Letters and the Post Office
Elizabeth was in a letter-writing mood, and sealing Jean's letter with her favourite sky-blue sealing wax, stamped with her monogram signet ring, she opened her letter-case again. She began:
"You write an awful lot of letters, Elizabeth," said Peggy, as the two met at the post-office steps. "You get a lot, too. I'm not much good at correspondence. Did you ever write to a boy, Elizabeth?" "Well, don't you ever tell, Elizabeth, because I might get teased, but I'm writing to a boy right now. That is, I am going to be when I've answered his letter. It isn't a silly boy, though, it's a sensible boy—a boy that knows a lot of things I want to learn about. Chester Reynolds, you know, that I've told you about winning the tennis cups. I got a letter from him last night. It isn't supposed to be very nice to show letters, but if you'd like to see this one, I'll bring it around to-morrow, and then I'll bring my answer to it, and let you see what you think of that." "All right," Elizabeth agreed. "Isn't it a funny thing, he is the only boy that I ever thought I'd like to correspond with, and now he has just sat himself down and written to me." "I think that's very nice." Elizabeth said. "There's a boy in New York that I felt that same way about. He sort of offered to send me a copy of 'Prometheus Bound,' but I knew if he did that I should have to write and thank him, and I didn't know whether Mother would approve of my writing him like that when I was away from home, so I didn't say anything more about it." "What is 'Prometheus Bound,' anyway?" Peggy inquired. "Well, I think it is a kind of a blank verse poem or "I don't like literary boys as a rule, though, do you?" Peggy asked. "They usually wear rubbers and horn rims, and have to mind their mothers." "Not any friend of Jeanie's. Her friends are always all-around boys. They must have brains, too." "Oh!" Peggy said, impressed. The crowd on the post-office steps was beginning to thicken. The big bags, bulging with mail, had been passed behind the glass faÇade of the mail-box section, and behind the closed wicket that indicated the distribution was taking place the silent postmaster and his assistant worked with grim, accustomed rapidity. "Let's go and watch them put the things into the boxes," Elizabeth said. "It's the most exciting thing to see the letters go in. Ours is 178. See, here it is," she cried, as Peggy followed her into the stuffy office. "There's a card from Buddy already, and one for Grandfather from the Bass River Savings Bank, and one fat one that I can't see the face of that I hope is from Jean. She doesn't always wait to get answers, you know. She writes when the spirit moves and so do I. I've just been writing her." "There's my thirty-first," Elizabeth whispered, as a solemn black chauffeur made his appearance in the post office. "My thirty-third," Peggy said, "and outside is a white horse. What a pity we have got to get the white horses in sequence. They are so hard to find, especially when you are looking for them. But when we do get them all, I am going to keep my hands behind me all the time, until I find somebody I am willing to shake hands with!" "It would be awful, after all this trouble, if we didn't shake hands with the right one, wouldn't it, Peggy? There goes a postcard right into my box. It's for Judidy. She has a young man. Did you know it? He's almost as fat as she is, and not nearly so good looking." "I hope she gets somebody very nice, and marries them, and has a whole backyard full of fat pink babies, though I don't know what Grandmummy would do." "Grandfather says she'd get the work done The gate in the wicket flew up, and in an instant it was surrounded. "See all the mail-hungry fiends," Peggy said. "Oh, goody, Mother's got a letter from my cousin in Rome—and Ruth has a letter from that Chambers fellow." "What Chambers fellow?" Elizabeth asked, quickly. "Piggy Chambers I call him. He's got loads of money and he is very good looking, and he just pesters Ruthie to death." "What does she do?" "She lets him. She likes it, rather." "Oh, dear!" Elizabeth said. "You don't have to worry. She's my sister. Piggy Chambers isn't so bad. He's just kind of a bore, you know, and awfully fond of writing letters to Piggy Chambers, Esquire. Lots of grown-up fellows are like that." "She's your sister, but I love her, too." "Shouldn't think much of you if you didn't." They were on their way home by this time, and the post-office crowd had begun to melt away, "I wish my grandmother would let me come after the mail at night," Elizabeth said. "I have to wait till Judidy or Zeke are ready to come, or Grandfather will take me. As if I wasn't old enough to go out after six o'clock alone." "It isn't your being old enough, it's the general reputation of the post office being a place where the crowd goes in the evening to—start something. You know yourself that lots of things that go on there don't look very well. It's such a mixed crowd, too." "As long as you behave yourself, I don't see what difference it makes." "I've thought a lot about going to the post office at night," Peggy said, "and I've argued a lot about it with Ruthie and Mother, and the conclusion that I've come to is that it's just as well to keep away. All the girls that aren't nice hang around there. Some of the girls that are nice stay away. When I grow up, my niceness is going to be so much a matter of course that I won't have to look out for it so hard. Just now I am going to obey Grandmummy's rule to 'avoid the appearance of evil'." "I guess you are just about right, Peggy," Elizabeth said after reflection. "Sometimes you talk a lot like Jeanie. Would you like to hear some of her letter?" "I do," Elizabeth said, "and the reason I do is that I think you are like Jean in some ways. You are both of you way beyond me in the way you look at things." "The way I look at things is better than the way I act sometimes." "I'm inclined to be just the other way around. The way I look at things is worse than the way I act most generally." "I'm disobedient," Peggy said, "and sloppy weather, and always late to places. I do as I'm told about things like going to the post office at night, but not about trying to run the car or getting home on time." "I'm just the other way," Elizabeth reflected. "I wouldn't monkey with anything I was told not to touch, but I'd make a big fuss, if only in my own mind, about obeying a grown-up rule that I didn't understand." "Either way gets you into trouble at times," Peggy said, sagely. "Don't look round, but there are two boys trailing behind us." "What kind of boys?" "Two of the boys that were down at the Aviation Camp all last summer." "Are they all right?" "They are speaking to us. Don't look round." "Oh, girls!" "I suppose they'll get tired and go away." "Don't look round." "Oh, girls!" "Now, look here," Peggy suddenly wheeled on the two followers. "We haven't met you. We're not going to have you trailing around after us." The older of the two boys whipped off his hat. "I—I beg your pardon," he said, colouring. "We were only joking. We—we——" "It puts us in an embarrassing position," Elizabeth contributed. "Well, some of the girls, they—we——" the other boy also found explanation more difficult than he had anticipated. "There's a difference in girls," Peggy said, severely. "We were only going to ask you the way to the beach." The first boy's hair was a blazing, splendid red. Elizabeth liked red-headed boys. "I've seen you there almost every day this summer," Peggy challenged. "So've I seen you." The second boy had a wide, ingratiating grin. "We want to get acquainted, that's all," he admitted, "so we were pursuing what seems to be the usual way down here." "What is the way, then?" "Don't ask us." Peggy gathered Elizabeth's arm under hers, and hurried her along. "They are sort of nice," she admitted, when they had put several yards between them and the objects of their encounter. "If they are really nice, I suppose they will get introduced the way they ought to. If they aren't, well, we won't see them." "It's a sort of strain waiting to find out such things," Elizabeth said. "Read me Jean's letter, and that will take our minds off them," Peggy demanded, practically. "One reason that I don't like to have much to do with boys is that when you get thinking about them it's hard to get your mind on other things. If they are silly, they aren't any fun." "On the other hand," Elizabeth argued, "if they aren't just a little bit—silly or—something—they aren't so much fun." "Well, they have to be interested in you some," Peggy admitted. "Now I'll read you Jean's letter. We'll sit down under this tree by the gate. See how pretty her handwriting is. Doesn't she make fascinating E's and R's?" "I think there is a lot of character in handwriting," "See this card from my brother Buddy. He writes like a perfect gentleman, and he is one, though I say it as shouldn't." "Oh, I've seen your brother's handwriting before, but not for a long time. Why don't you write him to write Ruthie? I'd a whole lot rather she was hearing from him regularly than from Piggy." "Has she a friendship with Mr.—Mr. Piggy?" "No, she hasn't. He just wants her to marry him, and that's all there is about it. If your brother is her friend, it would be the part of a good friend to stick around just now, if only by correspondence." "There are things about my brother that you don't understand, Peggy," Elizabeth said, solemnly. "Thirty-four," Peggy said, her gaze diverted to the street, "count that one, Elizabeth. It may be that same chauffeur, but never mind. We don't know positively that it is." "Well, now for Jean," Elizabeth said, after these formalities were finished.
"He doesn't want anybody told. He doesn't want to appear like a confirmed invalid." "I'd like to tell Ruthie." "I—I'll tell you what you do. You take Jeanie's letter and read it to her. That won't be either of us telling her." "All right, I will." "I don't know what excuse you can give for having a strange girl's letter with you." "I won't need any excuse. I'll just say to Ruth that I've got a letter from a friend of yours about John Swift. She'll just grab the letter—that's all. I'll say you were willing." "You come around and tell me what she says afterwards." "All right." Peggy was making a prolonged departure, kicking at the turf as she stood at the gate. "I'll come around this afternoon, anyway, and we'll go and get some tutti-frutti ice-cream." "All right, and if you hear anything more about who those boys were, you can tell me then." "All right, and I'll bring around that letter I was telling you about, from Chester Reynolds." "All right. I guess my dinner's ready. I heard the bell when we first got in sight of the house." |