Looking out of my study window one fair spring morning, I noticed a friend—a professional man—walking along the street, evidently taking his “constitutional.” Having reached the end of the brick pavement, he paused, glanced around a moment undecidedly, and then, instead of walking out into the beckoning fields and woods, turned down another street which led into a thickly populated part of the city. Surely, I mused, we are not all cast in the same mould. While he carefully avoided going beyond the suburbs and the beaten paths, as if afraid he might soil his polished shoes, I should have plunged boldly into the country, “across lots,” to find some sequestered nook or grass-grown by-way, “far from human neighborhood,” to hold undisturbed converse with Nature. My friend’s conduct, however, did not put me in a critical mood, but rather stirred some grateful reflections on the wise adaptation of all things in It is true, we cannot accept Pope’s dictum, “Whatever is, is right.” We know that many things that are, are wrong; but doubtless more things in this paradoxical old world are right than moralists sometimes suppose. To the genuine lover of Nature, and especially to the lover of her unbeaten pathways, the ringing lines of Emerson come home with thrilling power:— “If I could put my woods in song And tell what’s there enjoyed, All men would to my gardens throng, And leave the cities void.” Yet I doubt if any spot in Nature’s domain could be made so attractive as to overcome most persons’ natural love of human association. Mayhap even if this could be done, it would not be desirable. Should all men hie to the woods and leave the cities void, it would spoil both the woods and the cities. The charm of the woods is their quiet, their solitude; the enchantment of the city, its Albeit, as for me, give me “A secret nook in a pleasant land, Whose groves the frolic fairies planned.” Emerson voices my own feeling when he sings:— “A woodland walk, A quest of river-grapes, a mocking thrush, A wild rose, or rock-loving columbine, Salve my worst wounds;” for, “What friend to friend cannot convey, Shall the dumb bird instructed say.” And it is true that a wayside ramble will often do, by way of self-revelation and conviction, what no human voice of chastisement can accomplish. Mr. Howells says, in one of his most trenchant analytical novels: “If you’re not in first-rate spiritual condition, you’re apt to get floored if you undertake to commune with Nature.” There are times when the very On the spring morning on which my friend so studiously avoided Nature’s by-paths, my stint of labor for the day was soon despatched, and then, flinging my lunch-bag over my shoulders, I hurried across the fields, anxious to put a comfortable distance between myself and bothering human tenements. By noon I had reached a green hollow at the border of a woodland, where Nature, to a large extent at least, has had her own sweet way. Here, on the grassy bank of a rivulet, I sat down to eat my luncheon. The spring near by filled my cup with ale that sparkles, but never burns; that quenches thirst, but never creates it. Not a human habitation was in sight; nothing but the tinkling brook, the sloping hills, the quiet woods, and the overarching sky. The haunt was not without music. The far-away cadences of the bush-sparrows on the hillside filled the place like melodious sunshine. A Yes, one’s dreams sometimes take on a speculative cast, even on a day that seems to be “the bridal of the earth and sky.” In this unfrequented spot the birds sing their sweetest carols, be there a human ear to hear or not. Do they sing merely for their own delectation, these little creatures of a day? Is there not far too much sweetness wasted on the desert air? Would there not be more purpose in Nature could these dulcet strains be treasured in some way, so that they might be poured into man’s appreciative ear? Why has Nature made no phonographs? Wherefore all this waste of ointment? Does Nature encourage the habits of the spendthrift? I recall a summer day when I strolled along a deep, lonely ravine. It was at least a mile to the nearest human dwelling. Suddenly a clear, melodious trill from a song-sparrow’s lusty throat It may be true of bird song, as of the recluse flower, that “beauty is its own excuse for being;” but I am not ashamed to record my confession of faith, my creed, on this matter; not my dreamy cogitations with ifs and mayhaps. There is a divine ear which catches every strain of wayside melody, and appreciates it at its true value. Thus, no beauty or sweetness is ever lost, no bird or flower is really an anchorite. A bird may flit away in alarm at the approach of a human intruder, and may not lisp a note until he is well out of the haunt; but the same songster will unconsciously pour his dithyrambs all summer long into the ear of God. Nature was not made for man alone; it was also made for its Creator. Never has the brown thrasher sung with such enchanting vigor and abandon as he did the other day at the corner of the woods when he thought no human auditor within ear-shot. He was singing for God, albeit unconsciously. It is high time to get back to my waysiding, if I may coin a word. You must go to an out-of-the-way resort, far from the din of loom and factory, to feel the quaint, delicate fancy of Sidney Lanier’s lines,— “Robins and mocking-birds that all day long Athwart straight sunshine weave cross-threads of song, Shuttles of music.” The wayside rambler often is witness of delightful bird-pranks that must escape other eyes. On a bright day in February I strolled to the hollow to which I have already referred. The sun was melting the ice-mantle from the brook, and causing the snow to pour in runlets down the banks. In a broad, shallow curve of the stream the tree-sparrows and song-sparrows were taking a bath. I watched them for a long time. Some of them would remain in the ice-cold water for from three to five minutes, fluttering their wings and tails in perfect glee; and sending the pearl-drops and spray glimmering into the air. Their ablutions done, they would fly up to the saplings near by, and carefully preen and dry their moistened robes. It was in the depth of the woods that my saucy black-cap, the titmouse, clambered straight up the vertical hole of an oak sapling, as if he had learned the trick from the brown creeper or the white-breasted nuthatch. No less interesting was the conduct of the downy woodpecker, that little drum-major of the woods. He is the tilter par excellence of the woodpecker family. He flings himself in the most reckless manner from trunk to branch, and from branch to twig, often alighting back-downward on the slenderest stems. Shall I describe one of his odd tricks? I had often seen him clinging to the slender withes of the willows at the border of Many, many a cunning bird prank would have been missed had I kept, like the majority of pedestrians, to the beaten track. There, for example, is that odd little genius in mottled robes, the brown creeper, who has performed a sufficient number of quaint gambols to repay me for all the time and effort expended in pursuing my wayside rambles. He is always sui generis, apparently priding himself on his eccentricities, like some people you may know. A genuine arboreal creeper, he almost invariably coasts up hill. Unlike his congeners, the nuthatch and the creeping warbler, he never goes head-downward. Dear me, no! Whether it is because it makes him light-headed, or he regards it as bad form, I am unable to say. He does not even hitch down backward after the manner of the woodpeckers, but marches up, up, up, until he thinks it time to descend, which he does by taking to wing, bounding around in an arc as if he were an animated rubber ball. You may almost imagine him saying: “Pah! such vulgar sport as creeping head-downward may be well enough for mere plebeians like the nuthatches and the striped creepers, but it is quite beneath the caste of a patrician like myself! Tseem! tseem!” At rare intervals he will slip down sidewise for a short distance, in a slightly oblique direction, especially when he comes to a fork of the branches. However, he does not think it beneath his dignity to take a promenade on the under side of a horizontal bough. One day as I watched him doing Have any of my fellow-observers ever seen this merry-andrew convert himself into a whirligig? I once witnessed this droll performance, which seemed almost like a vagary. A creeper was clinging to a large oak-tree near the base, when he took it into his crazy little pate, for what earthly—or unearthly—reason I know not, to wheel around like a top several On another occasion a creeper was preening his ruffled feathers, having evidently just taken a bath; and how do you suppose he went about it? In quite a characteristic fashion, you may rest assured. Instead of sitting crosswise on a perch, as most birds would have done, he clung to the vertical bole of a large oak-tree, holding himself firmly against the shaggy bark, and daintily straightening out every feather from his breast to his flexible tail. Growing tired of this position—apparently so, at least—he shuffled up to a fork made by the trunk and a large limb, where he found a more comfortable slanting perch on which to complete his toilet. Once, afterward, I saw a creeper arranging his plumes in the same way. But the quaintest exploit of this bird still remains to be described. One autumn day, while rambling along the foot of a range of steep cliffs, I caught sight of one of these birds darting from a tree toward the perpendicular wall of rock. For a few moments I lost him, but followed post-haste, muttering to myself, “What if I should find the little clown climbing up the face of the cliff! That would be a performance worth describing to my bird-loving friends, wouldn’t it?” (Surely a monomaniac may talk aloud to himself.) I could scarcely believe my eyes, for the next moment my happy presentiment was realized; there was the creeper scaling the vertical face of the cliff, with as much ease and In one’s out-of-the-way saunterings, one dashes up against many a faunal problem that defies, even while it challenges, solution. On a cold day of early winter I was strolling along the bare, windswept banks of a river, keeping my eyes alert, as usual, for bird curios. In the small bushes that fringed the bank were some cunningly placed nests. In the bottom of one of them lay many seeds of dogwood berries, with the kernels bored out,—the work, no doubt, of the crested tits. But there were no dogwood-trees within twenty-five rods of the place! Why had the birds carried the shells to this nest, and dropped them into it? This is all the more curious because it was not a tit’s nest, but very likely a cat-bird’s. One can only surmise that the tits had gathered these seeds in the fall, and stowed them away in the nest for winter use, and During the winter of 1892-1893 a red-bellied woodpecker, often called the zebra-bird, took up his residence in my woodland. (I call it mine by a sort of usufruct, because I ramble through its pleasant archways or sit in its quiet boudoirs at all hours and in all seasons.) With the exception of several brief absences, for which I could not account, the woodpecker remained until the following spring, giving me some delightful surprises. It was the first winter he had shown the good grace to keep me company. Perhaps he was lazy; or he may have been a clumsy flier; or perchance he got separated from his fellows by accident, and so was left behind in the autumn when the southward pilgrimage began. He was, by all odds, the handsomest woodpecker I had ever seen. His entire crown and hind-neck were brilliant crimson, which fairly shimmered like a flambeau when the sun peeped through a rift in the clouds and shone upon it; and then his back was beautifully mottled and striped with black and white, while his tail was bordered with a broad band of deep black. What a splendid picture he made, too, whenever he spread his wings and bolted from one tree to another! I wish an artist could have caught him on the wing, and transferred him to canvas. He performed a trick that was new to During the entire winter he uttered only this harsh, stirring note, half jocose, half spiteful; but, greatly to my surprise, when spring arrived, especially if the weather happened to be pleasant, he began to call, K-t-r-r! k-t-r-r! precisely like a red-headed woodpecker; indeed, at first I laid siege to every tree, looking in vain for a red-head come prematurely northward, until I discovered the trick of my winter intimate, the red-bellied wood-chopper. Why it should have been so I cannot explain; but whenever a cold wave struck this latitude during the spring, he would invariably revert to his harsh Chack! chack! and then when the breezes grew balmy again, he would resume his other reveille, making the woods echo. I also discovered—it was a discovery to myself, at least—that the red-bellied is a drummer, like most of his relatives; but not once did he thrum his merry ra-ta-ta before spring arrived,—another avian conundrum for the naturalist to beat his brains against. But hold! I might go rambling on in this way forever, like Tennyson’s brook,—or, possibly, like Ixion revolving on his wheel,—describing the odd pranks witnessed in my wayside rambles. It is high time, however, to call a halt; yet, after a brief breathing-space, these miscellanies will be resumed in the next chapter, which may, with some degree of propriety, be entitled “Bird Curios.” |