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Minnie D. Kellogg
  • Abbey aux Dames, 79.
  • Abbey aux Hommes, 79.
  • Abelard, 121.
  • Ambrose, 18.
  • Amiens, viii.
  • Amiens Copy, 107.
  • Angelo, xii, 102.
  • Bayeux, viii.
  • Beauvais, viii.
  • Bernard, Saint, 47.
  • Bibliotheque Nationale, 116.
  • Bologne sur Mer, viii.
  • Bouillon, Godfrey de, 45.
  • Bourg, viii.
  • Browning, 113.
  • Brunelleschi, 33.
  • Caen, viii, 73.
  • Calderon, 90.
  • Carpio (see de Vega), 88.
  • Cassiodorus, 105.
  • Charlemagne, 106.
  • Charles le Bel, 56.
  • Charles the Bald, 55.
  • Charles the Wise, 116.
  • Chartres, viii, 51.
  • Chaucer, xiii, 126.
  • Cherbourg, viii.
  • Cicely, 79.
  • Clovis, 26, 27, 28, 52, 55.
  • Cnut, 62.
  • Coutances, viii.
  • Corday, 97.
  • Court of Love, 129.
  • Crusade of Children, xv.
  • Denis, Abbey de Saint, 38.
  • Denis, Saint, 40.
  • Dieppe, viii.
  • Dinan, ix, 85.
  • Dinard, ix.
  • Dols, ix.
  • DÜrer, xiv.
  • Durrow, 106.
  • Ebbon, 29, 30.
  • Eleanor, Queen, 129.
  • Eloi, Saint, 40.
  • Francis, xvi.
  • Fulbert, 62, 121.
  • Fulda, Abbot of, 107.
  • Georgebus, 133.
  • Ghiberti, 102.
  • Gibbon, 55.
  • Glass, 44,

    FOOTNOTES:

    [1] The Spaniards of Seville formally determined to build a cathedral upon so magnificent a scale that coming ages might proclaim them mad to have undertaken it.

    [2] As our train passed Chartres an exceedingly coarse conversation between drummers broke into a pÆan to the beauty of the cathedral.

    [3] I do not make myself responsible for the statement that these restorations are photographically exact, but at least on the old lines it has been possible to erect perfect examples of Norman architecture.

    [4] The gentler element in Norse mythology enters into it long after the eleventh century and is probably a reflection from Christianity.

    [5] Property of Trinity College, Dublin.

    [6] A ‘document’ is an instrument on which is recorded, by means of letters, figures, or marks, matter which may be evidentially used.—F. Wharton, Law of Evidence.

Transcriber’s Notes:

The cover image was created by the transcriber, and is in the public domain.

The illustrations and footnotes have been moved so that they do not break up paragraphs.

Errors in punctuation and inconsistent hyphenation were not corrected unless otherwise noted.

Typographical errors have been silently corrected but other variations in spelling and punctuation remain unaltered.





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