BY INIGO JONES Esquire. BEing naturally inclined in my younger years to study the Arts of Designe, I passed into forrain parts to converse with the great Masters thereof in Italy; where I applied my self to search out the ruines of those ancient Buildings, which in despight of Time it self, and violence of Barbarians are yet remaining. Having satisfied my self in these, and returning to my native Countrey, I applied my minde more particularly to the study of Architecture. Among the ancient monuments whereof, found here, I deemed none more worthy the searching after, then this of Stoneheng; not only in regard of the Founders thereof, the Time when built, the Work it self, but also for the rarity of its Invention, being different in Forme from all I had seen before: likewise, of as beautifull Proportions, as elegant in Order, and as stately in Aspect, as any. King James, in his progresse, the year one thousand six hundred and twenty, being at Wilton, and discoursing of this Antiquity, I was sent for by the right Honourable William then Earl of Pembrook, and received there his Majesties commands to produce out of mine own practise in Architecture, and experience in Antiquities abroad, what possibly I could discover Severall Writers, both Strangers, and our own Countreymen, have treated of Stoneheng. Before recite whole opinions, I think not amisse to seek this subject from the most ancient times, endevouring thereby to give satisfaction whether or no, the Druides, aliÀs DruidÆ (in Authors indifferently written, and in old time the Priests of the Britans and Gauls) or the ancient Britans, for the Druid’s use, might not be the Founders of so notable a monument; which if they were, there is then no cause why bestow farther study or pains, in searching who the Founders were, but acquiesce in the honour of our own Nations first erection of it. As far neverthelesse, as from History ancient or moderne may be gathered, there is little likelyhood of any such matter, considering especially what the Druid’s were; also, what small experience the Britans, anciently inhabiting this Isle, had, in knowledge of what ever Arts, much lesse of building, with like elegancy and proportion, such goodly works as Stoneheng. Concerning the Druid’s in the first place, true it is, they are reported in ancient times, to have been in great esteeme in this Island, where their discipline, and manner of learning, was supposed to be first invented, and from hence translated into Gaul. Disciplina in Britannia reperta (saith CÆsar) CÆsar. Commen. lib. 6. Their power moreover, and preheminence was not confined within the strict limits of sacred matters, but enjoying a more large prerogative, temporall negotiations, and affairs of State were transacted by them: the managing of Peace and War was usually remitted to their Authority, even when Armies were ready to joyn in Battell. Publica iis (saith StraboStrab. lib. 4.) & privata judicia committuntur, & aliquando causis bellorum disceptandis jam acie congressuros composuerunt. Judges they were (saith CÆsarCÆsar. lib. 6. also) in almost all civill and criminall causes: sentence they gave in case of life and death: decide they did controversies, and debates betwixt party and party: finally, whatever else was requisite and convenient to keep the people in due obedience to their Princes, they wholly took the care and charge of. These were the maine affaires wherein the employment of the Druides consisted, and whereunto they wholly addicted themselves. Whosoever desires to know more of them, may read CÆsar, Diodorus Siculus, Strabo, Pliny, Diogenes Laertius, Ammianus Marcellinus, and such like ancient Authors. But, whatsoever these, or other Historians have written of the Druides, certainly, Stoneheng could not be builded by them, in regard, I find no mention, they were at any time either studious in Architecture, (which in this subject is chiefly to be respected) or skilfull in any thing else conducing thereunto. For, Academies of Designe were unknown unto them: publique Lectures in the Mathematiques not read amongst them: nothing of their Painting, not one word of their Sculpture is to be found, or scarce of any Science (Philosophy and Astronomy excepted) proper to informe the judgement of an Architect; who, (as Vitruvius Vitr. li. 1. saith) should be peritus Graphidos, eruditus Geometria, & Optices non Of all that have written of the Druid’s, no Author knew them better then CÆsar, neither hath any more fully described them; who after a large discourse of their discipline, priviledges, and Theologie,CÆsar. li. 6. Multa de sideribus (saith he) atque eorum motu, de mundi ac terrarum magnitudine, de rerum natura, &c. disputant, & juventuti transdunt. They make much dispute, and instruct their Scholars in many things concerning the Stars, and their motion, the greatnesse of Heaven and Earth, of the nature of things &c. As for other Arts relating to the Mathematiques, or any works of this kind, he makes no manner of mention, though himself an Architect, glorying in his own, and much more extolling others invention in that Art. The truth is, those ancient times had no knowledge of publique works, either Sacred or Secular, for their own use, or honour of their Deities. Besides, they us’d not any buildings of Stone, or (for ought is manifest) knew so much, as how to order working therein. The Druid’s led a solitary contemplative life, contenting themselves with such habitations, as either meer necessity invented, to shelter them from contrariety of seasons, without Art, without Order, without any whatever means tending to perpetuity: or, such as Nature alone had prepared for them in dens, and caves of desert and darksome woods; esteeming it, questionlesse, the highest secret of their mystery, rather to command in caves and cottages, then live like Kings, in Palaces, and stately houses. They were too wise, knew too well, ’twas their humility, integrity, retired manner of life, and pretended sanctity possest the people with an awfully reverend esteem of them; and which fed, and kept up their reputation throughout the Countrey, when outward appearances of State and magnificence would either have brought them into envy, and their superstition into contempt, or Pomponius MelaPomp. Mela lib. 3. discoursing of the Druides, Docent multa (saith he) nobilissimos gentis clam & diu vicenis annis in specu, aut in abditis saltibus, They teach the Nobility, and better sort of their nation, many things, even twenty years together, secretly in caves, or close coverts of obscure woods and forrests. Such, and no other were their habitations, such their Universities, and publique Schooles. As for their Temples and sacred structures, they consisted not in variety of formes, costlinesse of materials, or perfection of humane Arts, but were of Natures own framing in like manner, being no other then groves of Oke. The Druid’s chose of purpose (saith Pliny)Pliny lib. 16. such groves for their divine Service, as stood only upon Okes; nay they solemnized no Sacrifice, nor performed any sacred Ceremonies without the branches, and leaves thereof; from whence they may seem well enough to be named DryadÆ in Greek, which signifies as much as Oke Priests. The Romans having forced their passage, and gained victory over the Druid’s in Anglesey, cut down their woods and groves, amongst them reckoned holy, and consecrated to their execrable superstitions. Excisi luci (saith Tacitus)Tacit. Ann. lib. 14. sÆvis superstitionibus sacri. To this purpose, Humphrey Lloid, in his history of Wales, The vast woods growing in that Island, were not only by the Romans, but afterwards, when the Christian Faith took place in this Nation, by the Christians also fell’d and rooted out. And why? because of the idolatry (saith he) and absurd Religion used in them. Again, in his Epistle to Ortelius concerning the Isle of Anglesey, the same Author affirmes; Though there is little wood now growing there, yet every day the roots and bodies of huge trees of a wonderfull length and bignesse are by the inhabitants found, and digged out of the earth, in divers places in low grounds, and champion fields. Now, if in stead of these roots, and bodies of trees, the ruines of ancient Structures had been there found, it might There it was the British armies (saith Tacitus)Tacit. Ann. lib. 16. being imbattailed, the women ran to and fro amongst them in sable weeds, their hair about their ears, and fire-brands in their hands, like infernall furies, the Druid’s round about them also, lifting up their hands to Heaven, and pouring forth deadly curses; the novelty of which sight bred such amazement in the Roman Legions, (the Romans here, it seems, were unacquainted with the Druid’s till then) that they stood stock still, and close together, not once moving a foot, as if possessed with a resolution to act nothing at all, but receive their deaths tamely and without any great resistance. Wherefore, besides, that History hath not remembred the ruines of any ancient buildings digged up in Anglesey; if either, this Antiquity had been remaining in that Island, or any Author delivered such Actions of the Druid’s, as aforesaid, performed about the place, where Stoneheng remains standing, there might have been some advantage made thereof to the purpose now in hand. But Anglesey excepted, ancient Writers give them residence in no part of Britain beside, nor are they remembred by any, to have been found elswhere, throughout the whole Nation. With respect whereunto, if the Druid’s had knowledge, either to build the like magnificent structures, or use, for any such, they would, without all peradventure, have erected them upon the same place rather where themselves resided, then elswhere. Neither are we to wonder, they chose such an out-nook or corner as Anglesey, to reside in; in regard, there, they lived remote, and solitary; there, were store of caves, and dens to instruct their Scholars in, close and retired places for their own habitations, and plenty of groves to perform their sacred mysteries in. Moreover, they past their days there, like the Hermits of old time, according to their own desire, in full contentment, and with free liberty to study, and contemplate what they pleased. For, Anglesey (we must know) in those times of yore, was wholly overgrown with desert Woods, and obscure forrests, from whence the ancient Britans call’d it Ynis Dowil, the shadowy or dark Island. Which name it still retains, and is well known thereby to the now inhabitants, who are, even at this day, likewise enclined, (yea, they usually accustome themselves) to commit things more to Memory, then Writing; and, as having received it by tradition from their Ancestors, living in those ancient times, still endevour to observe that custom of the Druid’s, who held it unlawfull to commit any thing to writing. As CÆsarCÆs. Com. lib. 6. (in the sixth book of his Commentaries of the Gaulish war) delivers. Concerning the Britans in the next place, The condition of those ancient inhabitants of this Island in the Druid’s time duly considered, (viz. in what manner they lived, how unskilfull in all Sciences, and civill customs, what Deities they had, in what places they adored them, and what manner of buildings, or sacred or secular, were used by them) as little reason appears, that this Antiquity was by them erected. As for their manner of living, the Britans were then a savage and barbarous people, knowing no use at all of garments. Vestis usum non cognoscunt (saith Herodian.)Herodian. lib. 3. Now, if destitute of the knowledge, even to clothe themselves, much lesse any knowledge had they to erect stately structures, or such remarkable works as Stoneheng. What fashions they used to adorn their bodies with, the same Author tells us. As a rare and rich habiliment, they wore about their wasts Again, in other their civill customs, they were no lesse rude and ignorant; yea, so barbarous, even in things appertaining to common sustenance, and whatever husbandry; that (as Strabo)Strabo li. 4. Quidam eorum ob imperitiam caseos nullos conficiant, cum tamen lacte abundent: alii hortos colendi, & aliarum partium agriculturÆ ignari sunt. Many of them, though they had great plenty of milk, yet their want of skill was such, they knew not how to make cheese: others so simple, they knew not to order their gardens or orchards, or any thing belonging thereunto. Their Countrey also then lay uncultivated, no corn sown: QuÆvis herba & radix cibus est, Their food was herbs and roots (saith Dion Cassius.)Dion li. 62. Hence Sir Walter Raleigh cals them the British Nomades.Ral. li. 3. c. 5. And (by the way) it may not inappositely be observ’d, milk, roots, and fruit were the chief banquetting dishes; and skins of beasts (if clothed) the most costly habits of our Forefathers. Now who can, in reason imagine, that any great knowledge, practice, or delight of Arts and Sciences, wherein the elegancy of Architecture consists, should be in use or esteem, amongst a people, wholly devoted (as I may so say) and given over to such barbarity? There were then no publick roads, or common high-ways to passe from one place to another, no constant habitations, Nec moenia, nec urbes, Nor towns nor walls (as DionDion li. 76. out of Xiphiline hath it) much lesse Temples, or other buildings made of stone, composed by Art, with Order, and Proportion.i Moreover, who cast their eies upon this Antiquity, and examine the same with judgement, must be enforced to confesse it erected by people, grand masters in the Art of building, and liberall sciences, whereof the ancient Britans utterly ignorant, as a Nation wholly addicted to wars, ne In the wars which Bunduica (whom Tacitus cals Boadicia) Queen of the Iceni, undertook against the Romans, wherein seventy thousand of their Citizens, and allies perished; in disdainfull contempt of the experience in Arts, wherein the Romans flourished, She accounted it her chiefest glory (saith Dion Cassius)Dion lib. 62. to command over the Britans, in regard, a people they were, who had not learned, or knew, what belonged to the cultivating and manuring of lands; or the practice of Arts, or to be craftsmen in any thing, save war. Qui non agros colere, non opifices esse, sed bella gerere optimÈ didicerunt. Where you see, their having nor experience nor practice in any kinde of Sciences, war excepted, was enforc’d, by Bunduica, as redounding greatly to the Britans honour, much advantage being made thereof by Her, towards advancing Her designs, as the Historian plainly tells us. But certain it is, however barbarous in other affairs, a most warlike people they were. Never, untill the forces of the whole world united in the Roman Empire conspiring to subdue them, liable to conquest: neither could all that power, till after numbers of years spent in the attempt, with infinite expence of men and treasure, ever prevail against them. Now, as their sole skilfulnesse was in war, so they idoliz’d principally what had relation thereunto, their Dea optima maxima, being Victoria, whom they worshipped under the name of Andates. Another Goddesse they had in much esteem, called Adraste, which some imagine (as the Nemesis amongst the Greeks) was their Goddesse of Revenge. These, according to their savage manner of living, they adored in groves, and woods, the only Temples in use amongst them, to perform their Sacrifices, and divine mysteries in. (as from severall Authors I have already proved) Neither find I any particular place mentioned, to which any of these their Temples (if they may so be called) were assigned; only Andates (it seems from Dion Cassius) had a grove Besides, it is not to be past over in silence, how Tacitus expresseth himself in the before cited fourteenth Book of his Annals, telling us; The Romans overthrew not the Temples, or razed to the Foundations, any of the sacred structures of the Druid’s and Britans made of stone, or other materials, which he might as readily have done, if they had used any such: but positively, the Romans cut down the Britans woods and groves, amongst them reckoned holy, and consecrated to their execrable superstitions. True it is, other Temples, of greater magnificence then already spoken of, I find none: Ornaments of Art to enrich them they were not acquainted with: such orderly composed works as Stoneheng, they had not any: yea, no kind of sacred structures of stone were in use amongst them: their idolatrous places being naturally adorned, only with wild, and overgrown shades, designed and brought to perfection by Dame Nature her self, she being Architect generall to all their Deities. Nor did it consist with their vain Religion to use any other, they making their worship, performing their Ceremonies, offering their Sacrifices in dark and obscure groves, most conformable unto their barbarous, and inhumane, humane oblations. Neither must it seem strange, they used no other Temples then these, it not being their custom alone; for the ExcelsiMayer. 1 K. 1. Ch. or high places mentioned in the sacred Story, wherein the Heathen performed idolatrous rites unto their Idols, were commonly groves, affectedly sited upon some mountainous place, without any House or Temple. The Persians of old, (of whom Herodotus)Herod. li. 1. Neque statuas, neque templa, neque aras extruere consuetudo est, Erected neither Images, nor Temples, nor Altars: quinimo hoc facientibus insaniÆ tribuere, accounting it great folly and madnesse in those that did: but ascending to the tops of the highest, and most lofty hils, on them offered sacrifices to their Gods. From hence, Xerxes, in his expedition, burnt down the Temples of the Greeks, because they Touching the manner of the buildings of the ancient Britans, and of what materialls they consisted, I find them so far short of the magnificence of this Antiquity, that they were nor stately, nor sumptuous; neither had they any thing of Order, or Symmetry, much lesse, of gracefulnesse, and Decorum in them, being only such as OvidOvid. Met. lib. 1. (relating to the first Age of the world) makes mention of. ———————domus antra fuerunt, Et densi frutices, & junctÆ cortice virgÆ. Thus Englished by Arthur Golding. ———————their houses were the thicks, And bushy queaches, hollow caves, and hardles made of sticks. To like purpose Vitruvius.Vitru. lib. 2. In the first Age of the World (saith he) men lived in woods, caves, and forests, but after they had found out the use of fire, and by the benefit thereof were invited to enter into a cer Domos ex calamis aut lignis ut plurimum habent compactas. Their houses for the most part are of reed and wood, saithDiodo. li. 6. Diodorus Siculus. In the Northern parts they live in tents. Degunt in tentoriis, (saith Dion, epitomis’d by Xiphiline.) Their Cities were without walls, the Country without Towns. Urbium loco ipsis sunt nemora, (saith Strabo)Strab. lib. 4. woods stand them in stead of Cities or Towns. Arboribus enim dejectis ubi amplum circulum sepierunt, ipsi casas ibidem sibi ponunt, & pecori stabula condunt, ad usum quidem non longi temporis. For when by felling of trees, they have inclosed, and fenced therewith a large circuit of wood, therein they raise cabbins and cottages for themselves, and hovels for their cattell, of no great continuance, but only to supply their present use and occasion. Opidum Britanni vocant (saith CÆsar)CÆsar. lib. 5. quum silvas impeditas vallo atque fossa munierunt, quo incursionis hostium vitandÆ causa, convenire consueverunt, The Britans call a thick wood, enclosed about with a ditch and rampire, made for a place of retreat to avoid the invasion and assault of their bordering enemies, a Town. Thus, you see, in what condition the Inhabitants of this Island lived in those ancient times, having of themselves, neither desire, nor ability to exercise, nor from others, encouragement to attain whatever knowledge in the Art of Building. Precepts, and rules therein, the Druid’s neither could, nor would impart unto them. That they could not, appears from what is formerly said, and in what skilfull above others, they communicated nothing, but to those of their own society, taking speciall order (as CÆsar affirms) their discipline might not be divulged. As for Colonies of any Nation practised in Arts, from whom they might receive or knowledge, or civil conversation, there were none setled amongst them: neither had they commerce, or traffique, with any people experienced therein, much lesse acquaintance with any other, except those of Gaul, welnear as barbarous as themselves. None of the Gauls in a manner, had any knowledge (saith CÆsar)CÆsar. lib. 4. of the nature and quality of the people of Britain, or of the places, ports, or passes of the Countrey. Neque enim temerÈ prÆter mercatores illÒ adit quisquam, neque iis ipsis quidquam, prÆter oram maritimam, atque eas regiones quÆ sunt contra Galliam, notum est. For, not any went thither without eminent danger, except merchants, and they also could give accompt of nothing, save only the Sea-coast, and those Countreys which were opposite to Gaul. Never any Colony of the Greeks, for ought I know (saith Ortelius)Ortel. descr. Fr. was seated in Britain. And CÆsar, the first of all the Romans that discovered it, saith Camden.Camden fo. 2. If desire neverthelesse, to know in what times the ancient Britans began to be civilized, when to learn the knowledge of Arts, to build stately Temples, Palaces, publick Buildings, to be eloquent in forrain languages, and by their habits, and attire, attain the qualities of a civil, and well ordered people, Tacitus shall relate the same. Sequens hiems saluberrimis conciliis absumpta &c. The winter ensuing (being the second year of Julius Agricola his ProprÆtorship, or Leivtenancy in Britan; Titus Vespasian Emperour, about one hundred thirty three years after the first discovery thereof by CÆsar) was spent in most profitable, and politick Councels (saith Tacitus.)Tacit. in vit. Agr. For, whereas the Britans were rude, and dispersed, and thereby prone, upon every occasion, to warre; Agricola, to induce them by pleasure to quietnesse and rest, exhorted in private, and helpt them in common to build Temples, Houses, and places of publick resort, commending those, that were forward therein, and punishing the refractory. Moreover, the Noblemens sons he took, and instructed in the liberall Sciences, preferring the wits of Britain, to the students in Gaul, as being now eagerly ambitious to attain the eloquence of the Roman tongue, whereas lately they utterly rejected that language. After that, our attire grew in account, and the gown much used amongst To conclude, if this authority from Tacitus only, (an Author esteem’d the Polybius of the Latines) be throughly weighed, it will evidently manifest, (whatever else hath formerly been delivered) there was no such thing in Britain, before the Romans arrived here, as that which we now call Stoneheng. What credit else with posterity could Tacitus expect to gain, in affirming the Britans were taught and instructed in the liberall Sciences by the Romans; if those Arts acknowledg’d, to be practis’d amongst the Britans before? What need to have told us, the Romans made them skilfull in erecting sumptuous Palaces, stately Portico’s, and publick places, if the inhabitants here, accustomed to enjoy such noble buildings, before the Romans arrivall in this Land? Why, tell succeeding Ages, when gentle persuasions not prevail, to make the Britans innovate, and admit of sacred structures to whatever Deities, Agricola compelled them to found magnificent Temples, and assist therein, if this Antiquity Stoneheng extant before those times? Why also, should the Britans look upon the Temple erected by the Romans at Camalodunum, (supposed Maldon in Essex) in honour of Claudius sacred memory, as an Altar of perpetuall dominion over them, if been used to such structures before? yea, such an eye-sore the Britans accounted it, as, that Temple was one of the principall causes, which gave birth to that fatall insurrection under Boadicia. Neither would Tacitus have magnified the introducing those customs amongst them, as admirable policy in Agricola, and the true and only rule to bring them from their rude, and dispersed manner of living Furthermore, in the time of this Agricola, Britain was fully discovered, the Romans had circumnavigated it, and knew, for certain, it was an Island, formerly doubted of till his time; yea, there was not a Port (as I may so say) a bay, mountain, valley, hill, plain, wood, or forest, either any custom, rite, ceremony, or what else belonging to the knowledge of the Countrey, or manners of the People, but the Romans were then as well acquainted with (especially, in that part of the Island now call’d England) as, at this day, the Inhabitants themselves are. Neverthelesse, what mention soever is made by their Historians, concerning other matters of the Britans, not one word is to be found of this Antiquity, or any building of this kind in use amongst them. But, because some curiously learned have desired somwhat to be spoken for their better satisfaction touching this particular, I have been too prolixe. In a word therefore, let it suffice, Stoneheng was no work of the Druid’s, or of the ancient Britans; the learning of the Druid’s consisting more in contemplation then practice, and the ancient Britans accounting it their chiefest glory to be wholly ignorant in whatever Arts. Neither could it be otherwise, seeing their life so uncivil, so rude, so full of wars, and consequently void of all literature. (as Camden relateth)Cam. fo. 4. Yet, before I come to speak of this middle Age (if I may so call it) wherein the Romans prevailed, and to compleat their victories gave first rise to civility in this Island; as, I began with times of great Antiquity, so must I now descend to those lesse ancient, and modern, wherein, as posterity hath suffered an irreparable damage, through want of writing in those first times, so hath it been almost at as great a losse, by too much writing in later times; so many THOSE ancient Historians who (among other actions of the Britans) treat of this Antiquity, differ much in their severall reports. And, as it is usuall with Historiographers of other Nations, where, they cannot give a just and rationall accompt of unwonted accidents, beyond the common course of things, to fill up their stories with fabulous, and incredible relations; so, no marvell, if we hear the like in our own Histories.Leyland. de assert. Arth. fo. 35. Credibile enim est calamitatem bellicam, quÆ ecclesias unÀ cum bibliochecis exhauserat infinitis, clara vetustatis monumenta abrasisse. For evident it is, through the calamities of wars (saith Leyland) which together with infinite Libraries ruined the Churches themselves, the certain records of our Antiquities, are utterly lost. Unde scripturienti de antiquitate Britannica occultissima, pleraque omnia. Whereby the Writers of the British Stories, are all of them, for the most part, very obscure and doubtfull.r Some others again, especially the most ancient and authentick British Historians, who liv’d in Ages next succeeding those, wherein, Stoneheng might probably be first erected, have wholly passed it over with silence. In like manner venerable Bede, William Malmesbury, Roger Hoveden, and others, speak nothing thereof, as happily, willing rather to decline it altogether, then deliver it upon frivolous conjectures, and in so doing cast a blemish upon their other labours. Neither is it improbable, that the most ancient Authors, considering the times wherein they wrote, upon the first springing up of Christian Religion here, might through zeal unto the true God, forbear to commemorate unto posterity, places designed for idolatrous uses; endea Giraldus Cambrensis, curiously diligent in his relations of the miracles in Ireland, amongst other strange things in those parts, reckons up this Antiquity Stoneheng.Gir. Camb. de adm. Hib. Cap. 18. Fuit antiquis temporibus in Hibernia, lapidum congeries admiranda, (saith he) quÆ & Chorea Gigantum dicta fuit, quia Gigantes eam ab ultimis AfricÆ partibus in Hiberniam attulerunt &c. There was in Ireland in ancient times, a pile of stones worthy admiration, called the Giants Dance, because Giants, from the remotest parts of Africa, brought them into Ireland, and in the plains of Kildare, not farre from the Castle of the Naase, as well by force of Art, as strength, miraculously set them up. These stones (according to the British story) Aurelius Ambrosius, King of the Britans, procured Merlin by supernaturall means to bring from Ireland, into Britain. And, that he might leave some famous monument of so great a treason to after ages, in the same order, and art, as they stood formerly, set them up, where the flower of the British Nation fell by the cut-throat practice of the Saxons, and where under the pretence of peace, the ill secured youth of the Kingdom, by murdrous designs were slain. Rainulph Monk of Chester, speaking of Aurelius,Polychr. li. 5. alias Aurelianus Ambrosius (by others called Ambrosius Aurelianus) saith It appears, Rainulph of Chester, as easie credit as he gave to strange stories, had not much confidence in this: and if, according to Geffrey Monmouth, or Matthew Westminster, I should set it down, I presume you would be of his mind. But, I affect not such conceits, they are neither fitting my discourse, nor your perusall. Neverthelesse, seeing none of them tell us, by what ways, or Arts, Giants (as they will have it) brought them from the remotest parts of Africk into Ireland (for it seems they could not hansomly find a Merlin to help them therein also) I shall take so much leave, following Geffrey Monmouths steps, as to give you, at least, some part of the story, and relate (according to their opinions) how they came from Ireland hither. After Geffrey Monmouths discourse of Uter Pendragons victory over the Irish, who with Merlin forsooth and a great Army, were sent by A. Ambrosius to fetch the Giants dance, Lapidum structuram adepti (saith he) gavisi sunt & admirati; circumstantibus itaque cunctis, accessit Merlinus & ait, utimini viribus vestris juvenes, ut in deponendo lapides istos, sciatis utrum ingenium virtuti, aut virtus ingenio cedat, &c. i.e. Having found the structure, from joy they fell into admiration, and standing all of them at gaze round about it, Merlin draws near, and thus bespeaks them: Use now your utmost strength young men, that in taking away these stones, you may discover, whether Art to strength, or strength gives place to Art. At his command therefore, they bring severall sorts of engines, and addresse themselves to pulling it down. Some ropes, some cables, some had made lathers ready, that what they so much desired, might be effected, but in no wise able to atcheive their purpose. Deficientibus cunctis, solutus est Merlinus in risum (saith Geffrey) & suas machinationes confecit. Denique cum quÆque necessaria apposuisset; leviÙs quÀm credi Neverthelesse, as I contemne fables, so doe I imbrace, and take pleasure in the truth of History: and therefore, that which concerns the slaughter of the British Nobility by treason of Hengist commander of the Saxons, as of greater moment, and truth, I shall more fully relate. And Geffrey Monmouth’s Authority in this treacherous slaughter of the Britans, though I respect not so much, as Ninnius, Malmsbury, Sigebert, and others that affirm the same; yet, because he was the first, after so many, and so ancient Authors, that father’d Stoneheng their monument, and A. Ambrosius founder thereof, and therefore must trace him, and his followers therein. I will give you the history likewise from him, and thus it was: Hengist, upon his return with new supplies into Britain, finding Vortigern beyond expectation restored to the Crown, and withall greatly alienated in his affections towards him, prepared for his defence, with force of arms. But, whether he thought himself too weak; or, that he rather sought to be especially revenged on the British Nobility, who had wholly unriveted his designs, or both; he thought it no difficult matter to delude him by a Treaty, whom formerly he had so easily beguiled with his Neece Rowena. To which purpose, he makes an overture, to compose the enmities betwixt them at a Parley; and the King accepting it, appoints Ambresbury Town their meeting place, Nec mora, statuta die instante convenerunt omnes intra nominatam urbem (saith Geffrey)G. Mon. li. 6. & de pace habenda colloquium inceperunt. Ut igitur horam proditioni suÆ idoneam inspexisset Hengistus, vocife With this relation of the Saxons treachery, Mathew WestminsterMa. West. fo. 84. (in his Flores historiarum) seems to agree. And it wholly destroys the opinion commonly received, That the said Treaty with the Saxons, the massacre of the Britans, and likewise their interment, were at Stoneheng; and that in memory, those matters so transacted there, A. Ambrosius in the same place erected this Antiquity. Wherefore, I much wonder, our modern historians should cite the aforesaid AuthorsHollinsh. l. 5. But, it’s objected, although they were buried at the Monastery, the monument for their memory might be set up elsewhere, in a place more proper, and more conspicuous; even, as in the most properly conspicuous places where great actions happened Trophies were erected by the Romans, whose customs A. Ambrosius living long time amongst them, knew very well. I answer, A. Ambrosius, is suppos’d by Bede, and the best Authors, descended from the Romans; who, living many years under their subjection, in forrain parts, had fully inform’d his judgement, no doubt, with whatever customs, civill or martiall, then in use amongst them. For, though the Romans in those times, had utterly lost all knowledge of Arts, questionlesse civill, and martiall customs in some sort continued with them. Neverthelesse, if A. Ambrosius did erect any monument for the British Nobility, he rather, doubtlesse endeavoured to observe the rules of his own Religion, being a Christian, then the Heathenish customs of his Ancestors. However, in erecting it, at the place of their interment, he pursued both. As for the Christians honouring to posterity their famous men after death, it being It’s true the Romans set up Trophies for great Victories, in the most eminent places where those victories were obtained by them; as the Trophy for Caius Marius his vanquishing the Cimbrians, in the most notable place where that memorable field was fought. Also, the Trophy dedicated to the memory of Augustus CÆsar that by his happy conduct, all the Alpine Nations, were reduced to Roman obedience, was erected in the most conspicuous place of the Alps. Now, this martiall custome considered, the British Nobility being (as the aforesaid Historians maintain) slaughtered in the Town, and buried at the Monastery adjoyning. Some one of those high hils, on either side Ambresbury, had certainly for site been more eminent, and the monument it self more exposed to the daily view of travellers, then about two miles from the Town, in a place remote, where this Antiquity stands. Which, though indeed eminent of it self, and overlooking the plains adjoyning; yet, at a large distance, especially on that side towards Ambresbury, and Salisbury-ward, is so surrounded with hils; as it appears with an Aspect of Religious horror, rather then as carrying any form of whatever sepulture. This, though sufficient to refute the preceding objection (the former reasons being grounded upon customs only) I shall yet, from the histories of those times, further answer thereunto; Mathew Westminster tels us,Math. West. fo. 92. A. Ambrosius having Wherefore, laying all the aforesaid Authorities together. First, that Giraldus Cambrensis formerly cited, tells us, (in that part of his story which carries most likelihood of truth) a Monument was set up by A. Ambrosius, in memory of the Britans, slain at a Treaty by the Saxons, upon the very same place where slain; and in order thereunto the aforesaid Bri That the Monastery of three hundred Monks,Cam. fo. 254. stood there, (to wit at Ambresbury) Camden, out of the Book called Eulogium, affirms. And, that the Churchyard was close adjoyning to it, there’s no question to be made. First, because in all times since Monasteries erected, it was always in use, to lay out places for Churchyards belonging to them, near to the Monasteries themselves. Secondly, because divers Sepulchres, upon severall occasions, broken up at Ambresbury Monastery, manifest the same. Thirdly, because Geffrey Monmouth plainly tels us, they were buried in coemeterio, quod est juxta coenobium; in the Churchyard which is close by the Monastery. Lastly, it is further confirmed by these his formerly recited words,G. Monm. lib. 6. & 8. A. Ambrosius being come unto the Monastery, cast his eyes upon the place where the slaughtered Princes lay interred. Which is not possible he should have done, if the Churchyard had been at Stoneheng; it being very well known Stoneheng cannot be discerned, even from the highest hils, upon those parts especially, that next surround Ambresbury, much Among other Sepulchres found at the said Monastery, it’s worthy memory, that about the beginning of this Century, one of them hewn out of a firm stone, and placed in the middle of a wall, was opened, having upon its coverture in rude letters of massie gold, The bones within which Sepulchre were all firm, fair yellow coloured hair about the scull, a supposed peece of the liver, near upon the bignesse of a walnut, very dry and hard, and together therewith, were found severall royall habiliments, as jewels, veils, scarfs, and the like, retaining even till then, their proper colours. All which were afterwards, very choicely kept, in the collection of the Right honourable Edward, then Earl of Hertford: and of the aforesaid gold divers rings were made and worn by his Lordships principall Officers. Concerning which Tomb (though I list not dispute) why might it not be the Sepulchre of Queen Guinever, wife of King Arthur; especially the Letters R G. as much to say, Regina Guinevera, declaring her title and name; and the date An. Chr. 600. (if truly copied) agreeing (possibly well enough) with the time of her death? Besides, Leyland affirms,Leyl. de assert. Arth. severall Writers make mention, she took upon her a Nuns veil at Ambresbury, died, and was buried there. To which he gives so much credit, that (whatever Giraldus Cambrensis delivers to the contrary) he will by no means allow, either her body to be afterwards translated from Ambresbury, or, at any time, buried by her husband King Arthur at Glastonbury. Unto Leylands reasons for her interment at Ambresbury, Camden (it seems) inclines also, because wholly silent of her Sepulchre, discovered any where else: though he at large sets down all the circumstances of her Husbands body, its being found at Glastenbury. For, had Camden apprehended any thing inducing him to beleeve, Whether the aforesaid Tomb so found, were her monument, yea or no, enough concerning the slaughter and sepultures of the afore mentioned Britans; as also, that Stoneheng was not erected in memory of them. Let us come now to Aurelius Ambrosius, and see whether Polydore Virgill’s story in relation to Stoneheng agrees with what other Authors have delivered of Aurelius. For from Polydore’s authority, our modern Writers raise their second, and quite contrary opinion:Speed lib. 7. Polydore VirgillPolyd. Virg. lib. 3. treating of the actions of those times betwixt the Britans and Saxons; Britanni, Duci suo Ambrosio de republica bene merito magnificum (saith he) posuerunt sepulchrum &c. The Britans in memory of his great atchievements for the Commonwealth, erected a magnificent Sepulchre to their Chieftain Ambrosius, made of great square stones in form of a Crown, even in that place, where fighting, he was slain, that the prowesse of so great a Commander, should neither be forgotten amongst themselves, who then lived, or left unremembred to posterity. Which Monument remains even to this day, in the Diocese of Salisbury, near unto the village called Amisbery. This opinion of Polydore is grounded (as I conceive) upon no great likelihood. For, should the British Nobles, far inferiour to A. Ambrosius, in honour, and dignity, be buried in the Churchyard of a Monastery, and a Sepulchre assigned for Ambrosius himself in the open fields? Should that Christian King, who had accomplished so many great atchievements victoriously against the Pagans, enemies to Christ? Caused Churches to be repaired, which the Barbarism of the Saxons had destroyed? pulled down and demolished idolatrous places of the Heathen, and (as is more probable) rather, then erected by him, whilst living, to others, or by others, to his memory after dead, the very first that began to deface this Heathenish sacred structure (for, Leyl. de assert. Art. Had Polydore, or any other, told us some Pagan-Saxon-Commander lay there intombed, ’twould have carried a shew of much more credit, and the ancient custome of that Peoples burying their dead might have been produced, at least as a probable argument, to confirm the same. For the Saxons a Pagan Nation, if any of their Princes or Nobility died, in their houses at home of sicknesse, were buried in pleasant, and delightfull gardens; if from home, and in the wars, not far from their camps, in heaps of earth cast up in the fields, which heaps they called Burrows: and the promiscuous common people in medows and open fields. Saxones Nobiles gens Christi ignara, in hortis amoenis, si domi forte Ægroti moriebantur: si foris & bello occisi, in egestis per campos terrÆ tumulis quos Burgos appellabant, juxta castra sepulti sunt: vulgus autem promiscuum etiam in pratis & apertis campis. As Leyland, who laid a good ground-work towards the discovery of British Antiquities, delivers. Polydore neverthelesse, had great reason to imagine A. Ambrosius famed the restorer of his Countrey (and Bulwark of War, as Camden cals him) worthy an everlasting Monument, Extat etiam nunc id monimentum in dioecesi Sarisberiensi prope pagum quam Amisberiam vocant, Which monument is yet extant in the dioecese of Salisbury (saith he) not far from Ambresbury Town: and so was the Churchyard of the Monastery too. He also tels us, Factum fuisse ad formam coronÆ, it was made in form of a Crown. An elegant expression (I confesse) of a no lesse elegant work, if he meant Stoneheng; yet no argument thereby to prove A. Ambrosius or buried, or slain there. For, as touching A. Ambrosius his death, severall Authors, of as good cre Amongst other, who relate this disaster of A. Ambrosius, Matthew WestminsterMa. West. fo. 94. tels us, The said pretended Monk, tandem ad Regis prÆsentiam perductum, venenum ei porrexisse, &c. being at last admitted to the Kings presence, administered poyson unto him, which having drunk, the wicked Traytor advised him to sleep, and in so doing suddenly should recover health! Nec mora, illabente per poros corporis & venas veneno, mortem pariter subsecutam esse. But, ere long, the poyson being dispersed through the pores and veins of his body, death seizes upon him. Concerning the buriall of A. Ambrosius, if give credit to Geffrey Monmouths affirming A. Ambrosius on his death-bed gave command, and was accordingly buried, in the Sepulchre by him (whilst living) prepared in the Churchyard adjoyning to the Monastery at Ambresbury, then was A. Ambrosius nor buried at Stoneheng, nor consequently this Antiquity erected to his memory. Geffrey Monmouth tels us; His death being known, the Bishops, Abbats, and all the Clergy of that province, assembled together in the City of Winchester.G. Monm. lib. 8. Et quia vivens adhuc prÆceperat, ut in coemeterio prope coenobium Ambrii, quod ipse paraverat sepeliretur, tulerunt corpus ejus, eodem atque cum regalibus exequiis, humaverunt. And with respect to his command, Furthermore, at Ambresbury, that is, Ambrose his Town, (Camden tels us)Cam. fo. 254. certain ancient Kings, by report of the British story, lay interred. Whether A. Ambrosius was one of them, or no, I argue not; yet the same Author saith, Ambrose Aurelianus gave name unto the place. And why not, he being buried there, as well, as upon the translation of the body of Edmund that most Christian King, the Town of Edmundsbury in Suffolk was so called? It manifestly hence appears, Stoneheng no Sepulchre, either erected by A. Ambrosius, or by the British Nobility, or to any of their memories. Some Monument there was, perhaps, anciently set up in honour of them, at the Monastery of Ambresbury. Which, the fury of the Saxons when victorious, or violence of time, which destroyeth all things, utterly consuming, might happily be the reason, Historians in succeeding Ages, finding so notable an Antiquity as Stoneheng, not far from thence, and not apprehending for what use it was first built, suppos’d no other thing worthy A. Ambrosius, or those Britans, then such an extraordinary structure. Whereas, the Monuments in those ancient times, made for great Princes here in Britain, were onely two Pyramids between which interred, of no extraordinary bignesse erected to their memory in whate’re Religious places those Princes lay buried. Moreover, if seriously take notice of the severall sorts of Sepulchres used by divers Nations, none are found bearing like Aspect with this work Stoneheng, but of other kinde of Architecture, far different in Form, Manner, and Composure. Some, made of one Columne onely; or, if otherwise, only a vase erected on the place of buriall, as amongst the Athenians: Some, had a Columne whereon the shields used in War by the deceased, whilst living, were fixt, as in those medals of silver, which the Roman Senate dedicated to Vespasian: Some, a Columne with a Statue thereon; so the famous Columne of Trajan had a Colossus on the I have given you a full relation what concerning Stoneheng hath been delivered by Writers, in respect of us though ancient, yet in regard of the great antiquity of this Work, indeed but modern, Geffrey Monmouth living not full five hundred years ago, and Polydore Virgill long after him, in King Henry the eighths reign: Who, as they are the principall Authors that write any thing of Stoneheng; so, upon what authority deliver the same, they make not appear. Insomuch, Camden gives no more credit to their relations in this very particular, then unto common sayings, (so he cals them) as if grounded upon Fame only, or invented by themselves. And it may the rather be so presumed, because, as they lived not in ancient times, and consequently could not themselves bear testimony of any such things; so, neither the Britans nor Saxons for a long time after their first arrivall here, had any Records or Writings to convey whatever actions, either of their own, or others to posterity. Ninnius a British Historian, living about one thousand years ago, telling us, But, it maybe objected: If Polydore Virgill, and Geffrey Monmouth could neither be eye-witnesses themselves, nor have authority from other more ancient Authors for what related by them concerning Stoneheng: and that from whatever writings ancient or modern, not any thing of certainty can be found out concerning the same; from whence then appear, for what use, or by whom Stoneheng erected? I answer, though not appear from Histories written either by the Britans or Saxons; yet, as Gildas professing he wrote his History (for the former reasons) by relations from beyond Sea: and, as Ninnius his out of the Annals and Chronicles of the holy Fathers as aforesaid: so, severall other ways a possibility of truth may be gathered, namely, from the authority of other Nations; from the concurrence of time for such undertakings; from the customs of forepassed Ages in like works; from the manner and form of building proper to severall Countries; from the use to which such buildings applied, and the like. Upon which, as occasion serves, intending hereafter more largely to insist, I shall in the mean while set down the judgement our late Writers give of this Antiquity. Camden, a diligent searcher after Antiquities of our Nation, having, in his Chorography of Wiltshire, collected all the aforesaid opinions, together with his own, gives a summary description of Stoneheng, in words as follow. Cam. fo. 251. Towards the North, about six miles from Salisbury, in the plain, is to be seen a huge and monstrous peece of work, such as Cicero termeth insanam substructionem. For, within the circuit of a ditch, there are erected in manner of a Crown, in three ranks or courses one within another, certain mighty and unwrought stones, whereof some are twenty eight foot high, & seven foot broad, upon the heads of which others, like overthwart peeces, do bear and rest cross-wise, with a small tenon and mortaise, so as the whole frame seemeth to hang; whereof we call it Stoneheng, like as our old Historians termed it for the greatness the Giants dance. Our Countrimen reckon this for one of our wonders, and miracles. And much they marvell, from whence such huge stones were brought, considering that in all those quarters bordering thereupon, there is hardly to be found any common stone at all for building: as also, by what means they were set up. For mine own part about these points I am not curiously to argue and dispute, but rather to lament with much grief, that the Authors of so notable a Monument are thus buried in oblivion. Yet some there are, that think them to be no naturall stones hewn out of the rock, but artificially made of pure sand, and by some glewy and unctuous matter knit and incorporate together, like as those ancient trophies or monuments of victory which I have seen in Yorkshire. And what marvell? Read we not I pray you in Pliny, that the sand or dust of Puteoli, being covered over with water, becometh forthwith a very stone, that the cisterns in Rome of sand, digged out of the ground, and the strongest kind of lime wrought together grow so hard, that they seem stones indeed? and that statues and images of marble scalings, and small grit grow together so compact and firm, that they were deemed entire and solid marble? The common saying is, that Ambrosius Aurelianus, or his brother Uther did rear them up, by the art of Merlin, &c. Thus far Camden, it being needlesse to repeat more from him, having already delivered the story from the Authors themselves. Yet here neverthelesse, as necessarily induced thereunto, I shall take leave to observe something more remarkable to our purpose in hand, upon his words. In the first place then, Stoneheng is by him called a huge and monstrous peece of work, terming it from Cicero, insanam substructionem. To which I say, had Camden as well attained other abilities of an Architect, as he was skilfull in Antiquities: or been as conversant in Antiquities abroad, as learned in those of his own Nation, he would have given a far different judgement hereof. For, whosoever is acquainted with the ancient ruines yet remaining in and about Italy, may easily perceive this no such huge building, either for the circuit of the work, or bignesse of the stones, they being as manageable to the Roman Architects, as amongst us to raise a May-pole, or mast of a Ship. And, if this styled huge and monstrous, what may be said of Diocletians baths? the great Cirque? Marcellus his Theater? Vespasians Temple of Peace? and other prodigious works of the Romans? the very remainders whereof now lying in the dust, breed amazement and wonder (not without just reason too) in whosoever beholds them with attentivenesse and judgement. Nay, whereas he styles it insanam substructionem, it’s demonstrable, that betwixt this Island of great Britain, and Rome it self, there’s no one structure to be seen, wherein more clearly shines those harmoniacall proportions, of which only the best times could vaunt, then in this of Stoneheng. Moreover, Our Countreymen marvell (saith he) from whence such huge stones were brought, considering that in all those quarters bordering thereupon, there is hardly to be found any common stone for building. Upon what trust Camden (his extraordinary judgement otherwise considered) took this relation, I know not. For there is not onely common stone thereabouts, for ordinary uses, but stone of extraordinary proportions likewise, even for greater works (if occasion were) then Stoneheng: the Quarries of Hasselborough and Chilmark, both of them not far from the borders of the plain, having of a long time furnished all the adjacent parts with common stone for building. And (to come nearer the matter) it is manifest, that in divers places about the Plain, the same kinde of Stone They wonder also (saith he) by what means they (that, is such huge stones) were set up. What may be effected by that Mechanicall Art, which Dee in his Mathematicall Preface to Euclyde, cals Menadry, or Art of ordering Engines for raising weights; those (it seems) of whom Camden speaks took little notice of, when Archimedes during the siege of Syracuse,Plut. in Marcel. raised out of the Sea, and turned in the air at pleasure, the Ships and Gallies of the Romans, full fraught as they were with Souldiers, Mariners, and their ordinary lading: and if King Hieron could have assigned him, a fit place to firm his engines on, he would have undertaken to remove, even the terrestriall Globe out of the worlds center, so high, perfection in this Art transported him. What should I say of the Obelisk in Ages so far past, brought from the Mountains of Armenia, and erected in Babylon by Semiramis, one hundred & fifty foot high, and at the base twenty four foot square of one entire stone? Est in fano LatonÆ (saith HerodotusHerod. lib. 2. of his own knowledge) delubrum ex uno factum lapide, cujus parietes Æquali celsitudine ad longitudinem quadragenum cubitorum, cujus lacunari, pro tecto impositus est alius lapis quatuor cubitorum per oras crassitudine. In the Temple of Latona (in Ægypt) is a Chappell formed of one stone, whose walls being of equall height, are in length forty cubits, covered in like manner with one sole stone four cubits thick. Those, which made this wonder would have much more admired, if they could have seen the Obelisk raised in times of old by King Ramesis at Heliopolis,Ptol. lib. 4. Some there are (saith Camden) that think them to be no naturall stones, hewn out of the rock, but artificially made of pure sand, and by some glewy and unctuous matter, knit and incorporate together, like those ancient trophies, or monuments of victory, which I have seen in Yorkshire. As for these Monuments (for my part) I have not seen, otherwise I would give my sense upon them, and happily they may be found as far from being artificiall, as those at Stoneheng. And what marvell? (saith he) read we not, I pray you, in Pliny, that the sand or dust of Puteoli, being covered over with water, becometh forthwith a very stone &c. He might as well have told us the Rocks in Portland are artificiall. But it’s true, this sand of Puteoli, was much used by the Ancients, and it is such a kind of earth, as is very famous for its admirable ef Neverthelesse, whosoever could find out any kind of earth in this Island, naturally apt, to make artificiall stones of such greatnesse as these; and, like them so obdurate also, that hardly any tool enter them: or, that our Auncestors in times of old, did make use of such a cement, and in what manner composed by them. The benefit thereof doubtlesse, would amount so ample to this Nation, that Records could not but render him deservedly famous to all posterity. In the mean while, as it is most certain those stones at Stoneheng are naturall; so, am I as clearly of opinion, the very Quarries from whence hewn, were about Ai Whatsoever, worthy admiration concerning Stoneheng, either in relation to the greatnesse of the work in generall, the extraordinary proportion of the stones in particular, the wonder the people make, from whence brought, by what Poly-olbion Cant. 3. Whom for a paltry ditch, when Stonendge pleas’d t’upbraid, The old man taking heart, thus to that Trophy said; Dull heap, that thus thy head above the rest doth reare, Precisely yet not know’st who first did place thee there; But Traytor basely turn’d to Merlins skill dost flie, And with his Magicks dost thy Makers truth belie. For, as for that ridiculous Fable, of Merlins transporting the stones out of Ireland by Magick, it’s an idle conceit. As also, that old wives tale, that for the greatnesse it was in elder times called the Giants dance. The name of the dance of Giants by which it is styled in Monmouth, hath nothing allusive, no not so much as to the tale he tels us, saith a modern Writer in the life of Nero CÆsar. Furthermore, our modern Historians Stow and Speed,Speed lib. 7. They adde moreover, the stones yet remaining are not to be numbred, according as our Noble Sydney in his Sonnet of the wonders of England. Near Wilton sweet, huge heaps of stone are found, But so confus’d, that neither any eye Can count them just, nor reason reason try, What force brought them to so unlikely ground. This, though it scarcely merits an answer, yet, to satisfie those which in this point may be curious, let them but observe the orders of the Circles, as they now appear, and not passe from one to another confusedly (noting neverthelesse where they begin) and they’ll find the just number easie to be taken. Now, though whether in order to the Place it self where this Antiquity stands, or Persons, by whom Stoneheng pretended to be built, enough laid, to wave the reports upon fancy, or common Fame, formerly delivered: to the state of Time neverthelesse, wherein the British Histories would have it erected, because nothing by me hath yet been spoken, I will therefore adde, ’tis not probable such a work as Stoneheng could be then built. For, although our Britans, in ancient time possessed, together with the Roman civility, all good Arts, it is evident during the reign of A. Ambrosius (about the first coming in of the Saxons here, and towards the later end of the fifth Century, as Historians and Chronologists compute it) in the last declining of the Roman Empire, the Arts of Design, of which Architecture chief, were utterly lost even in Rome it self, much more in Britain, being then but a Tempest-beaten Province, and utterly abandoned by the Romans. Britain, therefore, being over-run with enemies, and the knowledge of Arts then lost amongst them: none, questionlesse, can reasonably apprehend so notable a work as Stoneheng could in such times be built. That, amongst the Romans and Britans both, A. Ambrosius governing here, all Sciences were utterly perished, is evidently manifest. For, the Goths had then invaded Italy; and that vast Empire drooping with extreme Age, by the fatall irruption of strange Nations, was not only torn in peeces, With us here also, the Saxons domineer’d over all, and A. Ambrosius with the Britans had enough to do, in endeavouring the recovery of their lost Countrey from a mighty prevailing Enemy, that in few years afterwards (maugre all the ways which force or policy could invent) conquered the whole Nation. Among other calamities attending that miserable Age, Camden (from William of Malmsbury) directly to the purpose in hand tels us.W. Malmes. fol. 8. Here you have it from an Author, more ancient then G. Monmouth a little, though both lived in one age, the times about A. Ambrosius government, whether before, during his reign, or after, were so full of miseries, that he complains, Besides, the Countrey was so oppress’d, what with outward hostile miseries, what with intestine tumults and troubles: that, had they not lost the practice of all Arts (as the former Historian saith they had) so far were they from erecting any work of this kind, that they were compelled to abandon their Towns, and houses, built in times foregoing by their Auncestors, and betake themselves to mountains, caves, and woods for shelter. Now, if the calamities of those times hung over the Britans heads, in so generall manner, that not one amongst them had leisure to put pen to paper, (as from Leyland before remembred) much lesse able were they, without all peradventure, to undertake so great a work as Stoneheng, wherein, as all rationall men must grant, numbers of men employed, and many years taken up, before brought to its absolute perfection. But, nothing can better expresse the ignorance of that Age, then the barbarous manner of inscription upon the Tomb of the British Hector King Arthur, nephew to A. Ambrosius, found long since in the Churchyard of the Abbey at Glastenbury, the letters whereof, being exactly represented to our view by Camden,Cam. fo. 228. do, as by demonstration, fully discover to us the Barbarism of those times. As, barbarous in those characters, so were they ignorant in, and had lost the use of all other Arts. Nor exercise nor practice of good Arts, was then amongst them, saith the Historiographer of Malmsbury. And well he might so deliver himself, not withstand It being thus, that nothing but universall confusion, and destructive broyls of war, appeared then in all parts; more ancient, and far more propitious times, must be sought out for designing a structure, so exquisite in the composure as this: even such a flourishing Age, as when Architecture in rare perfection, and such People lookt upon, as by continuall successe, attaining unto the sole power over Arts, as well as Empires, commanded all. I say, such Times, and Persons, be Another fiction there is concerning Stoneheng, not to be past over; and though the cause upon which it’s grounded, be far more ancient then the government of Ambrosius, or aforesaid slaughter of the Britains: neverthelesse, in respect it is a new conceit, not thirty years being past since hatch’t, I suppose this the most proper place to discourse thereof, having ended with Geffrey Monmouth, Polydore Virgill, and their followers. The Author thereof is Anonymus, unlesse known in being Translator of Lucius Florus. His opinion, (in his Nero CÆsar) Stoneheng the Tomb of Boadicia (formerly remembred) Queen of the Iceni.Ner. CÆs. fo. 181. His reasons, first, because that memorable battell betwixt her, and Suetonius Paulinus fought upon a Plain. Secondly, in respect the Britans buried her magnificently. For confirming this, he tels us, Had the pretieus volumes of the Cornelian Annals, and Dio Cassius, and John Xiphiline been within the spheare of Geffrey Monmouths studies, not Aurelus Ambrosius, nor those four hundred and sixty Noblemen of Britain, murthered in Vortigerns reign, should have carried away with him the fame of this materiall wonder, but magnanimous Boadicia. It seems, he would not be behinde-hand with Monmouth; for, as the one finding no story more famous then of A. Ambrosius and the slaughtered Britans, fathered Stoneheng upon them: so, to make the inventive faculty, as apparently predominant in himself; this other, respecting Boadicia’s heroicall actions, would as willingly make the world beleeve this Antiquity her Monument. His principall argument I delivered before; to wit, the battell betwixt Her and the Romans, wherein Boadicia utterly overthrown too, being fought upon a Plain. Was there in old time (did he think) no Plain in Britain to fight a battell on but Salisbury Plain? How came Boadicia and her Army Can it be imagined, she that destroyed so great a Colony, together with a free-borough of the Romans, slain seventy or eighty thousand persons in such horrid manner as scarce credible; reserving not one Prisoner alive, but killing, hanging, crucifying, and burning whatsoever Romane, or to that party enclined: that was yet victorious, and her Army encreasing daily; can it be imagined, I say, she marcht to Salisbury Plain with so huge an Army invisibly? or stole from Verulam thither by night, lest notice should be taken of her proceedings? Anonymus self cannot think so unworthily of his Boadicia, yet certainly after such manner she went, if ever went thither at all: Otherwise, Boadicia marching in the height of glory, and bearing down all before her till rancountred by Suetonius. Those faithfull Historians Tacitus, and Dion, (both so sedulous in delivering her Fame to posterity) would never have omitted so notable a march, through such a large tract of enemies Countrey, as of necessity she was to make from Verulam, to Salisbury Plain; but would have prosecuted her War, by recording the spoyls, rapines, burnings, and devastations made therein; as particularly, as from the first fomenting the rebellion, till Furthermore, Suetonius Paulinus was too well skilled in the discipline of war, to make the seat thereof in a Countrey so absolutely Roman, as betwixt the British Ocean and the River Thames. He had it’s true (being return’d from Anglesey) abandoned London, no colony. But upon what result? finding his accesse of strength disproportionable to the War in hand, and thereforeTacit. Ann. lib. 14. determined with the losse of one Town to preserve the rest whole, (whether London or Camalodunum is not to Which way Suetonius marched from London is altogether omitted, yet if lawfull to conjecture, why not? to draw off the Forces of Catus Decianus Procurator, (not long before fled into Gaul, for fear of this War) together with the remains of Petilius Cerealis troops; quartered, as Anonymus confesseth,Ner. CÆs. fo. 105. in those very camps yet appearing about Gildsbrough and Daintry in Northamptonshire, then, confining the Icenian Dominion to the Westward. Which Troops therefore, lay doubtlesse, in very great danger if not timely relieved; especially in case Boadicia should conduct her Army that way; as, ere long afterwards she did so far as Verulam; this course being taken by her, not improbably, in pursuit of Suetonius. Neither was it very dangerous for the Roman Generall to lead his Forces that way, the Enemies main strength lying about Camalodunum. Howsoever, whether he marched up to them or no, concluded it is, he made his retreat towards Poenius Posthumus encamped with the second Legion in the borders of the Silures, (now Herefordshire, Radnorshire &c.) for which Legion, Suetonius sending to have it brought up to his Rendezvouz, his commands being slighted, that strength failed him. The way which Suetonius took,Ner. CÆs. fo. 154. after his departure, was in mine opinion (saith Anonymus) towards Severn, where Poenius Posthumus encamped with the second Legion among the Silures. So also Spencer our famous English Poet finds it. Whereby it appears, Suetonius retreat was not Westward to Salisbury Plains, but Northerly towards that second Legion. In this retreat, I may not omit, Anonymus conducts him over the Thames at London;Ner. CÆs. fo. 155. which if granted, and, that he kept the river upon his right hand still, untill engaging Boadicia, as Anonymus saith he did: then was Suetonius march far away indeed from Salisbury Plain. The How far on, neverthelesse, toward Poenius Posthumus Camp Suetonius advanced is uncertain; but, that the battell might be fought in some Plain about Verulam, or upon that rode, is not altogether improbable. (Especially considering part of Suetonius strength consisted of Londoners, who, as Auxiliaries followed him in this War, and would not stay behind). For, the Roman Generall when marshalling his Army for fight, had with him (saith Tacitus) the aids of the places adjoyning. What places were these? the last place named by him was Verulam, the next place before it London; and, if the Historian intends either of these two, by the places adjoyning to the field, where the battell fought; then, may Anonymus prove the desarts in Africa, as soon as the Plains of Salisbury, to be the place of Battell. Spencer saith,Cant. 10. the battell was fought near Severn: Suetonius, when resolving for fight,Tacit. Ann. lib. 14. deligit locum artis faucibus, & À tergo silv clausum, satis cognito, nihil hostium nisi in fronte, & apertam planitiem esse sine metu insidiarum. Choosed a place with a narrow entrance, enclosed behind with a wood, being well assured, he had no enemies but before him, and the Plain being open was without fear of Ambush. Thus Tacitus describes the field, the Concerning Boadicia’s magnificent obsequies; a mighty Prince may be buried with great solemnity, yet no materiall Monument dedicated to his memory. Examples of this kinde are so frequent, there needs no mention of them. Humaverunt magnificÈ, (they are Dions words) the Britans laid her into the earth magnificently, with as much pomp, happily, and honour, attending her to the grave, as their barbarous customs for their glorious Chieftain would admit; but, that they raised any Monument, or erected whatsoever kinde of Sepulchre for her, much lesse so notable a structure as Stoneheng, he no where tels us. Which had the Britans done, the Historian could not avoid, taking more knowledge thereof, then of her bare enterment, and would undoubtedly have recorded it. Again, grant Salisbury Plain the place of Battell, yet, Dion saith not, they buried her magnificently where the battell fought, only, Humaverunt magnificÈ: adding withall, those, that escaped the field, prepared to re-enforce themselves for a new triall, in the mean while a disease seizing on Bunduica, she died. Now then, after so terrible an overthrow, wherein ’tis reported she lost fourscore thousand Britans; Boadicia, in all likelihood, endevoured to recover the Icenian Countreys, her principall strength; having That the Britans, untill Julius Agricolas time,Ner. CÆs. fo. 117. had learned nothing (as Anonymus takes speciall notice) but to fight, and were no handicraftsmen, whereby they might be capable of erecting such works as Stoneheng, being already fully proved from Tacitus, I will adde, the ringleaders or heads of commotions against Empires and Commonwealths were anciently, (in many Countreys at this day) not only themselves punishable by the Laws with death, but their whole families and kindred though guiltlesse, suffered in like manner; their very houses also, being razed to the ground, lest any knowledge of such pernicious undertakings should remain visible to posterity: and a capitall crime it was, in whomsoever that restor’d them. How comes it then, Boadicia the principall promoter,Sueton. in Ner. and Head of an insurrection so fatall, as accounted by Suetonius Tranquillus, among the infortunate losses of the Roman Empire,Dion. Cas. lib. 62. and the more ignominious by a womans conduct, should be permitted by the conquering Romans, a monument to eternize her fame to succeeding Ages? Boadicia, that ript up the bellies of the Roman Legionaries, and cutting out their bowels impal’d their bodies upon burning stakes; that hanged up the most noble and honourable Roman Dames naked, and slicing off their paps, sowed them to their mouths, as in act of eating them; that in scalding water boiled the Roman infants, and young children to death; their Parents, Husbands, and Commanders unable to relieve them, but enforced to give way, and happy in so saving themselves from the cruell inhumanities of the Conqueresse. We fought for to live, saith Tacitus. Yet, when ere long afterwards, victoriously recovering Britain to CÆsar, by so memorable a battell as compared to The time assigned by Anonymus,Ner. CÆs. fo. 182. for erecting these orderly irregular, and formlesse uniform heaps of massive marble, (as he cals them) to the everlasting remembrance of Boadicia, is much above fifteen hundred years since: Petronius Turpilianus succeeding Suetonius Paulinus in the Leivtenancy of Britain; who by his idle and lazy life, making the world beleeve there was peace here: Anonymus will have it a proper time, for permitting such an office to the Britans, in Boadicia’s honour. Times of peace, ’tis confest, when Arts flourish under nobly minded Governours, are chiefly proper for erecting magnificent buildings. The Government under Petronius was guilty of none of these. As for the State of Britain in generall, Tacitus in the life of Agricola tels us, Petronius had composed the former troubles; but in what sort, the fourteenth book of his Annals declares; non irritato hoste, neque lacessitus, neither the Enemy, incensed him; nor he, provoked the Enemy: otherwise Petronius durst not do. And, if peace setled, why doth the Historian call them Enemies? Concerning his own person in particular, Petronius gave himself over to an unprofitable life, disguising it under the honourable name Furthermore, if those times of Petronius would not, yet (saith Anonymus) other ensuing seasons might permit such an office to the Britans, her name for ever glorious among them. The hainousnesse of her Rebellion, horridnesse of her cruelties, and inveterate hatred Boadicia bore to the Romans, whereby her name for ever infamous among them, clearly manifest all other ensuing seasons, equally improper for those ancient inhabitants of this Island, to erect Stoneheng. If the Britans, once attaining the Romane manner of Architecture, in any succeeding times had expelled the Romans, and been triumphant; some probable reason, at least, Anonymus might have alledged, towards advancing his opinion. But Boadicia and her Complices overthrown, the Roman Power in this Island encreasing dayly, and the liberty of the Britans as fast declining, no following season could be opportunely favourable, for undertaking such a work by them; the erecting whereof, yea the sole endeavouring to commemorate by such publick means, so mortall an enemy to the Romans as Boadicia: nothing but the dearest lives of the bold attempters, could, certainly, expiate. The Temple upon Mount Coelius at Rome, begun to ClaudiusSuet. in Vespas. sacred memory by Agrippina, was destroyed to the very foundations by Nero. If then, insulting Agrippina might not erect a memorable structure, to the glory of her deceased CÆsar; whom the Senate and People of Rome, in all solemne manner deified: What oppressed Britan, durst undertake the raising a publick Monument to the honour of vanquished Boadicia, whom the State (in all THIS Antiquity (call’d by Henry Huntingdon, The second: by Poly-olbion because the Architraves are set upon the heads of the upright stones, and hang (as it were) in the air, is generally known by the name of Stone-heng. It is sited upon the Plain in the County of Wiltshire in England, not far from Ambresbury (the foundations of whose ancient buildings, frequently digged up, render it to have been in times past a Town of no small fame) six miles at least from new Salisbury northwards. The whole work, in generall, being of a circular form, is one hundred and ten foot diameter, double winged about without a roof, anciently environed with a deep Trench, still appearing about thirty foot broad. So that, betwixt it, and the work it self, a large and void space of ground being left, it had, from the Plain, three open entrances, the most conspicuous thereof lying North-east. At each of which, was raised, on the outside of the Trench aforesaid, two huge stones gate-wise, parallel whereunto, on the inside two others of lesse proportion. The inner part of the work, consisting of an Exagonall figure, was raised, by due symmetry, upon the bases of four equilaterall triangles, (which formed the whole structure) this inner part likewise was Which, that it may be the more clearly demonstrated, (being by me, with no little pains, and charge measured, and the foundations thereof diligently searched) I have reduced into Design, not onely as the ruine thereof now appears, but as (in my judgement) it was in its pristine perfection. And that the groundplot, with the uprights, and profyle of the whole work may the more distinctly be understood, I have purposely countersigned each Design of them with Numbers, and the particular parts thereof with Letters. Nu. 1 Signifies the Plant of the whole work in generall, with the Trench round about it, drawn by a small scale, that it may be seen all at one view. A The Trench. B The Intervall betwixt the Trench and Work. C The Work it self; in the inmost part whereof, there is a stone appearing not much above the surface of the earth, (and lying towards the East) four foot broad, and sixteen foot in length. Which, whether it might be an Altar or no, I leave to the judgement of others, because so overwhelmed with the ruines of the Work, that I could make no search after it, but even with much difficulty, took the aforesaid proportion thereof. Yet for my part, I can apprehend no valid reason to the contrary, except that the whole constructure D The supposed Altar. E The great stones which made the entrances from the outside of the Trench, seven foot broad, three foot thick, and twenty foot high. F The parallel stones, on the inside of the Trench, four foot broad, and three foot thick; but they lie so broken, and ruined by time, that their proportion in height cannot be distinguisht, much lesse exactly measured. G The scale of fifty foot. The Design follows. Nu. 2 The Groundplot of the work, as when first built, in a greater form, with the foure equilaterall triangles making the Scheame, by which the whole work was composed. H The six principall entrances, three whereof directly opposite to those of the Trench. I The stones which made the outward Circle, seven foot in breadth; three foot and an half thick, and fifteen foot and an half high: each stone having two tenons mortaised into the Architrave, continuing upon them, throughout the whole circumference. For, these Architraves, being joynted directly in the middle of each of the perpendicular stones that their weight might have an equall bearing, and upon each side of the joynt a tenon wrought, (as remains yet to be seen) it may positively be concluded thereby, the Architrave continued round about this outward circle. K The smaller stones of the inner circle, one foot and an half in bredth, one foot thick, and six foot high. These had no Architraves upon them, but were raised perpendicular, of a pyramidall form. That, there was no Architrave upon these, may be hence concluded, the stones being too small to carry such a weight, the spaces being also too wide, to admit of an Architrave upon them without danger of breaking, and being but six foot high, there could not, possibly, be a convenient head-height remaining for a passage underneath, especially, considering fully the greatnesse of the whole work. L The stones of the greater Hexagon, seven foot and an half in breadth, three foot nine inches thick, and twenty foot high, each stone having one tenon in the middle. M The stones of the Hexagon within, two foot six inches in breadth, one foot and an half thick, and eight foot high, in form pyramidall, like those of the inner circle. The Scale which hath this mark, X, is of thirty foot, by which likewise all the ensuing Designs are drawn. The Design follows. Nu. 3 The upright of the work, as when entire, in which the perpendicular stones of the outward circle, are countersigned with the Letter I, as in the groundplot. N The Architrave lying round about upon them, being mortaised into them, and joynted in the middle of each of the perpendicular stones. This Architrave is three foot and an half broad, and two foot and an half high. O The Architrave lying on the top of the great stones of the Hexagon, and mortaised also into them, sixteen foot long, three foot nine inches broad, and three foot four inches high. This Architrave continuing onely from stone to stone, left betwixt every two and two, a void space free to the Air uncovered. For, if they had been continued throughout the whole Hexagon, then necessarily there must have been two tenons upon each of the said stones, as those of the outward circle had, but being disposed as aforesaid, that one, which was in the middle, and yet remains apparent, was sufficient for the thing intended. Nu. 4 The Profyle, or cut, through the middle of the work, as entire, countersigned with the Letters of the Groundplot. The Designs follow. Nu. 5 The whole work in Prospective, as when entire, whereby the generall composure of the particular parts of the uprights, are together all seen: and, by which also, the stately Aspect, and magnificent greatnesse thereof, are fully, and more apparently conspicuous. Nu. 6 The Groundplot of the work, as it now stands, countersigned with the same Letters by which the Plant marked Nu. 2 is described. The stones of the greater Hexagon, and outward circle, after so long contest with the violence of time, and injury of weather, are for the most part standing at this day; which, though not all at their full height, as when first set up, yet the Footsteps neverthelesse, of so many of them as exprest in the Design, are still remaining in their proper places. Those of the inner circle, and lesser Hexagon, not only exposed to the fury of all devouring Age, but to the rage of men likewise, have been more subject to ruine. For, being of no extraordinary proportions, they might easily be beaten down, or digged up, and at pleasure, made use of for other occasions. Which, I am the rather enduced to beleeve, because, since my first measuring the work, not one fragment of some then standing, are now to be found. Nu. 7 The Ruine yet remaining drawn in Prospective. P The manner of the tenons, of a round form, mortaised into the Architrave of the outward Circle. Q The tenons of like form in the middle of the stones of the greater Hexagon. R The English foot (by which the work it self was measured) divided into twelve inches, and each inch subdivided into four parts. The Designs follow. Hitherto, upon what occasion Stoneheng built (you may easily perceive) is very doubtfull, the true History of those times, when first erected, and by which the memory of things especially made over to succeeding Ages, being either not written, or if written, utterly lost. Likewise, as for what use set up, not yet known; so, by whom also founded, is equally uncertain. You cannot but remember, in what manner the ancient Inhabitants of this Island lived, before reduced to civility by the Romans I have formerly delivered: also, how they were first instructed by them, in severall Arts and Sciences, whereof the Britans wholly ignorant, before the Romans arrivall here, and teaching them. I have given you in like manner, a full description of this Antiquity, whereby doubtlesse it appears to you, as in truth it is, a work built with much Art, Order and Proportion. That the ancient Britans, before the discovery of this Island by the Romans, could not be the Founders thereof, by the former reasons, I suppose, is clearly manifested. For, where Art is not, nothing can be performed by Art. As, for that which concerns the British Nobility, Aurelius Ambrosius, or Boadicia, enough already. It rests now, to endeavor the discovering by whom Stoneheng built; in what time, and, for what use anciently erected. But, it is not expected (I hope) any absolute resolution should be given by me, in so doubtfull a matter; for, as it hath been always lawfull for every man in such like matters (saith Camden) both to think what he will, and relate what others have thought: So pardon me, if I take upon me, what others have done before me, and interpose mine own opinion also, grounded neverthelesse upon such Authorities, customes, and concurrence of time, as very probably may satisfie judicious and impartiall Readers. Touching the Founders of Stoneheng. Among the Ægyptian Antiquities, or those Eastern Nations from whom the GrÆcians deduced their learning, I find not any such composure ever used: or with the Greeks themselves, mention made of Howsoever, considering what magnificence the Romans in prosperous times anciently used in all works, both publick, and private: their knowledge and experience in all Arts and Sciences: their powerfull means for effecting great works: together with their Order in building, and manner of workmanship accustomed amongst them: Stoneheng in my judgement was a work, built by the Romans, and they the sole Founders thereof. For, if look upon this Antiquity, as an admired and magnificent building, who more magnificent then the Romans?Scamoz. lib. 1. fo. 9. Essi soli frÀ i populi dell’ vniverso, con ogni termine di magnificenza edificarono tutti i generi d’edifici. They only amongst all the Nations of the Universe, erecting all sorts of buildings, with all kinds of magnificence, saith Scamozzo in the first Book of his Architecture. If consider the Art, and elegant disposition thereof, all Arts and Sciences (we must know) were in full perfection with them, and Architecture, which amongst the Greeks was youthfull only, and vigo If observe their Order in building; the only Order of Architecture, which Italy may truly glory in the invention of, is the Tuscane Order, so called, because first found out by the Tuscans, that in a more then ordinary manner they might reverence their Deities in Temples composed thereof.Choul. fo. 5. (Janus their first King, according to the common opinion of divers ancient Historians, being the first of all others, that built Temples to the Gods) Which Order, though first used by the Tuscans, certain it is, the Romans took from them, and brought it in use with other Arts, in severall parts of the world, as their conquests led them on. Now of this Tuscan Order, a plain, grave, and humble manner of Building, very solid and strong Stoneheng principally consists. So that, ob Besides, the Order is not only Roman, but the Scheam also (consisting of four equilaterall triangles, inscribed within the circumference of a Circle) by which this work Stoneheng formed, was an Architectonicall ScheamVitr. lib. 5. used by the Romans. Whereof, I shall have more occasion to speak, when I come to set down, for what use this Antiquity at first erected. Again, the Portico at Stoneheng, is made double, as in structures of great magnificence the ancient Romans used; so at In this Antiquity, there is a Portico also (as I may rightly term it) within the Cell, or greater Hexagon, reduced likewise into the same figure. Now, that the Romans used to make Portico’s on the inside of their buildings, as well sacred as secular, by the ruines of their Basilicaes or Courts of Judicature; by that Temple without a roof anciently dedicated to Jove in Mount Quirinalis, now the Horse Mount in Rome; by the Temple of Bacchus there of a round form, at this day consecrate to S. Agnes without the gate Viminalis, manifestly appears. But in what ever structures else the Romans used them, certain it is, within their most stately Temples which lay uncovered, and had no roofs, they always made such Portico’s; and though in other Temples they sometimes dispos’d them, yet from Vitruvius it may be gathered, they properly belonged to the Aspect HypÆthros, which was uncovered and rooflesse as this Antiquity Stoneheng, he peremptorily assigning Portico’s to be made on the inside of no kind of Furthermore, if cast an eye upon their artifice and manner of workmanship, Stoneheng appears built directly agreeable to those rules, which the Romans observed in great works. For, the Roman Architects, in distinguishing the manner of their Temples, always observed (as Vitruvius in his third book teacheth us) the greater the Columnes were, the closer they set them together; so in this Antiquity, the stones being great, the spaces betwixt them are likewise narrow. The Architraves also, in this work were all of them set without morter, and fixed upon the upright stones by tenons (as formerly described) in the very same manner, as in great structures, where the stones solid, and of more then ordinary greatnesse, the Romans were wont to doe.Leo Bap. Alber. lib. 3. They laid them without any unctuous incorporating matter, nullo fulta glutino, saith Leo Baptista Albertus. And divers examples of this kind might be brought, I my self amongst other Antiquities have seen the ruines of an Aquaeduct, built by the Romans in Provynce, running through a deep valley, and raised in height equall to the adjacent Mountains, upon huge Arches fifty eight foot wide, the stones whereof, being of extraordinary scantlings, were laid without any cement or morter, to incorporate them with the rest of the work. And, where occasion guided their judgements to the observance of this rule, they united and compared the stones together, by certain ligatures or holdfasts, (the Italians call them Perni, pegs or tops, for such they resemble, and we, from the verb tenere to hold, not improperly calling them tenons) quÆ inferiores, & unÀ superiores in lapides infixÆ, cavatÆ fuere, ne quid fortÈ protrusi ordines alteri ab alteris distrahantur. Which (saith Albertus)Leo Bap. Alber. lib. 3. being formed in the inferiour stones, were hollowed or mortaised into those above, left by any chance they should start one from another, and break the order of the work. Here the Florentine Architect gives Moreover, what ever footsteps of the Romans found in other places of this Island, it’s not inconsiderately to be past over, that in Wiltshire, the County (as is said before) where our Stoneheng remains, Roman Antiquities are most perspicuous, not only, by the apparent testimonies of the coyns of their Emperors in divers places digged up, but by severall their encamping places yet to be seen, as Leckham,Camden. in times of yore a seat of the Romans: the place also where old Salisbury now sheweth it self, within six miles of Stoneheng: and within three miles thereof Yanesbury Castle, supposed a work of Vespasians when he conquered, and after kept in subjection the BelgÆ, ancient inhabitants of that tract. Likewise the mines nearer yet to Stoneheng,Speed. of a fortresse our Historians hold anciently a garrison of the Romans, and in many other forts of that Shire (both by their form and manner of making well known to have been Roman) the tract of their footing is yet left. But it is objected, If Stoneheng a Roman work, how comes it, no Roman Author makes mention of it? I answer, their Historians used not to commit to writing every particular work, or action the Romans performed: if so, how vast would their volumes have been? Stoneheng ’tis granted, is much admired by us, yet, how far more admirable works were the Romans Founders of, not mentioned in any of their ancient stories? That notable bridge invented and built by CÆsar, for passing his Army over the Rhine, himself at large describes, remembring little or nothing neverthelesse concerning divers other as great works in Gaul and Batavia, suppos’d to be performed by him also. Dion, Herodian, Eutropius and other their Historians tell us, the Romans built the so famed wall, commonly by us called the Picts wall, extending crosseover our Island from the Irish Sea to the German Ocean, above fourscore Italian miles in length, with many towers and fortresses erected upon it; when works of as The next thing to be enquired after, is, in what time Stoneheng built. Happily, about those times, when the Romans having setled the Country here under their own Empire, and, together with bringing over Colonies reduced the naturall inhabitants of this Island unto the society of civill life, by training them up in the liberall Sciences. For, then also (saith Camden)Camden fo. 63. did they furnish the Britans, with goodly houses, and stately buildings, in such sort, that the reliques and rubbish of their ruines, cause the beholders now, exceedingly to admire the same, and the common sort of People plainly say, those Roman works were made by Giants, of such exceeding great admiration, and sumptuous magnificence they are. This relation of Camdens, reflects chiefly upon the time of Agricola; neverthelesse, that Stoneheng (though fabled Giants work) was then built, I dare not affirm: the great works of the Romans, brought to perfection in this Island, being not the work of a day. It hath been the invention of wise Romans of old, affecting civility, to raise goodly buildings here: but the precise times when, in things so far from all knowledge, cannot be with any certainty avouched. For my part, I should choose to assign those times for building thereof, when the Romans in their chief prosperity most flourished here, and refer the first erection to the time betwixt Agricolas government formerly mentioned, and the reign of Constantine the Great: in order to which, the times rather somwhat after Agricola, if not during his own Lievtenancy, then next preceding Constantine. For, long before Constantine acquired the Soveraignty (which was not till the year of our Lord three hundred and ten) the magnificent splendor of that mighty Empire began sensibly to wane, and the ambition of the great Captains of Rome, (some few excepted) tended rather to make parties for obtaining the Purple Robe, then (after the manner of their ancestors) to eternise their names by great and admirable works, or patronizing good Arts, for want whereof they began likewise to decay apace; Serly in his third Book speaking of those times, telling us, that id temporis Architecti, si cum superioribus conferantur, rudiores & ineptiores extitisse videntur. In those days although there were many Architects, yet, compared with such as lived in the preceding Ages, they were very rude and unskilfull. Besides, the condition wherein this Island was, divers years preceding Constantine, would not admit such undertakings. For, by the civil discord of the Romans, the Britans taking occasion to make frequent revolts, in hope to recover their lost liberty, the Romans were put upon other manner of Councels then to think of building; namely to reduce the Britans to their wonted obedience, and keep the Province in some reasonable quiet, by expelling the Scots and Picts (savage and perfidious People even from times Now, as for these reasons, it’s not likely Stoneheng could be built in the times next before Constantine, so, by what follows, it will manifestly appear, it was not erected after his Reign. For, after his transplanting the seat of the Empire into the East, and the government of the then known world, under the Romans, distinguished by East and Western Emperours, a deluge of barbarous Nations (like so many Locusts) swarmed over all. Who, as with their vast multitudes they oft had formerly attempted it, so, thence forward, till bringing that mighty Empire unto its finall and fatall period; and thereby utterly destroying in like manner all Arts and Sciences, together with Architecture, (not restored again, even in Italy it self, untill, as formerly remembred) they never desisted. Moreover, in the times after Constantine, no Temples to Heathen Deities (such as I shall make appear this Antiquity Stoneheng was) were erected here, they being times of defacing, rather then erecting idolatrous places. For, most of the succeeding Emperors becoming Christians, the tempestuous storms of perfection were over, and the thick clouds of superstition beginning to be dissolved by the bright beams of the Gospel, and true light of CHRIST, every where Temples were shut up against false Gods, and set open to the true GOD. According to that of Gildas,Gildas. No sooner was the blustering tempest, and storm of persecution blown over, but the faithfull Christians, who in the time of trouble and danger had hidden themselves in woods, deserts, and secret caves, being come abroad in open sight, renovant Ecclesias ad solum usque destructas, basilicas sanctorum martyrum fundant, construunt, perficiunt &c. Churches ruinate to the very ground they reedifie, Temples of holy Martyrs they found, build, and finish &c. So that, in stead of idolatrous Temples, built in the Ages preceding Constantine, during his reign and after, whilst the Romans continued in any prosperous state here, by erecting Christian Churches, they began generally to neglect, and suffer fall to decay, rather then new build Temples to their Pagan Gods. These pressing occurrences therefore, to wit, civill broyls amongst the Romans themselves, frequent insurrections of the Britans, daily inrodes by the Picts and Scots, together with the downfall of Paganism, decay of Arts, and fatall ruine of the whole Empire, making the times both long before and after Constantine incompatible for undertaking such works as this Antiquity, it may safely enough be concluded, if Stoneheng not founded by Agricola, yet created it might be about fifteen hundred and fifty years ago, in the times somewhat after his government,Tacit. in Vit. Agr. the Province being formerly left by him in good and peaceable state, the Britans reduced from Barbarity to order and civill conversation, and the Romans flourishing in all manner of Arts and Sciences. Now, concerning the use for which Stoneheng at first erected, I am clearly of opinion, it was originally a Temple, it being built with all accommodations properly belonging to a sacred structure. For, it had an intervall or spacious Court lying round about it, wherein the Victimes for oblation were slain, into which it was unlawfull for any profane person to enter: it was separated from the circumadjacent Plain, with a large Trench in stead of a wall, as a boundary about the Temple, most conformable to the main work, wholly exposed to open view: Without this Trench, the promiscuous common multitude, with zeal too much, attended the ceremonies of their solemne though superstitious Sacrifices, and might see the oblations, but not come within them: It had likewise its peculiar Cell, with Portico’s round about, into which Cell, as into their Sanctum sanctorum (pardon the expression) none but the Priests entred to offer Sacrifice, and make atonement for the People: Within the Cell an Ara or Altar was placed, having its proper position towards the East, as the Romans used. ArÆ spectent ad Orientem, saith Vitruvius.Vitr. lib. 4. cap. 8. And, that there hath been the heads of Bulls, or Oxen, of Harts, and other such beasts digged up, or in, or near this Antiquity (as divers now living can testifie) is not to be omitted; for who can imagine, but these were the heads of such, as anciently there offered in Sacrifice? toge The Order whereof this Temple consists, according to the rules of Art observed by the ancient Romans in works of this kinde, is mingled of Greek and Tuscane work. For, as the plainnesse and solidnesse of the Tuscane Order, appears eminently throughout the whole Antiquity: so the narrownesse of the spaces betwixt the stones, visibly discovers therein, the delicacy of the Corinthian Order. Which commixture amongst the Roman Architects was very usuall, in regard Vitruvius (in his fourth Book and seventh Chapter) treating somwhat largely (his method otherwise considered) of severall sorts of the like composed Temples, mixt of the Greek and Tuscane manners tels us:Vitr. lib. 4. cap. 7. that, Nonnulli de Tuscanicis generibus sumentes columnarum dispositiones, transferunt in Corinthiorum & Ionicorum operum ordinationes. Some taking the qualities of the columns of the Tuscane Order, transfer them into the symmetry of the Corinthian and Ionick works. Whereby (to please themselves it seems in their own inventions) efficiunt Tuscanicorum & GrÆcorum operum communem ratiocinationem. They make of the Tuscane and Greek works one common composure. As the same Author likewise remembers. The Aspect of this Temple; by which we understand that first shew which Temples make to those that draw near unto them, is Dipteros HypÆthros, which is double winged about uncovered. Dipteros circa Ædem duplices habet columnarum ordines (saith Vitruvius)Vitr. lib. 3. cap. 1. Dipteros hath double orders of columnes about the Temple. HypÆthros sub divo est, sine tecto, (as the The Manner of this Temple is Pycnostylos, or narrow spaces. Pycnostylos is that kinde of Temples,Vitr. lib. 3. cap. 2. which hath the columnes set thick, and close together crebris columnis, as Vitruvius also hath it. But it may be objected, though it appears from very good Authorities, the Artifice, and workmanship of this Antiquity, together with the Scheam which formed it, were Roman: and the Order of which consisting, invented in Italy, and so consequently Roman in like manner: as also, by the severall peculiar accommodations, the probable reliques of Heathenish Sacrifices, and determinate rules of Architecture, it was anciently a Temple: Neverthelesse it appears not, the Romans ever used any whatever profane structure like this, much lesse any manner of Temples of this kinde of invention, Where the Temple lies open without walls, surrounded only with pillars. For, that the upright stones which make this work Stoneheng, are in stead of them, may well enough be granted. To this I answer, the learned in Antiquities very well know, those things which oblivion hath so long removed out of mind, are hardly to be discovered. Yet, as to the first part of the objection, that the Romans never used any whatever profane structure like this, Varro de re rustica (as I find him cited by Philander) tels us,Phil. in Vitr. lib. 4. that they had in use amongst them a round building without any wals, having a double Order of columns round about, this he cals by the name of Tholus, Ædificium rotundum, columnatum duplici columnarum ordine. A round edifice (saith he) environed about with a double order of columns. Which double Order of Columns Pyrrho Ligorio a famous Neapolitane Architect, and great discoverer of Antiquities, in his description thereof designes without a roof also. But to come to their sacred works, which in regard of this Antiquity, are (it’s true) of most concernment, I find the Romans used (as Vitruvius witnesseth)Vitr. lib. 4. cap. 7. such manner of Temples. For (in his fourth Book, and seventh Chapter) he Thus it fully appears, the ancient Romans used to erect Temples, which lay open without walls, surrounded only with pillars; in invention like this at Stoneheng. But, let us see whether the form Monopteros, had any roof over it. That the Romans had Temples uncovered, and without roofs, like Stoneheng, is in part already, and shall more manifestly be hereafter proved: and searching curiously into their Antiquities, it will be found the greatest, most splendid, and most magnificent work of all others, which the Ancients made for service of their Deities, were those kinde of Temples of the Aspect HypÆthros. Whether the Monopteros was one of that kind, appears not yet, and Vitruvius is very obscure therein; neverthelesse, that it was built without a roof, I shall illustrate by these reasons. First, Vitruvius tels us not it had a roof; for, in his precepts of all severall kinds of Temples, after he hath delivered the Aspect, Form, and Manner of them with much exactnesse, he omits not throughout his fourth Book to demonstrate aswell the contignation, as proportion of timbers of the roofs, belonging to all those Temples, which had any, and when vaulted he gives us likewise the form thereof, if the Temples so covered: but, in the description of the form Monopteros, there is no manner of timber work, nor form of vault, nor the least word mentioned of any roof at all, in what place soever throughout his whole work speaking thereof. In which respect, considering all Temples having roofs, those roofs are described by Vitruvius, and that he describes no roof belonging to this, it must necessarily follow, the Temples in form Monopteros had no roofs over them. Again, after giving the proportion of the Architrave over the columnes of the Monopteros, he saith, Zophorus & reliqua quÆ insuper imponuntur, ita uti in tertio volumine de symmetriis scripsit. The Freese and other ornaments laid upon them, are as in Lastly, he positively tels us it was sine Cella, without a Cell: now the Cell (and which for distinction sake I have so called in describing this Antiquity, because it was applied to the same use, to perform their sacred rites in) was indeed properly, the inner,Bern. Baldo. or chief part of the Temple, quam nos corpus Templi vulgÒ dicimus, we commonly call it the body of the Church, which enclosed with wals, was covered with a roof, as Vitruvius declares in the form Peripteros, tecti ratio ita habeatur &c. The manner of a roof (saith he) was thus &c. But, the Monopteros was without a Cell, and consequently without a roof also, as having no walls to bear it. For, in regard of the manner of the Architecture, the pillars standing in Island (as we say) the work could not securely bear a roof, if made of any great capacity: either therefore, they made Temples of this form very little (in which respect only, Palladio supposeth it might be vaulted) inconsistent with the Roman greatnesse, or else, like Stoneheng they were wholly uncovered and rooflesse. Howsoever, it is manifest, the Aspect was just the same. And if I should say, the ruines of one after the same form also, remains yet in Oxfordshire, which the common people usually call Rolle-rich-stones, take it but as my conjecture only, as likewise one or two built after the like manner in Scotland, Moreover, the proportions appearing in this Antiquity Stoneheng, are much conformable to those, assigned by Vitruvius to the parts of the Monopteros: He tels us, Tribunal habent & ascensum ex suÆ diametri tertia parte: they had the Tribunal, (by which is understood that levell upon which the Temple placed) and the ascent, consisting of one third part of the Diameter. So at Stoneheng, the work it self is one third part of the Diameter of the circumvallation: And, acording to the proportion allowed by him to the Ascent, it seems those Temples were sited more stately then others, (by consequence great also) and certain it is, whosoever views this Antiquity attentively with judgement, upon the place where remaining (for the Folio being too little I could not expresse it in Design) and doth allow a proportionate depth to the Trench surrounding it; considering also, together therewith, the levell of the plain lying without, he will then finde it standing upon such a rising ground, that the Ascent unto it, was not much lesse magnificent, then what Vitruvius hath declared. Furthermore, besides the aforementioned round Temples, Vitruvius in the same Chapter tels us, that, generibus aliis constituuntur Ædes, ex iisdem symmetriis ordinatÆ, & alio genere dispositiones habentes. The Romans built them after other manner of inventions, following the same proportions, and having their disposures after another kinde. Of which, if vouchsafed to posterity the descriptions, some of them might have been found, not only agreeable in Aspect, but happily of the very self same form also, as this Temple Stoneheng doth appear. Now considering this discourse may happen into the hands of those, who cannot by words so easily apprehend things of this Art, I have for their satisfaction brought into Design, the plants of both the aforesaid Temples mentioned by Vitruvius, whereby their conformity with Stoneheng, and the invention thereof taken from them, is more clearly manifested. The Plant of the Monopteros. B The Order of Pillars which continued round about it, to which the outward circle (of Pillasters) in this Antiquity Stoneheng, directly corresponds, as will appear in the second Figure thereof, formerly described by the Letter I. The Design follows. C The Plant of the Peripteros. D The Portico continuing about the Cell. E The Circular Cell enclosed with a wall, which in the Temple Stoneheng, to vary the invention, was converted into an Hexagonall form, and in stead of walling it round about, the Architect as said before, left it wholly open, as most agreeing with the nature of the Deity to whom consecrate. The Design follows. By the Plants of which said Roman Temples, although it is plainly manifest, from whence the invention of Stoneheng was taken: yet, that it may more clearly be understood, I have, unto the Order of pillars which makes the Portico of the last of those Temples, applied the Architectonicall Scheam by which our Antiquity was formed; whereby the intersection of the severall triangles fully demonstrates after what manner the greater Hexagon made open at Stoneheng, was raised from the solid wall environing the Cell of the Peripteros. F The Rank of Pillars which made the Portico of the Peripteros. G The Architectonicall Scheam by which Stoneheng formed. H The circular wall environing the Cell of the Peripteros. I After what manner the stones of the greater Hexagon at Stoneheng, were raised from the circumference of the said wall. The Design follows. But, before deliver my judgment, unto which of their Deities this Temple Stoneheng was anciently dedicated by the Romans, I shall give you some customs in force amongst the Ancients, relating the Decorum used by them, in building their particular Temples: whereby, those several opinions seemingly conclusive to whom Stoneheng sacred, may more evidently appear invalid, and my own more apparently probable. Those therefore that endevour the searching out Antiquities of Architecture, must amongst others, especially prescribe to themselves five things to be guided by. viz. The Situation, Aspect, Manner, Form, and Order of the work as in use amongst the Ancients. For, inventing the severall ornaments of Architecture, at first for honour and distinction onely of their Deities, they appropriated to each of them particular situations, precise forms, peculiar Orders, according to the severall qualities, in regard whereof adored by them. The situation of the Temples to Venus, Mars, Vulcan, they ordained to be chosen without their Cities, as those which moved mens minds to lasciviousnesse, wars, and devastations. Within their Cities they placed the Temples of the Patrons of Chastity, Peace, good Arts: and of such Gods also, to whom the Protection of their Cities committed. To Pallas, Mercury, and Isis the chief Presidents of Artificers, and Merchants, they built Temples near the Market places, or upon the Market places themselves. To Apollo and Bacchus near the Theater. To Hercules near the Cirque or Amphitheater. Unto Æsculapius and Salus, in places most of all others healthfull, and near to pure streams, and waters; because the infirm people, coming out of a pestilent and contagious Aire, to that which was good and healthfull, by drinking those waters might the sooner, and with lesse difficulty be recovered, whereby zeal to those supposed Deities encreased. The Aspect HypÆthros, mentioned before, of which Stoneheng appears built, was proper only to some of their Gods, as shall be remembred in due time: the other five (needlesse here to name) were indifferently disposed, sometime The Manner, which Vitruvius distinguishes into five kinds, according as the intercolumnes are of five severall proportions, was only so far forth peculiarly appropriated to their Deities, as it was agreeable to the proper Order, otherwise they followed the greatnesse of the Work. But, to each of them appropriating particular forms of Temples; to some of their Gods, they made them of a round form, to others quadrangular, to others of many angles: some of them having their Temples covered, with roofs over them; others again built uncovered, without any manner of roofs at all: As, our Antiquity Stoneheng. Lastly, the Order of which they built them, was so diligently observed, according to the peculiar qualities of their Deities, that seldom or never they varied: as in fit place I shall remember. These aforesaid rules also were so firmly observed by the Ancients, that even at first sight the Roman Architects of old were able to judge, to what Deity, this, or that Temple sacred: and the modern Italian Architects, by the ruines of them at this day, give such notable testimonies towards the discovery of them, as are very hardly to be contradicted. Whosoever desires more of this, may read Vitruvius, Leo Baptista Albertus, and other Authors writing of Architecture. That then we may arrive to a degree of certainty unto whom our Stoneheng anciently dedicated; some such Deitie of the Romans is to be found out, in whose honour they built Temples, not only in such situations as this at Stoneheng; but with whole nature or quality the Form and Aspect thereof may be agreeable also; and the Order proper. For, whosoever goes about to enforce other reasons, do as I conceive but beat the air, neither can they reduce this Antiquity to any probable Originall. To which of the Roman Deities Stoneheng consecrated, are, as I said before, severall opinions. Some presume it sacred to Diana, but upon what ground their conjecture is raised, Ecce suburbanÆ templum nemorale DianÆ, saith Ovid. See where Diana’s grovy Temple stands. In which sort Virgil, Pliny, and other Authors also tell us her Temples were always sited. The Architecture therefore of the Temples to Diana, and this at Stoneheng being so far different, there is no probable reason Stoneheng should be suppos’d dedicated to her. Moreover, whether or no this opinion maybe consistent with any of those qualities, the Ancients endowed this Goddesse with, let us examine further the Nature of the Deity it self. Is StonehengNat. Com. lib. 3. cap. 18. consecrated to Diana because she presided over ways? what publick roads then, or common high-ways are to be read of, which anciently led over the Downs near this Antiquity? The most ancient ways we meet with, and which the Romans first made in this Island, as CamdenCamden fo. 64. sets them down, are four, Watling-street, Some, again, would have Stoneheng consecrated to Pan; because Pan a Greek word signifying the Universe, under him the whole frame of Nature was adored. And therefore, the Ancients made his statues with horns, saith Servius, expressing thereby the beams of the Sun, and horns of the Moon; those issuing from his forehead, and turning upwards towards Heaven, as Boccace will have it, signified the Celestiall bodies: feigning also, as the world moves with extraordinary swiftnesse, he excelled likewise in speed of running. By the purple, ruddy, and enflamed face, attributed to Pan, that pure fire, above all other Elements holding his place in the confines of the Celestiall Sphears was demonstrated: by his large long beard descending down upon his breast, the two superiour Elements Aire and Fire of a masculine nature, sending down their impressions upon the other two naturally feminine was shewed: by the spotted skin cove After this manner Mythologists discourse of Pan, with various opinions, according to the subtile niceties of their severall fancies: and in these respects as having relation to the Heavens, this Antiquity Stoneheng is imagined sacred to Him. ’Tis true, if Mythologie, and not demonstrative reasons were to be fixt upon in matters of Architecture, the former conceptions might be some ground to frame conjectures Stoneheng sacred to Pan. But, Architecture depending upon demonstration, not fancy, the fictions of Mythologists are no further to be embraced, then as not impertinently conducing to prove reall truths. Wherefore, the aforesaid ancient rules for building Temples considered, and comparing the Order, Form, Aspect and Situation of the Temples to Pan, with the like in this Antiquity, so much contrariety is found betwixt them, as may convince any reasonable judgement Stoneheng not dedicated to Him. Pan pastorum, venatorum, & universÆ vitÆ rusticanÆ prÆsidem crediderunt Antiqui, saithNat. Com. lib. 5. Natalis Comes. Pan was the reputed God amongst the Ancients, of Shepherds, Huntsmen, and all those that led an agrestick life. The same Author also calling him Piscatorum Deum, the God of Fishermen as well as Shepherds. Arcadibus Deorum antiquissimus & honoratissimus est Pan, saith Dionysius.Dion. Hali. lib. 1. But Pan (say they) being the God of Shepherds, why might not Stoneheng to gratifie them be erected, and consequently There was a Temple indeed,Dion. Hal. lib. 1. Dionysius of Halicarnassus tels usDion. lib. 1. the Arcadians built the aforesaid Temple to Pan, idoneo invento loco &c. when they had found out a convenient place for it adjoyning to their habitations: the condition or nature of which place is not unworthy your observation; for by his description thereof A further observation may be made to our purpose, upon the aforesaid description, Erat tum antrum magnum, it was anciently (saith Dionysius)Dion. lib. 1. a great cave. But in his own time, which was under Augustus, the Romans had so choked up the place with building, that the manner how Pans Temple in old time stood, was hardly to be discovered: nunc quidem Ædificiis (saith he) fanum circumquaque sepientibus, difficilis conjectura est qualis olim loci natura fuerit. At this present, verily, the Temple being every way environed with buildings, it is hardly to be conjectured in what manner of place it anciently stood. This was the cause which enforced him to deliver to posterity the former description meerly upon report. Certainly then, the Romans employing the place to profaner uses, Pans Deity was little esteemed by them; otherwise, they would never have polluted it, by setting up private houses upon the place consecrated to him. Now the Romans slighting him after this manner at home, little reason appears so magnificent a structure as Stoneheng, should be Furthermore, the Sacrifices in times of old offered to Pan were milk and honey, offered up in simple Shepherds crocks or earthen pitchers: quare non ritÈ sacrificabant, qui tauros illi immolabant, aut qui in aureis poculis lac aut vinum offerebant &c.Nat. Com. lib. 5. Wherefore, they sacrificed not aright, saith Natalis Comes, who immolated Buls or Oxen unto him, or out of golden cups poured forth milk or wine upon his Altars; for goblets of that metall were proper onely for the supernall and celestiall Deities, not to terrestriall, and such as had care of Heardsmen or Shepherd Swains. To which purpose also, the same Author out of Apollonius SmyrnÆus remembers Pan, thus speaking of himself. Sum Deus agrestis, cur his sunt aurea sacris Pocula? quo vinum funditis Italicum? Ad petram cur stat taurus cervice ligatus? Parcite: non hÆc est victima grata mihi. Pan montanus ego sum, ligneus, ipsÁque vestis Pellicea est: mustum È fictilibÚsque bibo. In English thus: A rurall God am I, in golden cup The Falern wine, why then d’yee offer up? Why at mine Altar, stands the stern Bull bound, Or Oxe that’s fat, with laurell girland crown’d? Spare ye such cost: no gratefull victimes these Are unto me, others lesse costly please. A Mountaineer, a wood-man clad in skin Am I: your wine in earthen vessels bring. But the Sacrifices anciently offered at Stoneheng (already remembred) were Buls or Oxen, and severall sorts of beasts, as appears by the heads of divers kinds of them, not many years since there digged up. As for that of the Pantheon, it is very well known the Ancients so called it, not in any relation to Pan, but because it was sacred to Jove the Revenger, and according to others to Wherefore leaving these, Stoneheng was dedicated, as I conceive, to the God Coelus, by some Authors called Coelum, by others Uranus, from whom the Ancients imagined all things took their beginning. My reasons are, First, in respect of the situation thereof; for it stands in a Plain, remote from any Town or Village, in a free and open air, without any groves or woods about it. Secondly, in regard of the Aspect; for Stoneheng was never covered, but built without a roof. Which Decorum the Romans ever observed, both in the Situation and Aspect of the Temples dedicated to this their God, and to Jove the Lightner, the Sun, and the Moon.Vitr. li. 1. cap. 2. Jovi fulguratori, & Coelo, & Soli, & LunÆ, Ædificia sub divo HypÆthrÁque constituuntur. To Jove the Lightner, and to Coelus, and to the Sun, and to the Moon, they erected buildings in the open air and uncovered, saith Vitruvius in the second Chapter of his first Book. Take with you also his reason. Horum enim Deorum & species & effectus in aperto mundo atque lucenti Thirdly, in regard of the Form of Stoneheng, which is circular.Pier. Valer. Fourthly, in respect of the Order whereof Stoneheng built. The severity of this Tuscane work, retaining in it a shew (as it were) of that first face of Antiquity (as A. Palladio terms it)An. Pal. li. 1. being most agreeable to the nature of this their God, reputed the ancientest of all their Deities, and Father of Saturn. For, it was the custome of the Ancients (as in part I remembred before) to appropriate the severall Orders of Architecture, according to the particular qualifications of those they deified.Vitr. lib. 1. cap. 2. MinervÆ, & Marti, & Herculi, Ædes DoricÆ fient: his enim diis propter virtutem, sine deliciis Ædificia constitui decet. To Minerva, and Mars, and Hercules, Temples of the Dorick Order were made; for, to these Deities in respect of their valiant actions, it According to the Poets, Coelus was not that huge machine adorned with stars, which Orpheus saith was composed for habitation of the Planets, and other Deities, and which we behold moving with continuall revolution: but a certain man so called, son to Æther and Dies, that, is della virtÙ ardente, & della luce famosa, of transcendent influence and resplendent brightness, as Boccace hath it.Boccace lib. 3. By Historians, especially Diodorus Siculus,Diodor. lib. 4. it’s thus delivered. Scribunt primÙm regnasse apud Atlantides Coelum: HominÉsque antea per agros dispersos, ad coetum, condendÁsque urbes exhortatum, À fera eos agrestÍque vita ad mitiorem cultum extitisse &c. They write, he which first reigned over the Atlantides was Coelus, and that he invited men living dispersedly before throughout the fields, to convene, and dwell in companies together, exhorting them to build Towns, and reducing them from wild and savage to the conversation of civill life: Taught them also to sow corn and seeds, and divers other things belonging to the common use of mankind; Ruled likewise over a great part of the world from East to West; Was a diligent observer of the stars, and foretold men divers things to come: The year (before confus’d) bringing into Order, according to the course of the Sun, reducing it also into moneths after the Moons course, and appointing likewise the severall seasons of the year. Whereby many ignorant of the perpetuall course of the stars, and amazed at his future predictions, did verily believe he participated of Divine Nature, and therefore after his death, as well for benefits received from him, as great knowledge of the stars, they conferred on him immortall honours, and adored him as a God. And, as appears, called Coelus in regard of his skill in the celestiall bodies, as also, for divers other causes eternall King of all the world. Thus Diodorus. It being an ordinary custome among the Heathens to deifie, and esteem for Gods, such excellent personages, as either had well ruled, or governed them, or done any notable thing among Furthermore, according to the Philosophers; Men (they knew not how) by nature soon wanting, and by instinct as soon seeking some God (in stead of apprehending better) deified the best to sense. Whereupon, out of all Entities as most glorious to the eye, they first made choice of Heaven, and Heavenly bodies; considering again, as the most beneficiall objects,Plut. Phil. opin. lib. 1. those living creatures, and fruits which the Earth beneath brought forth, to make compleat generations, they coupled Coelus to Tellus, adoring Heaven as Father, and Earth as Mother to these; the pouring down of showers from Heaven seeming in stead of naturall seeds, and the Earth as a Mother to conceive, and bring forth the same. Fifthly, the Sacrifices in times of old offered to Coelus were Bulls or Oxen, their great God Jupiter himself, as I find in Rosinus, offering such Victimes unto him.Rosin. lib. 2. cap. 5. Ante pugnam, que cum Gigantibus in Creta habita est, Jovem sacrificasse dicunt Soli, Coelo, ac TerrÆ bovem. Before the battell struck with the Giants in Crete, they say Jupiter sacrificed an Oxe to Sol, Coelus, and Terra. Now that there hath oftentimes been digged out of the ground at Stoneheng, the heads of such beasts, in all probability anciently in that place sacrificed; I need not again remember, being it is so well known. Sixthly, all the upright stones in this Antiquity are Pyramidall like flames, in imitation of those Ætheriall fires, wherewith the Heaven is adorned.Pier. Valer. Hier. lib. 60. Now, that Fire hath the form of a Pyramis is evident, percioche, essendo largo da basso, intorno alla materia & esca, da che si pasce, finisce in acuta fiammache riguardo al Cielo. Because, being large at the bottome, in respect of the matter and fewell, by which it is fed, it finishes in an acute flame tending upwards towards Heaven. And, that the Heavens are adorned with fires, Natalis Comes in his Mythology, out of Orpheus, makes apparent. Nihil aliud esse Coelum existimans, nisi Lastly, that Stoneheng was anciently dedicated to Coelus I collect from the Conformation of the work. For the conformation of the Cell and Porticus in the Plant, was designed with four equilaterall Triangles, inscribed in a Circle, such as the Astrologers use in describing the twelve celestiall signs in musicall proportions. According to that of Vitruvius;Vitr. lib. 5. In ea conformatione quatuor scribantur trigona paribus lateribus & intervallis, quÆ extremam lineam circinationis tangant; In the conformation thereof let four triangles be inscribed of equall sides and intervals, which may touch the extreme part of the circumference: quibus etiam in duodecim signorum coelestium descriptione, Astrologi ex musica convenientia astrorum ratiocinantur; by which figures also, Astrologers from the musicall harmony of the stars ground their reasonings, as concerning the description of the twelve celestiall signs. Besides the Cell it self in the formation thereof, is cast into an Exagon, one of the three figures, likewise used by Astrologers in their aforesaid arguments of the sympathy of the stars. Figuris tribus (saith Philander) utuntur Astrologi, Trigono, Tetragono & Hexagono. The Astrologers make use of three sorts of figures; the Triangle, Tetragon, and Hexagon. Furthermore, the three entrances leading into the Temple from the Plain, were comparted by an equilaterall triangle; which was the figure whereby the Ancients expressed what appertained to Heaven, and divine mysteries also.Pier. Valer. But in this conjuncture; concerning such kinde of Temples as this at Stoneheng, what saith the learned Patriarch of Aquileia?Dan. Barba. in lib. 4. Camden tels us he had heard, that in the time of King Henry the eighth, a table of metall was found, not far from this Antiquity, engraven with divers strange characters, which being not legible, was neglected and lost: had, indeed, that Table been found within the work it self it might happily have brought to light somwhat in relation to Stoneheng. And by all likelihood, in time some inscriptions may therein be found, it being the custome as well of Greeks as Romans, in times of greatest Antiquity, to lay inscriptions (usually) under the first stones set in what works soever; especially, those of any great magnificence. Wherefore, I advise mine honoured Friend Laurence Washington Esquire in whose demeasnes this Antiquity stands, to whom I am much obliged, for his friendly notice of what things have been there of late years digged up, that he would be solicitous upon any search made there, to enquire after them, and if any found not to neglect, or curiously conceal them, but preserve and willingly produce the same. I suppose, I have now proved from Authentick Authors, and the rules of Art, Stoneheng anciently a Temple, dedicated History affords only Contemplation, whereby their great Actions are made conceivable alone to reasoning: but the ruines of their buildings Demonstration, which obvious to sense, are even yet as so many eye-witnesses of their admir’d atchievements. Opinions fancied to the contrary, I have rendred improbable, the Authors of them in respect of this Antiquity being not only modern; but also, what said by them Romance-like hatched out of their own brains,Camd. fo. 8. even as other fables invented by them, touching the Britains of old. Men possest neverthelesse, with a former conceit of things, endure not by any means new opinions, having not commonly patience to search long after the truth thereof. To them, ever the more generally received, the truer things seem, accounting all of their own time despicable; insomuch, as some are so far in love with vulgarly receiv’d reports, that it must be taken for truth, whatsoever related by them, though nor head, nor tail, nor foot, nor footstep in it oftentimes of reason or common sense. They that beleeve Geffrey Monmouths ipse dixit, may make themselves merry therewith; in pleasing their own fancy, they displease not mine. As I have delivered my own judgement freely, all reason they FINIS.
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