MYSTERY, magic, and manitoes abound in the land of Hiawatha, in the land of the Ojibwas, among the green islands, graceful and beautiful, lying amidst the dancing blue waters when the sun shines over Gitche Gomee, the Great Water. But the animal fathers lived upon the earth before there came the “two-legged walkers.” There were many animals. There were many beavers. It was the beavers who made Gitche Gomee, the Great Water. They made it by building two dams. The first they built at the Grand Sault, and the second was five leagues below. When Great Hare came up the river, he said, “This must not be so.” Therefore he stepped upon the first dam. But he was in haste. He did not break it Around Michilimackinack was the land of Great Hare. There, amongst the green islets, under the cool shade of wide spreading trees, where fish leaped above the rippling waters, he made the first fish net. He made it after watching Spider weave a web for catching flies. It was Wenibojo, When the snows of winter lay deep upon the forests Tales they tell of how Gitche Manito, the Good One, taught the Indians how to plant the Indian corn, how to strip and bury Mondamin, and how to gather the corn in the month of falling leaves, that there may be food in the camps when the snows of winter come. Tales they tell of Gitche Manedo, the Evil One, who brings only distress and sickness—tales of the land of Hiawatha. Mystery and magic lay all about them. It is a far cry from the stories of the North along the banks of the Mississippi, from that land of long winters, through the country of the mound builders, to the sunnier Southland; yet from north to south, around But quite different are the tales of the Southland—of the Cherokees, Biloxis, and Chitimachas. They are stories of wild turkeys, of persimmons and raccoons, and of the spirits which dwell in the mountain places where none dare go. Stories also are they of Brer Rabbit and the tar wolf, which came from Indian slaves working in the fields in early days, through the negro slaves working beside them, to the children of the white men. It is a loss to American literature that so much of the legendary history of these Indian tribes has gone, beyond hope of recovery. Exquisite in color, poetical in feeling, these legends of sun, moon, and stars, of snow, ice, lightning, thunders, the winds, the life of the forest birds and animals about them, and the longing to understand the why and the how of life—all which we have only in fragments. Longfellow’s work shows the wonderful beauty of these northern legends, nor has he done violence to any of them in making them poetical. His picture of the departure of Hiawatha, the lone figure standing stately and solemn, as the canoe drifted out towards the glowing sunset, while from the shore, in the shadow of the forest, came the low Indian As in all the other volumes of this series, no effort has been made to ornament or amplify these legends in the effort to make them “literary,” or give them “literary charm.” They must speak for themselves. What editing has been done has been in simplifying them, and freeing them from the verbose setting in which many were found. For in this section of the country, settled before it was realized that there was an Indian literature, the original work of noting down the myths was very imperfectly done. Thanks are due to the work of Albert E. Jenks, on the wild rice Indians of the upper lakes; to James Mooney, for the myths of the Cherokees; to George Catlin, for some of the upper Mississippi legends; to the well-known but almost inaccessible work of Schoolcraft, and to others. K. B. J. |