Along a pleasant Kentucky road that followed nature rather than art in its curves and meanderings, straying beside a brook awhile before it decided to cross, lingering in cool, leafy hollows, climbing a sudden little hill to take a look out over the rolling countryside—along this road a single-footing mare went steadily, carrying a woman who rode cross-saddle, with a large china vase tucked under one arm.

People in an approaching automobile stopped talking to stare at her. She returned their gaze calmly, while the startled mare made some effort to climb a tree, thought better of it, and sidled by with a tremulous effort at self-control. A man in the machine lifted his hat with some eagerness. The woman inclined her head as a queen might acknowledge the plaudits of the multitude.

After they passed, comments were audible.

"What a stunner! Who is she, Jack?" The voice was masculine.

"Riding cross-saddle! Jack, do you know her?" The voice was feminine.

The answer was lower, but the woman on horseback heard it. "Of course I know her, or used to. It is the woman I was telling you about, the famous Mrs. Kildare of Storm."

Mrs. Kildare's color did not change as she rode on. Perhaps her lips tightened a little; otherwise the serenity of her face was unaltered. Serenity, like patience, is a thing that must be won, a habit of mind not easily to be broken. She reminded herself that since the invasion of automobiles she must expect often to encounter people who had known her before.

Her eyes, keen and gray and slightly narrowed, like all eyes that are accustomed to gaze across wide spaces, turned from side to side with quick, observant glances. Negroes, "worming" tobacco in a field, bent to their work as she passed with a sudden access of zeal.

"That's right, boys," she called, smiling. "The Madam sees you!"

The negroes guffawed sheepishly in answer.

A certain warmth was in her gaze as she looked about, her, something deeper than mere pride of possession. Her feeling for the land she owned was curiously maternal. "My dear fields," she sometimes said to herself. "My cattle, my trees"; and even, "my birds, my pretty, fleecy clouds up there."

When she came to a certain cornfield, acres of thrifty stalks standing their seven feet and more, green to the roots, plumes nodding proudly in the breeze, she faced her mare about and saluted, as an officer might salute his regiment.

A chuckle sounded from the other side of the road. On a bank almost level with her head a young man lay under a beech-tree, watching her with kindling eyes, as he had watched her ever since she rode into sight. "Miss Kate, Miss Kate, when are you going to grow up and give those girls of yours a chance?"

Her surprised blush took all the maturity out of her face. She might have been twenty. "Spying on me as usual, Philip! Well, why shouldn't I salute this corn of mine? It certainly serves me nobly."

He came down from the bank and stood beside her; a stalwart young man in shabby riding-boots and a clerical collar, with eyes surprisingly blue in a dark, aquiline, un-Anglo-Saxon face. They were filled just now with a look that made the lady blush again.

He was thinking (no new thought to Kentuckians) that of all the products of his great commonwealth, nothing equalled such women as this before him. Erect, deep-bosomed, with the warm brown flush of her cheeks, her level gaze, her tender mouth with the deep corners that mean humor—Kate Kildare, from girlhood to old age, would find in eyes that gazed on her the unconscious tribute that many women never know, and for that reason happily do not miss. But the vital quality of her beauty was not a matter of color, or form, or feature. It was a thing that had come to her since her first youth, a glow from within, the sort of spiritual fire at which a friend may warm himself. If happiness is a great beautifier, Philip Benoix believed he knew of one greater: sorrow.

"Well, well?" she demanded, laughing. "What are you staring at, boy? Why are you ogling me in that sentimental fashion? Have you mistaken me for—Jacqueline, perhaps?"

If she hoped to embarrass him in turn, she was disappointed. He shook his head. "If I were to ogle Jacqueline sentimentally, she'd slap me. Miss Kate," he added, "don't you know that saluting your corn was just your pagan way of thanking God? Why not come to church and do it properly?"

"You may just as well give it up. I shall never go to church. I don't like church, so there! Stop talking shop, and come home to supper with me. What are you doing here, anyway, lolling about like a man of leisure, as if there were no souls to be saved?"

"I was lying in wait for yours. I knew you were out on a tour of inspection, and bound to pass this way."

"Did you want to see me especially?"

"I always do."

She flicked him with her riding-crop, "You're more Irish than French to-day! And where's your horse?"

"Well, old Tom seemed so comfortable and tired, munching away in his stall, that I hadn't the heart—"

"So you walked. Of course you weren't tired! Oh, Phil, Phil, you are your father's own son; too soft-hearted for this 'miserable and naughty world.' It won't be able to resist taking a whack at you."

A little silence fell between them. Both were thinking of a man who was no longer quite of this miserable and naughty world.

"Take my stirrup and trot along beside me, boy," she said. "We'll go faster that way. I wish you were still small enough to climb up behind me as you used to do—remember?"

His face suddenly quivered. "Are you asking me if I remember!—You have never let me tell you how well I remember, nor what your kindness meant to me, in those first days"—He spoke haltingly, yet with a sudden rush, as men speak whose hearts are full. "I was the loneliest little chap in the world, I think. Father and I had always been such friends. They tried to be kind, there at school; but they acted as if I were something strange; they watched me. I knew they were pitying me, remembering father, studying me for signs of inheritance. The son of a 'killer.' It was a dangerous time for a boy to be going through alone.... And then you came and brought me home with you; made me play with those babies of yours, took me with you wherever you went, read with me and discussed things with me as if I were an equal, talked to me about father, too. Do you think I don't know all it meant to you? Do you think I did not realize, even then, what people were saying?"

"I have never been much afraid," said Kate Kildare quietly, "of what people were saying."

"No. And because of you, I dared not be afraid, either. Because of you I knew that I must stay and make my fight here, here where my father had failed. Oh, Kate Kildare, whatever manhood I may have I owe—"

"To your father," she said.

"Perhaps. But whatever good there is in me, you kept alive."

"Dear, dear! And that's why," she cried, with an attempt at lightness, "you feel it your duty to strike attitudes in your pulpit and keep the good alive in the rest of us?"

"That's why," he said, soberly, "But not you, Miss Kate. I do not preach to you. No man alive is good enough to preach to you."

"Good Heavens! When you have just been doing it!" Her laugh was rather tremulous. "What is this—a declaration? Are you making love to me, boy?"

He nodded without speaking.

The flush and the laughter died out of her face, leaving it very pale. "Look here," she said haltingly, "I'd like to accept your hero-worship, dear—it's sweet. But—If I've not been a very good woman, at least I've always been an honest one. You said even at that time you realized what people were saying. Did it never occur to you that what they said—might be true?"

He met her gaze unfalteringly. "I know you," he answered.

Her eyes went dim. Blindly she stooped and drew his head to her and kissed him.

At that moment a plaintive negro voice spoke close at hand. "Gawd sakes, Miss Kate, whar you gwine at wif my prize? Huccom you took'n hit away fum me?"

Unnoticed, an old, shambling negro had approached across the field, and was gazing in wide-eyed dismay at the china vase under her arm.

Mrs. Kildare welcomed the interruption. She did not often encourage her emotions.

"Aha! Well met, Ezekiel," she said dramatically. "Search your heart, search your black heart, I say, and tell me whether a magnificent trophy like this deserves no better resting place than a cabin whose door-yard looks like a pig-sty."

"But ain't I done won it?" insisted the negro. "Ain't I done won it fa'r and squar'? Wan't my do'-yahd de purtiest in de whole Physick League?"

"It was, two weeks ago; and now what is it? A desert, a Sahara strewn with tomato-cans and ashes. No, no, Ezekiel. Winning a prize isn't enough for the Civic League—nor for God," she announced, sententiously. "You've got to keep it won."

She moved on, resistless, like Fate. The negro gazed after her, his month quivering childishly.

"She's a hard 'ooman, the Madam, a mighty hard 'ooman! Huccom she kissin' Mr. Philip Benoix dataway? Him a preacher, too!" Suddenly his eye gleamed with a forgotten memory. "De French doctor's boy—my Lawd! De French doctor's own chile!" He shook his fist after the retreating pair. "White 'ooman, white 'ooman, ain't you got no shame 't all?" he muttered—but very low, for the Madam had good ears.