bear me no ill-will?"
"I do not, Hollins."
The clouding eyes seem to seek his wistfully, wonderingly.
"And yet—I wronged you so."
"Do not think of me. That—all came right."
"I know—I know. It is her heart I may have broken—Bessie's. My God! What could she have thought when he came back to her—after seeing you?"
"He told her her lover was dead. I made inquiries."
"Thank God for that! But all the same—she is sorrowing—suffering—and it's all my doing. I believe I could die content, almost happy, if I knew she had not—if I knew—I had not—brought her misery."
"Are you sure, Hollins?"
"Sure! Heaven, yes! Why, Abbot? Do you—do you know?"
"She seems happy, Hollins. She is to be married in the spring; I don't know just when."
There is another moment of intense silence in the little room. Outside the muffled tramp of the night patrols and the gruff challenge of sentries fall faintly on the ear. Within there is only the quick breathing of the sinking man. There is a long, long look from the dying eyes; a slow movement towards the well-nigh pulseless heart. Then comes the sound of heavy feet upon the stair, and presently the uncouth form of Rix is at the threshold, a piteous look in his haggard face. Abbot raises a hand in warning, and glances quickly from the prisoner at the door to the frame whence fast is ebbing the imprisoned soul. The hand that had faintly clasped his is slowly creeping up to the broad and brawny chest, so feeble now. Far across the rippling waters of the Rappahannock the notes of a bugle, prolonged and distant, soft and solemn, float upon the still night air. 'Tis the soldiers' signal "Lights Out!"—the soldiers' rude yet never-forgotten lullaby. An instant gleam as of recognition hovers in the glazing eyes. Then follow a few faint gasps; then—one last gesture as the arm falls limp and nerveless; but it draws forth her precious picture and lays it at a rival's feet.
THE END.
