THE BARBER'S SHOP

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he old-fashioned barber has passed away. In years agone he was a notable tradesman, and was a many-sided man of business, for he shaved, cut hair, made wigs, bled, dressed wounds, and performed other offices. When the daily papers were not in the hands of the people he retailed the current news, and usually managed to scent the latest scandal, which he was not slow to make known—in confidence, and in an undertone, of course. He was an intelligent fellow, with wit as keen as his razor; urbane, and having the best of tempers. It has been truthfully said of this old-time tradesman that one might travel from pole to pole and never encounter an ill-natured or stupid barber.Long days are usually worked in the barber's shop, and many attempts have been made to reduce the hours of labour. We must not forget that compulsory early closing is by no means a new cry, as witness the following edict, issued in the reign of Henry VI., by the Reading Corporation: "Ordered that no barber open his shop to shave any man after 10 o'clock at night from Easter to Michaelmas, or 9 o'clock from Michaelmas to Easter, except it be any stranger or any worthy man of the town that hath need: whoever doeth to the contrary to pay one thousand tiles to the Guildhall."

A Barber's Shop in the Time of Queen Elizabeth.

A Barber's Shop in the Time of Queen Elizabeth.

In the reign of Queen Elizabeth the rich families from the country thought it no disgrace in that simple age to lodge in Fleet Street, or take rooms above some barber's shop. At this period, indeed, the barber-surgeon was a man of considerable importance. His shop was the gathering-place of idle gallants, who came to have their sword-wounds dressed after street frays. The gittern, or guitar, lay on the counter, and this was played by a customer to pass away the time until his turn came to have his hair trimmed, his beard starched, his mustachios curled, and his love-locks tied up. We give a picture of a barber's shop at this period; the place appears more like a museum than an establishment for conducting business. We get a word picture of a barber's shop in Greene's "Quip for an Upstart Courtier," published in 1592. It is related that the courtier sat down in the throne of a chair, and the barber, after saluting him with a low bow, would thus address him: "Sir, will you have your worship's hair cut after the Italian manner, short and round, and then frounst with the curling irons to make it look like a half-moon in a mist; or like a Spaniard, long at the ears and curled like to the two ends of an old cast periwig; or will you be Frenchified with a love-lock down to your shoulders, whereon you may wear your mistress's favour? The English cut is base, and gentlemen scorn it; novelty is dainty. Speak the word, sir, my scissors are ready to execute your worship's will." A couple of hours were spent in combing and dressing the ambrosial locks of the young Apollo; then the barber's basin was washed with camphor soap. At last the beard is reached, and with another congee the barber asks if his worship would wish it to be shaven; "whether he would have his peak cut short and sharp, and amiable like an inamorato, or broad pendent like a spade, to be amorous as a lover or terrible as a warrior and soldado; whether he will have his crates cut low like a juniper bush, or his subercles taken away with a razor; if it be his pleasure to have his appendices primed, or his moustachios fostered to turn about his ears like vine tendrils, fierce and curling, or cut down to the lip with the Italian lash?—and with every question a snip of the scissors and a bow." If a poor man entered the shop he was polled for twopence, and was soon trimmed around like a cheese, and dismissed with scarce a "God speed you."

The Puritans looked askance at the fashions introduced by the barbers. No wonder when the talk in the shop was about the French cut, the Spanish cut, the Dutch and the Italian mode; the bravado fashion, and the mean style. In addition to these were the gentleman's cut, the common cut, the Court cut, and county cut. "And," wrote Stubbes with indignation, "they have other kinds of cuts innumerable, and, therefore, when you come to be trimmed they will ask you whether you will be cut to look terrible to your enemy, or amiable to your friend; grim and stern in countenance, or pleasant and demure; for they have diverse kinds of cuts for all these purposes, or else they lie! Then when they have done all their feats, it is a world to consider how their mowchatows must be preserved and laid out from one cheek to another; yea, almost from one ear to another, and turned up like two horns towards the forehead. Besides that, when they come to the cutting of the hair, what tricking and trimming, what rubbing, what scratching, what combing and clawing, what trickling and toying, and all to tawe out money, you may be sure. And when they come to washing—oh, how gingerly they behave themselves therein! For then shall your mouth be bossed with the lather or foam that riseth of the balls (for they have their sweet balls wherewith they use to wash), your eyes closed must be anointed therewith also. Then snap go the fingers full bravely, God wot. Thus this tragedy ended, comes the warm clothes to wipe and dry him withall; next the ears must be picked, and closed together again, artificially, forsooth! The hair of the nostrils cut away, and everything done in order, comely to behold. The last action in the tragedy is the payment of money; and lest these cunning barbers might seem unconscionable in asking much for their pains, they are of such a shameful modesty as they will ask nothing at all, but, standing to the courtesy and liberality of the giver, they will receive all that comes, how much soever it be, not giving any again, I warrant you; for take a barber with that fault, and strike off his head. No, no; such fellows are rarae aves in terris, nigrisque simillimÆ cygnis—rare birds on the earth, and as scarce as black swans. You shall have also your fragrant waters for your face, wherewith you shall be all besprinkled; your musick again, and pleasant harmony shall sound in your ears, and all to tickle the same with rare delight, and in the end your cloak shall be brushed, and 'God be with you, gentlemen!'"

John Gay issued in 1727 the first series of his "Fables," and in the one entitled "The Goat Without a Beard" we get a description of the barber's shop of the period:—

"His pole, with pewter basins hung,

Black, rotten teeth in order strung,

Rang'd cups that in the window stood,

Lin'd with red rags, to look like blood,

Did well his threefold trade explain,

Who shav'd, drew teeth, and breath'd a vein."

The wooden chair is next referred to, and then it is stated:—

"Mouth, nose, and cheeks, the lather hides:

Light, smooth, and swift, the razor glides."

Old barbers' shops had their regulations in poetry and prose. Forfeits used to be enforced for breaches of conduct as laid down in laws which were exhibited in a conspicuous manner, and might be read while the customer was awaiting his turn for attention at the hands of the knight of the razor. Forfeits had to be paid for such offences as the following:—

For handling the razors,

For talking of cutting throats,

For calling hair-powder flour,

For meddling with anything on the shop-board.

Shakespeare alludes to this custom in "Measure for Measure," Act v. sc. 1, as follows:—

"The strong statutes

Stand like the forfeits in a barber's shop,

As much in mock as mark."

William Shakespeare (the Stratford Portrait).

William Shakespeare (the Stratford Portrait).

Half a century ago there was hanging a code of laws in a barber's shop in Stratford-on-Avon, which the possessor mounted when he was an apprentice some fifty years previously. His master was in business as a barber at the time of the Garrick Jubilee in 1769, and he asserted that the list of forfeits was generally acknowledged by all the fraternity to have been in use for centuries. The following lines have found their way into several works, including Ingledew's "Ballads and Songs of Yorkshire" (1860). In some collections the lines are headed "Rules for Seemly Behaviour," and in others "The Barber of Thirsk's Forfeits." We draw upon Dr Ingledew for the following version, which is the best we have seen:—

"First come, first served—then come not late,

And when arrived keep your sate;

For he who from these rules shall swerve

Shall pay his forfeit—so observe.

"Who enters here with boots and spurs

Must keep his nook, for if he stirs

And gives with arm'd heel a kick,

A pint he pays for every prick.

"Who rudely takes another's turn

By forfeit glass—may manners learn;

Who reverentless shall swear or curse

Must beg seven ha'pence from his purse.

"Who checks the barber in his tale,

Shall pay for that a gill of yale;

Who will or cannot miss his hat

Whilst trimming pays a pint for that.

"And he who can but will not pay

Shall hence be sent half-trimmed away;

For will he—nill he—if in fault,

He forfeit must in meal or malt.

"But mark, the man who is in drink

Must the cannikin, oh, never, never clink."

The foregoing table of forfeits was published by Dr Kenrick in his review of Dr Johnson's edition of Shakespeare in 1765, and it was stated that he had read them many years before in a Yorkshire town. This matter has been discussed at some length in Notes and Queries, and it is asserted that the foregoing is a forgery. Some interesting comments on the controversy appeared in the issue of March 20th, 1869.

Women barbers in the olden time were by no means uncommon in this country, and numerous accounts are given of the skilful manner they handled the razor. When railways were unknown and travellers went by stage-coach it took a considerable time to get from one important town to another, and shaving operations were often performed during the journey, and were usually done by women. In the byways of history we meet with allusions to "the five women barbers who lived in Drury-lane," who are said to have shamefully maltreated a woman in the days of Charles II. According to Aubrey, the Duchess of Albemarle was one of them.

At the commencement of the nineteenth century a street near the Strand was the haunt of black women who shaved with ease and dexterity. In St Giles'-in-the-Fields was another female shaver, and yet another woman wielder of the razor is mentioned in the "Topography of London," by J.T. Smith. "On one occasion," writes Smith, "that I might indulge the humour of being shaved by a woman, I repaired to the Seven Dials, where in Great St Andrew's Street a female performed the operations, whilst her husband, a strapping soldier in the Horse Guards, sat smoking his pipe." He mentions another woman barber in Swallow Street.

Two men from Hull some time ago went by an early morning trip to Scarborough, and getting up rather late the use of the razor was postponed until they arrived at the watering-place. Shortly after leaving the station they entered a barber's shop. A woman lathered their faces, which operation, although skilfully performed, caused surprise and gave rise to laughter. They fully expected a man would soon appear to complete the work, but they were mistaken. The female took a piece of brown paper from a shelf, and with this she held with her left hand the customer's nose, and in an artistic manner shaved him with her right hand. Some amusement was experienced, but the operation was finished without an accident. The gentlemen often told the story of their shave at Scarborough by a woman barber.

At Barnard Castle a wife frequently shaved the customers at the shop kept by her husband, who was often drunk and incapable of doing his work. Louth (Lincolnshire) boasted a female barber, who is said to have shaved lightly and neatly, and much better than most men.

Many stories, which are more or less true, are related respecting barbers. The following is said to be authentic, and we give it as related to us. The Duke of C—— upon one occasion entered a small barber's shop in Barnard Castle, and upon inquiring for the master was answered by an apprentice of fourteen that he was not at home. "Can you shave, then?" asked the duke. "Yes, sir, I always do," was the reply. "But can you shave without cutting?" "Yes, sir, I'll try," answered the youth. "Very well," said the duke, while seating himself, and loading his pistol; "but look here, if you let any blood, as true as I sit here I'll blow your brains out! Now consider well before you begin." After a moment's reflection, the boy began to make ready, and said, "I'm not afraid of cutting you, sir," and in a short time had completed the feat without a scratch, to the complete satisfaction of the duke. In gentle tones his grace asked, "Were you not afraid of having your brains blown out, when you might have cut me so easily?"

"No, sir, not at all; because I thought that as soon as I should happen to let any blood, before you could have time to fire I would cut your throat."

The smart reply won from the duke a handsome reward. It need scarcely to be added he never resumed his dangerous threats in a barber's shop. A lesson was taught him for life.

The barber of an English king boasted, says a story, that he must be the most loyal man in the realm, as he had every day the regal throat at his mercy. The king was startled at the observation, and concluded that the barbarous idea could never have entered an honest head, and for the future he resolved to grow a beard as a precautionary measure against summary execution.

With a barber's shop in Lichfield is associated an amusing story, in which the chief figure was Farquhar, a dramatist, who attained a measure of success in the eighteenth century. His manner was somewhat pompous, and he resented with a great show of indignation the dalliance of the master of the shop. Whilst he was fuming, a little deformed man came up to him and performed the operation satisfactorily. The same day Farquhar was dining at the table of Sir Theophilus Biddulph, when he noticed the dwarf there. Taking the opportunity of following his host out of the room, he asked for an explanation of his conduct, and said that he deemed it an insult to be seated in such inferior company. Amazed at the charge, Sir Theophilus assured the dramatist that every one of the guests was a gentleman, and that they were his particular friends. Farquhar was not satisfied. "I am certain," he said, "that the little humpbacked man who sat opposite me is a barber who shaved me this morning." The host returned to the room and related the story which he had just heard. "Ay, yes," replied the guest, who was a well-born gentleman, "I can make the matter clear. It was I who was in the barber's shop this morning, and as Farquhar seemed in such a hurry, and the barber was out, I shaved him."

The works of the old dramatists and other publications contain allusions to barbers' music. It was the practice, as we have said, when a customer was waiting for his turn in a barber's shop to pass his time playing on the gittern. Dekker mentions a "barber's cittern for every serving-man to play upon." Writing in 1583, Stubbes alludes to music at the barber's shop. In the "Diary of Samuel Pepys" we read: "After supper my Lord called for the lieutenant's cittern, and with two candlesticks with money in them for symballs, we made barber's music, with which my lord was well pleased." "My Lord was easily satisfied," says a well-known contributor to Punch, "and in our day would probably have enjoyed 'the horgans.'" We may rest assured that barber's music was of questionable melody.


                                                                                                                                                                                                                                                                                                           

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