T he history of the beard presents many items of interest connected with our own and other countries. Its importance belongs more to the past than to the present, but even to-day its lore is of a curious character. We find in Leviticus xiii. 29, the earliest mention of our theme, where Moses gives directions for the treatment of a plague in the beard, and a little later he forbids the Israelites to "mar the corners" of it. David, himself bearded, tells us that Aaron possessed one going down to the skirts of his garments. In David's reign ambassadors were sent to the King of Ammon, who, treating them as spies, cut off half of each of their beards. We are told that they were greatly ashamed, and David sent out to meet them, saying, "Tarry at Jericho until your beards be grown, and then return." To shave off the beard was considered by the Jews as a mark of the deepest grief. To turn to the annals of our own land, we find that the ancient Britons did not cultivate the beard. The Saxons wore the hair of the head long, and upon the upper lip, but the chin was clean shaven. Harold, in his progress towards the fateful field of Hastings, sent spies in advance to obtain an idea as to the strength Julius II., who ascended the Papal throne in 1503, was the first Pope to allow his beard It is said that beards came into fashion in England in the thirteenth century, but by the nineteenth century they seem to have been given up by those holding leading positions in the land. Traces of beards do not appear on monumental brasses. A revival of the practice of wearing the beard occurred in the reign of Henry VIII., and in some quarters attempts were made to repress it. The authorities at Lincoln's Inn prohibited lawyers wearing beards from sitting at the great table, unless they paid double commons; but it is highly probable that this was before 1535, when the king ordered his courtiers to "poll their hair," and permit the crisp beard to grow. Taxing beards followed, and the amount was graduated according to the condition of the In the first year of the reign of Queen Elizabeth an attempt was made to add to the revenue by taxing at the rate of 3s. 4d. every beard of above a fortnight's growth. It was an abortive measure, and was not taken seriously. It was never enforced, and people laughed at the Legislature for attempting to raise money by means of the beard. In Elizabeth's reign it was considered a mark of fashion to dye the beard and "Now a few lines to paper I will put, Of men's beards strange, and variable cut, In which there's some that take as vain a pride As almost in all other things beside; Some are reap'd most substantial like a brush, Which makes a nat'rel wit known by the bush; And in my time of some men I have heard, Whose wisdom have been only wealth and Beard; Many of these the proverb well doth fit, Which says, bush natural, more hair than wit: Some seem, as they were starched stiff and fine, Like to the bristles of some angry swine; And some to set their love's desire on edge, Are cut and prun'd like a quickset hedge; Some like a spade, some like a fork, some square, Some round, some mow'd like stubble, some stark bare; Some sharp, stiletto fashion, dagger-like, That may with whisp'ring, a man's eyes outpike; Some with the hammer cut, or roman T, Their Beards extravagant, reform'd must be; Some with the quadrate, some triangle fashion, Some circular, some oval in translation; Some perpendicular in longitude; Some like a thicket for their crassitude; That heights, depths, breadths, triform, square, oval, round, And rules geometrical in Beards are found." Some curious lines appear in "Satirical Songs and Poems on Costume," edited by Frederick W. Fairholt, F.S.A., printed for the Percy Society, 1849. The piece which is entitled "The Ballad of the Beard," is reprinted from a collection of poems, entitled "Le Prince d'Amour," 1660, but it is evidently a production of the time of Charles I., if not earlier. "The varied form of the beard," says Fairholt, "which characterised the profession of each wearer, is amusingly descanted on, and is a curious fact in the chronicle of male fashions, during the first half of the seventeenth century." Taylor, the Water Poet, has alluded to the custom at some length; and other writers of the day have so frequently mentioned the same thing, as to furnish materials for a curious (privately-printed) pamphlet, by J.A. Repton, F.S.A., on the various forms of the beard and mustachio. The beard, like "the Roman T," mentioned in the following ballad, is exhibited in our cut—Fig. 1—from a portrait of G. Raigersperg, 1649, in Mr Repton's book. The stiletto-beard, as worn by Sir Edward "The beard, thick or thin, on the lip or chin, Doth dwell so near the tongue, That her silence on the beard's defence May do her neighbour wrong. Be his sceptres ne'er so fair: Where the beard bears the sway, the people obey, And are subject to a hair. 'Tis a princely sight, and a grave delight, That adorns both young and old; A well thatcht face is a comely grace, And a shelter from the cold. When the piercing north comes thundering forth, Let barren face beware; For a trick it will find, with a razor of wind, To shave the face that's bare. But there's many a nice and strange device, That doth the beard disgrace; But he that is in such a foolish sin, Is a traitor to his face. Now the beards there be of such a company, And fashions such a throng, That it is very hard to handle a beard, Tho' it never be so long. The Roman T, in its bravery, Doth first itself disclose, But so high it turns, that oft it burns With the flames of a too red nose. The stiletto-beard, oh! it makes me afeared, It is so sharp beneath, For he that doth place a dagger in 's face, What wears he in his sheath? But, methinks, I do itch to go thro' stich The needle-beard to amend, Which, without any wrong, I may call too long, For man can see no end. The soldier's-beard doth march in shear'd In figure like a spade, With which he'll make his enemies quake, And think their graves are made. The grim stubble eke on the judge's chin, Shall not my verse despise; It is more fit for a nutmeg, but yet It grates poor prisoners' eyes. What doth invest a bishop's breast But a milk-white spreading hair? Which an emblem may be of integrity, Which doth inhabit there. But, oh! let us tarry for the beard of King Harry, That grows about the chin, With his bushy pride, and a grove on each side, And a champion ground between. Last, the clown doth rush, with his beard like a bush, Which may be well endur'd." Charles I. wore the Vandyke-beard, made familiar to us by the great artist. This fashion, set by the king, was followed by nearly the whole of his Cavaliers. It has been thought by some students of this subject that with the tragic death of the king the beard disappeared, but if we are to put our faith in an old song, dated 1660, we must conclude that with the Restoration it once more came into fashion. It says:— "Now of beards there be such company, Of fashions such a throng, That it is very hard to treat of the beard, Tho' it be never so long." Sir Walter Scott's great grandsire was called "Beardie." He was an ardent Jacobite, and made a vow that he would never shave his beard until the Stuarts were restored. "It would have been well," said the novelist, "if his zeal for the vanished dynasty had stopped with letting his beard grow. But he took arms and intrigued in their cause, until he lost all he had in the world, and, as I have heard, ran a narrow risk of being hanged, had it not been for the interference of Anne, Duchess of Buccleuch and Monmouth." Sir Walter refers to him in the introduction to Canto VI. of "Marmion":— "With amber beard and flaxen hair, And reverend apostolic air. Small thought was his, in after time E'er to be pitched into a rhyme. The simple sire could only boast That he was loyal to his cost; The banish'd race of kings revered, And lost his land—but kept his beard." He died in 1729 at Kelso. "Beardie's" second son, named Robert, was a farmer at Sandyknowe, and was Sir Walter Scott's grandfather. A contributor to Notes and Queries, for October 1st, 1859, gives the following interesting particulars of a Shaving Statute relating to Ireland:—"In a parliament held at Trim by John Talbot, Earl of Shrewsbury, then Lord- The Macedonian soldiers were ordered by Alexander to shave, lest their beards should be handles for the enemy to capture them by. The smooth chin was adopted in the Greek army. To pull a person's beard has from remote times been regarded as an act of most degrading insult. Dr Doran tells a tragic story bearing on this usage. "When the Jew," says the doctor, "who hated and feared the living Cid Rui Dios, heard that the great Spaniard was dead, he Respecting the beard are some popular sayings, and we deal with a few as follows. "Wel, sayd Arthur, thou hast said thy message, ye whiche is ye most vylaynous and lewdest message that ever man herd sent unto a kynge. Also thou mayst see, my berd is ful yong yet to make a purfyl of hit. But telle thou thy kynge this, I owe hym none homage, ne none of myn elders, but, or it be longe to, he shall do me homage on bothe his kneys, or else he shall lese his hede by ye feith of my body, for this is ye most shamefullest message that ever I herd speke of. I have aspyed, thy kyng met never yet with worshipful men; but tell hym, I wyll have his hede without he doo me homage. Thenne ye messager departed." ("The Byrth, Lyf and Actes of Kyng Arthur," edit, by Caxton, 1485, reprinted 1817.) "To make any one's beard" is an old saying, which means "to cheat him," or "to deceive "In faith he shal not kepe me, but me lest: Yet coude I make his berd, so mete I the." And again, in the "Reve's Tale," the Miller said:— "I trow, the clerkes were aferde Yet can a miller make a clerkes bearde, For all his art." A more familiar saying is "To beard a person," meaning to affront him, or to set him at defiance. See Steevens's note on the use of the word Beard in King Henry IV., which is adopted, he says, "from romances, and originally signified to 'cut off the beard.'" Mr John Ady Repton, F.S.A., to whom we are mainly indebted for our illustrations of these popular sayings, directs attention to a specimen of defiance expressed in Agamemnon's speech to Achilles, as translated by Chapman:— —"and so tell thy strength how eminent My power is, being compared with thine; all other making feare To vaunt equality with me, or in this proud kind beare Their beards against me." In Shirley's play, A Contention for Honour and Riches, 1633:— "You have worn a sword thus long to show ye hilt, Now let the blade appear. Courtier.—Good Captain Voice, It shall, and teach you manners; I have yet No ague, I can look upon your buff, And punto beard, and call for no strong waters." "It is difficult to ascertain," says Repton, "when the custom of pulling the nose superseded In "Aubrey's Letters" is an allusion to wiping the beard. "Ralph Kettle, D.D.," we read, "preached in St Mary's Church at Oxford, and, in conclusion of a sermon, said, 'But now I see it is time for me to shutt up my booke, for I see the doctors' men come in wiping their beards from the ale-house' (he could from the pulpit plainly see them, and 't was their custome to go there, and, about the end of the Sermon, to return to wayte on their masters)." An old play by Lyly, entitled Mother Bombie (1597-98), Act i. sc. 3, contains the following passage:— "Tush, spit not you, and I'll warrant I, my beard is as good as a handkerchief." Our quotations from old plays are mainly drawn from Repton's little book, "Some account of the Beard and Moustachio," of which one hundred copies were printed for private circulation in 1839. The extracts which we have reproduced are not such as to cause the beard to find favour with the ladies. In Marston's Antonio and Melida, (1602), Act v., we read as follows:— "Rossaline.—Faith, kind Uncle, when men abandon jealousy, forsake taking tobacco, and cease to wear their beards so rudely long. Oh! to have a husband with a mouth continually smoking, with a bush of furze on the ridge of his chin, ready still to flop into his foaming chaps; ah! 't is more than most intolerable." In another part of the same play are other objections to the mustachios. We find in other old plays allusions to women combing and stroking beards. "There is no accounting," says Repton, "for the taste of ladies. Charles Brandon, Duke of Suffolk, with his large massive beard, won the heart of the fair sister of Henry VIII. Although the 'Cloth of friez may not be too bold,' the courtship was most probably begun by the lady (i.e. the Cloth of Gold). Although ladies do not speak out, they have a way of expressing their wishes by the 'eloquence of eyes.' That the fair princess ever amused herself in combing or brushing her husband's beard is not recorded in the history of England." Many references find a place in bygone plays relating to combs and brushes for the beard. Starching the beard was an operation which occupied some time if carefully performed. It is stated in the "Life of Mrs Elizabeth Thomas," published in 1731, of Mr Richard Shute, her grandfather, a Turkey merchant, that he was |