But with the growth of this harmony with natural things, Judith developed a constantly growing tendency to clash with the life of the school and the home kitchen and the kitchens of the various relatives with whom the Pippingers visited. She was considered by her aunts and other female relatives "a wild, bad little limb," and her contempt for the decent and domestic scandalized them more and more as she grew older. Lena Moss could not for her life understand how it was that Judith had learned to read and write and figure better than almost any other child in the school; for she was anything but studious. In fact she never seemed to pay the slightest attention to her studies. She flatly refused even to try to learn Lena's long and carefully prepared list of all the counties and county towns in Kentucky; and the battles of the Revolutionary and Civil wars, with their accompanying dates, found no lodgment in her mind. Instead of applying herself to these, she munched apples, chewed slippery elm and sassafras, stared idly out of the window, bedeviled the child who sat in front of her, cut folded bits of paper into intricate designs or drew pictures on her slate, the desk, the seat, the floor, the back of the pinafore of the girl in front, any available space within her reach. These pictures were the curse of Lena's existence. They were to be found everywhere: on the desks, the walls, the floor, the blackboard, the window casings. Outside they decorated the whitewashed wall of the school building, the tops of big flat stones, the fences, the trunks of trees where the bark had been stripped away, every place where a piece of chalk or a bit of black crayon could function. The pictures, invariably of human beings or animals, were usually comic, satirical or derisive. That they showed great vigor and clarity of vision would have meant nothing to Lena When asked why she had done thus and so, Judith's almost invariable reply was: "Cuz I had to." "Judy, why hain't you a better gal at school?" Bill asked one morning, trying to look sternly at his favorite daughter across the mush and milk. "Lizzie May says the teacher has a heap o' grief with you. Why don't you mind the teacher, Judy?" "I do mind her, dad—all I can," Judith returned without looking up. She had the syrup pitcher in her hand and was absorbed in pouring sorghum onto her plate in a very thin stream. Presently she set the pitcher down and handed the plate across the table to her father. "There, dad, ain't that a good mule? I drawed 'im with the blackstrap. Lizzie May couldn't draw a mule like that." "Ner I don't want to neither," put in Lizzie May disdainfully. "You otta see, dad, sech pitchers as she draws all raound the school, an' makes fun of everybody: the teacher an' the sup'rintendent an' her own relations an' all. She'd otta think shame to herse'f!" Bill was proud of his girl's ability to draw, but felt it his duty to discourage her choice of subjects, seeing that the same seemed to be so universally condemned. "What makes you draw them kind o' pitchers, Judy?" he asked. "Cuz I want to," replied Judith a little sullenly. "I see things; an' when I see 'em I want to draw 'em." "O law, she don't see no sech things, dad! Haow kin she? Nobody else sees 'em!" exclaimed Lizzie May, outraged. "Why, the idea of her sayin' she sees sech things!" "Aw, shet up, Liz, an' tend yer own business!" snapped Judith, flushing red with sudden anger. "Jest cuz you don't see nuthin don't mean nobody else does." She pushed her chair back from the table and began to gather together her school books, slamming them on top of each other with angry energy. Bill said no more; he was not a disciplinarian. "It's your turn to wash the dishes, Judy," reminded Luella, who was busy helping her mother put up the midday lunch. "Lizzie May washed 'em yestiddy an' I did 'en day before." "Why don't Craw have to take his turn washin' dishes?" inquired Judith, who was still nettled from the recent argument. "Craw's a boy. Boys don't wash dishes," adjudged Luella in a tone of dead finality. "I don't see why he hadn't otta," continued Judith, as she slapped the plates together. "Far's I c'n see he ain't no good fer nuthin else." The subject of this conversation, engaged in his favorite occupation of doing nothing in a rocking chair by the stove, looked at his sisters with a mild, impartial eye and said nothing. He was safe and aloof in his masculinity. "Land, hain't that a nice pattern this platter is burned into, Elly!" exclaimed Judith, examining a small platter which she had just picked up from the table. "Look here at all the nice squares an' di'monds—an' all jes as even!" "I don't see nothing nice about it," said Luella with a half glance at the platter. "It's burned so's it won't never come white agin. It was you done that, Judy, puttin' it in the oven with them slices o' hog meat on it an' fergittin it till the grease was all burnt into smoke. An' sech a stink as it made when mammy opened the oven door! A person could hardly git their breath." "Well, I like it anyway," said Judith cheerfully. "It's a good thing somebody likes these old, cracked-over plates, cuz "Yes, an' that's why it takes you so long to wash up the dishes. If you don't hurry you're a-goin' to be tardy for school. The rest of us is a-fixin' to start naow, an' you'll have to run to ketch up." "I ain't a-goin' to ketch up if I don't want to," returned Judith. "An' if I'm tardy, you hain't got no call to be a-frettin' yo'se'f." This sort of bickering between Judith and her sisters went on daily in the Pippinger home and increased as the children grew older. Luella and Lizzie May, good, right-minded, docile little girls, looked down upon Judith from the height of two whole years of seniority and felt it their duty to try to make her as good, right-minded and docile as themselves. There was a half-story attic above the three ground rooms occupied by the Pippingers, and this attic was the girls' bedroom. Here the three slept together in a big wooden bed made all of twisted spirals. The bed had a straw tick and in winter many thicknesses of patchwork quilts. In summer one quilt was enough and often too much; for the windows were small and the roof low; and on hot, breathless nights no air seemed to enter. In summer the bedbugs came out of the walls and Aunt Annie Pippinger saturated the bed once a month or so with kerosene and corrosive sublimate, the odor of which lingered for many days after the application. Between the windows stood an old cherry chest of drawers which had once been a handsome piece of furniture, but was now much scratched and scarred by hard usage. Each girl had one of the three drawers, and here they kept their clothes and treasures. Luella and Lizzie May had each a pincushion of silk patchwork in the then popular "crazy" style, and fatly stuffed with bran. Luella had a box the lid of which was encrusted with small shells surrounding a red velvet pincushion shaped like a heart. In this box she kept carefully folded bits of silk, velvet and lace; locks of hair cut from the heads of all her relatives, wrapped in tissue paper and labeled with the name Poor Judy had no such treasure box. She often looked at her sisters' collections with envious eyes and wished for as much as two minutes together that she too had some nice things. Somehow she had never been able to collect things. Her drawer contained nothing but her little old frocks and underwear and holey stockings thrown together in a tousled heap, and perhaps a few pine cones and clam shells and odd pebbles that she had picked up from time to time. There were several colored pictures on the walls, mostly calendars of previous years, much fly-specked and yellowed on the edges. One of these, an advertisement for some kind of corset, represented the upper two thirds of a young woman with bright pink cheeks and golden hair, attired in a chemise and a straight-front corset and holding an Easter lily in her hand. On one side of the chest of drawers was an old, much faded chromo showing a child with a tremendously large head, dressed in skin-tight red satin breeches and pale blue coat with lace ruffles in front looking at a kitten which was playing with a pink ball on the floor. This picture was enclosed in a frame the ends of which stuck out beyond the picture, forming little crosspieces at each corner. On the floor were several pieces of frayed rag carpet and before the bed an oval braided rag mat. Luella and Lizzie May spent a good deal of their time in this sanctum, "redding up," looking over their treasures, exchanging confidences and sewing patch-work blocks. But Judith Judith pirouetting about, would sing the song after him, but with the correct time and tune. "Seems like you c'n beat yer dad at singin', Judy," Bill would say proudly. "I never was one that could hang onto a tune. After a bit, somehaow, it'd allus git away from me. Hand me them there pinchers—the little uns with the shiny ends onto 'em." Judith liked to work around the mules and was soon entrusted with the task of leading them to water and pitching hay into their manger. In the stable she would get down the curry brush and comb from the beam where Bill kept them and curry She liked to go with her father in the spring wagon when he went to Clayton or Sadieville or took corn to the mill to be ground. The clear morning sunshine, the sweet air, the life of the woods and fields all about them mingled exultantly with the rattle of the wagon as it jolted over the ruts in the dirt road, the strong, horsey smell of the mules and the grinding creak of the brake as Tom and Bob held back on the steep hillsides. Perched beside her father on the seat, she insisted on driving and was indignant when Bill would take the lines from her hands at the top of a steep hill or on the approach of another team. Whenever they met a neighbor or relative—and almost everybody they met was a neighbor or relative—Bill would rein up the mules, the other team would pull up alongside, and there would be a long spell of roadside visiting. There would not be much said, but it would take a long time to say it; and Judith would sometimes grow impatient. "Dad, why do you stop so long an' talk to folks on the road?" she would ask. "Why-ee, I dunno. I allus done so ever sence I was a boy, an' my dad allus done so afore me. I like to know haow folks is a-comin' on. You wouldn't have me drive right on with nuthin but a 'Howdy' would you? 'Twouldn't be neighborly." The mill was a mile or so beyond the village on the bank of a pleasant little stream which furnished it with water power. It was built of logs mortared with mud, and grass grew in the chinks. It was a very small mill the single business of which was to grind corn into meal for the corn cakes of the neighborhood. When Judith and her father would drive up, everything would be silent; not a sign of life but the turning wheel and perhaps a chicken pecking along the path or a pigeon cooing from the roof. "Hey, Dave! Hey, Dave!" Bill would call, as he tied the mules to the hitching post. Presently Dave Fields, the miller, would come hobbling down the path from his house which stood a few rods away hidden among locust trees. He was a shriveled little old man with one leg shorter than the other from rheumatism and a pair of merry blue eyes twinkling from under bushy white eyebrows. "Waal, howdy, Bill. Purty weather we're a-havin' naow. Yer folks all smart?" "Yaas, we keep middlin' smart. How's yo'se'f an' the woman, Dave?" "Oh, we git about; we git about. But we hain't what we onct was, Bill. The woman had one o' them asthmy spells last week; an' my rheumatics keeps me purty stiff. But of course we're a-gittin' old. We can't complain. Haow much corn you got?" "Oh, mebbe a couple o' bushel," Bill would answer, lifting the sack out of the wagon. "Waal, Judy, an' hoaw're you a-feelin' to-day? You're a-growin' to be a great big gal. You'd best stop here with me an' mammy. We hain't got no little uns no more." And the old miller would chuck the little girl under the chin good-naturedly, as she looked at him with wide, questioning eyes. Then the mill would be put in operation and Judith would be fascinated by the sight of the golden meal pouring into the hopper. When the corn was ground, the old man took a tenth for his share and put the rest back into Bill's sack. Then, but with no unseemly haste, the meal was lifted into the wagon and the mules untied and turned in the direction of home. "Waal, Dave, you an' yer woman come over." "Yaas, we'll be along by there some day. You come some Sunday an' stop all day with us." And at last they would go rattling away up the hill toward Clayton. Then to Peter Akers' general merchandise store to buy flour Often Peter Akers, a baldish, pot-bellied man with a flabby face and old-fashioned sideboards, would lean across the counter with professional affability and chuck the little girl under the chin. "Waal, Judy, you like to come in taown with yer dad? You'd best stay here an' keep store with me. Wouldn't you like to help keep store?" Judith, looking straight at him with level, grave eyes, would answer never a word. Then over to Jim Townsend, the blacksmith, to get some plate shoes in case a neighbor should come with a job of horseshoeing to do. Once Jim looked admiringly at Judith, whom he was really seeing for the first time, although she had been there dozens of times before. "You got a handsome gal there, Bill," he said. "All my gals is handsome," answered Bill complacently. "But this one here is more a boy'n a gal. She's her dad's hired hand, she is. She helps me shoe the mules, she does." "Waal, waal, so she's a blacksmith's helper! I'm needin' a hand. Wouldn't ye like to stay here an' help me shoe hosses, eh, little gal?" Judith looked him through and through and made no reply. "Dad, do folks really want other folks' chillun to come an' live with 'em?" she asked her father, when they were back in the wagon. "No, Judy, I can't say they do," Bill answered. "Other folks' young uns is gener'ly wanted 'bout as much as other folks' ailments." "Then why do they keep a-askin' me to come an' live with 'em?" "Oh, I dunno. It's jes a way they have. They done like that when I was a lad too." "I wish they wouldn't," said Judith. Then, as they drove back home through the sleepy heat of the noonday, Judith would grow hungrier and hungrier and her one thought would be of dinner. She could smell it as soon as they pulled up in the barnyard: boiled hog meat and mustard greens and young beets and potatoes. How good it tasted when at last she had a heaping plateful in front of her with a generous tin mug of cool skim milk to wash it down! Judith liked best of all the autumn season, when the sky was a hazy, tender blue and the mellow sunshine lay like a film of golden tissue over all the earth. Then there were plenty of apples to munch; and she could go out into the garden and pick the big, red, juicy tomatoes and eat them alive, as it were, before they had been slaughtered by her mother's It was an intoxication to her at this time to be alive, to gather and eat the good things that the earth so generously provided, to see the autumn glory of the woods and roadsides, to feel the glow of the sun, the warmth of the earth under her bare feet, and to sniff in the spicy exhalations of the great barns. On these autumn days the sun sank early; and this was the time that the Pippinger children most enjoyed their play. There was something about the chilly drawing-in of these October twilights that made them want to leap and run and throw their arms about and utter wild, animal-like noises into the gathering night. Judith was always the leader in these games, and her wild abandon easily infected the others. Round and round the clothesline prop they would fly in the game of "Go in and out the Windows," and "The Farmer in the Dell," the long braids bobbing, the boys' shirttails, escaped from their overalls, flapping in the wind with the girls' petticoats. Then, tiring of this, there would be "Hide and Seek," "Tom, Tom, pull away," and the inexhaustible "Tag." Minnie, the cat, liked these evenings too, and so did her kitten and the white cat that Judith had rescued from the Blackford boys. The cats, like the children, were filled with a spirit of kobold friskiness, as though their evening bowl of Often a wind would spring up out of the west as the twilight thickened, and the young Pippingers would run in the face of it, their hair blown back, their arms waving wildly, their voices ringing shrilly into the autumn night: little Valkyries of the hills. Once, as they were playing a ring game by the barn, a big red moon rose over the brow of the hill and showed their dancing figures silhouetted sharply in black on the barn wall. The weird little shadow figures seemed like a troop of goblin companions that had come to join their play. The more wildly they pranced and threw their arms about, the more reckless and drunken grew the little shadow creatures on the wall, stimulating them in turn to a still greater frenzy of abandon. The wind blew in their faces and brought subtle whiffs of fragrance from the big tobacco barn down the ridge. The other children soon forgot this evening; but to Judith it remained always as one of the exalted moments of her life. When the children were called in to supper after these autumn orgies, they would come with ruddy cheeks and blazing eyes. Bill, looking about the table, would say with The little glass lamp would be lighted in the middle of the oilcloth-covered table; and there would be fried potatoes and a big red platter of sliced tomatoes and roastin' ears steaming hot—a delicious meal! The winter season was not such a happy one for the Pippinger children. Usually the weather would be warm and pleasant and the roads dry up to Thanksgiving or even later. But then would come the inevitable heavy frosts, followed by thaws and the cold, dismal rains that lasted sometimes for days together. Then the young Pippingers had to stay home from school and time hung very heavy on their hands. They bickered and quarreled and yawned and stared idly out of the window at the drearily falling rain and the dismal expanse of mud that would be there till the April sun dried it up. Sometimes when the house grew too unbearably dull and small, they threw their coats over their heads and plodded through the heavy mud to the barn to play in the corn fodder and consort with the mules and chickens. It was a great relief to their mother to get them out of the house. Around the barn, the sodden stable dung made a lake of stinking filth and the children had to step very carefully from stone to stone to avoid sinking into it. Inside it was fun for a while to jump about in the clean fodder, to curry the mules and climb on their backs, and to hunt for eggs in the loft and on the top of the beams. But they soon tired of this and trooped back to the house, bringing with them their boredom and a quantity of sticky mud which refused to wipe off on the dirty bit of folded rag carpet before the door. When the rainy spell was over Mrs. Pippinger heaved a sigh of relief and started them off to school again. Dressed in faded caps and little made-over, outgrown coats, too short in the sleeves and too tight across the chest, they trudged through the mud, glad to be away from the dreary house. When they got to school they were tired to the point of It was worse still as the winter advanced and snow began to fall. The melted snow mixed with the mud and made a thin, oozy, penetrating slush, which usually meant wet feet for the Pippingers. It was not always possible for Bill to provide five new pairs of shoes and five new pairs of rubbers or overshoes with the oncoming of the bad season. And so the shoes were often broken and the rubbers worn into holes in the heels, which gave an easy entrance to the cold winter slush. For this reason and because the air of the schoolhouse was kept so close and overheated, coughs and colds were of very frequent occurrence. The winter, in fact, was one long stretch of barking, sniveling, wheezing, and nose-blowing, with sometimes a more severe attack which kept one or other of the children from school. Mrs. Pippinger always kept on hand in a stone jar a homemade cough syrup consisting of butter, sugar, and vinegar. It did not seem to have any very great curative effect on the coughs and colds; but the children were always glad to take it because it tasted so good. Then too, as the winter advanced, the pantry and smokehouse grew more and more empty. "Roasin' ears," tomatoes, cucumbers and such garden delicacies were gone with the early frosts. Sweet potatoes, dried out on a shelf behind the kitchen stove, lasted a while longer, but were soon eaten up. White potatoes, cabbage, and pumpkins lasted till about Christmas. After that the frost always got what was left of them, as the Pippingers had no cellar. Christmas, too, saw the last of the apples; for Kentucky is too far south to grow good winter apples. The cured and smoked hog meat hanging in the smokehouse sometimes lasted till spring; but more often it was gone by February. The few jars of jam and cans of peaches and |