That good-sized book that Father Peter had brought to the Castle with him was no book of magic to exorcise devils, but rather a book that had had some man-tormenting devil for composer: it had moulded already for two centuries in the Madocsany Monastery library before the Jesuit order was founded by Ignatius Loyola; at that time the Carmelite fathers were in the abbey; the contents of this book must have caused them, too, many a headache, for they wrote many pages of Latin commentaries to explain this text of a few leaves which nobody understood yet. This much had the investigators already worked out; that the characters were the same that the Arabs employed in their secret correspondence, and the alphabet was that known among Orientalists as "Lijakah." On the other hand, the words which the letters formed were not to be found in any speech of any known people on the whole globe. One linguist insisted that he recognized the Arabic, another the Coptic, and a third the Mongolian in The little son of the mistress of the castle slept with the monk in one room, but beside the monk, the child must have the Fool too; for he could not go to sleep unless the Fool told him fairy stories, and the Fool well knew how. Often he sat until midnight by the boy's bedside, weaving garlands of the Thousand and One Nights; this gave the monk a chance to study the secrets of the Arabic writing. The young Lord had very bad dreams. He dreamed of the fairies and witches in the fairy tales, and would waken screaming. Often he dreamed with wide open eyes, tried to escape, howled and wept, so that the monk and the Fool had all they could do to quiet him and lull him back to sleep again. And this was continued until early morning, when the boy fell into a deep sleep, and the monk and the Fool could give themselves to rest. The monk found his Arabic book of sufficient service in these night watches, but for the Fool wine was furnished as a means of keeping awake. And so they sat through the still nights beside each other at a table; in front of the monk lay the open book and the large inkstand of lead, and before the Fool stood a large pitcher and a tin mug. "What would a man say, Monk," said the Fool once, "if he should see us together this way every night? Which would he call the Fool and which the wise man?" "He would call you wise, and me a fool." "If you would like, I could share my wisdom with you, for my pitcher is full; there is wine in it." "I do not drink wine." "What have you there in front of you?" "Ink." "And I do not drink ink, but I'll taste your drink; give me some." "Ink is not to drink." "What is it for?" "You see. Men dip quills in it, and write letters with it, and what is in the letters causes greater delight to the human soul than your wine to the human throat." "Give me a swallow of it that I may learn its taste." "Nobody can give of this drink." "Is it frozen?" "Yes, just that. It is written in a foreign language that I do not myself understand." "You do not understand! and you follow with your finger along the line of those bird-tracks! Then this magic book is of no more value to you than to me. I might just as well sit in your place, and follow with my finger." "You are quite right, Fool." "Now I'll tell you a thing, and you can make two of it. If I can swallow a little of your drink "I can easily agree to that." "Now then, wait a little. Before you came I had a student for companion in these night-watches, who used to work there busily, just where you sit. He was to have taught the young Lord to read and write, but every day he got hit in the head with the inkstand. I watched this foolish student carefully from the other end of the table, and saw that when he took his goosequill in his hand, and began to make all kinds of flourishes that he always worked from left to right, but as I observe your finger you go from right to left, and in that way get everything wrong end to. Now listen, and I will recite you a sweet song: Did you understand? Arabic, isn't it? Now just read it backward and you will understand at once. 'Even when the rough winds blow, Even when the stout oak creaks, The floweret in the grass below Fears not what their fury wreaks.'" "Quite right, Fool, but this is written in Arabic, and Arabic, like all Eastern languages, is written from right to left." "What is the title of your book?" "Yaw Derevocsid Eht." The Fool burst into a loud laugh. "Didn't I tell you that I would drink of your cup first? Now read from left to right just as you have done: "Yaw Derevocsid Eht means simply, The Discovered Way." Father Peter's eyes and mouth stood wide open with astonishment. What fifty wise men had not been able to guess in two hundred years, a fool had found out in two minutes! Now Father Peter began to read as the Fool had instructed him. He read two, three lines, a whole page; and the more he read, the more his countenance lifted up, his eyes beamed, the ascetic hardness of his features melted under the glow of an indescribable fire; he began to pound on the table with his right hand. "See, see!" cried the Fool, "The monk is drunk with his own wine." At this the monk sprang up and closed the book. "This book does not drive away the Devil, it summons him." "Didn't I tell you I knew how to drink your "Pass me your mug." His hand still trembled as he took the mug. At first his dry lips just sipped the wine; it could not have been especially good; but after two years of abstinence, the monk experienced a magic effect, and the wine exhilarated him as if he tasted it for the first time in his life. He sank back into his armchair, and in his upturned face were mirrored visions of ecstacy. His far-gazing eyes beamed, and on his half-opened lips trembled a smile. Where might his soul be wandering now? Involuntarily his hand reached for the book and opened its covers. "Oh, woe, woe! Dromo the Devil is here! oh, woe, he will throw me into the fire!" So screamed the restless, dreaming boy, tossing on his couch, with his head hanging off. The monk was roused, and shuddered, then ran to the boy, raised him, laid him back on his pillow and quieted him with caressing words: "Don't be afraid, little one, I am here beside you." The child stared at him with wide-open eyes. "Are you my father?" "Yes, your spiritual father." "My father, whom the Devil carried off to Hell? That's what my mother said. Leave me, leave me! I will not go with you. Your hand is fire, and your fingers burn me." And yet the monk's hand was as cold as ice, as he stroked the child's silken hair. By the bed stood a silver pitcher with a small gold cup: the boy raised it to his lips and at once became quiet, as the terrifying visions vanished. He wound both arms around the neck of the monk and whispered to him, while still under the spell of the dream: "Beautiful Knight, brave Knight! When you lift my mother into the saddle with you, you'll take me with you, won't you, my handsome Knight, my golden, diamond hero!" With that he fell into a gentle sleep. "Just see what a good nurse you would make," said the Fool to his friend, "Sometimes I have to spend a good half-hour rubbing his feet and singing to him, and he is asleep at once. Have another mugful?" "I don't like your wine." "It's true you ought to drink yours, not mine." Father Peter saw with horror that the large book was open again. He thought it was magic. "Did you touch this book?" he asked the Fool. "No, not if you were to give me this castle, and its handsome mistress with it, would I open that book; it opened itself." The red and blue letters were oh, so enticing! It was no sealed secret now that they contained; for they were all familiar. The monk leaned back in his chair and read the leaves of the secret writing until he had read them to the end. And the farther he read, the more intense grew that expression of unquenchable thirst, like that of a sick man who dreams that he is in a desert and longs for a cataract to drink. Every leaf of the book was a new catastrophe, the whole one unbroken delirium; he did not look up until he had finished the last line of the last page. Then he called to the Fool: "Bring me a whole bucket of wine." The morning sun, which streamed in through the painted window, found them both in the same place; the Fool was under the table: the monk sat before his book, his head on his hands, his eyes wide open:—he did not read, he did not sleep, but yet he dreamed. In Yaw Derevocsid Eht was no cabalistic writing. The writer at the very first gave his reasons for employing this device. He had chosen the Arabic letters so that all would try to read it from right to left, and so fail to discover its meaning. In case it occurred to anybody to read it from left to right, still, as the people of that vicinity rarely knew more than Hungarian, no meaning would appear. In case anybody understood English, it was hardly probable the Arabic text would be familiar too. Only by rare chance could this mysterious book be deciphered. What it contained was the description of a secret passage or tunnel that led from the Madocsany Castle to the turreted walls of Mitosin. Midway was the river Waag, which was here quite wide, but the tunnel passed under the river bed, thus anticipating the Thames tunnel by about four hundred years. If any one shakes his head at this, and begins to doubt that our story is true, we will point out to such a doubter the secret way that leads from a certain castle to a distant village, a veritable catacomb |